Rhinoceros - Revision history

Satj: Replaced content with "#REDIRECTRhinocéros"

2016-12-30T04:42:40Z

Replaced content with "#REDIRECTRhinocéros"

Satj: Redirected page to Rhinocéros

2016-12-30T04:17:10Z

Redirected page to Rhinocéros

Satj at 04:13, 30 December 2016

2016-12-30T04:13:15Z

Satj: /* Performance history in South Africa */

2016-12-30T04:12:40Z

Performance history in South Africa

Satj: /* Performance history in South Africa */

2016-12-30T04:11:02Z

Performance history in South Africa

Satj at 04:07, 30 December 2016

2016-12-30T04:07:11Z

Miriamt: /* Performance history in South Africa */

2016-08-15T13:48:24Z

Performance history in South Africa

Miriamt at 13:43, 19 April 2016

2016-04-19T13:43:06Z

Miriamt: /* Sources */

2015-09-30T14:27:56Z

Sources

Miriamt: /* Sources */

2015-09-30T14:27:34Z

Sources

← Older revision		Revision as of 04:42, 30 December 2016
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−	#REDIRECT[[Rhinocéros]]	+	#REDIRECT[[Rhinocéros]]
−
−	~~''[[Rhinocéros]]'' is a absurdist political play by Romanian playwright Eugène Ionesco (1909-1994) [https://en.wikipedia.org/wiki/Eug%C3%A8ne_Ionesco].~~
−
−
−	~~== The original text ==~~
−
−
−
−	(French original title ''[[Rhinocéros]]'') is a play by Romanian playwright Eugène Ionesco (1909-1994) [https://en.wikipedia.org/wiki/Eug%C3%A8ne_Ionesco], written in 1959. The play belongs to the school of drama known as the [[Theatre of the Absurd]][]. Over the course of three acts, the inhabitants of a small, provincial French town turn into rhinoceroses; ultimately the only human who does not succumb to this mass metamorphosis is the central character, Bérenger, a flustered everyman figure who is often criticized throughout the play for his drinking and tardiness. The play is often read as a response and criticism to the sudden upsurge of Communism, Fascism and Nazism during the events preceding World War II, and explores the themes of conformity, culture, mass movements, philosophy and morality. It is the second in Ionesco's ''Berenger Cycle'', preceded by ''[[The Killer]]'' (1958) and followed by ''[[Exit the King]]'' (1962) and ''[[A Stroll in the Air]]'' (1963).
−
−	~~==Translations and adaptations==~~
−
−	~~Translated into English as ''[[Rhinoceros]]''~~
−
−	Translated into Afrikaans from the French as ''Die Renosters'' by [[Bartho Smit]]. Published by HAUM-Literêr in the series ''Bartho Smit-vertalings'' in 1984, including ''[[La Leçon\|Die Les]]'' and ''[[Die Koning Sterf]]'' in the same volume.
−
−
−	~~== Performance history in South Africa ==~~
−
−	~~1963: Produced in English by [[Peter Kleinschmidt]] with students of UCT at the [[Little Theatre]] in 1963.~~
−
−	1963-4: Produced in Afrikaans by [[PACT]], directed by [[Jannie Gildenhuys]] with Gildenhuys, [[Cobus Rossouw]], [[Vicki Vosloo]], [[Ernst Eloff]], [[Phyllis Punt]], [[Roelf Laubscher]], [[Limpie Basson]], [[Jan Bruijns]], [[Leonora Nel]], [[Francois Swart]] and [[Kita Redelinghuys\|Kita Redelinghuijs]]. Decor by [[Raimond Schoop]] and costumes designed by [[Joubero Malherbe]].
−
−	1994: ''Die Renosters'' presented by the [[Stellenbosch University Drama Department]] in the [[H.B. Thom Theatre]] in May, directed by [[Waldemar Schultz]], starring [[Paul du Toit]], [[Francois Toerien]], [[Anneke Hayward]], [[Ewald Cress]], [[Martelize Kolver]], [[Anton van Eeden]], [[Erik de Waal]], [[Suzanne Smith]], [[Gaerin Hauptfleisch]], [[Franci Swanepoel]], [[Marianne Stander]], [[Lisl Wolmarans]], [[Nico Dreyer]], [[Amelda Brand]], [[Cornelius Koopman]], [[Nicole Holm]], and [[Waldemar Schultz]].
−
−	2011:Performed in the [[Wynand Mouton-teater\|ATKV-Wynand Mouton-teater]], as part of the [[Vryfees]] in Bloemfontein by [[Luwes Produksies]]. Directed by Nico Luwes with [[Johann Nel]], [[André Stolz]], [[Minette Grové]], [[Dirk Gouws]], [[Anna Visser]], [[Alec Debbo]], [[De Beer Cloete]], [[Thys Heydenrych]], [[Elandi Lamprecht]], [[Pieter Venter]], [[Charl Ochler]], [[Jaco van der Merwe]], [[Lizelle Delport]], and [[Leandi de Klerk]].
−
−	~~== Sources ==~~
−
−
−	~~http://en.wikipedia.org/wiki/Rhinoceros_(play)~~
−
−	~~''Rhinoceros'' theatre programme (Little Theatre 1963).~~
−
−	~~http://www.volksbladfees.co.za/program.aspx?date=2011-07-15~~
−
−	~~PACT report, 1963/64~~
−
−	~~H B Thom Theatre programme, 1994~~
−
−
−	~~Go to [[ESAT Bibliography]]~~
−
−	~~== Return to ==~~
−
−	~~Return to [[PLAYS I: Original SA plays]]~~
−
−	~~Return to [[PLAYS II: Foreign plays]]~~
−
−	~~Return to [[PLAYS III: Collections]]~~
−
−	~~Return to [[PLAYS IV: Pageants and public performances]]~~
−
−	~~Return to [[South_African_Festivals\|South African Festivals and Competitions]]~~
−
−	~~Return to [[The ESAT Entries]]~~
−
−	~~Return to [[Main Page~~]]

@@ Line 1: / Line 1: @@
-''Rhinoceros'' (French original title ''Rhinocéros'') is a play by Romanian playwright Eugène Ionesco (1909-1994) [https://en.wikipedia.org/wiki/Eug%C3%A8ne_Ionesco], written in 1959. The play belongs to the school of drama known as the [[Theatre of the Absurd]][]. Over the course of three acts, the inhabitants of a small, provincial French town turn into rhinoceroses; ultimately the only human who does not succumb to this mass metamorphosis is the central character, Bérenger, a flustered everyman figure who is often criticized throughout the play for his drinking and tardiness. The play is often read as a response and criticism to the sudden upsurge of Communism, Fascism and Nazism during the events preceding World War II, and explores the themes of conformity, culture, mass movements, philosophy and morality. It is the second in Ionesco's ''Berenger Cycle'', preceded by ''[[The Killer]]'' (1958) and followed by ''[[Exit the King]]'' (1962) and ''[[A Stroll in the Air]]'' (1963).
+#REDIRECT[[Rhinocéros]]
 == Performance history in South Africa ==
@@ Line 13: / Line 27: @@
 :Performed in the [[Wynand Mouton-teater|ATKV-Wynand Mouton-teater]], as part of the [[Vryfees]] in Bloemfontein by [[Luwes Produksies]]. Directed by Nico Luwes with [[Johann Nel]], [[André Stolz]], [[Minette Grové]], [[Dirk Gouws]], [[Anna Visser]], [[Alec Debbo]], [[De Beer Cloete]], [[Thys Heydenrych]], [[Elandi Lamprecht]], [[Pieter Venter]], [[Charl Ochler]], [[Jaco van der Merwe]], [[Lizelle Delport]], and [[Leandi de Klerk]].
-==Translations and adaptations==
+== Sources ==
-Translated into Afrikaans from the French as ''Die Renosters'' by [[Bartho Smit]]. Published by HAUM-Literêr in the series ''Bartho Smit-vertalings'' in 1984, including ''[[La Leçon|Die Les]]'' and ''[[Die Koning Sterf]]'' in the same volume.
 http://en.wikipedia.org/wiki/Rhinoceros_(play)
@@ Line 28: / Line 41: @@
-Go to [[South African Theatre/Bibliography|ESAT Bibliography]]
+Go to [[ESAT Bibliography]]
 == Return to ==
-Return to [[ESAT Plays 2 R|R]] in Plays II Foreign Plays
+Return to [[PLAYS I: Original SA plays]]
-Return to [[South_African_Theatre/Plays]]
+Return to [[South_African_Festivals|South African Festivals and Competitions]]
 Return to [[The ESAT Entries]]
 Return to [[Main Page]]

@@ Line 1: / Line 1: @@
 ''Rhinoceros'' (French original title ''Rhinocéros'') is a play by Romanian playwright Eugène Ionesco (1909-1994) [https://en.wikipedia.org/wiki/Eug%C3%A8ne_Ionesco], written in 1959. The play belongs to the school of drama known as the [[Theatre of the Absurd]][]. Over the course of three acts, the inhabitants of a small, provincial French town turn into rhinoceroses; ultimately the only human who does not succumb to this mass metamorphosis is the central character, Bérenger, a flustered everyman figure who is often criticized throughout the play for his drinking and tardiness. The play is often read as a response and criticism to the sudden upsurge of Communism, Fascism and Nazism during the events preceding World War II, and explores the themes of conformity, culture, mass movements, philosophy and morality. It is the second in Ionesco's ''Berenger Cycle'', preceded by ''[[The Killer]]'' (1958) and followed by ''[[Exit the King]]'' (1962) and ''[[A Stroll in the Air]]'' (1963).
 == Performance history in South Africa ==
@@ Line 18: / Line 20: @@
 ''Rhinoceros'' theatre programme (Little Theatre 1963).
 PACT report, 1963/64

@@ Line 2: / Line 2: @@
 == Performance history in South Africa ==
--4: ''Die Renosters'' directed by [[Jannie Gildenhuys]] for [[PACT]] in 1963 starring Gildenhuys, [[Cobus Rossouw]], [[Vicki Vosloo]], [[Ernst Eloff]], [[Phyllis Punt]], [[Roelf Laubscher]], [[Limpie Basson]], [[Jan Bruijns]], [[Leonora Nel]], [[Francois Swart]] and [[Kita Redelinghuys|Kita Redelinghuijs]]. Decor by [[Raimond Schoop]] and costumes designed by [[Joubero Malherbe]].
+: Produced in English by [[Peter Kleinschmidt]] with students of UCT at the [[Little Theatre]] in 1963.
-: ''Die Renosters'' presented by the [[Stellenbosch University Drama Department]] in the [[H.B. Thom Theatre]] in May 1994, directed by [[Waldemar Schultz]], starring [[Paul du Toit]], [[Francois Toerien]], [[Anneke Hayward]], [[Ewald Cress]], [[Martelize Kolver]], [[Anton van Eeden]], [[Erik de Waal]], [[Suzanne Smith]], [[Gaerin Hauptfleisch]], [[Franci Swanepoel]], [[Marianne Stander]], [[Lisl Wolmarans]], [[Nico Dreyer]], [[Amelda Brand]], [[Cornelius Koopman]], [[Nicole Holm]], and [[Waldemar Schultz]].
+-4: Produced in Afrikaans by [[PACT]],  directed by [[Jannie Gildenhuys]] with Gildenhuys, [[Cobus Rossouw]], [[Vicki Vosloo]], [[Ernst Eloff]], [[Phyllis Punt]], [[Roelf Laubscher]], [[Limpie Basson]], [[Jan Bruijns]], [[Leonora Nel]], [[Francois Swart]] and [[Kita Redelinghuys|Kita Redelinghuijs]]. Decor by [[Raimond Schoop]] and costumes designed by [[Joubero Malherbe]].
 :Performed in the [[Wynand Mouton-teater|ATKV-Wynand Mouton-teater]], as part of the [[Vryfees]] in Bloemfontein by [[Luwes Produksies]]. Directed by Nico Luwes with [[Johann Nel]], [[André Stolz]], [[Minette Grové]], [[Dirk Gouws]], [[Anna Visser]], [[Alec Debbo]], [[De Beer Cloete]], [[Thys Heydenrych]], [[Elandi Lamprecht]], [[Pieter Venter]], [[Charl Ochler]], [[Jaco van der Merwe]], [[Lizelle Delport]], and [[Leandi de Klerk]].

← Older revision		Revision as of 04:11, 30 December 2016
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	1994: ''Die Renosters'' presented by the [[Stellenbosch University Drama Department]] in the [[H.B. Thom Theatre]] in May 1994, directed by [[Waldemar Schultz]], starring [[Paul du Toit]], [[Francois Toerien]], [[Anneke Hayward]], [[Ewald Cress]], [[Martelize Kolver]], [[Anton van Eeden]], [[Erik de Waal]], [[Suzanne Smith]], [[Gaerin Hauptfleisch]], [[Franci Swanepoel]], [[Marianne Stander]], [[Lisl Wolmarans]], [[Nico Dreyer]], [[Amelda Brand]], [[Cornelius Koopman]], [[Nicole Holm]], and [[Waldemar Schultz]].		1994: ''Die Renosters'' presented by the [[Stellenbosch University Drama Department]] in the [[H.B. Thom Theatre]] in May 1994, directed by [[Waldemar Schultz]], starring [[Paul du Toit]], [[Francois Toerien]], [[Anneke Hayward]], [[Ewald Cress]], [[Martelize Kolver]], [[Anton van Eeden]], [[Erik de Waal]], [[Suzanne Smith]], [[Gaerin Hauptfleisch]], [[Franci Swanepoel]], [[Marianne Stander]], [[Lisl Wolmarans]], [[Nico Dreyer]], [[Amelda Brand]], [[Cornelius Koopman]], [[Nicole Holm]], and [[Waldemar Schultz]].
		+
		+	2011:Performed in the [[Wynand Mouton-teater\|ATKV-Wynand Mouton-teater]], as part of the [[Vryfees]] in Bloemfontein by [[Luwes Produksies]]. Directed by Nico Luwes with [[Johann Nel]], [[André Stolz]], [[Minette Grové]], [[Dirk Gouws]], [[Anna Visser]], [[Alec Debbo]], [[De Beer Cloete]], [[Thys Heydenrych]], [[Elandi Lamprecht]], [[Pieter Venter]], [[Charl Ochler]], [[Jaco van der Merwe]], [[Lizelle Delport]], and [[Leandi de Klerk]].

	==Translations and adaptations==		==Translations and adaptations==

← Older revision		Revision as of 04:07, 30 December 2016
Line 1:		Line 1:
−	''Rhinoceros'' (French original title ''Rhinocéros'') is a play by Romanian playwright Eugène Ionesco (1909-1994) [https://en.wikipedia.org/wiki/Eug%C3%A8ne_Ionesco], written in 1959. The play belongs to the school of drama known as the Theatre of the Absurd. Over the course of three acts, the inhabitants of a small, provincial French town turn into rhinoceroses; ultimately the only human who does not succumb to this mass metamorphosis is the central character, Bérenger, a flustered everyman figure who is often criticized throughout the play for his drinking and tardiness. The play is often read as a response and criticism to the sudden upsurge of Communism, Fascism and Nazism during the events preceding World War II, and explores the themes of conformity, culture, mass movements, philosophy and morality. It is the second in Ionesco's ''Berenger Cycle'', preceded by ''[[The Killer]]'' (1958) and followed by ''[[Exit the King]]'' (1962) and ''[[A Stroll in the Air]]'' (1963).	+	''Rhinoceros'' (French original title ''Rhinocéros'') is a play by Romanian playwright Eugène Ionesco (1909-1994) [https://en.wikipedia.org/wiki/Eug%C3%A8ne_Ionesco], written in 1959. The play belongs to the school of drama known as the [[Theatre of the Absurd]][]. Over the course of three acts, the inhabitants of a small, provincial French town turn into rhinoceroses; ultimately the only human who does not succumb to this mass metamorphosis is the central character, Bérenger, a flustered everyman figure who is often criticized throughout the play for his drinking and tardiness. The play is often read as a response and criticism to the sudden upsurge of Communism, Fascism and Nazism during the events preceding World War II, and explores the themes of conformity, culture, mass movements, philosophy and morality. It is the second in Ionesco's ''Berenger Cycle'', preceded by ''[[The Killer]]'' (1958) and followed by ''[[Exit the King]]'' (1962) and ''[[A Stroll in the Air]]'' (1963).

	== Performance history in South Africa ==		== Performance history in South Africa ==

← Older revision		Revision as of 13:43, 19 April 2016
Line 1:		Line 1:
−	''Rhinoceros'' (French original title ''Rhinocéros'') is a play by [[Eugène Ionesco]] (1909-1994), written in 1959. The play belongs to the school of drama known as the Theatre of the Absurd. Over the course of three acts, the inhabitants of a small, provincial French town turn into rhinoceroses; ultimately the only human who does not succumb to this mass metamorphosis is the central character, Bérenger, a flustered everyman figure who is often criticized throughout the play for his drinking and tardiness. The play is often read as a response and criticism to the sudden upsurge of Communism, Fascism and Nazism during the events preceding World War II, and explores the themes of conformity, culture, mass movements, philosophy and morality. It is the second in Ionesco's ''Berenger Cycle'', preceded by ''[[The Killer]]'' (1958) and followed by ''[[Exit the King]]'' (1962) and ''[[A Stroll in the Air]]'' (1963).	+	''Rhinoceros'' (French original title ''Rhinocéros'') is a play by Romanian playwright Eugène Ionesco (1909-1994) [https://en.wikipedia.org/wiki/Eug%C3%A8ne_Ionesco], written in 1959. The play belongs to the school of drama known as the Theatre of the Absurd. Over the course of three acts, the inhabitants of a small, provincial French town turn into rhinoceroses; ultimately the only human who does not succumb to this mass metamorphosis is the central character, Bérenger, a flustered everyman figure who is often criticized throughout the play for his drinking and tardiness. The play is often read as a response and criticism to the sudden upsurge of Communism, Fascism and Nazism during the events preceding World War II, and explores the themes of conformity, culture, mass movements, philosophy and morality. It is the second in Ionesco's ''Berenger Cycle'', preceded by ''[[The Killer]]'' (1958) and followed by ''[[Exit the King]]'' (1962) and ''[[A Stroll in the Air]]'' (1963).

	== Performance history in South Africa ==		== Performance history in South Africa ==

← Older revision		Revision as of 14:27, 30 September 2015
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	''Rhinoceros'' theatre programme (Little Theatre 1963).		''Rhinoceros'' theatre programme (Little Theatre 1963).
		+
	PACT report, 1963/64		PACT report, 1963/64

← Older revision		Revision as of 14:27, 30 September 2015
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	http://en.wikipedia.org/wiki/Rhinoceros_(play)		http://en.wikipedia.org/wiki/Rhinoceros_(play)

		+	''Rhinoceros'' theatre programme (Little Theatre 1963).
	PACT report, 1963/64		PACT report, 1963/64