Revue - Revision history

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2023-08-21T04:32:51Z

Sources

Satj at 04:32, 21 August 2023

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Satj at 04:25, 21 August 2023

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Satj at 05:00, 12 December 2020

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Satj at 04:57, 12 December 2020

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Satj at 04:53, 12 December 2020

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 https://en.wikipedia.org/wiki/Revue
-[[Mervyn Mc Murtry]]. 1995. Adam Leslie and his contribution to satire in Intimate Revue in South African Theatre. In: ''[[South African Theatre Journal]]'' (Volume 9, 1995 - Issue 1): pp.3-27.
+[[Mervyn McMurtry]]. 1995. Adam Leslie and his contribution to satire in Intimate Revue in South African Theatre. In: ''[[South African Theatre Journal]]'' (Volume 9, 1995 - Issue 1): pp.3-27.
 Go to [[ESAT Bibliography]]

← Older revision		Revision as of 04:32, 21 August 2023
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	https://en.wikipedia.org/wiki/Revue		https://en.wikipedia.org/wiki/Revue

		+	[[Mervyn Mc Murtry]]. 1995. Adam Leslie and his contribution to satire in Intimate Revue in South African Theatre. In: ''[[South African Theatre Journal]]'' (Volume 9, 1995 - Issue 1): pp.3-27.

	Go to [[ESAT Bibliography]]		Go to [[ESAT Bibliography]]

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 It has its roots in 19th century popular entertainment and melodrama, growing  into a substantial cultural presence of its own during its golden years from 1916 to 1932. It shares a number of features with forms like operetta and musical theatre, bringing together music, dance and sketches to create a show. [[Revue]], like [[cabaret]], [[music hall]], [[vaudeville]] and [[variety]],  does not necessarily have an overarching storyline, but rather utilises a general theme that serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles.
-In South Africa variations on the revue form became very popular again in the 1960s-1980s under the influence of such diverse producer/performers as [[Alf Herbert]], [[Robert Kirby]], [[Kevin Feather]] and many others.  A number of these performances were driven by a political agenda in the times of increasing governmental censorship.
+A form at one time referred to as the '''[[intimate revue]]''' was introduced to South Africa by [[Adam Leslie]] in the 1960s.
 See also '''[[Vaudeville]]''' and '''[[Cabaret]]'''.

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 It has its roots in 19th century popular entertainment and melodrama, growing  into a substantial cultural presence of its own during its golden years from 1916 to 1932. It shares a number of features with forms like operetta and musical theatre, bringing together music, dance and sketches to create a show. [[Revue]], like [[cabaret]], [[music hall]], [[vaudeville]] and [[variety]],  does not necessarily have an overarching storyline, but rather utilises a general theme that serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles.
-In South Africa variations on the revue form became very popular again in the 1960s-1980s under the influence of such producer/performers as [[Robert Kirby]], .  A number of these performances were driven by a political agenda in the times of increasing governmental censorship.
+In South Africa variations on the revue form became very popular again in the 1960s-1980s under the influence of such diverse producer/performers as [[Alf Herbert]], [[Robert Kirby]], [[Kevin Feather]] and many others.  A number of these performances were driven by a political agenda in the times of increasing governmental censorship.
 See also '''[[Vaudeville]]''' and '''[[Cabaret]]'''.

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 The term "[[revue]]" generally refers to a theatrical production consisting typically of brief loosely connected often satirical skits, songs, and dances.
-It has its roots in 19th century popular entertainment and melodrama, growing  into a substantial cultural presence of its own during its golden years from 1916 to 1932. It shares a number of features with forms like operetta and musical theatre, bringing together music, dance and sketches to create a show. [[Revue]], like [[music hall]], [[vaudeville]] and [[variety]],  does not have an overarching storyline but rather has a general theme that serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles.
+It has its roots in 19th century popular entertainment and melodrama, growing  into a substantial cultural presence of its own during its golden years from 1916 to 1932. It shares a number of features with forms like operetta and musical theatre, bringing together music, dance and sketches to create a show. [[Revue]], like [[cabaret]], [[music hall]], [[vaudeville]] and [[variety]],  does not necessarily have an overarching storyline, but rather utilises a general theme that serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles.
 In South Africa variations on the revue form became very popular again in the 1960s-1980s under the influence of such producer/performers as [[Robert Kirby]], .  A number of these performances were driven by a political agenda in the times of increasing governmental censorship.

← Older revision		Revision as of 04:53, 12 December 2020
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	See also '''[[Vaudeville]]''' and '''[[Cabaret]]'''.		See also '''[[Vaudeville]]''' and '''[[Cabaret]]'''.
		+
		+	== Sources ==
		+

	https://en.wikipedia.org/wiki/Revue		https://en.wikipedia.org/wiki/Revue
		+
		+
		+	Go to [[ESAT Bibliography]]
		+
		+	== Return to ==
		+
		+	Return to [[The South African Context/General Terminology and Thematic Entries]]
		+
		+	Return to [[South African Theatre/Terminology and Thematic Entries]]
		+
		+	Return to [[South African Film /Terminology and Thematic Entries]]
		+
		+	Return to [[South African Media/Terminology and Thematic Entries]]
		+
		+	Return to [[The ESAT Entries]]
		+
		+	Return to [[Main Page]]

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 It has its roots in 19th century popular entertainment and melodrama, growing  into a substantial cultural presence of its own during its golden years from 1916 to 1932. It shares a number of features with forms like operetta and musical theatre, bringing together music, dance and sketches to create a show. Revue, like vaudeville,  does not have an overarching storyline but rather has a general theme that serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles.
-In South Africa variations on the revue form became very popular again in the 1960s-1980s under the influence of such producer/performers as .  A number of these performances were driven by a political agenda in the times of increasing governmental censorship.
+In South Africa variations on the revue form became very popular again in the 1960s-1980s under the influence of such producer/performers as [[Robert Kirby]].  A number of these performances were driven by a political agenda in the times of increasing governmental censorship.
-See also [[Vaudeville]] and [[Cabaret]].
+See also '''[[Vaudeville]]''' and '''[[Cabaret]]'''.
 https://en.wikipedia.org/wiki/Revue