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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Roscoe_C._Behrmann</id>
	<title>Roscoe C. Behrmann - Revision history</title>
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	<updated>2026-09-11T19:02:38Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=202343&amp;oldid=prev</id>
		<title>Fogterop at 16:09, 4 February 2021</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=202343&amp;oldid=prev"/>
		<updated>2021-02-04T16:09:26Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:09, 4 February 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;b. Graaff Reinett, 10/06/&lt;/del&gt;1929)&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;.  Producer, &lt;/del&gt;production manager.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''Roscoe C. Behrmann''' &lt;/ins&gt;(1929&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;-2020&lt;/ins&gt;) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was a producer and &lt;/ins&gt;production manager.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Roscoe Clarence Behrmann was born in Graaff Reinet, where his Russian-born father was a car salesman. When he was six the family moved to Johannesburg, where he received his education at King Edward VII School.  In 1947, at the age of 18, he joined [[African Film Productions]], where his uncle [[David Millin]] was a junior cameraman, as an office boy.  When, in 1949, the British Ealing Studios sent director Harry Watt to Kenya to film ''Where No Vultures Fly'' (released in 1951), Millin was seconded as 2nd unit cameraman, while Behrmann went along as an uncredited 3rd assistant director.  Upon his return to South Africa he was promoted to Production Manager, Features for AFP and two years later he was sent to Cape Town as Manager/Producer for the [[African Mirror]] newsreel for the Western and Eastern Cape, where he worked with cameramen [[Ken Sara]] and [[Eddie de Villiers]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Roscoe Clarence Behrmann was born in Graaff Reinet &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;on 10 June 1929&lt;/ins&gt;, where his Russian-born father was a car salesman. When he was six the family moved to Johannesburg, where he received his education at King Edward VII School.  In 1947, at the age of 18, he joined [[African Film Productions]], where his uncle [[David Millin]] was a junior cameraman, as an office boy.  When, in 1949, the British Ealing Studios sent director Harry Watt to Kenya to film ''Where No Vultures Fly'' (released in 1951), Millin was seconded as 2nd unit cameraman, while Behrmann went along as an uncredited 3rd assistant director.  Upon his return to South Africa he was promoted to Production Manager, Features for AFP and two years later he was sent to Cape Town as Manager/Producer for the [[African Mirror]] newsreel for the Western and Eastern Cape, where he worked with cameramen [[Ken Sara]] and [[Eddie de Villiers]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1956, Millin and Behrmann left [[African Film Productions]] to form their own production company, [[David Millin Productions]].  They had an American television deal to produce a half-hour series entitled ''Stories out of Africa'' and after the contract expired the company produced television commercials for Rhodesian television and training shorts for government departments and the mining industry.  The first feature in which the company was involved was ''[[Donker Afrika]]'' (1957), which was a co-production with [[Al Debbo]], and this was followed by nine other features, amongst them ''[[Seven Against the Sun]]'' (1964), adapted from the novel and stage play by [[James Ambrose Brown]], and ''[[Majuba, Hill of Doves]]'' (1968), based on a novel by [[Stuart Cloete]].  Most of these films were production deals with [[S.A. Screen Productions]], [[Killarney Film Studios]] or [[20th Century Fox]] (all the same company under different names at different times).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1956, Millin and Behrmann left [[African Film Productions]] to form their own production company, [[David Millin Productions]].  They had an American television deal to produce a half-hour series entitled ''Stories out of Africa'' and after the contract expired the company produced television commercials for Rhodesian television and training shorts for government departments and the mining industry.  The first feature in which the company was involved was ''[[Donker Afrika]]'' (1957), which was a co-production with [[Al Debbo]], and this was followed by nine other features, amongst them ''[[Seven Against the Sun]]'' (1964), adapted from the novel and stage play by [[James Ambrose Brown]], and ''[[Majuba, Hill of Doves]]'' (1968), based on a novel by [[Stuart Cloete]].  Most of these films were production deals with [[S.A. Screen Productions]], [[Killarney Film Studios]] or [[20th Century Fox]] (all the same company under different names at different times).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1966 Millin and Behrmann decided to fold [[David Millin Productions]] and joined a new record company called RPM Records.  They formed [[RPM Film Studios]] to produce features and documentaries for both the local and the world market.  The first of these films was ''[[Shangani Patrol]]'' (1970), but after only eighteen months they agreed to be bought out by their partners.  While Millin continued in the film industry as [[DeeMillin Productions]], Behrmann decided to go into financial planning.  Then, after a break of some 18 years, he briefly rejoined the industry when [[Edgar Bold]] of [[Toron Screen Corporation]] invited him to become the firm’s executive in charge of international pictures.  This came to an end soon afterwards when the government withdrew the tax incentives they had they had previously offered to overseas companies.  In 2010, after the death of his wife Phyllis, he moved to Australia to be closer to two daughters, who live there.  A son still lives in South Africa and another daughter lives in New York.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1966 Millin and Behrmann decided to fold [[David Millin Productions]] and joined a new record company called RPM Records.  They formed [[RPM Film Studios]] to produce features and documentaries for both the local and the world market.  The first of these films was ''[[Shangani Patrol]]'' (1970), but after only eighteen months they agreed to be bought out by their partners.  While Millin continued in the film industry as [[DeeMillin Productions]], Behrmann decided to go into financial planning.  Then, after a break of some 18 years, he briefly rejoined the industry when [[Edgar Bold]] of [[Toron Screen Corporation]] invited him to become the firm’s executive in charge of international pictures.  This came to an end soon afterwards when the government withdrew the tax incentives they had they had previously offered to overseas companies.  In 2010, after the death of his wife Phyllis, he moved to Australia to be closer to two daughters, who live there.  A son still lives in South Africa and another daughter lives in New York&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.  He died in 2020&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=136663&amp;oldid=prev</id>
		<title>Fogterop at 18:32, 22 October 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=136663&amp;oldid=prev"/>
		<updated>2017-10-22T18:32:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:32, 22 October 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Roscoe Clarence Behrmann was born in Graaff Reinet, where his Russian-born father was a car salesman. When he was six the family moved to Johannesburg, where he received his education at King Edward VII School.  In 1947, at the age of 18, he joined [[African Film Productions]], where his uncle [[David Millin]] was a junior cameraman, as an office boy.  When, in 1949, the British Ealing Studios sent director Harry Watt to Kenya to film ''Where No Vultures Fly'' (released in 1951), Millin was seconded as 2nd unit cameraman, while Behrmann went along as an uncredited 3rd assistant director.  Upon his return to South Africa he was promoted to Production Manager, Features for AFP and two years later he was sent to Cape Town as Manager/Producer for the [[African Mirror]] newsreel for the Western and Eastern Cape, where he worked with cameramen [[Ken Sara]] and [[Eddie de Villiers]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Roscoe Clarence Behrmann was born in Graaff Reinet, where his Russian-born father was a car salesman. When he was six the family moved to Johannesburg, where he received his education at King Edward VII School.  In 1947, at the age of 18, he joined [[African Film Productions]], where his uncle [[David Millin]] was a junior cameraman, as an office boy.  When, in 1949, the British Ealing Studios sent director Harry Watt to Kenya to film ''Where No Vultures Fly'' (released in 1951), Millin was seconded as 2nd unit cameraman, while Behrmann went along as an uncredited 3rd assistant director.  Upon his return to South Africa he was promoted to Production Manager, Features for AFP and two years later he was sent to Cape Town as Manager/Producer for the [[African Mirror]] newsreel for the Western and Eastern Cape, where he worked with cameramen [[Ken Sara]] and [[Eddie de Villiers]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1955&lt;/del&gt;, Millin and Behrmann left [[African Film Productions]] to form their own production company, [[David Millin Productions]].  They had an American television deal to produce a half-hour series entitled ''Stories out of Africa'' and after the contract expired the company produced television commercials for Rhodesian television and training shorts for government departments and the mining industry.  The first feature in which the company was involved was ''[[Donker Afrika]]'' (1957), which was a co-production with [[Al Debbo]], and this was followed by nine other features, amongst them ''[[Seven Against the Sun]]'' (1964), adapted from the novel and stage play by [[James Ambrose Brown]], and ''[[Majuba, Hill of Doves]]'' (1968), based on a novel by [[Stuart Cloete]].  Most of these films were production deals with [[S.A. Screen Productions]], [[Killarney Film Studios]] or [[20th Century Fox]] (all the same company under different names at different times).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1956&lt;/ins&gt;, Millin and Behrmann left [[African Film Productions]] to form their own production company, [[David Millin Productions]].  They had an American television deal to produce a half-hour series entitled ''Stories out of Africa'' and after the contract expired the company produced television commercials for Rhodesian television and training shorts for government departments and the mining industry.  The first feature in which the company was involved was ''[[Donker Afrika]]'' (1957), which was a co-production with [[Al Debbo]], and this was followed by nine other features, amongst them ''[[Seven Against the Sun]]'' (1964), adapted from the novel and stage play by [[James Ambrose Brown]], and ''[[Majuba, Hill of Doves]]'' (1968), based on a novel by [[Stuart Cloete]].  Most of these films were production deals with [[S.A. Screen Productions]], [[Killarney Film Studios]] or [[20th Century Fox]] (all the same company under different names at different times).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1966 Millin and Behrmann decided to fold [[David Millin Productions]] and joined a new record company called RPM Records.  They formed [[RPM Film Studios]] to produce features and documentaries for both the local and the world market.  The first of these films was ''[[Shangani Patrol]]'' (1970), but after only eighteen months they agreed to be bought out by their partners.  While Millin continued in the film industry as [[DeeMillin Productions]], Behrmann decided to go into financial planning.  Then, after a break of some 18 years, he briefly rejoined the industry when [[Edgar Bold]] of [[Toron Screen Corporation]] invited him to become the firm’s executive in charge of international pictures.  This came to an end soon afterwards when the government withdrew the tax incentives they had they had previously offered to overseas companies.  In 2010, after the death of his wife Phyllis, he moved to Australia to be closer to two daughters, who live there.  A son still lives in South Africa and another daughter lives in New York.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1966 Millin and Behrmann decided to fold [[David Millin Productions]] and joined a new record company called RPM Records.  They formed [[RPM Film Studios]] to produce features and documentaries for both the local and the world market.  The first of these films was ''[[Shangani Patrol]]'' (1970), but after only eighteen months they agreed to be bought out by their partners.  While Millin continued in the film industry as [[DeeMillin Productions]], Behrmann decided to go into financial planning.  Then, after a break of some 18 years, he briefly rejoined the industry when [[Edgar Bold]] of [[Toron Screen Corporation]] invited him to become the firm’s executive in charge of international pictures.  This came to an end soon afterwards when the government withdrew the tax incentives they had they had previously offered to overseas companies.  In 2010, after the death of his wife Phyllis, he moved to Australia to be closer to two daughters, who live there.  A son still lives in South Africa and another daughter lives in New York.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=126726&amp;oldid=prev</id>
		<title>Fogterop at 20:27, 28 April 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=126726&amp;oldid=prev"/>
		<updated>2017-04-28T20:27:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 20:27, 28 April 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Where No Vultures Fly (3rd assistant directed - uncredited) (Harry Watt/19510, Song of Africa (production manager) ([[Emil Nofal]]/1951), Inspan (production manager with Tina Peters) ([[Bladon Peake]]/1953), ‘n Plan is ‘n Boerdery (production manager) ([[Pierre de Wet]]/1954), Donker Afrika (producer) ([[David Millin]]/1957), Stropers van die Laeveld (producer) ([[David Millin]]/1962), Death Drums Along the River / Sanders (2nd unit &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;producer&lt;/del&gt;) (Lawrence Huntington/1963), Seven Against the Sun (in charge of production) ([[David Millin]]/1964), Ride the High Wind (in charge of production) ([[David Millin]]/1965), The Second Sin (in charge of production) ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair (in charge of production) ([[Robert D. Webb]]/1967), The Jackals (in charge of production) ([[Robert D. Webb]]/1967), Majuba, hill of doves / Majuba: heuwel van duiwe (in charge of production) ([[David Millin]]/1968), Shangani Patrol (in charge of production) ([[David Millin]]/1970), Die Banneling (in charge of production) ([[David Millin]]/1971), Killer Instinct (in charge of production) ([[David Lister]]/1988), Night of the Cyclone (in charge of production) (David Irving/1990), Schweitzer / Lambarene (in charge of production) ([[Gray Hofmeyr]]/1990).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Where No Vultures Fly (3rd assistant directed - uncredited) (Harry Watt/19510, Song of Africa (production manager) ([[Emil Nofal]]/1951), Inspan (production manager with Tina Peters) ([[Bladon Peake]]/1953), ‘n Plan is ‘n Boerdery (production manager) ([[Pierre de Wet]]/1954), Donker Afrika (producer) ([[David Millin]]/1957), Stropers van die Laeveld (producer) ([[David Millin]]/1962), Death Drums Along the River / Sanders (2nd unit &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;production manager&lt;/ins&gt;) (Lawrence Huntington/1963), Seven Against the Sun (in charge of production) ([[David Millin]]/1964), Ride the High Wind (in charge of production) ([[David Millin]]/1965), The Second Sin (in charge of production) ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair (in charge of production) ([[Robert D. Webb]]/1967), The Jackals (in charge of production) ([[Robert D. Webb]]/1967), Majuba, hill of doves / Majuba: heuwel van duiwe (in charge of production) ([[David Millin]]/1968), Shangani Patrol (in charge of production) ([[David Millin]]/1970), Die Banneling (in charge of production) ([[David Millin]]/1971), Killer Instinct (in charge of production) ([[David Lister]]/1988), Night of the Cyclone (in charge of production) (David Irving/1990), Schweitzer / Lambarene (in charge of production) ([[Gray Hofmeyr]]/1990).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Stage ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Stage ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=126725&amp;oldid=prev</id>
		<title>Fogterop at 19:47, 28 April 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=126725&amp;oldid=prev"/>
		<updated>2017-04-28T19:47:43Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:47, 28 April 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Where No Vultures Fly (3rd assistant directed - uncredited) (Harry Watt/19510, Song of Africa (production manager) ([[Emil Nofal]]/1951), Inspan (production manager with Tina Peters) ([[Bladon Peake]]/1953), ‘n Plan is ‘n Boerdery (production manager) ([[Pierre de Wet]]/1954), Donker Afrika (producer) ([[David Millin]]/1957), Stropers van die Laeveld (producer) ([[David Millin]]/1962), Seven Against the Sun (in charge of production) ([[David Millin]]/1964), Ride the High Wind (in charge of production) ([[David Millin]]/1965), The Second Sin (in charge of production) ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair (in charge of production) ([[Robert D. Webb]]/1967), The Jackals (in charge of production) ([[Robert D. Webb]]/1967), Majuba, hill of doves / Majuba: heuwel van duiwe (in charge of production) ([[David Millin]]/1968), Shangani Patrol (in charge of production) ([[David Millin]]/1970), Die Banneling (in charge of production) ([[David Millin]]/1971), Killer Instinct (in charge of production) ([[David Lister]]/1988), Night of the Cyclone (in charge of production) (David Irving/1990), Schweitzer / Lambarene (in charge of production) ([[Gray Hofmeyr]]/1990).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Where No Vultures Fly (3rd assistant directed - uncredited) (Harry Watt/19510, Song of Africa (production manager) ([[Emil Nofal]]/1951), Inspan (production manager with Tina Peters) ([[Bladon Peake]]/1953), ‘n Plan is ‘n Boerdery (production manager) ([[Pierre de Wet]]/1954), Donker Afrika (producer) ([[David Millin]]/1957), Stropers van die Laeveld (producer) ([[David Millin]]/1962&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;), Death Drums Along the River / Sanders (2nd unit producer) (Lawrence Huntington/1963&lt;/ins&gt;), Seven Against the Sun (in charge of production) ([[David Millin]]/1964), Ride the High Wind (in charge of production) ([[David Millin]]/1965), The Second Sin (in charge of production) ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair (in charge of production) ([[Robert D. Webb]]/1967), The Jackals (in charge of production) ([[Robert D. Webb]]/1967), Majuba, hill of doves / Majuba: heuwel van duiwe (in charge of production) ([[David Millin]]/1968), Shangani Patrol (in charge of production) ([[David Millin]]/1970), Die Banneling (in charge of production) ([[David Millin]]/1971), Killer Instinct (in charge of production) ([[David Lister]]/1988), Night of the Cyclone (in charge of production) (David Irving/1990), Schweitzer / Lambarene (in charge of production) ([[Gray Hofmeyr]]/1990).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Stage ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Stage ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=126724&amp;oldid=prev</id>
		<title>Fogterop at 19:40, 28 April 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=126724&amp;oldid=prev"/>
		<updated>2017-04-28T19:40:13Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:40, 28 April 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Song of Africa (production manager) ([[Emil Nofal]]/1951), Inspan (production manager with Tina Peters) ([[Bladon Peake]]/1953), ‘n Plan is ‘n Boerdery (production manager) ([[Pierre de Wet]]/1954), Donker Afrika (producer) ([[David Millin]]/1957), Stropers van die Laeveld (producer) ([[David Millin]]/1962), Seven Against the Sun (in charge of production) ([[David Millin]]/1964), Ride the High Wind (in charge of production) ([[David Millin]]/1965), The Second Sin (in charge of production) ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair (in charge of production) ([[Robert D. Webb]]/1967), The Jackals (in charge of production) ([[Robert D. Webb]]/1967), Majuba, hill of doves / Majuba: heuwel van duiwe (in charge of production) ([[David Millin]]/1968), Shangani Patrol (in charge of production) ([[David Millin]]/1970), Die Banneling (in charge of production) ([[David Millin]]/1971), Killer Instinct (in charge of production) ([[David Lister]]/1988), Night of the Cyclone (in charge of production) (David Irving/1990), Schweitzer / Lambarene (in charge of production) ([[Gray Hofmeyr]]/1990).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Where No Vultures Fly (3rd assistant directed - uncredited) (Harry Watt/19510, &lt;/ins&gt;Song of Africa (production manager) ([[Emil Nofal]]/1951), Inspan (production manager with Tina Peters) ([[Bladon Peake]]/1953), ‘n Plan is ‘n Boerdery (production manager) ([[Pierre de Wet]]/1954), Donker Afrika (producer) ([[David Millin]]/1957), Stropers van die Laeveld (producer) ([[David Millin]]/1962), Seven Against the Sun (in charge of production) ([[David Millin]]/1964), Ride the High Wind (in charge of production) ([[David Millin]]/1965), The Second Sin (in charge of production) ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair (in charge of production) ([[Robert D. Webb]]/1967), The Jackals (in charge of production) ([[Robert D. Webb]]/1967), Majuba, hill of doves / Majuba: heuwel van duiwe (in charge of production) ([[David Millin]]/1968), Shangani Patrol (in charge of production) ([[David Millin]]/1970), Die Banneling (in charge of production) ([[David Millin]]/1971), Killer Instinct (in charge of production) ([[David Lister]]/1988), Night of the Cyclone (in charge of production) (David Irving/1990), Schweitzer / Lambarene (in charge of production) ([[Gray Hofmeyr]]/1990).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Stage ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Stage ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=126723&amp;oldid=prev</id>
		<title>Fogterop at 19:34, 28 April 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=126723&amp;oldid=prev"/>
		<updated>2017-04-28T19:34:11Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:34, 28 April 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Song of Africa (production manager) ([[Emil Nofal]]/1951), Inspan (production manager with Tina Peters) ([[Bladon Peake]]/1953), ‘n Plan is ‘n Boerdery (production manager) ([[Pierre de Wet]]/1954), Donker Afrika (producer) ([[David Millin]]/1957), Stropers van die Laeveld (producer) ([[David Millin]]/1962), Seven Against the Sun (in charge of production) ([[David Millin]]/1964), Ride the High Wind (in charge of production) ([[David Millin]]/1965), The Second Sin (in charge of production) ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair (in charge of production) ([[Robert D. Webb]]/1967), The Jackals (in charge of production) ([[Robert D. Webb]]/1967), Majuba, hill of doves / Majuba: heuwel van duiwe (in charge of production) ([[David Millin]]/1968), Shangani Patrol (in charge of production) ([[David Millin]]/1970), Die Banneling (in charge of production) ([[David Millin]]/1971).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Song of Africa (production manager) ([[Emil Nofal]]/1951), Inspan (production manager with Tina Peters) ([[Bladon Peake]]/1953), ‘n Plan is ‘n Boerdery (production manager) ([[Pierre de Wet]]/1954), Donker Afrika (producer) ([[David Millin]]/1957), Stropers van die Laeveld (producer) ([[David Millin]]/1962), Seven Against the Sun (in charge of production) ([[David Millin]]/1964), Ride the High Wind (in charge of production) ([[David Millin]]/1965), The Second Sin (in charge of production) ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair (in charge of production) ([[Robert D. Webb]]/1967), The Jackals (in charge of production) ([[Robert D. Webb]]/1967), Majuba, hill of doves / Majuba: heuwel van duiwe (in charge of production) ([[David Millin]]/1968), Shangani Patrol (in charge of production) ([[David Millin]]/1970), Die Banneling (in charge of production) ([[David Millin]]/1971&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;), Killer Instinct (in charge of production) ([[David Lister]]/1988), Night of the Cyclone (in charge of production) (David Irving/1990), Schweitzer / Lambarene (in charge of production) ([[Gray Hofmeyr]]/1990&lt;/ins&gt;).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Stage ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Stage ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=126722&amp;oldid=prev</id>
		<title>Fogterop at 19:29, 28 April 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=126722&amp;oldid=prev"/>
		<updated>2017-04-28T19:29:42Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:29, 28 April 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot; &gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1955, Millin and Behrmann left [[African Film Productions]] to form their own production company, [[David Millin Productions]].  They had an American television deal to produce a half-hour series entitled ''Stories out of Africa'' and after the contract expired the company produced television commercials for Rhodesian television and training shorts for government departments and the mining industry.  The first feature in which the company was involved was ''[[Donker Afrika]]'' (1957), which was a co-production with [[Al Debbo]], and this was followed by nine other features, amongst them ''[[Seven Against the Sun]]'' (1964), adapted from the novel and stage play by [[James Ambrose Brown]], and ''[[Majuba, Hill of Doves]]'' (1968), based on a novel by [[Stuart Cloete]].  Most of these films were production deals with [[S.A. Screen Productions]], [[Killarney Film Studios]] or [[20th Century Fox]] (all the same company under different names at different times).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1955, Millin and Behrmann left [[African Film Productions]] to form their own production company, [[David Millin Productions]].  They had an American television deal to produce a half-hour series entitled ''Stories out of Africa'' and after the contract expired the company produced television commercials for Rhodesian television and training shorts for government departments and the mining industry.  The first feature in which the company was involved was ''[[Donker Afrika]]'' (1957), which was a co-production with [[Al Debbo]], and this was followed by nine other features, amongst them ''[[Seven Against the Sun]]'' (1964), adapted from the novel and stage play by [[James Ambrose Brown]], and ''[[Majuba, Hill of Doves]]'' (1968), based on a novel by [[Stuart Cloete]].  Most of these films were production deals with [[S.A. Screen Productions]], [[Killarney Film Studios]] or [[20th Century Fox]] (all the same company under different names at different times).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1966 Millin and Behrmann decided to fold [[David Millin Productions]] and joined a new record company called RPM Records.  They formed [[RPM Film Studios]] to produce features and documentaries for both the local and the world market.  The first of these films was ''[[Shangani Patrol]]'' (1970), but after only eighteen months they agreed to be bought out by their partners.  While Millin continued in the film industry as [[DeeMillin Productions]], Behrmann decided to go into financial planning.  In 2010, after the death of his wife Phyllis, he moved to Australia to be closer to two daughters, who live there.  A son still lives in South Africa and another daughter lives in New York.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1966 Millin and Behrmann decided to fold [[David Millin Productions]] and joined a new record company called RPM Records.  They formed [[RPM Film Studios]] to produce features and documentaries for both the local and the world market.  The first of these films was ''[[Shangani Patrol]]'' (1970), but after only eighteen months they agreed to be bought out by their partners.  While Millin continued in the film industry as [[DeeMillin Productions]], Behrmann decided to go into financial planning&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.  Then, after a break of some 18 years, he briefly rejoined the industry when [[Edgar Bold]] of [[Toron Screen Corporation]] invited him to become the firm’s executive in charge of international pictures.  This came to an end soon afterwards when the government withdrew the tax incentives they had they had previously offered to overseas companies&lt;/ins&gt;.  In 2010, after the death of his wife Phyllis, he moved to Australia to be closer to two daughters, who live there.  A son still lives in South Africa and another daughter lives in New York.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=126654&amp;oldid=prev</id>
		<title>Fogterop at 09:01, 27 April 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=126654&amp;oldid=prev"/>
		<updated>2017-04-27T09:01:59Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 09:01, 27 April 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Roscoe Clarence Behrmann was born in Graaff Reinet, where his Russian-born father was a car salesman. When he was six the family moved to Johannesburg, where he received his education at King Edward VII School.  In 1947, at the age of 18, he joined [[African Film Productions]], where his uncle [[David Millin]] was a junior cameraman, as an office boy.  When, in 1949, the British Ealing Studios sent director Harry Watt to Kenya to film ''Where No Vultures Fly'' (released in 1951), Millin was seconded as 2nd unit cameraman, while Behrmann went along as an uncredited 3rd assistant director.  Upon his return to South Africa he was promoted to Production Manager, Features for AFP and two years later he was sent to Cape Town as Manager/Producer for the [[African Mirror]] newsreel for the Western and Eastern Cape, where he worked with &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the likes of &lt;/del&gt;[[Ken Sara]] and [[Eddie de Villiers]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Roscoe Clarence Behrmann was born in Graaff Reinet, where his Russian-born father was a car salesman. When he was six the family moved to Johannesburg, where he received his education at King Edward VII School.  In 1947, at the age of 18, he joined [[African Film Productions]], where his uncle [[David Millin]] was a junior cameraman, as an office boy.  When, in 1949, the British Ealing Studios sent director Harry Watt to Kenya to film ''Where No Vultures Fly'' (released in 1951), Millin was seconded as 2nd unit cameraman, while Behrmann went along as an uncredited 3rd assistant director.  Upon his return to South Africa he was promoted to Production Manager, Features for AFP and two years later he was sent to Cape Town as Manager/Producer for the [[African Mirror]] newsreel for the Western and Eastern Cape, where he worked with &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;cameramen &lt;/ins&gt;[[Ken Sara]] and [[Eddie de Villiers]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1955, Millin and Behrmann left [[African Film Productions]] to form their own production company, [[David Millin Productions]].  They had an American television deal to produce a half-hour series entitled ''Stories out of Africa'' and after the contract expired the company produced television commercials for Rhodesian television and training shorts for government departments and the mining industry.  The first feature in which the company was involved was ''[[Donker Afrika]]'' (1957), which was a co-production with [[Al Debbo]], and this was followed by nine other features, amongst them ''[[Seven Against the Sun]]'' (1964), adapted from the novel and stage play by [[James Ambrose Brown]], and ''[[Majuba, Hill of Doves]]'' (1968), based on a novel by [[Stuart Cloete]].  Most of these films were production deals with [[S.A. Screen Productions]], [[Killarney Film Studios]] or [[20th Century Fox]] (all the same company under different names at different times).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1955, Millin and Behrmann left [[African Film Productions]] to form their own production company, [[David Millin Productions]].  They had an American television deal to produce a half-hour series entitled ''Stories out of Africa'' and after the contract expired the company produced television commercials for Rhodesian television and training shorts for government departments and the mining industry.  The first feature in which the company was involved was ''[[Donker Afrika]]'' (1957), which was a co-production with [[Al Debbo]], and this was followed by nine other features, amongst them ''[[Seven Against the Sun]]'' (1964), adapted from the novel and stage play by [[James Ambrose Brown]], and ''[[Majuba, Hill of Doves]]'' (1968), based on a novel by [[Stuart Cloete]].  Most of these films were production deals with [[S.A. Screen Productions]], [[Killarney Film Studios]] or [[20th Century Fox]] (all the same company under different names at different times).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=126653&amp;oldid=prev</id>
		<title>Fogterop: Created page with &quot; (b. Graaff Reinett, 10/06/1929).  Producer, production manager.  == Biography ==  Roscoe Clarence Behrmann was born in Graaff Reinet, where his Russian-born father was a car...&quot;</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Roscoe_C._Behrmann&amp;diff=126653&amp;oldid=prev"/>
		<updated>2017-04-27T09:00:29Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot; (b. Graaff Reinett, 10/06/1929).  Producer, production manager.  == Biography ==  Roscoe Clarence Behrmann was born in Graaff Reinet, where his Russian-born father was a car...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
(b. Graaff Reinett, 10/06/1929).  Producer, production manager.&lt;br /&gt;
&lt;br /&gt;
== Biography ==&lt;br /&gt;
&lt;br /&gt;
Roscoe Clarence Behrmann was born in Graaff Reinet, where his Russian-born father was a car salesman. When he was six the family moved to Johannesburg, where he received his education at King Edward VII School.  In 1947, at the age of 18, he joined [[African Film Productions]], where his uncle [[David Millin]] was a junior cameraman, as an office boy.  When, in 1949, the British Ealing Studios sent director Harry Watt to Kenya to film ''Where No Vultures Fly'' (released in 1951), Millin was seconded as 2nd unit cameraman, while Behrmann went along as an uncredited 3rd assistant director.  Upon his return to South Africa he was promoted to Production Manager, Features for AFP and two years later he was sent to Cape Town as Manager/Producer for the [[African Mirror]] newsreel for the Western and Eastern Cape, where he worked with the likes of [[Ken Sara]] and [[Eddie de Villiers]].&lt;br /&gt;
&lt;br /&gt;
In 1955, Millin and Behrmann left [[African Film Productions]] to form their own production company, [[David Millin Productions]].  They had an American television deal to produce a half-hour series entitled ''Stories out of Africa'' and after the contract expired the company produced television commercials for Rhodesian television and training shorts for government departments and the mining industry.  The first feature in which the company was involved was ''[[Donker Afrika]]'' (1957), which was a co-production with [[Al Debbo]], and this was followed by nine other features, amongst them ''[[Seven Against the Sun]]'' (1964), adapted from the novel and stage play by [[James Ambrose Brown]], and ''[[Majuba, Hill of Doves]]'' (1968), based on a novel by [[Stuart Cloete]].  Most of these films were production deals with [[S.A. Screen Productions]], [[Killarney Film Studios]] or [[20th Century Fox]] (all the same company under different names at different times).&lt;br /&gt;
&lt;br /&gt;
In 1966 Millin and Behrmann decided to fold [[David Millin Productions]] and joined a new record company called RPM Records.  They formed [[RPM Film Studios]] to produce features and documentaries for both the local and the world market.  The first of these films was ''[[Shangani Patrol]]'' (1970), but after only eighteen months they agreed to be bought out by their partners.  While Millin continued in the film industry as [[DeeMillin Productions]], Behrmann decided to go into financial planning.  In 2010, after the death of his wife Phyllis, he moved to Australia to be closer to two daughters, who live there.  A son still lives in South Africa and another daughter lives in New York.&lt;br /&gt;
&lt;br /&gt;
== Filmography ==&lt;br /&gt;
&lt;br /&gt;
Song of Africa (production manager) ([[Emil Nofal]]/1951), Inspan (production manager with Tina Peters) ([[Bladon Peake]]/1953), ‘n Plan is ‘n Boerdery (production manager) ([[Pierre de Wet]]/1954), Donker Afrika (producer) ([[David Millin]]/1957), Stropers van die Laeveld (producer) ([[David Millin]]/1962), Seven Against the Sun (in charge of production) ([[David Millin]]/1964), Ride the High Wind (in charge of production) ([[David Millin]]/1965), The Second Sin (in charge of production) ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair (in charge of production) ([[Robert D. Webb]]/1967), The Jackals (in charge of production) ([[Robert D. Webb]]/1967), Majuba, hill of doves / Majuba: heuwel van duiwe (in charge of production) ([[David Millin]]/1968), Shangani Patrol (in charge of production) ([[David Millin]]/1970), Die Banneling (in charge of production) ([[David Millin]]/1971).&lt;br /&gt;
&lt;br /&gt;
== Stage ==&lt;br /&gt;
&lt;br /&gt;
Behrmann also did occasional stage work, personally and professionally, largely for his own pleasure. Thus he acted in the musical ''[[The King of Diamonds]]'' (1961), directed by [[Robert Langford]] for the [[National Theatre Organisation]].  Earlier he also produced ''[[Harvest Champagne]]'', a musical written by [[Harold Shaper]] and staged in aid of the Cape Province Cerebral Palsy Association.  Besides himself, others in the cast were [[Harro Fromme]], [[Joey Wishnia]], [[Paddy Canavan]] and [[Don Furnival]]. He also had a cameo role in his own film production of ''[[Seven Against the Sun]]'', in which he “played” the part of the dead South African pilot shot down by the enemy in the Western Desert. (FO)&lt;br /&gt;
&lt;br /&gt;
== Sources ==&lt;br /&gt;
&lt;br /&gt;
Roscoe C. Behrmann&lt;br /&gt;
&lt;br /&gt;
Le Roux, André I. &amp;amp; Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm&lt;br /&gt;
&lt;br /&gt;
http://www.imdb.com/name/nm0067109/?ref_=nv_sr_1&lt;br /&gt;
&lt;br /&gt;
== Return to ==	&lt;br /&gt;
&lt;br /&gt;
Return to [[ESAT Personalities B]]&lt;br /&gt;
&lt;br /&gt;
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]&lt;br /&gt;
&lt;br /&gt;
Return to [[The ESAT Entries]]&lt;br /&gt;
&lt;br /&gt;
Return to [[Main Page]]&lt;/div&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
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