Stephanie Fauré - Revision history

Satj at 04:41, 15 July 2019

2019-07-15T04:41:23Z

Satj: /* As elocutionist */

2019-07-15T04:38:28Z

As elocutionist

Satj: /* As elocutionist */

2019-07-15T04:35:02Z

As elocutionist

Satj: /* As elocutionist */

2019-07-15T04:34:44Z

As elocutionist

Satj at 04:33, 15 July 2019

2019-07-15T04:33:06Z

Satj at 04:32, 15 July 2019

2019-07-15T04:32:22Z

Satj at 04:00, 15 July 2019

2019-07-15T04:00:01Z

Fogterop at 19:51, 25 June 2015

2015-06-25T19:51:10Z

Miriamt at 15:42, 1 August 2012

2012-08-01T15:42:39Z

Miriamt: Created page with "FAURÉ, Stephanie. (18-19) Well known elocutionist, highly regarded actress and competent director of early Afrikaans theatre. Trained in Antwerp, Belgium with Prof E. De Lau..."

2012-08-01T15:42:12Z

Created page with "FAURÉ, Stephanie. (18**-19**) Well known elocutionist, highly regarded actress and competent director of early Afrikaans theatre. Trained in Antwerp, Belgium with Prof E. De Lau..."

New page

FAURÉ, Stephanie. (18**-19**) Well known elocutionist, highly regarded actress and competent director of early Afrikaans theatre. Trained in Antwerp, Belgium with Prof E. De Lauwerijs, then returned to South Africa in 1924, to work with amateurs in Pretoria and Johannesburg, such as the [[TUK Toneelvereniging]], with whom she directed a production of [[H.A. Fagan]]’s ''[[Lenie]]''. In the 1920s she became a member of the management of the [[Afrikaanse Kultuurvereniging en Toneelskool]] established by [[Danie Smal]]. In this time she directed the first (amateur) production of [[C. Louis Leipoldt|Leipoldt]]’s ''[[Die Heks]]'' (1925), with **. It was the year she met [[Paul de Groot]], with whom she then did a number of speech recitals in Pretoria and Johannesburg, and performed in ''[[Die Heks]]'' (1925), ''[[Huis Toe]]'' (1925), ''[[Oorskotjie]]'' (1925), and other plays. The pivotal production of ''[[Huis Toe]]'' in July really launched professional theatre in Afrikaans. She initally served as [[Paul de Groot|De Groot]]''’s speech coach in Afrikaans and his directing colleague, but by the end of 1925 she had left the company to work on her own, touring through the country with her speech recitals. Was appointed as lecturer in Afrikaans and English elocution Transvaal University College (later: [[University of Pretoria]]). Among her students were to feature such later luminaries as [[Wena Naudé]], [[Hélèna Botha]]. Utilizing her students she helped to launch a number of new works by Afrikaans authors, such as [[H.A. Fagan|Fagan]], [[C. Louis Leipoldt|Leipoldt]] and [[J.F.W. Grosskopf|Grosskopf]]. Also notable was her involvement in the dramatisation and production of [[Jochem van Bruggen]]’s seminal novel ''[[Ampie]]'', which became a key success for [[André Huguenet]] as Ampie in 1930. Also was the co-director (with [[Joseph Albrecht]]) and star of the first Afrikaans sound film, ''Moedertjie'' (1931). (Binge, 1969)

Return to [[ESAT Personalities F]]

Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]

Return to [[Main Page]]

@@ Line 9: / Line 9: @@
 ==Her contribution to South African theatre==
-==As elocutionist==
+===As elocutionist===
 Shortly after her return to the country she met [[Paul de Groot]] in 1925 and did a number of speech recitals in Pretoria and Johannesburg with him.  She also served as [[Paul de Groot|De Groot]]’s speech coach in [[Afrikaans]] and his directing colleague, but by the end of 1925 she had left the company to work on her own, touring through the country with her own speech recitals.
@@ Line 15: / Line 15: @@
 Subsequently appointed as lecturer in [[Afrikaans]] and English elocution at the [[Transvaalse Universiteitskollege]] ([[TUK]]) (i.e. [[Transvaal University College]], later to become the [[University of Pretoria]]) she became immensely influential. Among her students were to feature such later luminaries as [[Wena Naudé]] and [[Hélèna Botha]]. Utilizing her students as performers she helped to launch a number of new works by [[Afrikaans]] authors, including  [[H.A. Fagan]], [[C. Louis Leipoldt]] and [[J.F.W. Grosskopf]].
-==As actress==
+===As actress===
 For  [[Paul de Groot]], she  performed , among others, in ''[[Die Heks]]'' (1925), ''[[Huis Toe]]'' (1925) and ''[[Oorskotjie]]'' (1925). These productions, particularly that of ''[[Huis Toe]]'', were pivotal events in the history South African theatre, effectively launching professional theatre in [[Afrikaans]] in the country.

@@ Line 13: / Line 13: @@
 Shortly after her return to the country she met [[Paul de Groot]] in 1925 and did a number of speech recitals in Pretoria and Johannesburg with him.  She also served as [[Paul de Groot|De Groot]]’s speech coach in [[Afrikaans]] and his directing colleague, but by the end of 1925 she had left the company to work on her own, touring through the country with her own speech recitals.
-Subsequently appointed as lecturer in [[Afrikaans]] and English elocution at the [[Transvaalse Unversiteitskollege]] ([[TUK]]) (i.e. [[Transvaal University College]], later to become the [[University of Pretoria]]) she became immensely influential. Among her students were to feature such later luminaries as [[Wena Naudé]] and [[Hélèna Botha]]. Utilizing her students as performers she helped to launch a number of new works by [[Afrikaans]] authors, including  [[H.A. Fagan]], [[C. Louis Leipoldt]] and [[J.F.W. Grosskopf]].
+Subsequently appointed as lecturer in [[Afrikaans]] and English elocution at the [[Transvaalse Universiteitskollege]] ([[TUK]]) (i.e. [[Transvaal University College]], later to become the [[University of Pretoria]]) she became immensely influential. Among her students were to feature such later luminaries as [[Wena Naudé]] and [[Hélèna Botha]]. Utilizing her students as performers she helped to launch a number of new works by [[Afrikaans]] authors, including  [[H.A. Fagan]], [[C. Louis Leipoldt]] and [[J.F.W. Grosskopf]].
 ==As actress==

@@ Line 13: / Line 13: @@
 Shortly after her return to the country she met [[Paul de Groot]] in 1925 and did a number of speech recitals in Pretoria and Johannesburg with him.  She also served as [[Paul de Groot|De Groot]]’s speech coach in [[Afrikaans]] and his directing colleague, but by the end of 1925 she had left the company to work on her own, touring through the country with her own speech recitals.
-Subsequently appointed as lecturer in [[Afrikaans]] and English elocution at the [[Transvaalse Unversiteits Kollege]] ([[TUK]]) (i.e. [[Transvaal University College]], later to become the [[University of Pretoria]]) she became immensely influential. Among her students were to feature such later luminaries as [[Wena Naudé]] and [[Hélèna Botha]]. Utilizing her students as performers she helped to launch a number of new works by [[Afrikaans]] authors, including  [[H.A. Fagan]], [[C. Louis Leipoldt]] and [[J.F.W. Grosskopf]].
+Subsequently appointed as lecturer in [[Afrikaans]] and English elocution at the [[Transvaalse Unversiteitskollege]] ([[TUK]]) (i.e. [[Transvaal University College]], later to become the [[University of Pretoria]]) she became immensely influential. Among her students were to feature such later luminaries as [[Wena Naudé]] and [[Hélèna Botha]]. Utilizing her students as performers she helped to launch a number of new works by [[Afrikaans]] authors, including  [[H.A. Fagan]], [[C. Louis Leipoldt]] and [[J.F.W. Grosskopf]].
 ==As actress==

@@ Line 13: / Line 13: @@
 Shortly after her return to the country she met [[Paul de Groot]] in 1925 and did a number of speech recitals in Pretoria and Johannesburg with him.  She also served as [[Paul de Groot|De Groot]]’s speech coach in [[Afrikaans]] and his directing colleague, but by the end of 1925 she had left the company to work on her own, touring through the country with her own speech recitals.
-Subsequently appointed as lecturer in [[Afrikaans]] and English elocution [[Transvaal University College]] (later: [[University of Pretoria]]) she became immensely influential. Among her students were to feature such later luminaries as [[Wena Naudé]] and [[Hélèna Botha]]. Utilizing her students as performers she helped to launch a number of new works by [[Afrikaans]] authors, including  [[H.A. Fagan]], [[C. Louis Leipoldt]] and [[J.F.W. Grosskopf]].
+Subsequently appointed as lecturer in [[Afrikaans]] and English elocution at the [[Transvaalse Unversiteits Kollege]] ([[TUK]]) (i.e. [[Transvaal University College]], later to become the [[University of Pretoria]]) she became immensely influential. Among her students were to feature such later luminaries as [[Wena Naudé]] and [[Hélèna Botha]]. Utilizing her students as performers she helped to launch a number of new works by [[Afrikaans]] authors, including  [[H.A. Fagan]], [[C. Louis Leipoldt]] and [[J.F.W. Grosskopf]].
 ==As actress==

← Older revision		Revision as of 04:33, 15 July 2019
Line 1:		Line 1:
−	[[Stephanie ~~Faure~~]] (b. 09/09/1894 - d. 25/12/1961) was an elocutionist, actress and director of early Afrikaans theatre.	+	[[Stephanie Fauré]] (b. 09/09/1894 - d. 25/12/1961) was an elocutionist, actress and director of early Afrikaans theatre.
		+
		+	Also found as [[Stephanie Faure]]

	==Biography==		==Biography==

@@ Line 1: / Line 1: @@
-FAURÉ, Stephanie. (b. 09/09/1894 - d. 25/12/1961) Well known elocutionist, highly regarded actress and competent director of early Afrikaans theatre. Trained in Antwerp, Belgium with Prof E. De Lauwerijs, then returned to South Africa in 1924, to work with amateurs in Pretoria and Johannesburg, such as the [[TUK Toneelvereniging]], with whom she directed a production of [[H.A. Fagan]]’s ''[[Lenie]]''. In the 1920s she became a member of the management of the [[Afrikaanse Kultuurvereniging en Toneelskool]] established by [[Danie Smal]]. In this time she directed the first (amateur) production of [[C. Louis Leipoldt]]’s ''[[Die Heks]]'' (1925),  with **. It was the year she met [[Paul de Groot]], with whom she then did a number of speech recitals in Pretoria and Johannesburg, and performed in ''[[Die Heks]]'' (1925), ''[[Huis Toe]]'' (1925), ''[[Oorskotjie]]'' (1925), and other plays. The pivotal production of ''[[Huis Toe]]'' in July really launched professional theatre in Afrikaans. She initally served as [[Paul de Groot|De Groot]]’s speech coach in [[Afrikaans]] and his directing colleague, but by the end of 1925 she had left the company to work on her own, touring through the country with her speech recitals.
+[[Stephanie Faure]] (b. 09/09/1894 - d. 25/12/1961) was an elocutionist, actress and director of early Afrikaans theatre.
-She did the first production  of [[C. Louis Leipoldt]]’s ''[[Die Laaste Aand]]'', which opened on  in Pretoria on 26 May 1931.
+==Biography==
-Was appointed as lecturer in Afrikaans and English elocution Transvaal University College (later: [[University of Pretoria]]). Among her students were to feature such later luminaries as [[Wena Naudé]], [[Hélèna Botha]]. Utilizing her students she helped to launch a number of new works by Afrikaans authors, such as [[H.A. Fagan|Fagan]], [[C. Louis Leipoldt|Leipoldt]] and [[J.F.W. Grosskopf|Grosskopf]]. Also notable was her involvement in the dramatisation and production of [[Jochem van Bruggen]]’s seminal novel ''[[Ampie]]'', which became a key success for [[André Huguenet]] as Ampie in 1930. Also was the co-director (with [[Joseph Albrecht]]) and star of the first Afrikaans sound film, ''Moedertjie'' (1931). (Binge, 1969)
+Having trained in Antwerp, Belgium, with Prof E. De Lauwerijs, she returned to South Africa in 1924, to work with amateurs in Pretoria and Johannesburg, and later became a member of the management of the [[Afrikaanse Kultuurvereniging en Toneelskool]], established by [[Danie Smal]]. In 1925 she met [[Paul de Groot]], with whom she then did a number of speech recitals in Pretoria and Johannesburg, and performed in ''[[Die Heks]]'' (1925), ''[[Huis Toe]]'' (1925), ''[[Oorskotjie]]'' (1925), and other plays. The pivotal production of ''[[Huis Toe]]'' in July really launched professional theatre in Afrikaans. She initally served as [[Paul de Groot|De Groot]]’s speech coach in [[Afrikaans]] and his directing colleague, but by the end of 1925 she had left the company to work on her own, touring through the country with her speech recitals.
-Return to [[ESAT Personalities F]]
+==As elocutionist==
 Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 Return to [[Main Page]]

← Older revision		Revision as of 04:00, 15 July 2019
Line 1:		Line 1:
−	FAURÉ, Stephanie. (b. 09/09/1894 - d. 25/12/1961) Well known elocutionist, highly regarded actress and competent director of early Afrikaans theatre. Trained in Antwerp, Belgium with Prof E. De Lauwerijs, then returned to South Africa in 1924, to work with amateurs in Pretoria and Johannesburg, such as the [[TUK Toneelvereniging]], with whom she directed a production of [[H.A. Fagan]]’s ''[[Lenie]]''. In the 1920s she became a member of the management of the [[Afrikaanse Kultuurvereniging en Toneelskool]] established by [[Danie Smal]]. In this time she directed the first (amateur) production of [[C. Louis ~~Leipoldt\|~~Leipoldt]]’s ''[[Die Heks]]'' (1925), with **. It was the year she met [[Paul de Groot]], with whom she then did a number of speech recitals in Pretoria and Johannesburg, and performed in ''[[Die Heks]]'' (1925), ''[[Huis Toe]]'' (1925), ''[[Oorskotjie]]'' (1925), and other plays. The pivotal production of ''[[Huis Toe]]'' in July really launched professional theatre in Afrikaans. She initally served as [[Paul de Groot\|De Groot]]’s speech coach in Afrikaans and his directing colleague, but by the end of 1925 she had left the company to work on her own, touring through the country with her speech recitals. Was appointed as lecturer in Afrikaans and English elocution Transvaal University College (later: [[University of Pretoria]]). Among her students were to feature such later luminaries as [[Wena Naudé]], [[Hélèna Botha]]. Utilizing her students she helped to launch a number of new works by Afrikaans authors, such as [[H.A. Fagan\|Fagan]], [[C. Louis Leipoldt\|Leipoldt]] and [[J.F.W. Grosskopf\|Grosskopf]]. Also notable was her involvement in the dramatisation and production of [[Jochem van Bruggen]]’s seminal novel ''[[Ampie]]'', which became a key success for [[André Huguenet]] as Ampie in 1930. Also was the co-director (with [[Joseph Albrecht]]) and star of the first Afrikaans sound film, ''Moedertjie'' (1931). (Binge, 1969)	+	FAURÉ, Stephanie. (b. 09/09/1894 - d. 25/12/1961) Well known elocutionist, highly regarded actress and competent director of early Afrikaans theatre. Trained in Antwerp, Belgium with Prof E. De Lauwerijs, then returned to South Africa in 1924, to work with amateurs in Pretoria and Johannesburg, such as the [[TUK Toneelvereniging]], with whom she directed a production of [[H.A. Fagan]]’s ''[[Lenie]]''. In the 1920s she became a member of the management of the [[Afrikaanse Kultuurvereniging en Toneelskool]] established by [[Danie Smal]]. In this time she directed the first (amateur) production of [[C. Louis Leipoldt]]’s ''[[Die Heks]]'' (1925), with **. It was the year she met [[Paul de Groot]], with whom she then did a number of speech recitals in Pretoria and Johannesburg, and performed in ''[[Die Heks]]'' (1925), ''[[Huis Toe]]'' (1925), ''[[Oorskotjie]]'' (1925), and other plays. The pivotal production of ''[[Huis Toe]]'' in July really launched professional theatre in Afrikaans. She initally served as [[Paul de Groot\|De Groot]]’s speech coach in [[Afrikaans]] and his directing colleague, but by the end of 1925 she had left the company to work on her own, touring through the country with her speech recitals.
		+
		+	She did the first production of [[C. Louis Leipoldt]]’s ''[[Die Laaste Aand]]'', which opened on in Pretoria on 26 May 1931.
		+
		+	Was appointed as lecturer in Afrikaans and English elocution Transvaal University College (later: [[University of Pretoria]]). Among her students were to feature such later luminaries as [[Wena Naudé]], [[Hélèna Botha]]. Utilizing her students she helped to launch a number of new works by Afrikaans authors, such as [[H.A. Fagan\|Fagan]], [[C. Louis Leipoldt\|Leipoldt]] and [[J.F.W. Grosskopf\|Grosskopf]]. Also notable was her involvement in the dramatisation and production of [[Jochem van Bruggen]]’s seminal novel ''[[Ampie]]'', which became a key success for [[André Huguenet]] as Ampie in 1930. Also was the co-director (with [[Joseph Albrecht]]) and star of the first Afrikaans sound film, ''Moedertjie'' (1931). (Binge, 1969)

← Older revision		Revision as of 19:51, 25 June 2015
Line 1:		Line 1:
−	FAURÉ, Stephanie. (18-19) Well known elocutionist, highly regarded actress and competent director of early Afrikaans theatre. Trained in Antwerp, Belgium with Prof E. De Lauwerijs, then returned to South Africa in 1924, to work with amateurs in Pretoria and Johannesburg, such as the [[TUK Toneelvereniging]], with whom she directed a production of [[H.A. Fagan]]’s ''[[Lenie]]''. In the 1920s she became a member of the management of the [[Afrikaanse Kultuurvereniging en Toneelskool]] established by [[Danie Smal]]. In this time she directed the first (amateur) production of [[C. Louis Leipoldt\|Leipoldt]]’s ''[[Die Heks]]'' (1925), with **. It was the year she met [[Paul de Groot]], with whom she then did a number of speech recitals in Pretoria and Johannesburg, and performed in ''[[Die Heks]]'' (1925), ''[[Huis Toe]]'' (1925), ''[[Oorskotjie]]'' (1925), and other plays. The pivotal production of ''[[Huis Toe]]'' in July really launched professional theatre in Afrikaans. She initally served as [[Paul de Groot\|De Groot]]’s speech coach in Afrikaans and his directing colleague, but by the end of 1925 she had left the company to work on her own, touring through the country with her speech recitals. Was appointed as lecturer in Afrikaans and English elocution Transvaal University College (later: [[University of Pretoria]]). Among her students were to feature such later luminaries as [[Wena Naudé]], [[Hélèna Botha]]. Utilizing her students she helped to launch a number of new works by Afrikaans authors, such as [[H.A. Fagan\|Fagan]], [[C. Louis Leipoldt\|Leipoldt]] and [[J.F.W. Grosskopf\|Grosskopf]]. Also notable was her involvement in the dramatisation and production of [[Jochem van Bruggen]]’s seminal novel ''[[Ampie]]'', which became a key success for [[André Huguenet]] as Ampie in 1930. Also was the co-director (with [[Joseph Albrecht]]) and star of the first Afrikaans sound film, ''Moedertjie'' (1931). (Binge, 1969)	+	FAURÉ, Stephanie. (b. 09/09/1894 - d. 25/12/1961) Well known elocutionist, highly regarded actress and competent director of early Afrikaans theatre. Trained in Antwerp, Belgium with Prof E. De Lauwerijs, then returned to South Africa in 1924, to work with amateurs in Pretoria and Johannesburg, such as the [[TUK Toneelvereniging]], with whom she directed a production of [[H.A. Fagan]]’s ''[[Lenie]]''. In the 1920s she became a member of the management of the [[Afrikaanse Kultuurvereniging en Toneelskool]] established by [[Danie Smal]]. In this time she directed the first (amateur) production of [[C. Louis Leipoldt\|Leipoldt]]’s ''[[Die Heks]]'' (1925), with **. It was the year she met [[Paul de Groot]], with whom she then did a number of speech recitals in Pretoria and Johannesburg, and performed in ''[[Die Heks]]'' (1925), ''[[Huis Toe]]'' (1925), ''[[Oorskotjie]]'' (1925), and other plays. The pivotal production of ''[[Huis Toe]]'' in July really launched professional theatre in Afrikaans. She initally served as [[Paul de Groot\|De Groot]]’s speech coach in Afrikaans and his directing colleague, but by the end of 1925 she had left the company to work on her own, touring through the country with her speech recitals. Was appointed as lecturer in Afrikaans and English elocution Transvaal University College (later: [[University of Pretoria]]). Among her students were to feature such later luminaries as [[Wena Naudé]], [[Hélèna Botha]]. Utilizing her students she helped to launch a number of new works by Afrikaans authors, such as [[H.A. Fagan\|Fagan]], [[C. Louis Leipoldt\|Leipoldt]] and [[J.F.W. Grosskopf\|Grosskopf]]. Also notable was her involvement in the dramatisation and production of [[Jochem van Bruggen]]’s seminal novel ''[[Ampie]]'', which became a key success for [[André Huguenet]] as Ampie in 1930. Also was the co-director (with [[Joseph Albrecht]]) and star of the first Afrikaans sound film, ''Moedertjie'' (1931). (Binge, 1969)

← Older revision		Revision as of 15:42, 1 August 2012
Line 1:		Line 1:
−	FAURÉ, Stephanie. (18-19) Well known elocutionist, highly regarded actress and competent director of early Afrikaans theatre. Trained in Antwerp, Belgium with Prof E. De Lauwerijs, then returned to South Africa in 1924, to work with amateurs in Pretoria and Johannesburg, such as the [[TUK Toneelvereniging]], with whom she directed a production of [[H.A. Fagan]]’s ''[[Lenie]]''. In the 1920s she became a member of the management of the [[Afrikaanse Kultuurvereniging en Toneelskool]] established by [[Danie Smal]]. In this time she directed the first (amateur) production of [[C. Louis Leipoldt\|Leipoldt]]’s ''[[Die Heks]]'' (1925), with **. It was the year she met [[Paul de Groot]], with whom she then did a number of speech recitals in Pretoria and Johannesburg, and performed in ''[[Die Heks]]'' (1925), ''[[Huis Toe]]'' (1925), ''[[Oorskotjie]]'' (1925), and other plays. The pivotal production of ''[[Huis Toe]]'' in July really launched professional theatre in Afrikaans. She initally served as [[Paul de Groot\|De Groot]]''’s speech coach in Afrikaans and his directing colleague, but by the end of 1925 she had left the company to work on her own, touring through the country with her speech recitals. Was appointed as lecturer in Afrikaans and English elocution Transvaal University College (later: [[University of Pretoria]]). Among her students were to feature such later luminaries as [[Wena Naudé]], [[Hélèna Botha]]. Utilizing her students she helped to launch a number of new works by Afrikaans authors, such as [[H.A. Fagan\|Fagan]], [[C. Louis Leipoldt\|Leipoldt]] and [[J.F.W. Grosskopf\|Grosskopf]]. Also notable was her involvement in the dramatisation and production of [[Jochem van Bruggen]]’s seminal novel ''[[Ampie]]'', which became a key success for [[André Huguenet]] as Ampie in 1930. Also was the co-director (with [[Joseph Albrecht]]) and star of the first Afrikaans sound film, ''Moedertjie'' (1931). (Binge, 1969)	+	FAURÉ, Stephanie. (18-19) Well known elocutionist, highly regarded actress and competent director of early Afrikaans theatre. Trained in Antwerp, Belgium with Prof E. De Lauwerijs, then returned to South Africa in 1924, to work with amateurs in Pretoria and Johannesburg, such as the [[TUK Toneelvereniging]], with whom she directed a production of [[H.A. Fagan]]’s ''[[Lenie]]''. In the 1920s she became a member of the management of the [[Afrikaanse Kultuurvereniging en Toneelskool]] established by [[Danie Smal]]. In this time she directed the first (amateur) production of [[C. Louis Leipoldt\|Leipoldt]]’s ''[[Die Heks]]'' (1925), with **. It was the year she met [[Paul de Groot]], with whom she then did a number of speech recitals in Pretoria and Johannesburg, and performed in ''[[Die Heks]]'' (1925), ''[[Huis Toe]]'' (1925), ''[[Oorskotjie]]'' (1925), and other plays. The pivotal production of ''[[Huis Toe]]'' in July really launched professional theatre in Afrikaans. She initally served as [[Paul de Groot\|De Groot]]’s speech coach in Afrikaans and his directing colleague, but by the end of 1925 she had left the company to work on her own, touring through the country with her speech recitals. Was appointed as lecturer in Afrikaans and English elocution Transvaal University College (later: [[University of Pretoria]]). Among her students were to feature such later luminaries as [[Wena Naudé]], [[Hélèna Botha]]. Utilizing her students she helped to launch a number of new works by Afrikaans authors, such as [[H.A. Fagan\|Fagan]], [[C. Louis Leipoldt\|Leipoldt]] and [[J.F.W. Grosskopf\|Grosskopf]]. Also notable was her involvement in the dramatisation and production of [[Jochem van Bruggen]]’s seminal novel ''[[Ampie]]'', which became a key success for [[André Huguenet]] as Ampie in 1930. Also was the co-director (with [[Joseph Albrecht]]) and star of the first Afrikaans sound film, ''Moedertjie'' (1931). (Binge, 1969)

Stephanie Fauré - Revision history

Satj at 04:41, 15 July 2019

Satj: /* As elocutionist */

Satj: /* As elocutionist */

Satj: /* As elocutionist */

Satj at 04:33, 15 July 2019

Satj at 04:32, 15 July 2019

Satj at 04:00, 15 July 2019

Fogterop at 19:51, 25 June 2015

Miriamt at 15:42, 1 August 2012

Miriamt: Created page with "FAURÉ, Stephanie. (18**-19**) Well known elocutionist, highly regarded actress and competent director of early Afrikaans theatre. Trained in Antwerp, Belgium with Prof E. De Lau..."

Miriamt: Created page with "FAURÉ, Stephanie. (18-19) Well known elocutionist, highly regarded actress and competent director of early Afrikaans theatre. Trained in Antwerp, Belgium with Prof E. De Lau..."