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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Nola_du_Preez</id>
	<title>Nola du Preez - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Nola_du_Preez"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;action=history"/>
	<updated>2026-08-11T07:08:02Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.33.2</generator>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=119470&amp;oldid=prev</id>
		<title>Miriamt at 14:20, 6 December 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=119470&amp;oldid=prev"/>
		<updated>2016-12-06T14:20:57Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:20, 6 December 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Features'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Features'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Hans en die Rooinek'' / ''Sidney and the Boer'' ([[Jamie Uys]]/1961), ''The Hellions'' (assistant to Paul Rabiger) ([[Ken Annakin]]/1961), ''Man in die Donker'' ([[Truida Pohl]]/1962), ''Lord Oom Piet'' ([[Jamie Uys]]/1962), ''Kimberley Jim'' ([[Emil Nofal]]/1963), ''Dingaka'' (with Eric Allwright) ([[Jamie Uys]]/1964), ''Debbie'' (with [[Liz Gerke]]) ([[Elmo de Witt]]/1965), ''All the Way To Paris'' / ''After you, Comrade'' (with Carol Roos) ([[Jamie Uys]]/1966), ''Wild Season'' ([[Emil Nofal]]/1967), ''Die Professor en die Prikkelpop'' / ''The Professor and the Beauty Queen'' ([[Jamie Uys]]/1967), ''Jy is My Liefling'' (with [[Alvino Willemse]]) ([[Dirk de Villiers]]/1968), ''Dr. Kalie'' (with [[Alvino Willemse]]) ([[Ivan Hall]]/1968), ''Danie Bosman: die Verhaal van die Grootste S.A. Komponis'' ([[Elmo de Witt]]/1969), ''Geheim van Nantes'' ([[Dirk de Villiers]]/1969), ''Lied In My Hart'' / ''Song In My Heart'' ([[Ivan Hall]]/1970), ''Sien Jou Môre'' ([[Elmo de Witt]]/1970), ''Taxi!'' ([[Joe Stewardson]]/1970), &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;S&lt;/del&gt;''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;alomien&lt;/del&gt;'' ([[Daan Retief]]/1972), ''The Big Game'' (assistant to Massimo Giustini) (Robert Day/1972), ''Die Bankrower'' ([[Manie van Rensburg]]/1973), ''Boesman and Lena'' ([[Ross Devenish]]/1973).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Hans en die Rooinek'' / ''Sidney and the Boer'' ([[Jamie Uys]]/1961), ''The Hellions'' (assistant to Paul Rabiger) ([[Ken Annakin]]/1961), ''Man in die Donker'' ([[Truida Pohl]]/1962), ''Lord Oom Piet'' ([[Jamie Uys]]/1962), ''Kimberley Jim'' ([[Emil Nofal]]/1963), ''Dingaka'' (with Eric Allwright) ([[Jamie Uys]]/1964), ''Debbie'' (with [[Liz Gerke]]) ([[Elmo de Witt]]/1965), ''All the Way To Paris'' / ''After you, Comrade'' (with Carol Roos) ([[Jamie Uys]]/1966), ''Wild Season'' ([[Emil Nofal]]/1967), ''Die Professor en die Prikkelpop'' / ''The Professor and the Beauty Queen'' ([[Jamie Uys]]/1967), ''Jy is My Liefling'' (with [[Alvino Willemse]]) ([[Dirk de Villiers]]/1968), ''Dr. Kalie'' (with [[Alvino Willemse]]) ([[Ivan Hall]]/1968), ''Danie Bosman: die Verhaal van die Grootste S.A. Komponis'' ([[Elmo de Witt]]/1969), ''Geheim van Nantes'' ([[Dirk de Villiers]]/1969), ''Lied In My Hart'' / ''Song In My Heart'' ([[Ivan Hall]]/1970), ''Sien Jou Môre'' ([[Elmo de Witt]]/1970), ''Taxi!'' ([[Joe Stewardson]]/1970), ''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Salomien&lt;/ins&gt;'' ([[Daan Retief]]/1972), ''The Big Game'' (assistant to Massimo Giustini) (Robert Day/1972), ''Die Bankrower'' ([[Manie van Rensburg]]/1973), ''Boesman and Lena'' ([[Ross Devenish]]/1973).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Television'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Television'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74636&amp;oldid=prev</id>
		<title>Fogterop at 13:14, 28 January 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74636&amp;oldid=prev"/>
		<updated>2015-01-28T13:14:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:14, 28 January 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Pietermaritzburg, 28/07/1938).  Make-up artist.  Nola du Preez was born on the farm  Willowfountain some 10 kilometres south of  Pietermaritzburg.  During the 1960s and early 1970s she was a prominent make-up artist and the only one who could boast more film credits than her was [[William Bell]], who taught her the basics of the craft.  In addition she occasionally doubled up as continuity person.  Initially she worked for [[Jamie Uys Film Productions]], but subsequently was employed as a freelancer by such companies as [[Emil Nofal Films]], [[Kavalier Films]], [[Killarney Film Studios]] and [[Constantia Films]].  The directors she worked with included [[Jamie Uys]], [[Emil Nofal]], [[Elmo de Witt]], [[Dirk de Villiers]] and [[Ivan Hall]] - all more than once.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Pietermaritzburg, 28/07/1938).  Make-up artist.  Nola du Preez was born on the farm  Willowfountain some 10 kilometres south of  Pietermaritzburg.  During the 1960s and early 1970s she was a prominent make-up artist and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in those days &lt;/ins&gt;the only one who could boast more film credits than her was [[William Bell]], who taught her the basics of the craft.  In addition she occasionally doubled up as continuity person.  Initially she worked for [[Jamie Uys Film Productions]], but subsequently was employed as a freelancer by such companies as [[Emil Nofal Films]], [[Kavalier Films]], [[Killarney Film Studios]] and [[Constantia Films]].  The directors she worked with included [[Jamie Uys]], [[Emil Nofal]], [[Elmo de Witt]], [[Dirk de Villiers]] and [[Ivan Hall]] - all more than once.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1973 she married Stephan Slater, who had worked as an electrician on [[Ross Devenish]]'s ''[[Boesman and Lena]]'', for which she did the continuity and make-up.  That same year she joined the [[SABC]] as their resident make-up artist and when [[SABC TV]] went live on 5 January 1976 she was the supervisor of the newly established make-up department.  She took voluntary retirement in 1995.  She and her husband were divorced in 1978.  They had one daughter. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1973 she married Stephan Slater, who had worked as an electrician on [[Ross Devenish]]'s ''[[Boesman and Lena]]'', for which she did the continuity and make-up.  That same year she joined the [[SABC]] as their resident make-up artist and when [[SABC TV]] went live on 5 January 1976 she was the supervisor of the newly established make-up department.  She took voluntary retirement in 1995.  She and her husband were divorced in 1978.  They had one daughter. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74625&amp;oldid=prev</id>
		<title>Fogterop at 08:00, 28 January 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74625&amp;oldid=prev"/>
		<updated>2015-01-28T08:00:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 08:00, 28 January 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Pietermaritzburg, 28/07/1938).  Make-up artist.  Nola du Preez was born on &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a &lt;/del&gt;farm &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;called &lt;/del&gt;Willowfountain some 10 kilometres south of  Pietermaritzburg.  During the 1960s and early 1970s she was a prominent make-up artist and the only one who could boast more film credits than her was [[William Bell]], who taught her the basics of the craft.  In addition she occasionally doubled up as continuity person.  Initially she worked for [[Jamie Uys Film Productions]], but subsequently was employed as a freelancer by such companies as [[Emil Nofal Films]], [[Kavalier Films]], [[Killarney Film Studios]] and [[Constantia Films]].  The directors she worked with included [[Jamie Uys]], [[Emil Nofal]], [[Elmo de Witt]], [[Dirk de Villiers]] and [[Ivan Hall]] - all more than once.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Pietermaritzburg, 28/07/1938).  Make-up artist.  Nola du Preez was born on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the &lt;/ins&gt;farm &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;Willowfountain some 10 kilometres south of  Pietermaritzburg.  During the 1960s and early 1970s she was a prominent make-up artist and the only one who could boast more film credits than her was [[William Bell]], who taught her the basics of the craft.  In addition she occasionally doubled up as continuity person.  Initially she worked for [[Jamie Uys Film Productions]], but subsequently was employed as a freelancer by such companies as [[Emil Nofal Films]], [[Kavalier Films]], [[Killarney Film Studios]] and [[Constantia Films]].  The directors she worked with included [[Jamie Uys]], [[Emil Nofal]], [[Elmo de Witt]], [[Dirk de Villiers]] and [[Ivan Hall]] - all more than once.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1973 she married Stephan Slater, who had worked as an electrician on [[Ross Devenish]]'s ''[[Boesman and Lena]]'', for which she did the continuity and make-up.  That same year she joined the [[SABC]] as their resident make-up artist and when [[SABC TV]] went live on 5 January 1976 she was the supervisor of the newly established make-up department.  She took voluntary retirement in 1995.  She and her husband were divorced in 1978.  They had one daughter. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1973 she married Stephan Slater, who had worked as an electrician on [[Ross Devenish]]'s ''[[Boesman and Lena]]'', for which she did the continuity and make-up.  That same year she joined the [[SABC]] as their resident make-up artist and when [[SABC TV]] went live on 5 January 1976 she was the supervisor of the newly established make-up department.  She took voluntary retirement in 1995.  She and her husband were divorced in 1978.  They had one daughter. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74624&amp;oldid=prev</id>
		<title>Fogterop at 08:00, 28 January 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74624&amp;oldid=prev"/>
		<updated>2015-01-28T08:00:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 08:00, 28 January 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot; &gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Television'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Television'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Suchen Sie Dr. Suk! - series (Helmut &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Fornbacher&lt;/del&gt;/1972), Blomme Vir Ma (Pieter de Bruyn/1972).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Suchen Sie Dr. Suk! - series (Helmut &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Förnbacher&lt;/ins&gt;/1972), Blomme Vir Ma (Pieter de Bruyn/1972).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''Continuity'''&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[Hou die Blink Kant Bo]]'' ([[Emil Nofal]]/1960), ''Boesman and Lena'' ([[Ross Devenish]]/1973).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== Sources ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Le Roux, André I. &amp;amp; Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;http://www.imdb.com/name/nm6173693/?ref_=fn_nm_nm_1&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Private correspondence&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== Return to ==	&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Return to [[ESAT Personalities D]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Return to [[The ESAT Entries]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Return to [[Main Page]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74623&amp;oldid=prev</id>
		<title>Fogterop at 07:55, 28 January 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74623&amp;oldid=prev"/>
		<updated>2015-01-28T07:55:34Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 07:55, 28 January 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Features'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Features'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hans en die Rooinek / Sidney and the Boer ([[Jamie Uys]]/1961), The Hellions (assistant to Paul Rabiger) ([[Ken Annakin]]/1961), Man in die Donker ([[Truida Pohl]]/1962), Lord Oom Piet ([[Jamie Uys]]/1962), Kimberley Jim ([[Emil Nofal]]/1963), Dingaka (with Eric Allwright) ([[Jamie Uys]]/1964), Debbie (with [[Liz Gerke]]) ([[Elmo de Witt]]/1965), All the Way To Paris / After you, Comrade (with Carol Roos) ([[Jamie Uys]]/1966), Wild Season ([[Emil Nofal]]/1967), Die Professor en die Prikkelpop / The Professor and the Beauty Queen ([[Jamie Uys]]/1967), Jy is My Liefling (with [[Alvino Willemse]]) ([[Dirk de Villiers]]/1968), Dr. Kalie (with [[Alvino Willemse]]) ([[Ivan Hall]]/1968), Danie Bosman: die Verhaal van die Grootste S.A. Komponis ([[Elmo de Witt]]/1969), Geheim van Nantes ([[Dirk de Villiers]]/1969), Lied In My Hart / Song In My Heart ([[Ivan Hall]]/1970), Sien Jou Môre ([[Elmo de Witt]]/1970), Taxi! ([[Joe Stewardson]]/1970), &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Salomien &lt;/del&gt;([[Daan Retief]]/1972), The Big Game (assistant to Massimo Giustini) (Robert Day/1972), Die Bankrower ([[Manie van Rensburg]]/1973), Boesman and Lena ([[Ross Devenish]]/1973).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Hans en die Rooinek&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;/ &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Sidney and the Boer&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;([[Jamie Uys]]/1961), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;The Hellions&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;(assistant to Paul Rabiger) ([[Ken Annakin]]/1961), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Man in die Donker&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;([[Truida Pohl]]/1962), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Lord Oom Piet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;([[Jamie Uys]]/1962), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Kimberley Jim&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;([[Emil Nofal]]/1963), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Dingaka&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;(with Eric Allwright) ([[Jamie Uys]]/1964), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Debbie&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;(with [[Liz Gerke]]) ([[Elmo de Witt]]/1965), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;All the Way To Paris&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;/ &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;After you, Comrade&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;(with Carol Roos) ([[Jamie Uys]]/1966), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Wild Season&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;([[Emil Nofal]]/1967), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Die Professor en die Prikkelpop&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;/ &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;The Professor and the Beauty Queen&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;([[Jamie Uys]]/1967), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Jy is My Liefling&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;(with [[Alvino Willemse]]) ([[Dirk de Villiers]]/1968), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Dr. Kalie&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;(with [[Alvino Willemse]]) ([[Ivan Hall]]/1968), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Danie Bosman: die Verhaal van die Grootste S.A. Komponis&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;([[Elmo de Witt]]/1969), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Geheim van Nantes&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;([[Dirk de Villiers]]/1969), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Lied In My Hart&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;/ &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Song In My Heart&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;([[Ivan Hall]]/1970), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Sien Jou Môre&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;([[Elmo de Witt]]/1970), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Taxi!&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;([[Joe Stewardson]]/1970), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;S''alomien'' &lt;/ins&gt;([[Daan Retief]]/1972), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;The Big Game&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;(assistant to Massimo Giustini) (Robert Day/1972), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Die Bankrower&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;([[Manie van Rensburg]]/1973), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Boesman and Lena&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;([[Ross Devenish]]/1973).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Television'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Television'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Suchen Sie Dr. Suk! - series (Helmut Fornbacher/1972), Blomme Vir Ma (Pieter de Bruyn/1972).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Suchen Sie Dr. Suk! - series (Helmut Fornbacher/1972), Blomme Vir Ma (Pieter de Bruyn/1972).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74622&amp;oldid=prev</id>
		<title>Fogterop at 07:51, 28 January 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74622&amp;oldid=prev"/>
		<updated>2015-01-28T07:51:28Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 07:51, 28 January 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Pietermaritzburg, 28/07/1938).  Make-up artist.  Nola du Preez was born on a farm called Willowfountain some 10 kilometres south of  Pietermaritzburg.  During the 1960s and early 1970s she was a prominent make-up artist and the only one who could boast more film credits than her was [[William Bell]], who taught her the basics of the craft.  In addition she occasionally doubled up as continuity person.  Initially she worked for [[Jamie Uys Film Productions]], but subsequently was employed as a freelancer by such companies as [[Emil Nofal Films]], [[Kavalier Films]], [[Killarney Film Studios]] and [[Constantia Films]].  The directors she worked with included [[Jamie Uys]], [[Emil Nofal]], [[Elmo de Witt]], [[Dirk de Villiers]] and [[Ivan Hall]] - all more than once.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Pietermaritzburg, 28/07/1938).  Make-up artist.  Nola du Preez was born on a farm called Willowfountain some 10 kilometres south of  Pietermaritzburg.  During the 1960s and early 1970s she was a prominent make-up artist and the only one who could boast more film credits than her was [[William Bell]], who taught her the basics of the craft.  In addition she occasionally doubled up as continuity person.  Initially she worked for [[Jamie Uys Film Productions]], but subsequently was employed as a freelancer by such companies as [[Emil Nofal Films]], [[Kavalier Films]], [[Killarney Film Studios]] and [[Constantia Films]].  The directors she worked with included [[Jamie Uys]], [[Emil Nofal]], [[Elmo de Witt]], [[Dirk de Villiers]] and [[Ivan Hall]] - all more than once.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1973 she married Stephan Slater, who had worked as an electrician on [[Ross Devenish]]'s ''[[Boesman and Lena]]'', for which she did the make-up.  That same year she joined the [[SABC]] as their resident make-up artist and when [[SABC TV]] went live on 5 January 1976 she was the supervisor of the newly established make-up department.  She took voluntary retirement in 1995.  She and her husband were divorced in 1978.  They had one daughter. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1973 she married Stephan Slater, who had worked as an electrician on [[Ross Devenish]]'s ''[[Boesman and Lena]]'', for which she did the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;continuity and &lt;/ins&gt;make-up.  That same year she joined the [[SABC]] as their resident make-up artist and when [[SABC TV]] went live on 5 January 1976 she was the supervisor of the newly established make-up department.  She took voluntary retirement in 1995.  She and her husband were divorced in 1978.  They had one daughter. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Features'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Features'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hans en die Rooinek / Sidney and the Boer (Jamie Uys/1961), The Hellions (assistant to Paul Rabiger) (Ken Annakin/1961), Man in die Donker (Truida Pohl/1962), Lord Oom Piet (Jamie Uys/1962), Kimberley Jim (Emil Nofal/1963), Dingaka (with Eric Allwright) (Jamie Uys/1964), Debbie (with Liz Gerke) (Elmo de Witt/1965), All the Way To Paris / After you, Comrade (with Carol Roos) (Jamie Uys/1966), Wild Season (Emil Nofal/1967), Die Professor en die Prikkelpop / The Professor and the Beauty Queen (Jamie Uys/1967), Jy is My Liefling (with Alvino Willemse) (Dirk de Villiers/1968), Dr. Kalie (with Alvino Willemse) (Ivan Hall/1968), Danie Bosman: die Verhaal van die Grootste S.A. Komponis (Elmo de Witt/1969), Geheim van Nantes (Dirk de Villiers/1969), Lied In My Hart / Song In My Heart (Ivan Hall/1970)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hans en die Rooinek / Sidney and the Boer (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jamie Uys&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1961), The Hellions (assistant to Paul Rabiger) (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Ken Annakin&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1961), Man in die Donker (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Truida Pohl&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1962), Lord Oom Piet (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jamie Uys&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1962), Kimberley Jim (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Emil Nofal&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1963), Dingaka (with Eric Allwright) (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jamie Uys&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1964), Debbie (with &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Liz Gerke&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;) (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Elmo de Witt&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1965), All the Way To Paris / After you, Comrade (with Carol Roos) (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jamie Uys&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1966), Wild Season (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Emil Nofal&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1967), Die Professor en die Prikkelpop / The Professor and the Beauty Queen (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jamie Uys&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1967), Jy is My Liefling (with &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Alvino Willemse&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;) (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Dirk de Villiers&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1968), Dr. Kalie (with &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Alvino Willemse&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;) (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Ivan Hall&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1968), Danie Bosman: die Verhaal van die Grootste S.A. Komponis (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Elmo de Witt&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1969), Geheim van Nantes (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Dirk de Villiers&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1969), Lied In My Hart / Song In My Heart (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Ivan Hall&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1970)&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, Sien Jou Môre ([[Elmo de Witt]]/1970), Taxi! ([[Joe Stewardson]]/1970), Salomien ([[Daan Retief]]/1972), The Big Game (assistant to Massimo Giustini) (Robert Day/1972), Die Bankrower ([[Manie van Rensburg]]/1973), Boesman and Lena ([[Ross Devenish]]/1973).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''Television'''&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Suchen Sie Dr. Suk! - series (Helmut Fornbacher/1972), Blomme Vir Ma (Pieter de Bruyn/1972).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74621&amp;oldid=prev</id>
		<title>Fogterop at 07:04, 28 January 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74621&amp;oldid=prev"/>
		<updated>2015-01-28T07:04:27Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 07:04, 28 January 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot; &gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Golden Peach'' ([[Judex C. Viljoen]]/1960), ''Die Ontvoering'' ([[Elmo de Witt]]/date unknown), ''Citizens of Tomorrow'' / ''Burgers van die Toekoms'' ([[Jamie Uys]]/1962).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Golden Peach'' ([[Judex C. Viljoen]]/1960), ''Die Ontvoering'' ([[Elmo de Witt]]/date unknown), ''Citizens of Tomorrow'' / ''Burgers van die Toekoms'' ([[Jamie Uys]]/1962).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;'''Features'''&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Hans en die Rooinek / Sidney and the Boer (Jamie Uys/1961), The Hellions (assistant to Paul Rabiger) (Ken Annakin/1961), Man in die Donker (Truida Pohl/1962), Lord Oom Piet (Jamie Uys/1962), Kimberley Jim (Emil Nofal/1963), Dingaka (with Eric Allwright) (Jamie Uys/1964), Debbie (with Liz Gerke) (Elmo de Witt/1965), All the Way To Paris / After you, Comrade (with Carol Roos) (Jamie Uys/1966), Wild Season (Emil Nofal/1967), Die Professor en die Prikkelpop / The Professor and the Beauty Queen (Jamie Uys/1967), Jy is My Liefling (with Alvino Willemse) (Dirk de Villiers/1968), Dr. Kalie (with Alvino Willemse) (Ivan Hall/1968), Danie Bosman: die Verhaal van die Grootste S.A. Komponis (Elmo de Witt/1969), Geheim van Nantes (Dirk de Villiers/1969), Lied In My Hart / Song In My Heart (Ivan Hall/1970)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74620&amp;oldid=prev</id>
		<title>Fogterop at 06:49, 28 January 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74620&amp;oldid=prev"/>
		<updated>2015-01-28T06:49:28Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 06:49, 28 January 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot; &gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;'''Shorts'''&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;''Golden Peach'' ([[Judex C. Viljoen]]/1960), ''Die Ontvoering'' ([[Elmo de Witt]]/date unknown), ''Citizens of Tomorrow'' / ''Burgers van die Toekoms'' ([[Jamie Uys]]/1962).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74619&amp;oldid=prev</id>
		<title>Fogterop at 06:42, 28 January 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74619&amp;oldid=prev"/>
		<updated>2015-01-28T06:42:56Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 06:42, 28 January 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Pietermaritzburg, 28/07/1938).  Make-up artist.  Nola du Preez was born on a farm called Willowfountain some 10 kilometres south of  Pietermaritzburg.  During the 1960s and early 1970s she was a prominent make-up artist and the only one who could boast more film credits than her was [[William Bell]], who taught her the basics of the craft.  In addition she occasionally doubled up as continuity person.  Initially she worked for [[Jamie Uys Film Productions]], but subsequently was employed as a freelancer by such companies as [[Emil Nofal Films]], [[Kavalier Films]], [[Killarney Film Studios]] and [[Constantia Films]].  The directors she worked with included [[Jamie Uys]], [[Emil Nofal]], [[Elmo de Witt]], [[Dirk de Villiers]] and [[Ivan Hall]] - all more than once.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Pietermaritzburg, 28/07/1938).  Make-up artist.  Nola du Preez was born on a farm called Willowfountain some 10 kilometres south of  Pietermaritzburg.  During the 1960s and early 1970s she was a prominent make-up artist and the only one who could boast more film credits than her was [[William Bell]], who taught her the basics of the craft.  In addition she occasionally doubled up as continuity person.  Initially she worked for [[Jamie Uys Film Productions]], but subsequently was employed as a freelancer by such companies as [[Emil Nofal Films]], [[Kavalier Films]], [[Killarney Film Studios]] and [[Constantia Films]].  The directors she worked with included [[Jamie Uys]], [[Emil Nofal]], [[Elmo de Witt]], [[Dirk de Villiers]] and [[Ivan Hall]] - all more than once.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1973 she married Stephan Slater, who had worked as an electrician on [[Ross Devenish]]'s ''[[Boesman and Lena]]'', for which she did the make-up.  That same year she joined the [[SABC]] as their resident make-up artist and when SABC TV went live on 5 January 1976 she was the supervisor of the newly established make-up department.  She took voluntary retirement in 1995.  She and her husband were divorced in 1978.  They had one daughter. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1973 she married Stephan Slater, who had worked as an electrician on [[Ross Devenish]]'s ''[[Boesman and Lena]]'', for which she did the make-up.  That same year she joined the [[SABC]] as their resident make-up artist and when &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;SABC TV&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;went live on 5 January 1976 she was the supervisor of the newly established make-up department.  She took voluntary retirement in 1995.  She and her husband were divorced in 1978.  They had one daughter. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74618&amp;oldid=prev</id>
		<title>Fogterop at 06:41, 28 January 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Nola_du_Preez&amp;diff=74618&amp;oldid=prev"/>
		<updated>2015-01-28T06:41:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 06:41, 28 January 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Pietermaritzburg, 28/07/1938.  Make-up artist.  Nola du Preez was born on a farm called Willowfountain some 10 kilometres south of  Pietermaritzburg.  During the 1960s and early 1970s she was a prominent make-up artist and the only one who could boast more film credits than her was [[William Bell]], who taught her the basics of the craft.  In addition she occasionally doubled up as continuity person.  Initially she worked for [[Jamie Uys Film Productions]], but subsequently was employed as a freelancer by such companies as [[Emil Nofal Films]], [[Kavalier Films]], [[Killarney Film Studios]] and [[Constantia Films]].  The directors she worked with included [[Jamie Uys]], [[Emil Nofal]], [[Elmo de Witt]], [[Dirk de Villiers]] and [[Ivan Hall]] - all more than once.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Pietermaritzburg, 28/07/1938&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;)&lt;/ins&gt;.  Make-up artist.  Nola du Preez was born on a farm called Willowfountain some 10 kilometres south of  Pietermaritzburg.  During the 1960s and early 1970s she was a prominent make-up artist and the only one who could boast more film credits than her was [[William Bell]], who taught her the basics of the craft.  In addition she occasionally doubled up as continuity person.  Initially she worked for [[Jamie Uys Film Productions]], but subsequently was employed as a freelancer by such companies as [[Emil Nofal Films]], [[Kavalier Films]], [[Killarney Film Studios]] and [[Constantia Films]].  The directors she worked with included [[Jamie Uys]], [[Emil Nofal]], [[Elmo de Witt]], [[Dirk de Villiers]] and [[Ivan Hall]] - all more than once.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1973 she married Stephan Slater, who had worked as an electrician on [[Ross Devenish]]'s ''[[Boesman and Lena]]'', for which she did the make-up.  That same year she joined the [[SABC]] as their resident make-up artist and when SABC TV went live on 5 January 1976 she was the supervisor of the newly established make-up department.  She took voluntary retirement in 1995.  She and her husband were divorced in 1978.  They had one daughter. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1973 she married Stephan Slater, who had worked as an electrician on [[Ross Devenish]]'s ''[[Boesman and Lena]]'', for which she did the make-up.  That same year she joined the [[SABC]] as their resident make-up artist and when SABC TV went live on 5 January 1976 she was the supervisor of the newly established make-up department.  She took voluntary retirement in 1995.  She and her husband were divorced in 1978.  They had one daughter. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
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