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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Pell%C3%A9as_and_M%C3%A9lisande</id>
	<title>Pelléas and Mélisande - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Pell%C3%A9as_and_M%C3%A9lisande"/>
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	<updated>2026-08-13T15:24:39Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Pell%C3%A9as_and_M%C3%A9lisande&amp;diff=46538&amp;oldid=prev</id>
		<title>Miriamt at 15:05, 23 October 2013</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Pell%C3%A9as_and_M%C3%A9lisande&amp;diff=46538&amp;oldid=prev"/>
		<updated>2013-10-23T15:05:46Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:05, 23 October 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Pelléas and Mélisande'' (French: Pelléas et Mélisande) is a Symbolist play by Maurice Maeterlinck about the forbidden, doomed love of the title characters. It was first performed in 1893. The main theme is the cycle of creation and destruction. Pelléas and Mélisande form a bond of love, which, step by step, cascades to its fatal end. They are so much in love that they disregard the value of marriage, provoking the ire of Anteros, who brings revenge and death, which restores order.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Pelléas and Mélisande'' (French: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Pelléas et Mélisande&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;) is a Symbolist play by Maurice Maeterlinck about the forbidden, doomed love of the title characters. It was first performed in 1893. The main theme is the cycle of creation and destruction. Pelléas and Mélisande form a bond of love, which, step by step, cascades to its fatal end. They are so much in love that they disregard the value of marriage, provoking the ire of Anteros, who brings revenge and death, which restores order.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The work was very popular. It was adapted as an opera by the composer Claude Debussy, and it inspired other contemporary composers, for instance, Gabriel Fauré, Arnold Schoenberg, and Jean Sibelius.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The work was very popular. It was adapted as an opera by the composer Claude Debussy, and it inspired other contemporary composers, for instance, Gabriel Fauré, Arnold Schoenberg, and Jean Sibelius.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The play was peformed by the [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Witwatersrand &lt;/del&gt;University Players]] in 1928 in Johannesburg.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The play was peformed by the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Witwatersrand &lt;/ins&gt;[[University Players]] in 1928 in Johannesburg.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Pell%C3%A9as_and_M%C3%A9lisande&amp;diff=46537&amp;oldid=prev</id>
		<title>Miriamt: Created page with &quot;''Pelléas and Mélisande'' (French: Pelléas et Mélisande) is a Symbolist play by Maurice Maeterlinck about the forbidden, doomed love of the title characters. It was first ...&quot;</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Pell%C3%A9as_and_M%C3%A9lisande&amp;diff=46537&amp;oldid=prev"/>
		<updated>2013-10-23T15:05:14Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;#039;&amp;#039;Pelléas and Mélisande&amp;#039;&amp;#039; (French: Pelléas et Mélisande) is a Symbolist play by Maurice Maeterlinck about the forbidden, doomed love of the title characters. It was first ...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;''Pelléas and Mélisande'' (French: Pelléas et Mélisande) is a Symbolist play by Maurice Maeterlinck about the forbidden, doomed love of the title characters. It was first performed in 1893. The main theme is the cycle of creation and destruction. Pelléas and Mélisande form a bond of love, which, step by step, cascades to its fatal end. They are so much in love that they disregard the value of marriage, provoking the ire of Anteros, who brings revenge and death, which restores order.&lt;br /&gt;
&lt;br /&gt;
The work was very popular. It was adapted as an opera by the composer Claude Debussy, and it inspired other contemporary composers, for instance, Gabriel Fauré, Arnold Schoenberg, and Jean Sibelius.&lt;br /&gt;
&lt;br /&gt;
The play was peformed by the [[Witwatersrand University Players]] in 1928 in Johannesburg.&lt;br /&gt;
&lt;br /&gt;
== Sources ==&lt;br /&gt;
''Footlights'', 1(4):10, 1929:&lt;br /&gt;
&lt;br /&gt;
http://en.wikipedia.org/wiki/Pell%C3%A9as_and_M%C3%A9lisande&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Return to [[ESAT Plays 1 P|P]] in Plays 1 Original SA Plays&lt;br /&gt;
&lt;br /&gt;
Return to [[ESAT Plays 2 P|P]] in Plays 2 Foreign Plays&lt;br /&gt;
&lt;br /&gt;
Return to [[South_African_Theatre/Plays]]&lt;br /&gt;
&lt;br /&gt;
Return to [[Main Page]]&lt;/div&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
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