Shah Theatre Academy - Revision history

Miriamt at 08:20, 26 November 2018

2018-11-26T08:20:47Z

Miriamt at 08:20, 26 November 2018

2018-11-26T08:20:26Z

Satj at 05:33, 10 May 2014

2014-05-10T05:33:26Z

Satj at 05:33, 10 May 2014

2014-05-10T05:33:00Z

Miriamt at 08:39, 4 February 2013

2013-02-04T08:39:01Z

Miriamt at 08:38, 4 February 2013

2013-02-04T08:38:36Z

Miriamt at 08:37, 4 February 2013

2013-02-04T08:37:47Z

Centaps at 15:03, 4 February 2011

2011-02-04T15:03:23Z

Centaps at 14:57, 4 February 2011

2011-02-04T14:57:58Z

Centaps at 14:57, 4 February 2011

2011-02-04T14:57:47Z

← Older revision		Revision as of 08:20, 26 November 2018
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−	The '''Shah Theatre Academy''' was formed by a group of Durban theatre enthusiasts in 1962, headed by [[Ronnie Govender]] and [[~~Mutkal~~ Naidoo]] and named after [[Krishna Shah]], the Broadway director who conducted a clinic on aspects of the theatre having been brought from New York to direct Tagore's ''[[King of the Dark Chamber]]'' and [[Alan Paton]]'s ''[[Sponono]]''.	+	The '''Shah Theatre Academy''' was formed by a group of Durban theatre enthusiasts in 1962, headed by [[Ronnie Govender]] and [[Muthal Naidoo]] and named after [[Krishna Shah]], the Broadway director who conducted a clinic on aspects of the theatre having been brought from New York to direct Tagore's ''[[King of the Dark Chamber]]'' and [[Alan Paton]]'s ''[[Sponono]]''.

	It was meant to foster non-racial theatre. While the approach relied heavily on the realist tradition of the 1960s New York theatre, much of what was later to be called [[Indic theatre]] developed in this academy. Without grants or subsidies the Academy went on to train several leading actors, directors and playwrights, including [[Stanley Mnuyandu]], [[Benjy Francis]], [[Guru Pillay]], [[Kessie Govender]], [[Welcome Msomi]], [[Essop Khan]], [[Saths Cooper]] and [[Babs Pillay]].		It was meant to foster non-racial theatre. While the approach relied heavily on the realist tradition of the 1960s New York theatre, much of what was later to be called [[Indic theatre]] developed in this academy. Without grants or subsidies the Academy went on to train several leading actors, directors and playwrights, including [[Stanley Mnuyandu]], [[Benjy Francis]], [[Guru Pillay]], [[Kessie Govender]], [[Welcome Msomi]], [[Essop Khan]], [[Saths Cooper]] and [[Babs Pillay]].

@@ Line 1: / Line 1: @@
-Founded Durban [[Ronnie Govender]] and [[Muthal Naidoo]] founded the Shah Theatre Academy in 1964, under the aegis of and in response to visits and workshops led by New York based [[Indian theatre|Indian]] director [[Krishna Shah]] in 1963. Housed in the ***, it was meant to foster non-racial theatre. While the approach relied heavily on the realist tradition of the 1960s New York theatre, much of what was later to be called [[Indic theatre]] developed in this academy.
+The '''Shah Theatre Academy''' was formed by a group of Durban theatre enthusiasts in 1962, headed by [[Ronnie Govender]] and [[Mutkal Naidoo]] and named after [[Krishna Shah]], the Broadway director who conducted a clinic on aspects of the theatre having been brought from New York to direct Tagore's ''[[King of the Dark Chamber]]'' and [[Alan Paton]]'s ''[[Sponono]]''.
-The '''Shah Theatre Academy''' was formed by a group of Durban theatre enthusiasts in 1962, headed by [[Ronnie Govender]] and named after [[Krishna Shah]], the Broadway director who conducted a clinic on aspects of the theatre having been brought from New York to direct  Tagore's ''[[King of the Dark Chamber]]'' and [[Alan Paton]]'s ''[[Sponono]]''. Without grants or subsidies the Academy went on to train several leading actors, directors and playwrights, including [[Stanley Mnuyandu]], [[Benjy Francis]], [[Guru Pillay]], [[Kessie Govender]], [[Welcome Msomi]], [[Essop Khan]], [[Saths Cooper]] and [[Babs Pillay]].
+It was meant to foster non-racial theatre. While the approach relied heavily on the realist tradition of the 1960s New York theatre, much of what was later to be called [[Indic theatre]] developed in this academy. Without grants or subsidies the Academy went on to train several leading actors, directors and playwrights, including [[Stanley Mnuyandu]], [[Benjy Francis]], [[Guru Pillay]], [[Kessie Govender]], [[Welcome Msomi]], [[Essop Khan]], [[Saths Cooper]] and [[Babs Pillay]].
 == Sources ==
@@ Line 10: / Line 10: @@
 == Return to ==
 Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]

← Older revision		Revision as of 05:33, 10 May 2014
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	1992 [[Grahamstown Festival\|Grahamstown]] Souvenir Programme, p 45		1992 [[Grahamstown Festival\|Grahamstown]] Souvenir Programme, p 45

−	~~== Sources ==~~
	http://www.southafrica.info/about/arts/615832.htm#.U225IcUaLhk#ixzz31Hu22JOk		http://www.southafrica.info/about/arts/615832.htm#.U225IcUaLhk#ixzz31Hu22JOk

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-Founded in 1965 [**in the 1950s says [[Ronnie Govender]]] by [[Ronnie Govender]], ** and **,  under the aegis of and in response to visits and workshops led by New York based [[Indian theatre|Indian]] director [[Krishna Shah]] in 1963. Housed in the ***, it was meant to foster non-racial theatre. While the approach relied heavily on the realist tradition of the 1960s New York theatre, much of what was later to be called [[Indic theatre]] developed in this academy.
+Founded Durban [[Ronnie Govender]] and [[Muthal Naidoo]] founded the Shah Theatre Academy in 1964, under the aegis of and in response to visits and workshops led by New York based [[Indian theatre|Indian]] director [[Krishna Shah]] in 1963. Housed in the ***, it was meant to foster non-racial theatre. While the approach relied heavily on the realist tradition of the 1960s New York theatre, much of what was later to be called [[Indic theatre]] developed in this academy.
 The '''Shah Theatre Academy''' was formed by a group of Durban theatre enthusiasts in 1962, headed by [[Ronnie Govender]] and named after [[Krishna Shah]], the Broadway director who conducted a clinic on aspects of the theatre having been brought from New York to direct  Tagore's ''[[King of the Dark Chamber]]'' and [[Alan Paton]]'s ''[[Sponono]]''. Without grants or subsidies the Academy went on to train several leading actors, directors and playwrights, including [[Stanley Mnuyandu]], [[Benjy Francis]], [[Guru Pillay]], [[Kessie Govender]], [[Welcome Msomi]], [[Essop Khan]], [[Saths Cooper]] and [[Babs Pillay]].
@@ Line 7: / Line 7: @@
 [[Grahamstown Festival|Grahamstown]] Souvenir Programme, p 45
-== For more information ==
+== Sources ==
+http://www.southafrica.info/about/arts/615832.htm#.U225IcUaLhk#ixzz31Hu22JOk
 == Return to ==

@@ Line 1: / Line 1: @@
 Founded in 1965 [**in the 1950s says [[Ronnie Govender]]] by [[Ronnie Govender]], ** and **,  under the aegis of and in response to visits and workshops led by New York based [[Indian theatre|Indian]] director [[Krishna Shah]] in 1963. Housed in the ***, it was meant to foster non-racial theatre. While the approach relied heavily on the realist tradition of the 1960s New York theatre, much of what was later to be called [[Indic theatre]] developed in this academy.
-The '''Shah Theatre Academy''' was formed by a group of Durban theatre enthusiasts in 1962, headed by [[Ronnie Govender]] and named after [[[Krishna Shah]], the Broadway director who conducted a clinic on aspects of the theatre having been brought from New York to direct  Tagore's ''[[King of the Dark Chamber]]'' and [[Alan Paton]]'s ''[[Sponono]]''. Without grants or subsidies the Academy went on to train several leading actors, directors and playwrights, including [[Stanley Mnuyandu]], [[Benjy Francis]], [[Guru Pillay]], [[Kessie Govender]]]], [[Welcome Msomi]], [[Essop Khan]], [[Saths Cooper]] and [[Babs Pillay]].
+The '''Shah Theatre Academy''' was formed by a group of Durban theatre enthusiasts in 1962, headed by [[Ronnie Govender]] and named after [[Krishna Shah]], the Broadway director who conducted a clinic on aspects of the theatre having been brought from New York to direct  Tagore's ''[[King of the Dark Chamber]]'' and [[Alan Paton]]'s ''[[Sponono]]''. Without grants or subsidies the Academy went on to train several leading actors, directors and playwrights, including [[Stanley Mnuyandu]], [[Benjy Francis]], [[Guru Pillay]], [[Kessie Govender]], [[Welcome Msomi]], [[Essop Khan]], [[Saths Cooper]] and [[Babs Pillay]].
 == Sources ==

← Older revision		Revision as of 15:03, 4 February 2011
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−	Founded in 1965 [in the 1950s says [[Ronnie Govender]]] by [[Ronnie Govender]], and , under the aegis of and in response to visits and workshops led by New York based Indian director [[Krisha Shah]] in 1963. Housed in the *, it was meant to foster non-racial theatre. While the approach relied heavily on the realist tradition of the 1960s New York theatre, much of what was later to be called [[Indic ~~Theatre~~]] developed in this academy.	+	Founded in 1965 [in the 1950s says [[Ronnie Govender]]] by [[Ronnie Govender]], and , under the aegis of and in response to visits and workshops led by New York based [[Indian theatre\|Indian]] director [[Krisha Shah]] in 1963. Housed in the *, it was meant to foster non-racial theatre. While the approach relied heavily on the realist tradition of the 1960s New York theatre, much of what was later to be called [[Indic theatre]] developed in this academy.

← Older revision		Revision as of 14:57, 4 February 2011
Line 1:		Line 1:
−	Founded in 1965 [in the 1950s says [[Ronnie Govender]]] by [[Ronnie Govender]], and , under the aegis of and in response to visits and workshops led by New York based Indian director [[Krisha Shah]] in 1963. Housed in the *, it was meant to foster non-racial theatre. While the approach relied heavily on the realist tradition of the 1960s New York theatre, much of what was later to be called [[Indic ~~theatre~~]] developed in this academy.	+	Founded in 1965 [in the 1950s says [[Ronnie Govender]]] by [[Ronnie Govender]], and , under the aegis of and in response to visits and workshops led by New York based Indian director [[Krisha Shah]] in 1963. Housed in the *, it was meant to foster non-racial theatre. While the approach relied heavily on the realist tradition of the 1960s New York theatre, much of what was later to be called [[Indic Theatre]] developed in this academy.