Testőr - Revision history

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Sources

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Translations and adaptations

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 == Sources ==
-"New Translation of Molnár's 1910 The Guardsman
+"New Translation of Molnár's 1910 ''The Guardsman''
 Deftly Performed", ''Talkin' Broadway'', July 2015[http://www.talkinbroadway.com/page/regional/nj/nj699.html]

← Older revision		Revision as of 04:30, 5 April 2016
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	In the latter two translations , the translators seek to rectify the farcical approach usually given the play.		In the latter two translations , the translators seek to rectify the farcical approach usually given the play.

−	Nelson, speaking of his version (performed by The Kennedy Center, 2013), says that instead of being the "lively drawing room comedy" that it so often plated as, it is actually a very personal work which "skips along the edge of madness, and never quite falls off"[https://www.facebook.com/notes/the-john-f-kennedy-center-for-the-performing-arts/the-guardsman-richard-nelsons-note-on-the-translation/10151596679513147/]. In her production with The Shakespeare Theatre of New Jersey of 2015, translator/director Monte restored the play to its original setting of Budapest and also sought to highlight the work's tragic undertones, stating that "[W]hether ''The Guardsman'' is more an agonized comedy or a very funny tragedy is up to each viewer"[http://www.talkinbroadway.com/page/regional/nj/nj699.html].	+	Nelson, speaking of his version (performed by The Kennedy Center, 2013), says that instead of being the "lively drawing room comedy" that it so often plated as, it is actually a very personal work which "skips along the edge of madness, and never quite falls off"[https://www.facebook.com/notes/the-john-f-kennedy-center-for-the-performing-arts/the-guardsman-richard-nelsons-note-on-the-translation/10151596679513147/]. In her production with The Shakespeare Theatre of New Jersey of 2015, translator/adaptor/director Monte (working from a literal translation by Gábor Lukin) restored the play to its original setting of Budapest and also sought to highlight the work's tragic undertones, stating that "[W]hether ''The Guardsman'' is more an agonized comedy or a very funny tragedy is up to each viewer"[http://www.talkinbroadway.com/page/regional/nj/nj699.html].

@@ Line 27: / Line 27: @@
 "New Translation of Molnár's 1910 The Guardsman
-Deftly Performed", ''Talkin' Broadway'', http://www.talkinbroadway.com/page/regional/nj/nj699.html
+Deftly Performed", ''Talkin' Broadway'', July 2015[http://www.talkinbroadway.com/page/regional/nj/nj699.html]
 "''The Guardsman''", ''DC Theatre Scene'', June 3, 2013[https://www.facebook.com/notes/the-john-f-kennedy-center-for-the-performing-arts/the-guardsman-richard-nelsons-note-on-the-translation/10151596679513147/]

@@ Line 26: / Line 26: @@
 == Sources ==
-http://www.talkinbroadway.com/page/regional/nj/nj699.html
+"New Translation of Molnár's 1910 The Guardsman
 "''The Guardsman''", ''DC Theatre Scene'', June 3, 2013[https://www.facebook.com/notes/the-john-f-kennedy-center-for-the-performing-arts/the-guardsman-richard-nelsons-note-on-the-translation/10151596679513147/]

← Older revision		Revision as of 04:24, 5 April 2016
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	http://www.talkinbroadway.com/page/regional/nj/nj699.html		http://www.talkinbroadway.com/page/regional/nj/nj699.html
−
−	~~http://dctheatrescene.com/2013/06/03/the-guardsman/~~

	"''The Guardsman''", ''DC Theatre Scene'', June 3, 2013[https://www.facebook.com/notes/the-john-f-kennedy-center-for-the-performing-arts/the-guardsman-richard-nelsons-note-on-the-translation/10151596679513147/]		"''The Guardsman''", ''DC Theatre Scene'', June 3, 2013[https://www.facebook.com/notes/the-john-f-kennedy-center-for-the-performing-arts/the-guardsman-richard-nelsons-note-on-the-translation/10151596679513147/]

@@ Line 30: / Line 30: @@
 http://dctheatrescene.com/2013/06/03/the-guardsman/
-https://www.facebook.com/notes/the-john-f-kennedy-center-for-the-performing-arts/the-guardsman-richard-nelsons-note-on-the-translation/10151596679513147/
+"''The Guardsman''", ''DC Theatre Scene'', June 3, 2013[https://www.facebook.com/notes/the-john-f-kennedy-center-for-the-performing-arts/the-guardsman-richard-nelsons-note-on-the-translation/10151596679513147/]
 [[ESAT Bibliography Tra-Tz|Tucker]], 1997. p 45.

← Older revision		Revision as of 04:20, 5 April 2016
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	http://dctheatrescene.com/2013/06/03/the-guardsman/		http://dctheatrescene.com/2013/06/03/the-guardsman/
		+
		+	https://www.facebook.com/notes/the-john-f-kennedy-center-for-the-performing-arts/the-guardsman-richard-nelsons-note-on-the-translation/10151596679513147/

	[[ESAT Bibliography Tra-Tz\|Tucker]], 1997. p 45.		[[ESAT Bibliography Tra-Tz\|Tucker]], 1997. p 45.

← Older revision		Revision as of 04:19, 5 April 2016
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	http://www.talkinbroadway.com/page/regional/nj/nj699.html		http://www.talkinbroadway.com/page/regional/nj/nj699.html
		+
		+	http://dctheatrescene.com/2013/06/03/the-guardsman/

	[[ESAT Bibliography Tra-Tz\|Tucker]], 1997. p 45.		[[ESAT Bibliography Tra-Tz\|Tucker]], 1997. p 45.

← Older revision		Revision as of 04:19, 5 April 2016
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−	Adapted to film starring Alfred Lunt and Lynn Fontanne in 1931.	+	Adapted to film starring Alfred Lunt and Lynn Fontanne in 1931, and the plot used in the film of ''[[The Chocolate Soldier]]''.

	==South African productions ==		==South African productions ==

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 Translated by Grace L. Colbron and Hans Bartsch, and turned into an acting version by Philip Moeller, as a vehicle for Alfred Lunt and Lynn Fontanne. Performed by The Theatre Guild on Broadway in 1924, Published, with a foreword by Theresa Herburn, in New York by Liveright,  1937.
-Other translations have been done by Frank Marcus (1978), Richard Nelson (2013), and Bonnie J. Monte (2015).
+Other translations have been done by Frank Marcus (Eyre Methuen, 1978), Richard Nelson (2013), and Bonnie J. Monte (2015).
 In the latter two translations , the translators seek to rectify the farcical approach usually given the play.
-Nelson, speaking of his version, says that instead of being the "lively drawing room comedy" that it so often plated as,  it is actually a very personal work which "skips along the edge of madness, and never quite falls off"[https://www.facebook.com/notes/the-john-f-kennedy-center-for-the-performing-arts/the-guardsman-richard-nelsons-note-on-the-translation/10151596679513147/]. In her production with The Shakespeare Theatre of New Jersey of 2015, translator/director Monte restored the play to its original setting of Budapest and also sought to highlight the work's  tragic undertones, stating that "[W]hether ''The Guardsman'' is more an agonized comedy or a very funny tragedy is up to each viewer"[http://www.talkinbroadway.com/page/regional/nj/nj699.html].
+Nelson, speaking of his version (performed by   The Kennedy Center, 2013), says that instead of being the "lively drawing room comedy" that it so often plated as,  it is actually a very personal work which "skips along the edge of madness, and never quite falls off"[https://www.facebook.com/notes/the-john-f-kennedy-center-for-the-performing-arts/the-guardsman-richard-nelsons-note-on-the-translation/10151596679513147/]. In her production with The Shakespeare Theatre of New Jersey of 2015, translator/director Monte restored the play to its original setting of Budapest and also sought to highlight the work's  tragic undertones, stating that "[W]hether ''The Guardsman'' is more an agonized comedy or a very funny tragedy is up to each viewer"[http://www.talkinbroadway.com/page/regional/nj/nj699.html].
 Adapted to film starring Alfred Lunt and Lynn Fontanne in 1931.