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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Stanley_Raphael</id>
	<title>Stanley Raphael - Revision history</title>
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	<updated>2026-08-10T06:25:54Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Stanley_Raphael&amp;diff=197130&amp;oldid=prev</id>
		<title>Satj at 03:43, 7 October 2020</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Stanley_Raphael&amp;diff=197130&amp;oldid=prev"/>
		<updated>2020-10-07T03:43:19Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 03:43, 7 October 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Stanley Raphael&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1919–1980&lt;/ins&gt;) was an actor and radio announcer.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/del&gt;Stanley Raphael&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''' &lt;/del&gt;(&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;b. 16/01/1919 – d. 15/06/1980&lt;/del&gt;) was an actor and radio announcer.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Stanley Harold Raphael was the son of Lewis Raphael, a wholesale merchant, and his wife, Bertha Rosendorff.  Born &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;in &lt;/del&gt;1919, it would appear that he was named after two uncles, both of whom died in the battle for Delville Wood in 1916.  It is said that he began his stage career at the age of eight – as a boy soprano – but it was only after he left school that he became seriously interested in the theatre.  In 1936 he played one of the Rude Mechanicals in ''[[A Midsummer Night’s Dream]]'', produced by [[Kurt Baum]] for the [[Johannesburg Art Theatre]] and later presented at the [[Empire Exhibition]].  He also had a small role in ''[[Late Night Final]]'' (1937), staged by a visiting British company headed by [[John Laurie]] and [[Raymond Lovell]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Stanley Harold Raphael was the son of Lewis Raphael, a wholesale merchant, and his wife, Bertha Rosendorff.  Born &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;on 16 January &lt;/ins&gt;1919, it would appear that he was named after two uncles, both of whom died in the battle for Delville Wood in 1916.  It is said that he began his stage career at the age of eight – as a boy soprano – but it was only after he left school that he became seriously interested in the theatre.  In 1936 he played one of the Rude Mechanicals in ''[[A Midsummer Night’s Dream]]'', produced by [[Kurt Baum]] for the [[Johannesburg Art Theatre]] and later presented at the [[Empire Exhibition]].  He also had a small role in ''[[Late Night Final]]'' (1937), staged by a visiting British company headed by [[John Laurie]] and [[Raymond Lovell]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After that he was involved in numerous theatrical companies, including the [[Cathedral Players]], the [[Pioneer Theatre]], the [[Jewish Guild]] and the [[Playmakers]].  In 1939 he was in [[Natala Korel]]’s highly successful production of ''[[George and Margaret]]'' and later that year, together with  [[Cecilia Colley]] and [[Leo Kerz]], he formed the [[Group Theatre]], whose first production, [[Clifford Odets]]’s ''[[Golden Boy]]'' (1940), featured [[Sidney James]] in the title role.  Not long afterwards he joined the S.A.A.F. and during the war he produced a number of shows for the armed forces.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After that he was involved in numerous theatrical companies, including the [[Cathedral Players]], the [[Pioneer Theatre]], the [[Jewish Guild]] and the [[Playmakers]].  In 1939 he was in [[Natala Korel]]’s highly successful production of ''[[George and Margaret]]'' and later that year, together with  [[Cecilia Colley]] and [[Leo Kerz]], he formed the [[Group Theatre]], whose first production, [[Clifford Odets]]’s ''[[Golden Boy]]'' (1940), featured [[Sidney James]] in the title role.  Not long afterwards he joined the S.A.A.F. and during the war he produced a number of shows for the armed forces.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After his return to South Africa he resumed his stage career, with a role in the [[Gwen ffrangçon-Davies]] / [[Marda Vanne]] production of ''[[A Month in the Country]]'', two plays with [[Wensley Pithey]] and four with [[Marjorie Gordon]].  After that he spent about a year-and-a-half in England.  At one stage he was a part-time announcer with the [[SABC]] and later with [[LM Radio]] and [[Springbok Radio]].  He also had roles in two films, namely ''[[Die Kaskenades van Dokter Kwak]]'' ([[Pierre de Wet]]/1958) and ''[[Donker Afrika]]'' ([[David Millin]]/1957).  In later years he entered the hospitality industry, was a hotelier in Sasolburg and worked in public relations on the East Rand.  His sister, [[Joy Raphael]], was a prominent show business PRO.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After his return to South Africa he resumed his stage career, with a role in the [[Gwen ffrangçon-Davies]] / [[Marda Vanne]] production of ''[[A Month in the Country]]'', two plays with [[Wensley Pithey]] and four with [[Marjorie Gordon]].  After that he spent about a year-and-a-half in England.  At one stage he was a part-time announcer with the [[SABC]] and later with [[LM Radio]] and [[Springbok Radio]].  He also had roles in two films, namely ''[[Die Kaskenades van Dokter Kwak]]'' ([[Pierre de Wet]]/1958) and ''[[Donker Afrika]]'' ([[David Millin]]/1957).  In later years he entered the hospitality industry, was a hotelier in Sasolburg and worked in public relations on the East Rand.  His sister, [[Joy Raphael]], was a prominent show business PRO.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;He died &lt;/ins&gt; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;on 15 June, 1980. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre Credits ==  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre Credits &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;as actor&lt;/ins&gt;==  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[A Midsummer Night’s Dream]]'' (1936), ''[[Late Night Final]]'' (1937), ''[[The Road of Poplars]]'' (1937), ''[[The Jazz President]]'' (1937), ''[[Bats in the Belfry]]'' (1938), ''[[The First Mrs. Fraser]]'' (1938), ''[[Counsellor-at-Law]]'' (1938), ''[[Family Affairs]]'' (1938), ''[[George and Margaret]]'' (1939), ''[[The End – and the Beginning]]'' (1939), ''[[What Next, Baby?]]'' (1939), ''[[You Never Can Tell]]'' (1939), ''[[Golden Boy]]'' (1940), ''[[Black Limelight]]'' (1940), ''[[The Best People]]'' (1940), ''[[A Month in the Country]]'' (1946), ''[[The Man with Red Hair]]'' (1946), ''[[Laburnum Grove]]'' (1946), ''[[Susan and God]]'' (1947), ''[[Room for Two]]'' (1947), ''[[This Was a Woman]]'' (1947), ''[[The Fur Coat]]'' (1947), ''[[Abie’s Irish Rose]]'' (1947), ''[[The Lark]]'' (1956), ''[[Any Other Business]]'' (1959), ''[[Four O’Clock Noon]]'' (1959).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[A Midsummer Night’s Dream]]'' (1936), ''[[Late Night Final]]'' (1937), ''[[The Road of Poplars]]'' (1937), ''[[The Jazz President]]'' (1937), ''[[Bats in the Belfry]]'' (1938), ''[[The First Mrs. Fraser]]'' (1938), ''[[Counsellor-at-Law]]'' (1938), ''[[Family Affairs]]'' (1938), ''[[George and Margaret]]'' (1939), ''[[The End – and the Beginning]]'' (1939), ''[[What Next, Baby?]]'' (1939), ''[[You Never Can Tell]]'' (1939), ''[[Golden Boy]]'' (1940), ''[[Black Limelight]]'' (1940), ''[[The Best People]]'' (1940), ''[[A Month in the Country]]'' (1946), ''[[The Man with Red Hair]]'' (1946), ''[[Laburnum Grove]]'' (1946), ''[[Susan and God]]'' (1947), ''[[Room for Two]]'' (1947), ''[[This Was a Woman]]'' (1947), ''[[The Fur Coat]]'' (1947), ''[[Abie’s Irish Rose]]'' (1947), ''[[The Lark]]'' (1956), ''[[Any Other Business]]'' (1959), ''[[Four O’Clock Noon]]'' (1959).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Stanley_Raphael&amp;diff=171373&amp;oldid=prev</id>
		<title>Fogterop at 19:10, 4 July 2019</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Stanley_Raphael&amp;diff=171373&amp;oldid=prev"/>
		<updated>2019-07-04T19:10:39Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:10, 4 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot; &gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After that he was involved in numerous theatrical companies, including the [[Cathedral Players]], the [[Pioneer Theatre]], the [[Jewish Guild]] and the [[Playmakers]].  In 1939 he was in [[Natala Korel]]’s highly successful production of ''[[George and Margaret]]'' and later that year, together with  [[Cecilia Colley]] and [[Leo Kerz]], he formed the [[Group Theatre]], whose first production, [[Clifford Odets]]’s ''[[Golden Boy]]'' (1940), featured [[Sidney James]] in the title role.  Not long afterwards he joined the S.A.A.F. and during the war he produced a number of shows for the armed forces.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After that he was involved in numerous theatrical companies, including the [[Cathedral Players]], the [[Pioneer Theatre]], the [[Jewish Guild]] and the [[Playmakers]].  In 1939 he was in [[Natala Korel]]’s highly successful production of ''[[George and Margaret]]'' and later that year, together with  [[Cecilia Colley]] and [[Leo Kerz]], he formed the [[Group Theatre]], whose first production, [[Clifford Odets]]’s ''[[Golden Boy]]'' (1940), featured [[Sidney James]] in the title role.  Not long afterwards he joined the S.A.A.F. and during the war he produced a number of shows for the armed forces.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After his return to South Africa he resumed his stage career, with a role in the [[Gwen ffrangçon-Davies / Marda Vanne]] production of ''[[A Month in the Country]]'', two plays with [[Wensley Pithey]] and four with [[Marjorie Gordon]].  After that he spent about a year-and-a-half in England.  At one stage he was a part-time announcer with the [[SABC]] and later with [[LM Radio]] and [[Springbok Radio]].  He also had roles in two films, namely ''[[Die Kaskenades van Dokter Kwak]]'' ([[Pierre de Wet]]/1958) and ''[[Donker Afrika]]'' ([[David Millin]]/1957).  In later years he entered the hospitality industry, was a hotelier in Sasolburg and worked in public relations on the East Rand.  His sister, [[Joy Raphael]], was a prominent show business PRO.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After his return to South Africa he resumed his stage career, with a role in the [[Gwen ffrangçon-Davies&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;/ &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Marda Vanne]] production of ''[[A Month in the Country]]'', two plays with [[Wensley Pithey]] and four with [[Marjorie Gordon]].  After that he spent about a year-and-a-half in England.  At one stage he was a part-time announcer with the [[SABC]] and later with [[LM Radio]] and [[Springbok Radio]].  He also had roles in two films, namely ''[[Die Kaskenades van Dokter Kwak]]'' ([[Pierre de Wet]]/1958) and ''[[Donker Afrika]]'' ([[David Millin]]/1957).  In later years he entered the hospitality industry, was a hotelier in Sasolburg and worked in public relations on the East Rand.  His sister, [[Joy Raphael]], was a prominent show business PRO.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre Credits ==  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre Credits ==  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Stanley_Raphael&amp;diff=171372&amp;oldid=prev</id>
		<title>Fogterop at 19:08, 4 July 2019</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Stanley_Raphael&amp;diff=171372&amp;oldid=prev"/>
		<updated>2019-07-04T19:08:34Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:08, 4 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot; &gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After his return to South Africa he resumed his stage career, with a role in the [[Gwen ffrangçon-Davies / Marda Vanne]] production of ''[[A Month in the Country]]'', two plays with [[Wensley Pithey]] and four with [[Marjorie Gordon]].  After that he spent about a year-and-a-half in England.  At one stage he was a part-time announcer with the [[SABC]] and later with [[LM Radio]] and [[Springbok Radio]].  He also had roles in two films, namely ''[[Die Kaskenades van Dokter Kwak]]'' ([[Pierre de Wet]]/1958) and ''[[Donker Afrika]]'' ([[David Millin]]/1957).  In later years he entered the hospitality industry, was a hotelier in Sasolburg and worked in public relations on the East Rand.  His sister, [[Joy Raphael]], was a prominent show business PRO.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After his return to South Africa he resumed his stage career, with a role in the [[Gwen ffrangçon-Davies / Marda Vanne]] production of ''[[A Month in the Country]]'', two plays with [[Wensley Pithey]] and four with [[Marjorie Gordon]].  After that he spent about a year-and-a-half in England.  At one stage he was a part-time announcer with the [[SABC]] and later with [[LM Radio]] and [[Springbok Radio]].  He also had roles in two films, namely ''[[Die Kaskenades van Dokter Kwak]]'' ([[Pierre de Wet]]/1958) and ''[[Donker Afrika]]'' ([[David Millin]]/1957).  In later years he entered the hospitality industry, was a hotelier in Sasolburg and worked in public relations on the East Rand.  His sister, [[Joy Raphael]], was a prominent show business PRO.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre Credits == &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;(Incomplete)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre Credits ==  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[A Midsummer Night’s Dream]]'' (1936), ''[[Late Night Final]]'' (1937), ''[[The Road of Poplars]]'' (1937), ''[[The Jazz President]]'' (1937), ''[[Bats in the Belfry]]'' (1938), ''[[The First Mrs. Fraser]]'' (1938), ''[[Counsellor-at-Law]]'' (1938), ''[[Family Affairs]]'' (1938), ''[[George and Margaret]]'' (1939), ''[[The End – and the Beginning]]'' (1939), ''[[What Next, Baby?]]'' (1939), ''[[You Never Can Tell]]'' (1939), ''[[Golden Boy]]'' (1940), ''[[Black Limelight]]'' (1940), ''[[The Best People]]'' (1940), ''[[A Month in the Country]]'' (1946), ''[[The Man with Red Hair]]'' (1946), ''[[Laburnum Grove]]'' (1946), ''[[Susan and God]]'' (1947), ''[[Room for Two]]'' (1947), ''[[This Was a Woman]]'' (1947), ''[[The Fur Coat]]'' (1947), ''[[Abie’s Irish Rose]]'' (1947), ''[[The Lark]]'' (1956), ''[[Any Other Business]]'' (1959), ''[[Four O’Clock Noon]]'' (1959).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[A Midsummer Night’s Dream]]'' (1936), ''[[Late Night Final]]'' (1937), ''[[The Road of Poplars]]'' (1937), ''[[The Jazz President]]'' (1937), ''[[Bats in the Belfry]]'' (1938), ''[[The First Mrs. Fraser]]'' (1938), ''[[Counsellor-at-Law]]'' (1938), ''[[Family Affairs]]'' (1938), ''[[George and Margaret]]'' (1939), ''[[The End – and the Beginning]]'' (1939), ''[[What Next, Baby?]]'' (1939), ''[[You Never Can Tell]]'' (1939), ''[[Golden Boy]]'' (1940), ''[[Black Limelight]]'' (1940), ''[[The Best People]]'' (1940), ''[[A Month in the Country]]'' (1946), ''[[The Man with Red Hair]]'' (1946), ''[[Laburnum Grove]]'' (1946), ''[[Susan and God]]'' (1947), ''[[Room for Two]]'' (1947), ''[[This Was a Woman]]'' (1947), ''[[The Fur Coat]]'' (1947), ''[[Abie’s Irish Rose]]'' (1947), ''[[The Lark]]'' (1956), ''[[Any Other Business]]'' (1959), ''[[Four O’Clock Noon]]'' (1959).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Stanley_Raphael&amp;diff=171371&amp;oldid=prev</id>
		<title>Fogterop: Created page with &quot; '''Stanley Raphael''' (b. 16/01/1919 – d. 15/06/1980) was an actor and radio announcer.  == Biography ==  Stanley Harold Raphael was the son of Lewis Raphael, a wholesale m...&quot;</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Stanley_Raphael&amp;diff=171371&amp;oldid=prev"/>
		<updated>2019-07-04T19:08:13Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot; &amp;#039;&amp;#039;&amp;#039;Stanley Raphael&amp;#039;&amp;#039;&amp;#039; (b. 16/01/1919 – d. 15/06/1980) was an actor and radio announcer.  == Biography ==  Stanley Harold Raphael was the son of Lewis Raphael, a wholesale m...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
'''Stanley Raphael''' (b. 16/01/1919 – d. 15/06/1980) was an actor and radio announcer.&lt;br /&gt;
&lt;br /&gt;
== Biography ==&lt;br /&gt;
&lt;br /&gt;
Stanley Harold Raphael was the son of Lewis Raphael, a wholesale merchant, and his wife, Bertha Rosendorff.  Born in 1919, it would appear that he was named after two uncles, both of whom died in the battle for Delville Wood in 1916.  It is said that he began his stage career at the age of eight – as a boy soprano – but it was only after he left school that he became seriously interested in the theatre.  In 1936 he played one of the Rude Mechanicals in ''[[A Midsummer Night’s Dream]]'', produced by [[Kurt Baum]] for the [[Johannesburg Art Theatre]] and later presented at the [[Empire Exhibition]].  He also had a small role in ''[[Late Night Final]]'' (1937), staged by a visiting British company headed by [[John Laurie]] and [[Raymond Lovell]].&lt;br /&gt;
&lt;br /&gt;
After that he was involved in numerous theatrical companies, including the [[Cathedral Players]], the [[Pioneer Theatre]], the [[Jewish Guild]] and the [[Playmakers]].  In 1939 he was in [[Natala Korel]]’s highly successful production of ''[[George and Margaret]]'' and later that year, together with  [[Cecilia Colley]] and [[Leo Kerz]], he formed the [[Group Theatre]], whose first production, [[Clifford Odets]]’s ''[[Golden Boy]]'' (1940), featured [[Sidney James]] in the title role.  Not long afterwards he joined the S.A.A.F. and during the war he produced a number of shows for the armed forces.  &lt;br /&gt;
&lt;br /&gt;
After his return to South Africa he resumed his stage career, with a role in the [[Gwen ffrangçon-Davies / Marda Vanne]] production of ''[[A Month in the Country]]'', two plays with [[Wensley Pithey]] and four with [[Marjorie Gordon]].  After that he spent about a year-and-a-half in England.  At one stage he was a part-time announcer with the [[SABC]] and later with [[LM Radio]] and [[Springbok Radio]].  He also had roles in two films, namely ''[[Die Kaskenades van Dokter Kwak]]'' ([[Pierre de Wet]]/1958) and ''[[Donker Afrika]]'' ([[David Millin]]/1957).  In later years he entered the hospitality industry, was a hotelier in Sasolburg and worked in public relations on the East Rand.  His sister, [[Joy Raphael]], was a prominent show business PRO.  (FO)&lt;br /&gt;
&lt;br /&gt;
== Theatre Credits == (Incomplete)&lt;br /&gt;
&lt;br /&gt;
''[[A Midsummer Night’s Dream]]'' (1936), ''[[Late Night Final]]'' (1937), ''[[The Road of Poplars]]'' (1937), ''[[The Jazz President]]'' (1937), ''[[Bats in the Belfry]]'' (1938), ''[[The First Mrs. Fraser]]'' (1938), ''[[Counsellor-at-Law]]'' (1938), ''[[Family Affairs]]'' (1938), ''[[George and Margaret]]'' (1939), ''[[The End – and the Beginning]]'' (1939), ''[[What Next, Baby?]]'' (1939), ''[[You Never Can Tell]]'' (1939), ''[[Golden Boy]]'' (1940), ''[[Black Limelight]]'' (1940), ''[[The Best People]]'' (1940), ''[[A Month in the Country]]'' (1946), ''[[The Man with Red Hair]]'' (1946), ''[[Laburnum Grove]]'' (1946), ''[[Susan and God]]'' (1947), ''[[Room for Two]]'' (1947), ''[[This Was a Woman]]'' (1947), ''[[The Fur Coat]]'' (1947), ''[[Abie’s Irish Rose]]'' (1947), ''[[The Lark]]'' (1956), ''[[Any Other Business]]'' (1959), ''[[Four O’Clock Noon]]'' (1959).&lt;br /&gt;
&lt;br /&gt;
(Trivia: The play ''[[This Was a Woman]]'' was written by [[Joan Morgan]] who, as a girl, had come out to South Africa to act in [[Leander De Cordova]]’s 1922 film ''[[Swallow]]''.)&lt;br /&gt;
&lt;br /&gt;
== Sources ==&lt;br /&gt;
&lt;br /&gt;
Sunday Times, 9 May 1948&lt;br /&gt;
&lt;br /&gt;
Rand Daily Mail, 20 June 1980&lt;br /&gt;
&lt;br /&gt;
https://www.imdb.com/name/nm5334336/?ref_=nv_sr_1?ref_=nv_sr_1&lt;br /&gt;
&lt;br /&gt;
== Return to ==	&lt;br /&gt;
&lt;br /&gt;
Return to [[ESAT Personalities R]]&lt;br /&gt;
&lt;br /&gt;
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]&lt;br /&gt;
&lt;br /&gt;
Return to [[The ESAT Entries]]&lt;br /&gt;
&lt;br /&gt;
Return to [[Main Page]]&lt;/div&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
</feed>