Sanlam Prys vir Afrikaanse Teater - Revision history

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Satj at 07:50, 16 January 2023

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Satj at 07:47, 16 January 2023

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Centaps: Created page with "A playwriting competition started in 2003 by the insurance giant SANLAM, at the instigation of Nico Luwes of the University of the Free State Drama Department. Inspired by th..."

2011-02-03T15:06:40Z

Created page with "A playwriting competition started in 2003 by the insurance giant SANLAM, at the instigation of Nico Luwes of the University of the Free State Drama Department. Inspired by th..."

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A playwriting competition started in 2003 by the insurance giant SANLAM, at the instigation of [[Nico Luwes]] of the University of the Free State Drama Department. Inspired by the earlier success of the [[ATKV-Kampustoneel]] initiative (1983 tot 1997), the aim was to promote and develop the writing of new [[Afrikaans]] plays, particularly larger works, with no limitations on size of cast. This would be possible by providing drama departments at tertiary institutions with production costs to enable them to produce by and showing the works at the national Afrikaans festivals. Unlike Kampustoneel, this had a competitive base (the work being judged by a panel of professional theatremakers and critics) and the winning play was expected to play at two other Afrikaans festivals in the same year. This, it was hoped, would offer new young talent a chance to appear on a national stage while the competition itself would stimulate creative work in Afrikaans and improve its standard. The first general winner was Vergenoeg by George Weideman (University of Stellenbosch, 2004), followed by *** (2005), Slaghuis by Willem Anker (University of Stellenbosch, 2006), Lewensreg deur Jan van Tonder??? (2007), Die begrafnis by Phil Janse (pseudonym, 2008), Die Bannelinge by Bauke Snyman (2009). Since 2006 the winning texts were also published by Genugtig! Publishers. The first two years the competition took place at the Volksbladfees in Bloemfontein, then in 2006 moved to Aardklop in Potchefstroom, and then moved to Oudtshoorn as part of the KKNK (2007-2009). It was discontinued in 2010, and the money redirected to the [[KKNK]] management for the promotion of new Afrikaans work.

== Sources ==

== For more information ==

== Return to ==

Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]

Return to [[The ESAT Entries]]

Return to [[Main Page]]

← Older revision		Revision as of 08:02, 16 January 2023
Line 1:		Line 1:
−	~~The~~ [[Sanlam-prys vir Afrikaanse Teater~~]] ("Sanlam Prize for Afrikaans Theatre") is a playwriting competition started in 2003 by the insurance giant '''Sanlam'''[https://en.wikipedia.org/wiki/Sanlam].~~	+	#REDIRECT [[Sanlam-prys vir Afrikaanse Teater]]
−
−	~~Also written Sanlam [[Prys vir Afrikaanse Teater]]~~
−
−	The instigation for the prize came from of [[Nico Luwes]] of the [[University of the Free State]] Drama Department. Inspired by the earlier success of the [[ATKV Kampustoneel]] initiative (1983 tot 1997), the aim was to promote and develop the writing of new [[Afrikaans]] plays, particularly larger works, with no limitations on size of cast. This would be possible by providing drama departments at tertiary institutions with production costs to enable them to produce by and showing the works at the national Afrikaans festivals. Unlike Kampustoneel, this had a competitive base (the work being judged by a panel of professional theatremakers and critics) and the winning play was expected to play at two other Afrikaans festivals in the same year. This, it was hoped, would offer new young talent a chance to appear on a national stage while the competition itself would stimulate creative work in Afrikaans and improve its standard.
−
−	The first general winner was ''[[Vergenoeg]]'' by [[George Weideman]] (University of Stellenbosch, 2004), followed by *** (2005), ''[[Slaghuis]]'' by [[Willem Anker]] ([[University of Stellenbosch]], 2006), ''[[Lewensreg]]'' by [[Jan van Tonder]] (2007), ''[[Die begrafnis]]'' by Phil Janse (pseudonym, 2008), ''[[Die Bannelinge]]'' by [[Bauke Snyman]] (2009).
−
−	Since 2006 the winning texts were also published by [[Genugtig!]] publishers. The first two years the competition took place at the [[Volksbladfees]] in Bloemfontein, then in 2006 moved to [[Aardklop]] in Potchefstroom, and then moved to Oudtshoorn as part of the [[KKNK]] (2007-2009). It was discontinued in 2010, and the money redirected to the [[KKNK]] management for the promotion of new Afrikaans work.
−
−	~~== Sources ==~~
−
−	~~https://en.wikipedia.org/wiki/Sanlam~~
−
−	~~[[Kobus Burger]]. 2003. Afrikaanse teater kry groot borg. In: ''[[Beeld]]''.~~
−
−	~~See also '''[[Awards]]'''~~
−
−	~~== Return to ==~~
−
−
−	~~Return to [[South_African_Theatre/Venues\|South African Theatre Venues, Companies, Societies, etc ]]~~
−
−	~~Return to [[The ESAT Entries]]~~
−
−	~~Return to [[Main Page~~]]

← Older revision		Revision as of 07:50, 16 January 2023
Line 1:		Line 1:
−	The [[Sanlam ~~Prys~~ vir Afrikaanse Teater]] ("Sanlam Prize for Afrikaans Theatre") is a playwriting competition started in 2003 by the insurance giant '''Sanlam'''[https://en.wikipedia.org/wiki/Sanlam].	+	The [[Sanlam-prys vir Afrikaanse Teater]] ("Sanlam Prize for Afrikaans Theatre") is a playwriting competition started in 2003 by the insurance giant '''Sanlam'''[https://en.wikipedia.org/wiki/Sanlam].
		+
		+	Also written Sanlam [[Prys vir Afrikaanse Teater]]

	The instigation for the prize came from of [[Nico Luwes]] of the [[University of the Free State]] Drama Department. Inspired by the earlier success of the [[ATKV Kampustoneel]] initiative (1983 tot 1997), the aim was to promote and develop the writing of new [[Afrikaans]] plays, particularly larger works, with no limitations on size of cast. This would be possible by providing drama departments at tertiary institutions with production costs to enable them to produce by and showing the works at the national Afrikaans festivals. Unlike Kampustoneel, this had a competitive base (the work being judged by a panel of professional theatremakers and critics) and the winning play was expected to play at two other Afrikaans festivals in the same year. This, it was hoped, would offer new young talent a chance to appear on a national stage while the competition itself would stimulate creative work in Afrikaans and improve its standard.		The instigation for the prize came from of [[Nico Luwes]] of the [[University of the Free State]] Drama Department. Inspired by the earlier success of the [[ATKV Kampustoneel]] initiative (1983 tot 1997), the aim was to promote and develop the writing of new [[Afrikaans]] plays, particularly larger works, with no limitations on size of cast. This would be possible by providing drama departments at tertiary institutions with production costs to enable them to produce by and showing the works at the national Afrikaans festivals. Unlike Kampustoneel, this had a competitive base (the work being judged by a panel of professional theatremakers and critics) and the winning play was expected to play at two other Afrikaans festivals in the same year. This, it was hoped, would offer new young talent a chance to appear on a national stage while the competition itself would stimulate creative work in Afrikaans and improve its standard.

@@ Line 1: / Line 1: @@
-The [[Sanlam Prys vir Afrikaanse Teater]] ("Sanlam Prize for Afrikaans Theatre") is a playwriting competition started in 2003 by the insurance giant [[Sanlam]] [[SANLAM]],
+The [[Sanlam Prys vir Afrikaanse Teater]] ("Sanlam Prize for Afrikaans Theatre") is a playwriting competition started in 2003 by the insurance giant '''Sanlam'''[https://en.wikipedia.org/wiki/Sanlam].
 The instigation for the prize came from of [[Nico Luwes]] of the [[University of the Free State]] Drama Department. Inspired by the earlier success of the [[ATKV Kampustoneel]] initiative (1983 tot 1997), the aim was to promote and develop the writing of new [[Afrikaans]] plays, particularly larger works, with no limitations on size of cast. This would be possible by providing drama departments at tertiary institutions with production costs to enable them to produce by and showing the works at the national Afrikaans festivals. Unlike Kampustoneel, this had a competitive base (the work being judged by a panel of professional theatremakers and critics) and the winning play was expected to play at two other Afrikaans festivals in the same year. This, it was hoped, would offer new young talent a chance to appear on a national stage while the competition itself would stimulate creative work in Afrikaans and improve its standard.
@@ Line 9: / Line 9: @@
 == Sources ==
-== For more information ==
+[[Kobus Burger]]. 2003. Afrikaanse teater kry groot borg. In: ''[[Beeld]]''.
 See also '''[[Awards]]'''

← Older revision		Revision as of 07:43, 16 January 2023
Line 1:		Line 1:
−	A playwriting competition started in 2003 by the insurance giant SANLAM, at the ~~instigation~~ of [[Nico Luwes]] of the University of the Free State Drama Department. Inspired by the earlier success of the [[ATKV Kampustoneel]] initiative (1983 tot 1997), the aim was to promote and develop the writing of new [[Afrikaans]] plays, particularly larger works, with no limitations on size of cast. This would be possible by providing drama departments at tertiary institutions with production costs to enable them to produce by and showing the works at the national Afrikaans festivals. Unlike Kampustoneel, this had a competitive base (the work being judged by a panel of professional theatremakers and critics) and the winning play was expected to play at two other Afrikaans festivals in the same year. This, it was hoped, would offer new young talent a chance to appear on a national stage while the competition itself would stimulate creative work in Afrikaans and improve its standard.	+	The [[Sanlam Prys vir Afrikaanse Teater]] ("Sanlam Prize for Afrikaans Theatre") is a playwriting competition started in 2003 by the insurance giant [[Sanlam]] [[SANLAM]],
		+
		+	The instigation for the prize came from of [[Nico Luwes]] of the [[University of the Free State]] Drama Department. Inspired by the earlier success of the [[ATKV Kampustoneel]] initiative (1983 tot 1997), the aim was to promote and develop the writing of new [[Afrikaans]] plays, particularly larger works, with no limitations on size of cast. This would be possible by providing drama departments at tertiary institutions with production costs to enable them to produce by and showing the works at the national Afrikaans festivals. Unlike Kampustoneel, this had a competitive base (the work being judged by a panel of professional theatremakers and critics) and the winning play was expected to play at two other Afrikaans festivals in the same year. This, it was hoped, would offer new young talent a chance to appear on a national stage while the competition itself would stimulate creative work in Afrikaans and improve its standard.

	The first general winner was ''[[Vergenoeg]]'' by [[George Weideman]] (University of Stellenbosch, 2004), followed by *** (2005), ''[[Slaghuis]]'' by [[Willem Anker]] ([[University of Stellenbosch]], 2006), ''[[Lewensreg]]'' by [[Jan van Tonder]] (2007), ''[[Die begrafnis]]'' by Phil Janse (pseudonym, 2008), ''[[Die Bannelinge]]'' by [[Bauke Snyman]] (2009).		The first general winner was ''[[Vergenoeg]]'' by [[George Weideman]] (University of Stellenbosch, 2004), followed by *** (2005), ''[[Slaghuis]]'' by [[Willem Anker]] ([[University of Stellenbosch]], 2006), ''[[Lewensreg]]'' by [[Jan van Tonder]] (2007), ''[[Die begrafnis]]'' by Phil Janse (pseudonym, 2008), ''[[Die Bannelinge]]'' by [[Bauke Snyman]] (2009).

← Older revision		Revision as of 16:05, 4 August 2022
Line 1:		Line 1:
−	A playwriting competition started in 2003 by the insurance giant SANLAM, at the instigation of [[Nico Luwes]] of the University of the Free State Drama Department. Inspired by the earlier success of the [[ATKV Kampustoneel]] initiative (1983 tot 1997), the aim was to promote and develop the writing of new [[Afrikaans]] plays, particularly larger works, with no limitations on size of cast. This would be possible by providing drama departments at tertiary institutions with production costs to enable them to produce by and showing the works at the national Afrikaans festivals. Unlike Kampustoneel, this had a competitive base (the work being judged by a panel of professional theatremakers and critics) and the winning play was expected to play at two other Afrikaans festivals in the same year. This, it was hoped, would offer new young talent a chance to appear on a national stage while the competition itself would stimulate creative work in Afrikaans and improve its standard. The first general winner was ''[[Vergenoeg]]'' by [[George Weideman]] (University of Stellenbosch, 2004), followed by *** (2005), ''[[Slaghuis]]'' by [[Willem Anker]] (University of Stellenbosch, 2006), ''[[Lewensreg]]'' ~~deur~~ [[Jan van Tonder]]~~???~~ (2007), Die begrafnis by Phil Janse (pseudonym, 2008), ''[[Die Bannelinge]]'' by [[Bauke Snyman]] (2009). Since 2006 the winning texts were also published by Genugtig! ~~Publishers~~. The first two years the competition took place at the Volksbladfees in Bloemfontein, then in 2006 moved to Aardklop in Potchefstroom, and then moved to Oudtshoorn as part of the KKNK (2007-2009). It was discontinued in 2010, and the money redirected to the [[KKNK]] management for the promotion of new Afrikaans work.	+	A playwriting competition started in 2003 by the insurance giant SANLAM, at the instigation of [[Nico Luwes]] of the University of the Free State Drama Department. Inspired by the earlier success of the [[ATKV Kampustoneel]] initiative (1983 tot 1997), the aim was to promote and develop the writing of new [[Afrikaans]] plays, particularly larger works, with no limitations on size of cast. This would be possible by providing drama departments at tertiary institutions with production costs to enable them to produce by and showing the works at the national Afrikaans festivals. Unlike Kampustoneel, this had a competitive base (the work being judged by a panel of professional theatremakers and critics) and the winning play was expected to play at two other Afrikaans festivals in the same year. This, it was hoped, would offer new young talent a chance to appear on a national stage while the competition itself would stimulate creative work in Afrikaans and improve its standard.
		+
		+	The first general winner was ''[[Vergenoeg]]'' by [[George Weideman]] (University of Stellenbosch, 2004), followed by *** (2005), ''[[Slaghuis]]'' by [[Willem Anker]] ([[University of Stellenbosch]], 2006), ''[[Lewensreg]]'' by [[Jan van Tonder]] (2007), ''[[Die begrafnis]]'' by Phil Janse (pseudonym, 2008), ''[[Die Bannelinge]]'' by [[Bauke Snyman]] (2009).
		+
		+	Since 2006 the winning texts were also published by [[Genugtig!]] publishers. The first two years the competition took place at the [[Volksbladfees]] in Bloemfontein, then in 2006 moved to [[Aardklop]] in Potchefstroom, and then moved to Oudtshoorn as part of the [[KKNK]] (2007-2009). It was discontinued in 2010, and the money redirected to the [[KKNK]] management for the promotion of new Afrikaans work.

	== Sources ==		== Sources ==

← Older revision		Revision as of 08:34, 18 November 2017
Line 1:		Line 1:
−	A playwriting competition started in 2003 by the insurance giant SANLAM, at the instigation of [[Nico Luwes]] of the University of the Free State Drama Department. Inspired by the earlier success of the [[ATKV Kampustoneel]] initiative (1983 tot 1997), the aim was to promote and develop the writing of new [[Afrikaans]] plays, particularly larger works, with no limitations on size of cast. This would be possible by providing drama departments at tertiary institutions with production costs to enable them to produce by and showing the works at the national Afrikaans festivals. Unlike Kampustoneel, this had a competitive base (the work being judged by a panel of professional theatremakers and critics) and the winning play was expected to play at two other Afrikaans festivals in the same year. This, it was hoped, would offer new young talent a chance to appear on a national stage while the competition itself would stimulate creative work in Afrikaans and improve its standard. The first general winner was Vergenoeg by [[George Weideman]] (University of Stellenbosch, 2004), followed by *** (2005), ''[[Slaghuis]]'' by [[Willem Anker]] (University of Stellenbosch, 2006), ''[[Lewensreg]]'' deur [[Jan van Tonder]]??? (2007), Die begrafnis by Phil Janse (pseudonym, 2008), ''[[Die Bannelinge]]'' by [[Bauke Snyman]] (2009). Since 2006 the winning texts were also published by Genugtig! Publishers. The first two years the competition took place at the Volksbladfees in Bloemfontein, then in 2006 moved to Aardklop in Potchefstroom, and then moved to Oudtshoorn as part of the KKNK (2007-2009). It was discontinued in 2010, and the money redirected to the [[KKNK]] management for the promotion of new Afrikaans work.	+	A playwriting competition started in 2003 by the insurance giant SANLAM, at the instigation of [[Nico Luwes]] of the University of the Free State Drama Department. Inspired by the earlier success of the [[ATKV Kampustoneel]] initiative (1983 tot 1997), the aim was to promote and develop the writing of new [[Afrikaans]] plays, particularly larger works, with no limitations on size of cast. This would be possible by providing drama departments at tertiary institutions with production costs to enable them to produce by and showing the works at the national Afrikaans festivals. Unlike Kampustoneel, this had a competitive base (the work being judged by a panel of professional theatremakers and critics) and the winning play was expected to play at two other Afrikaans festivals in the same year. This, it was hoped, would offer new young talent a chance to appear on a national stage while the competition itself would stimulate creative work in Afrikaans and improve its standard. The first general winner was ''[[Vergenoeg]]'' by [[George Weideman]] (University of Stellenbosch, 2004), followed by *** (2005), ''[[Slaghuis]]'' by [[Willem Anker]] (University of Stellenbosch, 2006), ''[[Lewensreg]]'' deur [[Jan van Tonder]]??? (2007), Die begrafnis by Phil Janse (pseudonym, 2008), ''[[Die Bannelinge]]'' by [[Bauke Snyman]] (2009). Since 2006 the winning texts were also published by Genugtig! Publishers. The first two years the competition took place at the Volksbladfees in Bloemfontein, then in 2006 moved to Aardklop in Potchefstroom, and then moved to Oudtshoorn as part of the KKNK (2007-2009). It was discontinued in 2010, and the money redirected to the [[KKNK]] management for the promotion of new Afrikaans work.

	== Sources ==		== Sources ==

← Older revision		Revision as of 15:09, 3 February 2011
Line 6:		Line 6:
	== For more information ==		== For more information ==

		+	See also '''[[Awards]]'''

	== Return to ==		== Return to ==

← Older revision		Revision as of 15:07, 3 February 2011
Line 1:		Line 1:
−	A playwriting competition started in 2003 by the insurance giant SANLAM, at the instigation of [[Nico Luwes]] of the University of the Free State Drama Department. Inspired by the earlier success of the [[ATKV-Kampustoneel]] initiative (1983 tot 1997), the aim was to promote and develop the writing of new [[Afrikaans]] plays, particularly larger works, with no limitations on size of cast. This would be possible by providing drama departments at tertiary institutions with production costs to enable them to produce by and showing the works at the national Afrikaans festivals. Unlike Kampustoneel, this had a competitive base (the work being judged by a panel of professional theatremakers and critics) and the winning play was expected to play at two other Afrikaans festivals in the same year. This, it was hoped, would offer new young talent a chance to appear on a national stage while the competition itself would stimulate creative work in Afrikaans and improve its standard. The first general winner was Vergenoeg by George Weideman (University of Stellenbosch, 2004), followed by *** (2005), Slaghuis by Willem Anker (University of Stellenbosch, 2006), Lewensreg deur Jan van Tonder??? (2007), Die begrafnis by Phil Janse (pseudonym, 2008), Die Bannelinge by Bauke Snyman (2009). Since 2006 the winning texts were also published by Genugtig! Publishers. The first two years the competition took place at the Volksbladfees in Bloemfontein, then in 2006 moved to Aardklop in Potchefstroom, and then moved to Oudtshoorn as part of the KKNK (2007-2009). It was discontinued in 2010, and the money redirected to the [[KKNK]] management for the promotion of new Afrikaans work.	+	A playwriting competition started in 2003 by the insurance giant SANLAM, at the instigation of [[Nico Luwes]] of the University of the Free State Drama Department. Inspired by the earlier success of the [[ATKV Kampustoneel]] initiative (1983 tot 1997), the aim was to promote and develop the writing of new [[Afrikaans]] plays, particularly larger works, with no limitations on size of cast. This would be possible by providing drama departments at tertiary institutions with production costs to enable them to produce by and showing the works at the national Afrikaans festivals. Unlike Kampustoneel, this had a competitive base (the work being judged by a panel of professional theatremakers and critics) and the winning play was expected to play at two other Afrikaans festivals in the same year. This, it was hoped, would offer new young talent a chance to appear on a national stage while the competition itself would stimulate creative work in Afrikaans and improve its standard. The first general winner was Vergenoeg by George Weideman (University of Stellenbosch, 2004), followed by *** (2005), Slaghuis by Willem Anker (University of Stellenbosch, 2006), Lewensreg deur Jan van Tonder??? (2007), Die begrafnis by Phil Janse (pseudonym, 2008), Die Bannelinge by Bauke Snyman (2009). Since 2006 the winning texts were also published by Genugtig! Publishers. The first two years the competition took place at the Volksbladfees in Bloemfontein, then in 2006 moved to Aardklop in Potchefstroom, and then moved to Oudtshoorn as part of the KKNK (2007-2009). It was discontinued in 2010, and the money redirected to the [[KKNK]] management for the promotion of new Afrikaans work.

	== Sources ==		== Sources ==