No Smoking Allowed, or Cat and Dog - Revision history

Satj: /* The original text */

2021-12-25T03:26:50Z

The original text

2021-12-17T04:32:51Z

Performance history in South Africa

2021-12-17T04:31:44Z

The original text

2021-12-17T03:33:03Z

The original text

2021-12-17T03:30:12Z

The original text

2020-11-09T04:09:25Z

Performance history in South Africa

2020-11-09T03:19:02Z

The original text

2020-11-09T03:18:04Z

The original text

2020-11-09T03:17:53Z

The original text

2020-11-09T03:15:02Z

@@ Line 3: / Line 3: @@
 ==The original text==
-Though no further reference to such a play has been found, though [[F.C.L. Bosman]] (1980: p246) tentatively suggests a "J.R. Brown" as the possible author. (Could this be a reference to "[[Joe Brown]]" of the [[Christy Minstrels]]?). The piece appears to have been a two hander for the two [[transformation]] artistes, for Bosman also cites the following short description: "The Cat, an ill used wife; The Dog, an outraged husband."
+No further reference to such a play has been found, besides this, though [[F.C.L. Bosman]] (1980: p246) tentatively suggests a "J.R. Brown" as the possible author. (Could this be a reference to "[[Joe Brown]]" of the [[Christy Minstrels]]?). The piece appears to have been a two hander for the two [[transformation]] artistes, for Bosman also cites the following short description: "The Cat, an ill used wife; The Dog, an outraged husband."
 ==Translations and adaptations==

← Older revision		Revision as of 04:32, 17 December 2021
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−	1869: Performed as part of the repertoire of [[Amelia Bailey]] and [[Florence Calzado]]~~, part~~ of the [[Poussard-Bailey Company]], when they remained in South Africa for a few months~~, when~~ the rest of the company had left for Europe. They undertook a private tour in South Africa during May, inter alia performing in the [[Mutual Hall]], Cape Town, in a concert that also included songs by [[James Leffler]] and "Tragic Recitations" by [[T. Brazier]].	+	1869: Performed as part of the repertoire of [[Amelia Bailey]] and [[Florence Calzado]] of the [[Poussard-Bailey Company]], when they remained behind in South Africa for a few months after the rest of the company had left for Europe. They undertook a private tour in South Africa during May, ''inter alia'' performing in the [[Mutual Hall]], Cape Town, in a concert that also included songs by [[James Leffler]] and "Tragic Recitations" by [[T. Brazier]].

	== Sources ==		== Sources ==

@@ Line 3: / Line 3: @@
 ==The original text==
-Though no further reference to such a play has been found, though [[F.C.L. Bosman]] (1980: p246) tentatively suggests a "J.R. Brown" as the possible author. The piece appears to have been a two hander for the two [[transformation]] artistes, for Bosman also cites the following short description: "The Cat, an ill used wife; The Dog, an outraged husband."
+Though no further reference to such a play has been found, though [[F.C.L. Bosman]] (1980: p246) tentatively suggests a "J.R. Brown" as the possible author. (Could this be a reference to "[[Joe Brown]]" of the [[Christy Minstrels]]?). The piece appears to have been a two hander for the two [[transformation]] artistes, for Bosman also cites the following short description: "The Cat, an ill used wife; The Dog, an outraged husband."
 ==Translations and adaptations==

@@ Line 3: / Line 3: @@
 ==The original text==
-Though no further reference to such a play has been found, this appears to have been a two hander for the two [[transformation]] artistes, for the following short description is cited by [[F.C.L. Bosman]] (1980: p246):  "The Cat, an ill used wife; The Dog, an outraged husband."
+Though no further reference to such a play has been found, though [[F.C.L. Bosman]] (1980: p246) tentatively suggests a "J.R. Brown" as the possible author. The piece appears to have been a two hander for the two [[transformation]] artistes, for Bosman also cites the following short description: "The Cat, an ill used wife; The Dog, an outraged husband."
 ==Translations and adaptations==

@@ Line 3: / Line 3: @@
 ==The original text==
-Though further reference to such a play has been found, this appears to have been a two hander for the two [[transformation]] artistes, for the following short description is cited by [[F.C.L. Bosman]] (1980: p246):  "The Cat, an ill used wife; The Dog, an outraged husband."
+Though no further reference to such a play has been found, this appears to have been a two hander for the two [[transformation]] artistes, for the following short description is cited by [[F.C.L. Bosman]] (1980: p246):  "The Cat, an ill used wife; The Dog, an outraged husband."
 ==Translations and adaptations==

@@ Line 10: / Line 10: @@
-: Performed as part of the repertoire of Bailey and Calzado, part of the [[Poussard-Bailey Company]],  when they undertook a private tour in South Africa during May, inter alia performing in the [[Mutual Hall]], Cape Town, in a concert that also included songs by Leffler and "Tragic Recitations" by Brazier.
+: Performed as part of the repertoire of [[Amelia Bailey]] and [[Florence Calzado]], part of the [[Poussard-Bailey Company]],  when they remained in South Africa for a few months, when the rest of the company had left for Europe. They undertook a private tour in South Africa during May, inter alia performing in the [[Mutual Hall]], Cape Town, in a concert that also included songs by [[James Leffler]] and "Tragic Recitations" by [[T. Brazier]].
-−
 == Sources ==

← Older revision		Revision as of 03:17, 9 November 2020
Line 2:		Line 2:

	==The original text==		==The original text==
		+
		+	It appears to have been a two hander for the two [[transformation artist]]es, for the following short description is cited by [[F.C.L. Bosman]] (1980: p246): "The Cat, an ill used wife; The Dog, an outraged husband."

	==Translations and adaptations==		==Translations and adaptations==

← Older revision		Revision as of 03:15, 9 November 2020
Line 1:		Line 1:
−	''[[No Smoking Allowed, or Cat and Dog]]''	+	''[[No Smoking Allowed, or Cat and Dog]]'' is a play by an anonymous author.

		+	==The original text==

−	~~https~~://en.~~wikipedia~~.~~org/wiki/Horace_Poussard~~	+	==Translations and adaptations==
		+
		+	== Performance history in South Africa ==
		+
		+
		+	1869: Performed as part of the repertoire of Bailey and Calzado, part of the [[Poussard-Bailey Company]], when they undertook a private tour in South Africa during May, inter alia performing in the [[Mutual Hall]], Cape Town, in a concert that also included songs by Leffler and "Tragic Recitations" by Brazier.
		+
		+	== Sources ==
		+
		+	[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman\|Bosman]] 1980: pp. 374-439.)
		+
		+	[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp.203-205
		+
		+	Go to [[ESAT Bibliography]]
		+
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