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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Pikkie_Uys</id>
	<title>Pikkie Uys - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Pikkie_Uys"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;action=history"/>
	<updated>2026-08-11T21:13:28Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.33.2</generator>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260300&amp;oldid=prev</id>
		<title>Fogterop at 19:12, 22 May 2024</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260300&amp;oldid=prev"/>
		<updated>2024-05-22T19:12:45Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:12, 22 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Susanna Sophia (Sannie) (Pikkie) Uys was born on 20 May 1913 to Cornelis Jansen Uys and his wife Elizabeth Catharina Strydom.  She was the youngest of four children and grew up on the farm Elizabethsrust near Petrusburg, in what was then the Orange Free State.  She matriculated at the Oranje Hoër Meisieskool in Bloemfontein and during the early 1930s  joined the [[Hanekom-Van Zyl Geselskap]].  When, in 1934, the company’s leading lady, [[Wena Naudé]], left on a study tour to The Netherlands, Sannie Uys took over the roles that would normally have gone to her.  Also with the company was [[Anton Ackermann]], whose disagreements with [[Hendrik Hanekom]] caused him to leave and start his own touring company, the [[Anton Ackermann Geselskap]].  Sannie Uys went with him and was renamed Pikkie (reportedly after a little dog that always toured with her).  She and Ackermann were married in October 1937.  Her most popular role in those years was in the Afrikaans version  of [[George Bernard Shaw]]’s ''[[Pygmalion]]''.  Entitled ''[[Koop my Blomme]]'', it was staged at the [[Standard Theatre]] in Johannesburg.  It was translated by [[G.J.C. Uys]] who, in fact, was her brother.  He later became a prominent agricultural economist.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Susanna Sophia (Sannie) (Pikkie) Uys was born on 20 May 1913 to Cornelis Jansen Uys and his wife Elizabeth Catharina Strydom.  She was the youngest of four children and grew up on the farm Elizabethsrust near Petrusburg, in what was then the Orange Free State.  She matriculated at the Oranje Hoër Meisieskool in Bloemfontein and during the early 1930s  joined the [[Hanekom-Van Zyl Geselskap]].  When, in 1934, the company’s leading lady, [[Wena Naudé]], left on a study tour to The Netherlands, Sannie Uys took over the roles that would normally have gone to her.  Also with the company was [[Anton Ackermann]], whose disagreements with [[Hendrik Hanekom]] caused him to leave and start his own touring company, the [[Anton Ackermann Geselskap]].  Sannie Uys went with him and was renamed Pikkie (reportedly after a little dog that always toured with her).  She and Ackermann were married in October 1937.  Her most popular role in those years was in the Afrikaans version  of [[George Bernard Shaw]]’s ''[[Pygmalion]]''.  Entitled ''[[Koop my Blomme]]'', it was staged at the [[Standard Theatre]] in Johannesburg.  It was translated by [[G.J.C. Uys]] who, in fact, was her brother.  He later became a prominent agricultural economist.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ackermann’s heavy drinking caused a rift between them and eventually the couple were divorced.  Afterwards she continued to tour with her own company.  In March 1949 she married Julius John Katzke.  According to the marriage certificate he was in insurance, but in 1946 a [[Julius J. Katzke]] photographed the feature film ''[[Die Skerpioen]]'', in which Ackermann had had a leading role.  In 1950 Pikkie and Julius were divorced and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;in &lt;/del&gt;1954 she died at the National Hospital in Bloemfontein of Hodgkin’s Disease.  She and Ackermann had a son called Uys Ackermann, who also had a small role in ''[[Die Skerpioen]]''.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ackermann’s heavy drinking caused a rift between them and eventually the couple were divorced.  Afterwards she continued to tour with her own company.  In March 1949 she married Julius John Katzke.  According to the marriage certificate he was in insurance, but in 1946 a [[Julius J. Katzke]] photographed the feature film ''[[Die Skerpioen]]'', in which Ackermann had had a leading role.  In 1950 Pikkie and Julius were divorced and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;on 27 December &lt;/ins&gt;1954 she died at the National Hospital in Bloemfontein of Hodgkin’s Disease.  She and Ackermann had a son called Uys Ackermann, who also had a small role in ''[[Die Skerpioen]]''.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre Credits ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre Credits ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260299&amp;oldid=prev</id>
		<title>Fogterop at 19:02, 22 May 2024</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260299&amp;oldid=prev"/>
		<updated>2024-05-22T19:02:00Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:02, 22 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Susanna Sophia (Sannie) (Pikkie) Uys was born on 20 May 1913 to Cornelis Jansen Uys and his wife Elizabeth Catharina Strydom.  She was the youngest of four children and grew up on the farm Elizabethsrust near Petrusburg, in what was then the Orange Free State.  She matriculated at the Oranje Hoër Meisieskool in Bloemfontein and during the early 1930s  joined the [[Hanekom-Van Zyl Geselskap]].  When, in 1934, the company’s leading lady, [[Wena Naudé]], left on a study tour to The Netherlands, Sannie Uys took over the roles that would normally have gone to her.  Also with the company was [[Anton Ackermann]], whose disagreements with [[Hendrik Hanekom]] caused him to leave and start his own touring company, the [[Anton Ackermann Geselskap]].  Sannie Uys went with him and was renamed Pikkie (reportedly after a little dog that always toured with her).  She and Ackermann were married in October 1937.  Her most popular role in those years was in the Afrikaans version  of [[George Bernard Shaw]]’s ''[[Pygmalion]]''.  Entitled ''[[Koop my Blomme]]'', it was staged at the [[Standard Theatre]] in Johannesburg.  It was translated by [[G.J.C. Uys]] who, in fact, was her brother.  He later became a prominent agricultural economist.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Susanna Sophia (Sannie) (Pikkie) Uys was born on 20 May 1913 to Cornelis Jansen Uys and his wife Elizabeth Catharina Strydom.  She was the youngest of four children and grew up on the farm Elizabethsrust near Petrusburg, in what was then the Orange Free State.  She matriculated at the Oranje Hoër Meisieskool in Bloemfontein and during the early 1930s  joined the [[Hanekom-Van Zyl Geselskap]].  When, in 1934, the company’s leading lady, [[Wena Naudé]], left on a study tour to The Netherlands, Sannie Uys took over the roles that would normally have gone to her.  Also with the company was [[Anton Ackermann]], whose disagreements with [[Hendrik Hanekom]] caused him to leave and start his own touring company, the [[Anton Ackermann Geselskap]].  Sannie Uys went with him and was renamed Pikkie (reportedly after a little dog that always toured with her).  She and Ackermann were married in October 1937.  Her most popular role in those years was in the Afrikaans version  of [[George Bernard Shaw]]’s ''[[Pygmalion]]''.  Entitled ''[[Koop my Blomme]]'', it was staged at the [[Standard Theatre]] in Johannesburg.  It was translated by [[G.J.C. Uys]] who, in fact, was her brother.  He later became a prominent agricultural economist.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ackermann’s heavy drinking caused a rift between them and eventually the couple were divorced.  Afterwards she continued to tour with her own company.  In March 1949 she married Julius John Katzke.  According to the marriage certificate he was in insurance, but in 1946 a [[Julius J. Katzke]] photographed the feature film [[Die Skerpioen]], in which Ackermann had had a leading role.  In 1950 Pikkie and Julius were divorced and in 1954 she died at the National Hospital in Bloemfontein of Hodgkin’s Disease.  She and Ackermann had a son called Uys Ackermann, who also had a small role in [[Die Skerpioen]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ackermann’s heavy drinking caused a rift between them and eventually the couple were divorced.  Afterwards she continued to tour with her own company.  In March 1949 she married Julius John Katzke.  According to the marriage certificate he was in insurance, but in 1946 a [[Julius J. Katzke]] photographed the feature film &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Die Skerpioen]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, in which Ackermann had had a leading role.  In 1950 Pikkie and Julius were divorced and in 1954 she died at the National Hospital in Bloemfontein of Hodgkin’s Disease.  She and Ackermann had a son called Uys Ackermann, who also had a small role in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Die Skerpioen]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre Credits ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre Credits ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1934 – Die Verstoteling (Director: Willem van Zyl), 1935 – Wittebroodsdae (director unknown), 1936 – Haar Geheim (director unknown), 1937 – Die Hand van die Gereg (director unknown), 1939 – Janette (director unknown), 1939 – Skipbreukelinge van die Lewe (director unknown), 1939 – Roza (Director: Anton Ackermann), 1940 – Koop my Blomme (Director: Anton Ackermann), 1940 – Met my Hele Hart (director unknown), 1943 – Hier Kom Japie (director unknown), 1943 – Onskuldig Veroordeel (Director: Anton Ackerman), 1944 – Onsterflike Liefde, 1944 – Vergelding (Director: Anton Ackermann), 1945 – O Diep Rivier, O Donker Stroom (production only), 1946 – Janie Gooi Haar Flikkers (director unknown), 1948 – Skaakbord van die Liefde (production only), 1950 – Die Bosveldnooi (production only), 1950 – Dis te  Laat vir Trane (director unknown), 1950 – Ou Spogter en sy Dogter (director unknown), 1952 – Met My Hele Hart (director unknown – previously staged in 1940).  She also appeared in Martjie, die Maltrap, for which we don’t have a date.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1934 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Die Verstoteling&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(Director: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Willem van Zyl&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;), 1935 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Wittebroodsdae&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(director unknown), 1936 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Haar Geheim&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(director unknown), 1937 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Die Hand van die Gereg&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(director unknown), 1939 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Janette&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(director unknown), 1939 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Skipbreukelinge van die Lewe&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(director unknown), 1939 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Roza&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(Director: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Anton Ackermann&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;), 1940 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Koop my Blomme&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(Director: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Anton Ackermann&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;), 1940 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Met my Hele Hart&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(director unknown), 1943 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Hier Kom Japie&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(director unknown), 1943 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Onskuldig Veroordeel&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(Director: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Anton Ackerman&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;), 1944 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Onsterflike Liefde&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;, 1944 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Vergelding&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(Director: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Anton Ackermann&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;), 1945 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;O Diep Rivier, O Donker Stroom&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(production only), 1946 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Janie Gooi Haar Flikkers&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(director unknown), 1948 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Skaakbord van die Liefde&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(production only), 1950 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Die Bosveldnooi&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(production only), 1950 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Dis te  Laat vir Trane&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(director unknown), 1950 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Ou Spogter en sy Dogter&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(director unknown), 1952 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Met My Hele Hart&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(director unknown – previously staged in 1940).  She also appeared in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Martjie, die Maltrap&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;, for which we don’t have a date&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. It is likely that she directed many of the plays with which she toured in later years, though she may not have acted in them&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Film Credits ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Film Credits ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1947 – Pantoffel-regering (Directors: Ronald Brantford &amp;amp; Anton Ackermann), 1947 – Simon Beyers (Director: Pierre de Wet).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1947 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Pantoffel-regering&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(Directors: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Ronald Brantford&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;&amp;amp; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Anton Ackermann&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;), 1947 – &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Simon Beyers&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(Director: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pierre de Wet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;L.W.B. Binge - Ontwikkeling van die Afrikaanse toneel (1832-1950) (1969)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;L.W.B. Binge&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;- Ontwikkeling van die Afrikaanse toneel (1832-1950) (1969)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Danie Botha - Voetligte &amp;amp; Applaus!: die beginjare van die Afrikaanse beroepstoneel (2006)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Danie Botha&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;- Voetligte &amp;amp; Applaus!: die beginjare van die Afrikaanse beroepstoneel (2006)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[The Rand Daily Mail]]'' (various issues)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[The Rand Daily Mail]]'' (various issues)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260298&amp;oldid=prev</id>
		<title>Fogterop at 18:48, 22 May 2024</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260298&amp;oldid=prev"/>
		<updated>2024-05-22T18:48:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:48, 22 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Susanna Sophia (Sannie) (Pikkie) Uys was born on 20 May 1913 to Cornelis Jansen Uys and his wife Elizabeth Catharina Strydom.  She was the youngest of four children and grew up on the farm Elizabethsrust near Petrusburg, in what was then the Orange Free State.  She matriculated at the Oranje Hoër Meisieskool in Bloemfontein and during the early 1930s  joined the [[Hanekom-Van Zyl Geselskap]].  When, in 1934, the company’s leading lady, [[Wena Naudé]], left on a study tour to The Netherlands, Sannie Uys took over the roles that would normally have gone to her.  Also with the company was [[Anton Ackermann]], whose disagreements with [[Hendrik Hanekom]] caused him to leave and start his own touring company, the [[Anton Ackermann Geselskap]].  Sannie Uys went with him and was renamed Pikkie (reportedly after a little dog that always toured with her).  She and Ackermann were married in October 1937.  Her most popular role in those years was in the Afrikaans version  of [[George Bernard Shaw]]’s ''[[Pygmalion]]''.  Entitled ''[[Koop my Blomme]]'', it was staged at the [[Standard Theatre]] in Johannesburg.  It was translated by [[G.J.C. Uys]] who, in fact, was her brother.  He later became a prominent agricultural economist.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Susanna Sophia (Sannie) (Pikkie) Uys was born on 20 May 1913 to Cornelis Jansen Uys and his wife Elizabeth Catharina Strydom.  She was the youngest of four children and grew up on the farm Elizabethsrust near Petrusburg, in what was then the Orange Free State.  She matriculated at the Oranje Hoër Meisieskool in Bloemfontein and during the early 1930s  joined the [[Hanekom-Van Zyl Geselskap]].  When, in 1934, the company’s leading lady, [[Wena Naudé]], left on a study tour to The Netherlands, Sannie Uys took over the roles that would normally have gone to her.  Also with the company was [[Anton Ackermann]], whose disagreements with [[Hendrik Hanekom]] caused him to leave and start his own touring company, the [[Anton Ackermann Geselskap]].  Sannie Uys went with him and was renamed Pikkie (reportedly after a little dog that always toured with her).  She and Ackermann were married in October 1937.  Her most popular role in those years was in the Afrikaans version  of [[George Bernard Shaw]]’s ''[[Pygmalion]]''.  Entitled ''[[Koop my Blomme]]'', it was staged at the [[Standard Theatre]] in Johannesburg.  It was translated by [[G.J.C. Uys]] who, in fact, was her brother.  He later became a prominent agricultural economist.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ackermann’s heavy drinking caused a rift between them and eventually the couple were divorced.  Afterwards she continued to tour with her own company.  In March 1949 she married Julius John Katzke.  According to the marriage certificate he was in insurance, but in 1946 a [[Julius J. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Katzkin&lt;/del&gt;]] photographed the feature film [[Die Skerpioen]], in which Ackermann had had a leading role.  In 1950 Pikkie and Julius were divorced and in 1954 she died at the National Hospital in Bloemfontein of Hodgkin’s Disease.  She and Ackermann had a son called Uys Ackermann, who also had a small role in [[Die Skerpioen]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ackermann’s heavy drinking caused a rift between them and eventually the couple were divorced.  Afterwards she continued to tour with her own company.  In March 1949 she married Julius John Katzke.  According to the marriage certificate he was in insurance, but in 1946 a [[Julius J. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Katzke&lt;/ins&gt;]] photographed the feature film [[Die Skerpioen]], in which Ackermann had had a leading role.  In 1950 Pikkie and Julius were divorced and in 1954 she died at the National Hospital in Bloemfontein of Hodgkin’s Disease.  She and Ackermann had a son called Uys Ackermann, who also had a small role in [[Die Skerpioen]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre Credits ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre Credits ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260297&amp;oldid=prev</id>
		<title>Fogterop at 18:47, 22 May 2024</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260297&amp;oldid=prev"/>
		<updated>2024-05-22T18:47:35Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:47, 22 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Susanna Sophia (Sannie) (Pikkie) Uys was born on 20 May 1913 to Cornelis Jansen Uys and his wife Elizabeth Catharina Strydom.  She was the youngest of four children and grew up on the farm Elizabethsrust near Petrusburg, in what was then the Orange Free State.  She matriculated at the Oranje Hoër Meisieskool in Bloemfontein and during the early 1930s  joined the [[Hanekom-Van Zyl Geselskap]].  When, in 1934, the company’s leading lady, [[Wena Naudé]], left on a study tour to The Netherlands, Sannie Uys took over the roles that would normally have gone to her.  Also with the company was [[Anton Ackermann]], whose disagreements with [[Hendrik Hanekom]] caused him to leave and start his own touring company, the [[Anton Ackermann Geselskap]].  Sannie Uys went with him and was renamed Pikkie (reportedly after a little dog that always toured with her).  She and Ackermann were married in October 1937.  Her most popular role in those years was in the Afrikaans version  of [[George Bernard Shaw]]’s ''[[Pygmalion]]''.  Entitled ''[[Koop my Blomme]]'', it was staged at the [[Standard Theatre]] in Johannesburg.  It was translated by [[G.J.C. Uys]] who, in fact, was her brother.  He later became a prominent agricultural economist.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Susanna Sophia (Sannie) (Pikkie) Uys was born on 20 May 1913 to Cornelis Jansen Uys and his wife Elizabeth Catharina Strydom.  She was the youngest of four children and grew up on the farm Elizabethsrust near Petrusburg, in what was then the Orange Free State.  She matriculated at the Oranje Hoër Meisieskool in Bloemfontein and during the early 1930s  joined the [[Hanekom-Van Zyl Geselskap]].  When, in 1934, the company’s leading lady, [[Wena Naudé]], left on a study tour to The Netherlands, Sannie Uys took over the roles that would normally have gone to her.  Also with the company was [[Anton Ackermann]], whose disagreements with [[Hendrik Hanekom]] caused him to leave and start his own touring company, the [[Anton Ackermann Geselskap]].  Sannie Uys went with him and was renamed Pikkie (reportedly after a little dog that always toured with her).  She and Ackermann were married in October 1937.  Her most popular role in those years was in the Afrikaans version  of [[George Bernard Shaw]]’s ''[[Pygmalion]]''.  Entitled ''[[Koop my Blomme]]'', it was staged at the [[Standard Theatre]] in Johannesburg.  It was translated by [[G.J.C. Uys]] who, in fact, was her brother.  He later became a prominent agricultural economist.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ackermann’s heavy drinking caused a rift between them and eventually the couple were divorced.  Afterwards she continued to tour with her own company.  In March 1949 she married Julius John &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Katzkin&lt;/del&gt;.  According to the marriage certificate he was in insurance, but in 1946 a [[Julius Katzkin]] photographed the feature film [[Die Skerpioen]], in which Ackermann had had a leading role.  In 1950 Pikkie and Julius were divorced and in 1954 she died at the National Hospital in Bloemfontein of Hodgkin’s Disease.  She and Ackermann had a son called Uys Ackermann, who also had a small role in [[Die Skerpioen]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ackermann’s heavy drinking caused a rift between them and eventually the couple were divorced.  Afterwards she continued to tour with her own company.  In March 1949 she married Julius John &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Katzke&lt;/ins&gt;.  According to the marriage certificate he was in insurance, but in 1946 a [[Julius &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;J. &lt;/ins&gt;Katzkin]] photographed the feature film [[Die Skerpioen]], in which Ackermann had had a leading role.  In 1950 Pikkie and Julius were divorced and in 1954 she died at the National Hospital in Bloemfontein of Hodgkin’s Disease.  She and Ackermann had a son called Uys Ackermann, who also had a small role in [[Die Skerpioen]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre Credits ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre Credits ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260296&amp;oldid=prev</id>
		<title>Fogterop at 18:42, 22 May 2024</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260296&amp;oldid=prev"/>
		<updated>2024-05-22T18:42:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:42, 22 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Susanna Sophia (Sannie) (Pikkie) Uys was born on 20 May 1913 to Cornelis Jansen Uys and his wife Elizabeth Catharina Strydom.  She was the youngest of four children and grew up on the farm Elizabethsrust near Petrusburg, in what was then the Orange Free State.  She matriculated at the Oranje Hoër Meisieskool in Bloemfontein and during the early 1930s  joined the [[Hanekom-&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Willem van &lt;/del&gt;Zyl Geselskap]].  When, in 1934, the company’s leading lady, [[Wena Naudé]], left on a study tour to The Netherlands, Sannie Uys took over the roles that would normally have gone to her.  Also with the company was [[Anton Ackermann]], whose disagreements with [[Hendrik Hanekom]] caused him to leave and start his own touring company, the [[Anton Ackermann Geselskap]].  Sannie Uys went with him and was renamed Pikkie (reportedly after a little dog that always toured with her).  She and Ackermann were married in October 1937.  Her most popular role in those years was in the Afrikaans version  of [[George Bernard Shaw]]’s ''[[Pygmalion]]''.  Entitled ''[[Koop my Blomme]]'', it was staged at the [[Standard Theatre]] in Johannesburg.  It was translated by [[G.J.C. Uys]] who, in fact, was her brother.  He later became a prominent agricultural economist.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Susanna Sophia (Sannie) (Pikkie) Uys was born on 20 May 1913 to Cornelis Jansen Uys and his wife Elizabeth Catharina Strydom.  She was the youngest of four children and grew up on the farm Elizabethsrust near Petrusburg, in what was then the Orange Free State.  She matriculated at the Oranje Hoër Meisieskool in Bloemfontein and during the early 1930s  joined the [[Hanekom-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Van &lt;/ins&gt;Zyl Geselskap]].  When, in 1934, the company’s leading lady, [[Wena Naudé]], left on a study tour to The Netherlands, Sannie Uys took over the roles that would normally have gone to her.  Also with the company was [[Anton Ackermann]], whose disagreements with [[Hendrik Hanekom]] caused him to leave and start his own touring company, the [[Anton Ackermann Geselskap]].  Sannie Uys went with him and was renamed Pikkie (reportedly after a little dog that always toured with her).  She and Ackermann were married in October 1937.  Her most popular role in those years was in the Afrikaans version  of [[George Bernard Shaw]]’s ''[[Pygmalion]]''.  Entitled ''[[Koop my Blomme]]'', it was staged at the [[Standard Theatre]] in Johannesburg.  It was translated by [[G.J.C. Uys]] who, in fact, was her brother.  He later became a prominent agricultural economist.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ackermann’s heavy drinking caused a rift between them and eventually the couple were divorced.  Afterwards she continued to tour with her own company.  In March 1949 she married Julius John Katzkin.  According to the marriage certificate he was in insurance, but in 1946 a [[Julius Katzkin]] photographed the feature film [[Die Skerpioen]], in which Ackermann had had a leading role.  In 1950 Pikkie and Julius were divorced and in 1954 she died at the National Hospital in Bloemfontein of Hodgkin’s Disease.  She and Ackermann had a son called Uys Ackermann, who also had a small role in [[Die Skerpioen]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ackermann’s heavy drinking caused a rift between them and eventually the couple were divorced.  Afterwards she continued to tour with her own company.  In March 1949 she married Julius John Katzkin.  According to the marriage certificate he was in insurance, but in 1946 a [[Julius Katzkin]] photographed the feature film [[Die Skerpioen]], in which Ackermann had had a leading role.  In 1950 Pikkie and Julius were divorced and in 1954 she died at the National Hospital in Bloemfontein of Hodgkin’s Disease.  She and Ackermann had a son called Uys Ackermann, who also had a small role in [[Die Skerpioen]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260295&amp;oldid=prev</id>
		<title>Fogterop at 18:41, 22 May 2024</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260295&amp;oldid=prev"/>
		<updated>2024-05-22T18:41:20Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:41, 22 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Susanna Sophia (Sannie) (Pikkie) Uys was born on 20 May 1913 to Cornelis Jansen Uys and his wife Elizabeth Catharina Strydom.  She was the youngest of four children and grew up on the farm Elizabethsrust near Petrusburg, in what was then the Orange Free State.  She matriculated at the Oranje Hoër Meisieskool in Bloemfontein and during the early 1930s  joined the [[Hanekom-Willem van Zyl Geselskap]].  When, in 1934, the company’s leading lady, [[Wena Naudé]], left on a study tour to The Netherlands, Sannie Uys took over the roles that would normally have gone to her.  Also with the company was [[Anton Ackermann]], whose disagreements with [[Hendrik Hanekom]] caused him to leave and start his own touring company, the [[Anton Ackermann Geselskap]].  Sannie Uys went with him and was renamed Pikkie (reportedly after a little dog that always toured with her).  She and Ackermann were married in October 1937.  Her most popular role in those years was in the Afrikaans version  of [[George Bernard Shaw]]’s ''[[Pygmalion]]''.  Entitled ''[[Koop &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;My &lt;/del&gt;Blomme]]'', it was staged at the [[Standard Theatre]] in Johannesburg.  It was translated by [[G.J.C. Uys]] who, in fact, was her brother.  He later became a prominent agricultural economist.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Susanna Sophia (Sannie) (Pikkie) Uys was born on 20 May 1913 to Cornelis Jansen Uys and his wife Elizabeth Catharina Strydom.  She was the youngest of four children and grew up on the farm Elizabethsrust near Petrusburg, in what was then the Orange Free State.  She matriculated at the Oranje Hoër Meisieskool in Bloemfontein and during the early 1930s  joined the [[Hanekom-Willem van Zyl Geselskap]].  When, in 1934, the company’s leading lady, [[Wena Naudé]], left on a study tour to The Netherlands, Sannie Uys took over the roles that would normally have gone to her.  Also with the company was [[Anton Ackermann]], whose disagreements with [[Hendrik Hanekom]] caused him to leave and start his own touring company, the [[Anton Ackermann Geselskap]].  Sannie Uys went with him and was renamed Pikkie (reportedly after a little dog that always toured with her).  She and Ackermann were married in October 1937.  Her most popular role in those years was in the Afrikaans version  of [[George Bernard Shaw]]’s ''[[Pygmalion]]''.  Entitled ''[[Koop &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;my &lt;/ins&gt;Blomme]]'', it was staged at the [[Standard Theatre]] in Johannesburg.  It was translated by [[G.J.C. Uys]] who, in fact, was her brother.  He later became a prominent agricultural economist.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ackermann’s heavy drinking caused a rift between them and eventually the couple were divorced.  Afterwards she continued to tour with her own company.  In March 1949 she married Julius John Katzkin.  According to the marriage certificate he was in insurance, but in 1946 a [[Julius Katzkin]] photographed the feature film [[Die Skerpioen]], in which Ackermann had had a leading role.  In 1950 Pikkie and Julius were divorced and in 1954 she died at the National Hospital in Bloemfontein of Hodgkin’s Disease.  She and Ackermann had a son called Uys Ackermann, who also had a small role in [[Die Skerpioen]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ackermann’s heavy drinking caused a rift between them and eventually the couple were divorced.  Afterwards she continued to tour with her own company.  In March 1949 she married Julius John Katzkin.  According to the marriage certificate he was in insurance, but in 1946 a [[Julius Katzkin]] photographed the feature film [[Die Skerpioen]], in which Ackermann had had a leading role.  In 1950 Pikkie and Julius were divorced and in 1954 she died at the National Hospital in Bloemfontein of Hodgkin’s Disease.  She and Ackermann had a son called Uys Ackermann, who also had a small role in [[Die Skerpioen]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260294&amp;oldid=prev</id>
		<title>Fogterop at 18:40, 22 May 2024</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260294&amp;oldid=prev"/>
		<updated>2024-05-22T18:40:25Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:40, 22 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Susanna Sophia (Sannie) (Pikkie) Uys was born on 20 May 1913 to Cornelis Jansen Uys and his wife Elizabeth Catharina Strydom.  She was the youngest of four children and grew up on the farm Elizabethsrust near Petrusburg, in what was then the Orange Free State.  She matriculated at the Oranje Hoër Meisieskool in Bloemfontein and during the early 1930s  joined the Hanekom-Willem van Zyl Geselskap.  When, in 1934, the company’s leading lady, Wena Naudé, left on a study tour to The Netherlands, Sannie Uys took over the roles that would normally have gone to her.  Also with the company was Anton Ackermann, whose disagreements with Hendrik Hanekom caused him to leave and start his own touring company, the Anton Ackermann Geselskap.  Sannie Uys went with him and was renamed Pikkie (reportedly after a little dog that always toured with her).  She and Ackermann were married in October 1937.  Her most popular role in those years was in the Afrikaans version  of George Bernard &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Shaw’s &lt;/del&gt;Pygmalion.  Entitled Koop My Blomme, it was staged at the Standard Theatre in Johannesburg.  It was translated by G.J.C. Uys who, in fact, was her brother.  He later became a prominent agricultural economist. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Susanna Sophia (Sannie) (Pikkie) Uys was born on 20 May 1913 to Cornelis Jansen Uys and his wife Elizabeth Catharina Strydom.  She was the youngest of four children and grew up on the farm Elizabethsrust near Petrusburg, in what was then the Orange Free State.  She matriculated at the Oranje Hoër Meisieskool in Bloemfontein and during the early 1930s  joined the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Hanekom-Willem van Zyl Geselskap&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;.  When, in 1934, the company’s leading lady, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Wena Naudé&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, left on a study tour to The Netherlands, Sannie Uys took over the roles that would normally have gone to her.  Also with the company was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Anton Ackermann&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, whose disagreements with &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Hendrik Hanekom&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;caused him to leave and start his own touring company, the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Anton Ackermann Geselskap&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;.  Sannie Uys went with him and was renamed Pikkie (reportedly after a little dog that always toured with her).  She and Ackermann were married in October 1937.  Her most popular role in those years was in the Afrikaans version  of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;George Bernard &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Shaw]]’s ''[[&lt;/ins&gt;Pygmalion&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;.  Entitled &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Koop My Blomme&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;, it was staged at the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Standard Theatre&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;in Johannesburg.  It was translated by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;G.J.C. Uys&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;who, in fact, was her brother.  He later became a prominent agricultural economist.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ackermann’s heavy drinking caused a rift between them and eventually the couple were divorced.  Afterwards she continued to tour with her own company.  In March 1949 she married Julius John Katzkin.  According to the marriage certificate he was in insurance, but in 1946 a Julius Katzkin photographed the feature film Die Skerpioen, in which Ackermann had had a leading role.  In 1950 Pikkie and Julius were divorced and in 1954 she died at the National Hospital in Bloemfontein of Hodgkin’s Disease.  She and Ackermann had a son called Uys Ackermann, who also had a small role in Die Skerpioen.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;  &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ackermann’s heavy drinking caused a rift between them and eventually the couple were divorced.  Afterwards she continued to tour with her own company.  In March 1949 she married Julius John Katzkin.  According to the marriage certificate he was in insurance, but in 1946 a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Julius Katzkin&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;photographed the feature film &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Die Skerpioen&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, in which Ackermann had had a leading role.  In 1950 Pikkie and Julius were divorced and in 1954 she died at the National Hospital in Bloemfontein of Hodgkin’s Disease.  She and Ackermann had a son called Uys Ackermann, who also had a small role in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Die Skerpioen&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre Credits ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre Credits ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260293&amp;oldid=prev</id>
		<title>Fogterop at 18:32, 22 May 2024</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260293&amp;oldid=prev"/>
		<updated>2024-05-22T18:32:27Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:32, 22 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Pikkie Uys&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;(&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;19**&lt;/del&gt;-) &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;(Later &lt;/del&gt;stage &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;name of [[Sannie Uys]]). Actress &lt;/del&gt;and producer.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;Pikkie Uys&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''' &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1913&lt;/ins&gt;-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1954&lt;/ins&gt;) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was a &lt;/ins&gt;stage and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;film actress, as well as a theatrical &lt;/ins&gt;producer.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260292&amp;oldid=prev</id>
		<title>Fogterop at 18:30, 22 May 2024</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=260292&amp;oldid=prev"/>
		<updated>2024-05-22T18:30:43Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:30, 22 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Pikkie Uys]] (19**-) (Later stage name of [[Sannie Uys]]). Actress and producer.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Pikkie Uys]] (19**-) (Later stage name of [[Sannie Uys]]). Actress and producer.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Career &lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Biography &lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;She began as actress with the [[Wena Naude-Willem Van Zyl Geselskap]]. In 1934, when [[Wena Naudé]] went to the Netherlands  on a study trip, she took over Wena's lead roles and on Wena's return, Sannie joined the [[Ackermann-Nell Geselskap]]. [[Anton Ackermann]] renamed her [[Pikkie Uys]], the name under which she was to become famous, and the two married in 19**.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;==Contribution &lt;/del&gt;to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;SA theatre&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;film&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;media &lt;/del&gt;and&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;/or performance==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Susanna Sophia (Sannie) (Pikkie) Uys was born on 20 May 1913 &lt;/ins&gt;to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Cornelis Jansen Uys and his wife Elizabeth Catharina Strydom.  She was the youngest of four children and grew up on the farm Elizabethsrust near Petrusburg, in what was then the Orange Free State.  She matriculated at the Oranje Hoër Meisieskool in Bloemfontein and during the early 1930s  joined the Hanekom-Willem van Zyl Geselskap.  When&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in 1934, the company’s leading lady, Wena Naudé, left on a study tour to The Netherlands, Sannie Uys took over the roles that would normally have gone to her.  Also with the company was Anton Ackermann, whose disagreements with Hendrik Hanekom caused him to leave and start his own touring company&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the Anton Ackermann Geselskap.  Sannie Uys went with him &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was renamed Pikkie (reportedly after a little dog that always toured with her).  She and Ackermann were married in October 1937.  Her most popular role in those years was in &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Afrikaans version  &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;George Bernard Shaw’s &lt;/ins&gt;Pygmalion&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.  Entitled &lt;/ins&gt;Koop My Blomme&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, it was staged at the Standard Theatre in Johannesburg.  It was translated by G.J.C. Uys who, in fact, was her brother.  He later became a prominent agricultural economist.  &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;In &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1940 production &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/del&gt;Pygmalion&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;|&lt;/del&gt;Koop My Blomme&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]'' Pikkie &lt;/del&gt;was &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;cast as &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;flower girl&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Bessie Niemand&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;She acted &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''[[Onskuldig Veroordeel]]'' &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1943&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''[[Vergelding]]'' &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1944&lt;/del&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Ackermann’s heavy drinking caused a rift between them and eventually the couple were divorced.  Afterwards she continued to tour with her own company.  In March 1949 she married Julius John Katzkin.  According to the marriage certificate he &lt;/ins&gt;was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in insurance, but in 1946 a Julius Katzkin photographed &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;feature film Die Skerpioen&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in which Ackermann had had a leading role&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; In 1950 Pikkie and Julius were divorced and &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1954 she died at the National Hospital &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Bloemfontein of Hodgkin’s Disease.  She and Ackermann had a son called Uys Ackermann&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;who also had a small role &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Die Skerpioen&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;She became a beloved film actress&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and her film career includes ''[[Simon Beyers]]'' &lt;/del&gt;(&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Pierre de Wet]]&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1946&lt;/del&gt;), &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''[[Pinkie se Erfenis]]''&lt;/del&gt;, (1946) &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;with [[Pikkie Uys]]&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Gert &lt;/del&gt;van &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;den Bergh]]&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Eugenie Heyns]]&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Pierre de Wet]]&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Esther Mentz]]; ''[[Simon Beyers]]'' &lt;/del&gt;(&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1947&lt;/del&gt;) &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;with [[Pierre de Wet]]&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Gert van den Bergh]]&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Pikkie Uys&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Eugenie Heyns]]&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;directed by [[&lt;/del&gt;Pierre de Wet&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== Theatre Credits ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1934 – Die Verstoteling (Director: Willem van Zyl), 1935 – Wittebroodsdae (director unknown), 1936 – Haar Geheim (director unknown), 1937 – Die Hand van die Gereg (director unknown), 1939 – Janette (director unknown), 1939 – Skipbreukelinge van die Lewe (director unknown), 1939 – Roza (Director: Anton Ackermann), 1940 – Koop my Blomme (Director: Anton Ackermann), 1940 – Met my Hele Hart (director unknown), 1943 – Hier Kom Japie (director unknown)&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1943 – Onskuldig Veroordeel &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Director: Anton Ackerman), 1944 – Onsterflike Liefde&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1944 – Vergelding (Director: Anton Ackermann&lt;/ins&gt;), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1945 – O Diep Rivier&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;O Donker Stroom &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;production only), &lt;/ins&gt;1946 &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;– Janie Gooi Haar Flikkers (director unknown&lt;/ins&gt;), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1948 – Skaakbord &lt;/ins&gt;van &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;die Liefde (production only)&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1950 – Die Bosveldnooi (production only)&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1950 – Dis te  Laat vir Trane (director unknown)&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1950 – Ou Spogter en sy Dogter &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;director unknown&lt;/ins&gt;), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1952 – Met My Hele Hart (director unknown – previously staged in 1940).  She also appeared in Martjie&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;die Maltrap&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;for which we don’t have a date.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== Film Credits ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1947 – Pantoffel-regering (Directors: Ronald Brantford &amp;amp; Anton Ackermann)&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1947 – Simon Beyers (Director: &lt;/ins&gt;Pierre de Wet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;)&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[The Rand Daily Mail]]''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, 31 May 1940&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;L.W.B. Binge - Ontwikkeling van die Afrikaanse toneel (1832-1950) (1969)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Danie Botha - Voetligte &amp;amp; Applaus!: die beginjare van die Afrikaanse beroepstoneel (2006)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[The Rand Daily Mail]]'' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(various issues)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;https://www.imdb&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;com/name/nm4567873/?ref_=fn_nm_nm_1&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Return to ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Return to ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[ESAT Personalities U]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[ESAT Personalities U]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=229567&amp;oldid=prev</id>
		<title>Satj: /* Career */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Pikkie_Uys&amp;diff=229567&amp;oldid=prev"/>
		<updated>2022-11-11T18:12:35Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Career&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:12, 11 November 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Career ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Career ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She began as actress with the Wena Naude-Willem Van Zyl &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Company&lt;/del&gt;. In 1934, when [[Wena Naudé]] went to the Netherlands  on a study trip, she took over Wena's lead roles and on Wena's return, Sannie joined the [[Ackermann-Nell Geselskap]]. [[Anton Ackermann]] renamed her [[Pikkie Uys]], the name under which she was to become famous, and the two married in 19**.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She began as actress with the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Wena Naude-Willem Van Zyl &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Geselskap]]&lt;/ins&gt;. In 1934, when [[Wena Naudé]] went to the Netherlands  on a study trip, she took over Wena's lead roles and on Wena's return, Sannie joined the [[Ackermann-Nell Geselskap]]. [[Anton Ackermann]] renamed her [[Pikkie Uys]], the name under which she was to become famous, and the two married in 19**.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Contribution to SA theatre, film, media and/or performance==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Contribution to SA theatre, film, media and/or performance==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
</feed>