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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Richard_Scott</id>
	<title>Richard Scott - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Richard_Scott"/>
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	<updated>2026-09-11T19:00:36Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.33.2</generator>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Richard_Scott&amp;diff=82112&amp;oldid=prev</id>
		<title>Fogterop at 14:19, 19 May 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Richard_Scott&amp;diff=82112&amp;oldid=prev"/>
		<updated>2015-05-19T14:19:13Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:19, 19 May 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;b. Paducah, Kentucky, 05/01/1878 – d. Paducah, Kentucky, 09/10/1952). Actor, singer. Richard Irvin Scott, the son of a wholesale hardware merchant, was born in Paducah in McCracken County, Kentucky and returned there after he retired from the stage. By all accounts he had a good singing voice and was a popular performer in his hometown before he turned professional. For some time he was a member of Shakespearean actor Louis James’s touring company, appearing in everything from ''Peer Gynt'' to ''Henry VIII''. In December 1911 he opened with Otis Skinner in ''Kismet'' at the Knickerbocker Theatre in New York and stayed with him for three years.  He toured the United States with various stock and vaudeville companies, appearing in plays ranging from ''Life'' (1914) at the Manhattan Opera House to ''The Woman Who Paid'' (1916) at Poli’s Theatre, in Washington.  He is also said to have acted in films with actress Nance O'Neil at the Fox Film Corporation.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;b. Paducah, Kentucky, 05/01/1878 – d. Paducah, Kentucky, 09/10/1952). Actor, singer. Richard Irvin Scott, the son of a wholesale hardware merchant, was born in Paducah in McCracken County, Kentucky and returned there after he retired from the stage. By all accounts he had a good singing voice and was a popular performer in his hometown before he turned professional. For some time he was a member of Shakespearean actor Louis James’s touring company, appearing in everything from ''Peer Gynt'' to ''Henry VIII''. In December 1911 he opened with Otis Skinner in ''Kismet'' at the Knickerbocker Theatre in New York and stayed with him for three years.  He toured the United States with various stock and vaudeville companies, appearing in plays ranging from ''Life'' (1914) at the Manhattan Opera House to ''The Woman Who Paid'' (1916) at Poli’s Theatre, in Washington.  He is also said to have acted in films with actress Nance O'Neil at the Fox Film Corporation.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Like [[Edward Donnelly]] and [[Florence Roberts]], he was a member of [[J.C. Williamson]]’s [[American Dramatic Company]] that travelled to South Africa in March 1917 and appeared at the [[Opera House]] in Cape Town in August of that year, performing in such plays as ''[[Kick In]]'' and ''[[The Easiest Way]]''. In 1919/20 he acted in ''[[Sweet County Kerry]]'', ''[[The Burglar and the Lady]]'' and ''[[Tom Moore]]'' for the [[Allen Doone]] Company at the [[Standard Theatre]] in Johannesburg, appearing with the likes of [[J.B. Rowe]] and [[Yvon Saxby]]. The following year he acted in ''[[Captain Kidd, Jr.]]'', ''[[Hit the Trail Holliday]]'' and ''[[The Rebel]]''.  He arrived back in the United States in 1922, with his new passport application having indicated that he intended to return via the Far East. During his time in the Union he also played [[Adele Fillis]]’s uncle in the film ''[[The Vulture's Prey]]'' (1922), directed by [[Dick &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Cruikshank&lt;/del&gt;]]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;s &lt;/del&gt;and [[William Bowden]], which was only released after he had left. There are no easily accessible records of his subsequent movements and though during the 1930s there were occasional announcements that a Richard Scott would act in certain films, he does not feature in subsequent cast lists. He never married. (FO)  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Like [[Edward Donnelly]] and [[Florence Roberts]], he was a member of [[J.C. Williamson]]’s [[American Dramatic Company]] that travelled to South Africa in March 1917 and appeared at the [[Opera House]] in Cape Town in August of that year, performing in such plays as ''[[Kick In]]'' and ''[[The Easiest Way]]''. In 1919/20 he acted in ''[[Sweet County Kerry]]'', ''[[The Burglar and the Lady]]'' and ''[[Tom Moore]]'' for the [[Allen Doone]] Company at the [[Standard Theatre]] in Johannesburg, appearing with the likes of [[J.B. Rowe]] and [[Yvon Saxby]]. The following year he acted in ''[[Captain Kidd, Jr.]]'', ''[[Hit the Trail Holliday]]'' and ''[[The Rebel]]''.  He arrived back in the United States in 1922, with his new passport application having indicated that he intended to return via the Far East. During his time in the Union he also played [[Adele Fillis]]’s uncle in the film ''[[The Vulture's Prey]]'' (1922), directed by [[Dick &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Cruikshanks&lt;/ins&gt;]] and [[William Bowden]], which was only released after he had left. There are no easily accessible records of his subsequent movements and though during the 1930s there were occasional announcements that a Richard Scott would act in certain films, he does not feature in subsequent cast lists. He never married. (FO)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Richard_Scott&amp;diff=82110&amp;oldid=prev</id>
		<title>Fogterop at 14:17, 19 May 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Richard_Scott&amp;diff=82110&amp;oldid=prev"/>
		<updated>2015-05-19T14:17:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:17, 19 May 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;(&lt;/del&gt;b. Paducah, Kentucky, 05/01/1878 – d. Paducah, Kentucky, 09/10/1952). Actor, singer. Richard Irvin Scott, the son of a wholesale hardware merchant, was born in Paducah in McCracken County, Kentucky and returned there after he retired from the stage. By all accounts he had a good singing voice and was a popular performer in his hometown before he turned professional. For some time he was a member of Shakespearean actor Louis James’s touring company, appearing in everything from ''Peer Gynt'' to ''Henry VIII''. In 1911 he opened with Otis Skinner in ''Kismet'' at the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;New National &lt;/del&gt;Theatre in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Washington, D.C&lt;/del&gt;., in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1914 he acted in the play &lt;/del&gt;''Life'' at the Manhattan Opera House &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and in 1916 he was in &lt;/del&gt;''The Woman Who Paid'' at Poli’s Theatre also in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Washington&lt;/del&gt;. Like [[Edward Donnelly]] and [[Florence Roberts]], he was a member of [[J.C. Williamson]]’s American Dramatic Company that travelled to South Africa in March 1917 and appeared at the [[Opera House]] in Cape Town in August of that year, performing in such plays as [[Kick In]] and [[The Easiest Way]]. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;In &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;1919/20 he acted in [[Sweet County Kerry]], [[The Burglar and the Lady]] and [[Tom Moore]] for the [[Allen Doone]] Company at the [[Standard Theatre]] in Johannesburg, appearing with the likes of [[J.B. Rowe]] and [[Yvon Saxby]].  He arrived back in the United States in 1922, with his passport application &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;indicating &lt;/del&gt;that &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;had returned &lt;/del&gt;via the Far East. During his time in the Union he also played [[Adele Fillis]]’s uncle in the film [[The &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Vulture’s &lt;/del&gt;Prey]] (1922), directed by [[Dick &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Cruikshanks&lt;/del&gt;]] and [[William Bowden]], which was only released after he had left. There are no easily accessible records of his subsequent movements and though during the 1930s there were occasional announcements that a Richard Scott would act in certain films, he does not feature in subsequent cast lists. He never married. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;b. Paducah, Kentucky, 05/01/1878 – d. Paducah, Kentucky, 09/10/1952). Actor, singer. Richard Irvin Scott, the son of a wholesale hardware merchant, was born in Paducah in McCracken County, Kentucky and returned there after he retired from the stage. By all accounts he had a good singing voice and was a popular performer in his hometown before he turned professional. For some time he was a member of Shakespearean actor Louis James’s touring company, appearing in everything from ''Peer Gynt'' to ''Henry VIII''. In &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;December &lt;/ins&gt;1911 he opened with Otis Skinner in ''Kismet'' at the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Knickerbocker &lt;/ins&gt;Theatre in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;New York and stayed with him for three years&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; He toured the United States with various stock and vaudeville companies&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;appearing &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;plays ranging from &lt;/ins&gt;''Life'' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(1914) &lt;/ins&gt;at the Manhattan Opera House &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;to &lt;/ins&gt;''The Woman Who Paid'' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(1916) &lt;/ins&gt;at Poli’s Theatre&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, in Washington.  He is &lt;/ins&gt;also &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;said to have acted &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;films with actress Nance O'Neil at the Fox Film Corporation&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Like [[Edward Donnelly]] and [[Florence Roberts]], he was a member of [[J.C. Williamson]]’s &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;American Dramatic Company&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;that travelled to South Africa in March 1917 and appeared at the [[Opera House]] in Cape Town in August of that year, performing in such plays as &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Kick In]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[The Easiest Way]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;. In 1919/20 he acted in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Sweet County Kerry]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[The Burglar and the Lady]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Tom Moore]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;for the [[Allen Doone]] Company at the [[Standard Theatre]] in Johannesburg, appearing with the likes of [[J.B. Rowe]] and [[Yvon Saxby]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. The following year he acted in ''[[Captain Kidd, Jr.]]'', ''[[Hit the Trail Holliday]]'' and ''[[The Rebel]]''&lt;/ins&gt;.  He arrived back in the United States in 1922, with his &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;new &lt;/ins&gt;passport application &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;having indicated &lt;/ins&gt;that &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;he intended to return &lt;/ins&gt;via the Far East. During his time in the Union he also played [[Adele Fillis]]’s uncle in the film &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Vulture's &lt;/ins&gt;Prey]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;(1922), directed by [[Dick &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Cruikshank&lt;/ins&gt;]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;s &lt;/ins&gt;and [[William Bowden]], which was only released after he had left. There are no easily accessible records of his subsequent movements and though during the 1930s there were occasional announcements that a Richard Scott would act in certain films, he does not feature in subsequent cast lists. He never married. (FO)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Stage and Cinema, 14 April 1917&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;S.A. Pictorial, 29 April 1922&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;S.A. Pictorial, 29 April 1922&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Richard_Scott&amp;diff=57984&amp;oldid=prev</id>
		<title>Fogterop at 19:58, 20 May 2014</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Richard_Scott&amp;diff=57984&amp;oldid=prev"/>
		<updated>2014-05-20T19:58:42Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:58, 20 May 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Paducah, Kentucky, 05/01/1878 – d. Paducah, Kentucky, 09/10/1952). Actor, singer. Richard Irvin Scott was born in Paducah in McCracken County, Kentucky and returned there after he retired from the stage. By all accounts he had a good singing voice and was a popular performer in his hometown before he turned professional. For some time he was a member of Shakespearean actor Louis James’s touring company, appearing in everything from ''Peer Gynt'' to ''Henry VIII''. In 1911 he opened with Otis Skinner in ''Kismet'' at the New National Theatre in Washington, D.C., in 1914 he acted in the play ''Life'' at the Manhattan Opera House and in 1916 he was in ''The Woman Who Paid'' at Poli’s Theatre also in Washington. Like [[Edward Donnelly]] and [[Florence Roberts]], he was a member of [[J.C. Williamson]]’s American Dramatic Company that travelled to South Africa in March 1917 and appeared at the [[Opera House]] in Cape Town in August of that year, performing in such plays as [[Kick In]] and [[The Easiest Way]].  In  1919/20 he acted in [[Sweet County Kerry]], [[The Burglar and the Lady]] and [[Tom Moore]] for the [[Allen Doone]] Company at the [[Standard Theatre]] in Johannesburg, appearing with the likes of [[J.B. Rowe]] and [[Yvon Saxby]].  He arrived back in the United States in 1922, with his passport application indicating that had returned via the Far East. During his time in the Union he also played [[Adele Fillis]]’s uncle in the film [[The Vulture’s Prey]] (1922), directed by [[Dick Cruikshanks]] and [[William Bowden]], which was only released after he had left. There are no easily accessible records of his subsequent movements and though during the 1930s there were occasional announcements that a Richard Scott would act in certain films, he does not feature in subsequent cast lists. He never married. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Paducah, Kentucky, 05/01/1878 – d. Paducah, Kentucky, 09/10/1952). Actor, singer. Richard Irvin Scott&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, the son of a wholesale hardware merchant, &lt;/ins&gt;was born in Paducah in McCracken County, Kentucky and returned there after he retired from the stage. By all accounts he had a good singing voice and was a popular performer in his hometown before he turned professional. For some time he was a member of Shakespearean actor Louis James’s touring company, appearing in everything from ''Peer Gynt'' to ''Henry VIII''. In 1911 he opened with Otis Skinner in ''Kismet'' at the New National Theatre in Washington, D.C., in 1914 he acted in the play ''Life'' at the Manhattan Opera House and in 1916 he was in ''The Woman Who Paid'' at Poli’s Theatre also in Washington. Like [[Edward Donnelly]] and [[Florence Roberts]], he was a member of [[J.C. Williamson]]’s American Dramatic Company that travelled to South Africa in March 1917 and appeared at the [[Opera House]] in Cape Town in August of that year, performing in such plays as [[Kick In]] and [[The Easiest Way]].  In  1919/20 he acted in [[Sweet County Kerry]], [[The Burglar and the Lady]] and [[Tom Moore]] for the [[Allen Doone]] Company at the [[Standard Theatre]] in Johannesburg, appearing with the likes of [[J.B. Rowe]] and [[Yvon Saxby]].  He arrived back in the United States in 1922, with his passport application indicating that had returned via the Far East. During his time in the Union he also played [[Adele Fillis]]’s uncle in the film [[The Vulture’s Prey]] (1922), directed by [[Dick Cruikshanks]] and [[William Bowden]], which was only released after he had left. There are no easily accessible records of his subsequent movements and though during the 1930s there were occasional announcements that a Richard Scott would act in certain films, he does not feature in subsequent cast lists. He never married. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Richard_Scott&amp;diff=57983&amp;oldid=prev</id>
		<title>Fogterop at 17:55, 20 May 2014</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Richard_Scott&amp;diff=57983&amp;oldid=prev"/>
		<updated>2014-05-20T17:55:49Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:55, 20 May 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Paducah, Kentucky, 05/01/1878 – d. Paducah, Kentucky, 09/10/1952). Actor, singer. Richard Irvin Scott was born in Paducah in McCracken County, Kentucky and returned there after he retired from the stage. By all accounts he had a good singing voice and was a popular performer in his hometown before he turned professional. For some time he was a member of Shakespearean actor Louis James’s touring company, appearing in everything from ''Peer Gynt'' to ''Henry VIII''. In 1911 he opened with Otis Skinner in ''Kismet'' at the New National Theatre in Washington, D.C., in 1914 he acted in the play ''Life'' at the Manhattan Opera House and in 1916 he was in ''The Woman Who Paid'' at Poli’s Theatre also in Washington. Like [[Edward Donnelly]] and [[Florence Roberts]], he was a member of [[J.C. Williamson]]’s American Dramatic Company that travelled to South Africa in March 1917 and appeared at the [[Opera House]] in Cape Town in August of that year, performing in such plays as [[Kick In]] and [[The Easiest Way]] &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and later (&lt;/del&gt;1919/20&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;) &lt;/del&gt;in [[Sweet County Kerry]], [[The Burglar and the Lady]] and [[Tom Moore]] for the [[Allen Doone]] Company at the [[Standard Theatre]] in Johannesburg &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;  &lt;/del&gt;. He arrived back in the United States in 1922, with his passport application indicating that had returned via the Far East. During his time in the Union he also played [[Adele Fillis]]’s uncle in the film [[The Vulture’s Prey]] (1922), directed by [[Dick Cruikshanks]] and [[William Bowden]], which was only released after he had left. There are no easily accessible records of his subsequent movements and though during the 1930s there were occasional announcements that a Richard Scott would act in certain films, he does not feature in subsequent cast lists. He never married. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Paducah, Kentucky, 05/01/1878 – d. Paducah, Kentucky, 09/10/1952). Actor, singer. Richard Irvin Scott was born in Paducah in McCracken County, Kentucky and returned there after he retired from the stage. By all accounts he had a good singing voice and was a popular performer in his hometown before he turned professional. For some time he was a member of Shakespearean actor Louis James’s touring company, appearing in everything from ''Peer Gynt'' to ''Henry VIII''. In 1911 he opened with Otis Skinner in ''Kismet'' at the New National Theatre in Washington, D.C., in 1914 he acted in the play ''Life'' at the Manhattan Opera House and in 1916 he was in ''The Woman Who Paid'' at Poli’s Theatre also in Washington. Like [[Edward Donnelly]] and [[Florence Roberts]], he was a member of [[J.C. Williamson]]’s American Dramatic Company that travelled to South Africa in March 1917 and appeared at the [[Opera House]] in Cape Town in August of that year, performing in such plays as [[Kick In]] and [[The Easiest Way]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.  In  &lt;/ins&gt;1919/20 &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;he acted &lt;/ins&gt;in [[Sweet County Kerry]], [[The Burglar and the Lady]] and [[Tom Moore]] for the [[Allen Doone]] Company at the [[Standard Theatre]] in Johannesburg&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, appearing with the likes of [[J.B. Rowe]] and [[Yvon Saxby]]&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;He arrived back in the United States in 1922, with his passport application indicating that had returned via the Far East. During his time in the Union he also played [[Adele Fillis]]’s uncle in the film [[The Vulture’s Prey]] (1922), directed by [[Dick Cruikshanks]] and [[William Bowden]], which was only released after he had left. There are no easily accessible records of his subsequent movements and though during the 1930s there were occasional announcements that a Richard Scott would act in certain films, he does not feature in subsequent cast lists. He never married. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Richard_Scott&amp;diff=57982&amp;oldid=prev</id>
		<title>Fogterop at 17:53, 20 May 2014</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Richard_Scott&amp;diff=57982&amp;oldid=prev"/>
		<updated>2014-05-20T17:53:03Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:53, 20 May 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Paducah, Kentucky, 05/01/1878 – d. Paducah, Kentucky, 09/10/1952). Actor, singer. Richard Irvin Scott was born in Paducah in McCracken County, Kentucky and returned there after he retired from the stage. By all accounts he had a good singing voice and was a popular performer in his hometown before he turned professional. For some time he was a member of Shakespearean actor Louis James’s touring company, appearing in everything from ''Peer Gynt'' to ''Henry VIII''. In 1911 he opened with Otis Skinner in ''Kismet'' at the New National Theatre in Washington, D.C., in 1914 he acted in the play ''Life'' at the Manhattan Opera House and in 1916 he was in ''The Woman Who Paid'' at Poli’s Theatre also in Washington. Like [[Edward Donnelly]] and [[Florence Roberts]], he was a member of [[J.C. Williamson]]’s American Dramatic Company that travelled to South Africa in March 1917 and appeared at the [[Opera House]] in Cape Town in August of that year, performing in such plays as [[Kick In]] and [[The Easiest Way]] &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;at the [[Opera House]] in Cape Town &lt;/del&gt;and later in [[Sweet County Kerry]], [[The Burglar and the Lady]] and [[Tom Moore]] for the [[Allen Doone]] Company at the [[Standard Theatre]] in Johannesburg   . He arrived back in the United States in 1922, with his passport application indicating that had returned via the Far East. During his time in the Union he also played [[Adele Fillis]]’s uncle in the film [[The Vulture’s Prey]] (1922), directed by [[Dick Cruikshanks]] and [[William Bowden]], which was only released after he had left. There are no easily accessible records of his subsequent movements and though during the 1930s there were occasional announcements that a Richard Scott would act in certain films, he does not feature in subsequent cast lists. He never married. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Paducah, Kentucky, 05/01/1878 – d. Paducah, Kentucky, 09/10/1952). Actor, singer. Richard Irvin Scott was born in Paducah in McCracken County, Kentucky and returned there after he retired from the stage. By all accounts he had a good singing voice and was a popular performer in his hometown before he turned professional. For some time he was a member of Shakespearean actor Louis James’s touring company, appearing in everything from ''Peer Gynt'' to ''Henry VIII''. In 1911 he opened with Otis Skinner in ''Kismet'' at the New National Theatre in Washington, D.C., in 1914 he acted in the play ''Life'' at the Manhattan Opera House and in 1916 he was in ''The Woman Who Paid'' at Poli’s Theatre also in Washington. Like [[Edward Donnelly]] and [[Florence Roberts]], he was a member of [[J.C. Williamson]]’s American Dramatic Company that travelled to South Africa in March 1917 and appeared at the [[Opera House]] in Cape Town in August of that year, performing in such plays as [[Kick In]] and [[The Easiest Way]] and later &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(1919/20) &lt;/ins&gt;in [[Sweet County Kerry]], [[The Burglar and the Lady]] and [[Tom Moore]] for the [[Allen Doone]] Company at the [[Standard Theatre]] in Johannesburg   . He arrived back in the United States in 1922, with his passport application indicating that had returned via the Far East. During his time in the Union he also played [[Adele Fillis]]’s uncle in the film [[The Vulture’s Prey]] (1922), directed by [[Dick Cruikshanks]] and [[William Bowden]], which was only released after he had left. There are no easily accessible records of his subsequent movements and though during the 1930s there were occasional announcements that a Richard Scott would act in certain films, he does not feature in subsequent cast lists. He never married. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Richard_Scott&amp;diff=57981&amp;oldid=prev</id>
		<title>Fogterop at 17:50, 20 May 2014</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Richard_Scott&amp;diff=57981&amp;oldid=prev"/>
		<updated>2014-05-20T17:50:49Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:50, 20 May 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Paducah, Kentucky, 05/01/1878 – d. Paducah, Kentucky, 09/10/1952). Actor, singer. Richard Irvin Scott was born in Paducah in McCracken County, Kentucky and returned there after he retired from the stage. By all accounts he had a good singing voice and was a popular performer in his hometown before he turned professional. For some time he was a member of Shakespearean actor Louis James’s touring company, appearing in everything from ''Peer Gynt'' to ''Henry VIII''. In 1911 he opened with Otis Skinner in ''Kismet'' at the New National Theatre in Washington, D.C., in 1914 he acted in the play ''Life'' at the Manhattan Opera House and in 1916 he was in ''The Woman Who Paid'' at Poli’s Theatre also in Washington. Like [[Edward Donnelly]] and [[Florence Roberts]], he was a member of [[J.C. Williamson]]’s American Dramatic Company that travelled to South Africa in March 1917 and appeared at the [[Opera House]] in Cape Town in August of that year, performing in such plays as [[Kick In]] and [[The Easiest Way]]. He arrived back in the United States in 1922, with his passport application indicating that had returned via the Far East. During his time in the Union he also played [[Adele Fillis]]’s uncle in the film [[The Vulture’s Prey]] (1922), directed by [[Dick Cruikshanks]] and [[William Bowden]], which was only released after he had left. There are no easily accessible records of his subsequent movements and though during the 1930s there were occasional announcements that a Richard Scott would act in certain films, he does not feature in subsequent cast lists. He never married. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Paducah, Kentucky, 05/01/1878 – d. Paducah, Kentucky, 09/10/1952). Actor, singer. Richard Irvin Scott was born in Paducah in McCracken County, Kentucky and returned there after he retired from the stage. By all accounts he had a good singing voice and was a popular performer in his hometown before he turned professional. For some time he was a member of Shakespearean actor Louis James’s touring company, appearing in everything from ''Peer Gynt'' to ''Henry VIII''. In 1911 he opened with Otis Skinner in ''Kismet'' at the New National Theatre in Washington, D.C., in 1914 he acted in the play ''Life'' at the Manhattan Opera House and in 1916 he was in ''The Woman Who Paid'' at Poli’s Theatre also in Washington. Like [[Edward Donnelly]] and [[Florence Roberts]], he was a member of [[J.C. Williamson]]’s American Dramatic Company that travelled to South Africa in March 1917 and appeared at the [[Opera House]] in Cape Town in August of that year, performing in such plays as [[Kick In]] and [[The Easiest Way]] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;at the [[Opera House]] in Cape Town and later in [[Sweet County Kerry]], [[The Burglar and the Lady]] and [[Tom Moore]] for the [[Allen Doone]] Company at the [[Standard Theatre]] in Johannesburg   &lt;/ins&gt;. He arrived back in the United States in 1922, with his passport application indicating that had returned via the Far East. During his time in the Union he also played [[Adele Fillis]]’s uncle in the film [[The Vulture’s Prey]] (1922), directed by [[Dick Cruikshanks]] and [[William Bowden]], which was only released after he had left. There are no easily accessible records of his subsequent movements and though during the 1930s there were occasional announcements that a Richard Scott would act in certain films, he does not feature in subsequent cast lists. He never married. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Richard_Scott&amp;diff=48714&amp;oldid=prev</id>
		<title>Fogterop at 10:29, 2 December 2013</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Richard_Scott&amp;diff=48714&amp;oldid=prev"/>
		<updated>2013-12-02T10:29:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 10:29, 2 December 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot; &gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;S.A. Pictorial, 29 April 1922&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Le Roux, André I. &amp;amp; Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Le Roux, André I. &amp;amp; Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;McCracken County Public Library, Local and Family History&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Return to ==	&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Return to ==	&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Richard_Scott&amp;diff=48713&amp;oldid=prev</id>
		<title>Fogterop: Created page with &quot; (b. Paducah, Kentucky, 05/01/1878 – d. Paducah, Kentucky, 09/10/1952). Actor, singer. Richard Irvin Scott was born in Paducah in McCracken County, Kentucky and returned the...&quot;</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Richard_Scott&amp;diff=48713&amp;oldid=prev"/>
		<updated>2013-12-02T10:23:09Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot; (b. Paducah, Kentucky, 05/01/1878 – d. Paducah, Kentucky, 09/10/1952). Actor, singer. Richard Irvin Scott was born in Paducah in McCracken County, Kentucky and returned the...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
(b. Paducah, Kentucky, 05/01/1878 – d. Paducah, Kentucky, 09/10/1952). Actor, singer. Richard Irvin Scott was born in Paducah in McCracken County, Kentucky and returned there after he retired from the stage. By all accounts he had a good singing voice and was a popular performer in his hometown before he turned professional. For some time he was a member of Shakespearean actor Louis James’s touring company, appearing in everything from ''Peer Gynt'' to ''Henry VIII''. In 1911 he opened with Otis Skinner in ''Kismet'' at the New National Theatre in Washington, D.C., in 1914 he acted in the play ''Life'' at the Manhattan Opera House and in 1916 he was in ''The Woman Who Paid'' at Poli’s Theatre also in Washington. Like [[Edward Donnelly]] and [[Florence Roberts]], he was a member of [[J.C. Williamson]]’s American Dramatic Company that travelled to South Africa in March 1917 and appeared at the [[Opera House]] in Cape Town in August of that year, performing in such plays as [[Kick In]] and [[The Easiest Way]]. He arrived back in the United States in 1922, with his passport application indicating that had returned via the Far East. During his time in the Union he also played [[Adele Fillis]]’s uncle in the film [[The Vulture’s Prey]] (1922), directed by [[Dick Cruikshanks]] and [[William Bowden]], which was only released after he had left. There are no easily accessible records of his subsequent movements and though during the 1930s there were occasional announcements that a Richard Scott would act in certain films, he does not feature in subsequent cast lists. He never married. (FO)&lt;br /&gt;
&lt;br /&gt;
== Sources ==&lt;br /&gt;
&lt;br /&gt;
Le Roux, André I. &amp;amp; Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm&lt;br /&gt;
&lt;br /&gt;
== Return to ==	&lt;br /&gt;
&lt;br /&gt;
Return to [[ESAT Personalities S]]&lt;br /&gt;
&lt;br /&gt;
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]&lt;br /&gt;
&lt;br /&gt;
Return to [[The ESAT Entries]]&lt;br /&gt;
&lt;br /&gt;
Return to [[Main Page]]&lt;/div&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
</feed>