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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=NTO_Kamertoneel</id>
	<title>NTO Kamertoneel - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=NTO_Kamertoneel"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;action=history"/>
	<updated>2026-08-10T07:39:43Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=256704&amp;oldid=prev</id>
		<title>Satj: /* Kamertoneel in Pretoria */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=256704&amp;oldid=prev"/>
		<updated>2024-03-18T09:26:35Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Kamertoneel in Pretoria&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 09:26, 18 March 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot; &gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Pretoria a theatre space was set up by [[NTO]] to produce smaller, more experimental work. It was situated in an old gymnasium, the [[Harmony Hall]] (Harmoniesaal) in President Street, Sunnyside, Pretoria. The conversion was done by administrative personnel of [[NTO]] led by [[Michal Grobbellaar]], utilizing private donations, a process which started with plans being drawn up in 1957-1958, and actual work began on the 14th October 1958.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Pretoria a theatre space was set up by [[NTO]] to produce smaller, more experimental work. It was situated in an old gymnasium, the [[Harmony Hall]] (Harmoniesaal) in President Street, Sunnyside, Pretoria. The conversion was done by administrative personnel of [[NTO]] led by [[Michal Grobbellaar]], utilizing private donations, a process which started with plans being drawn up in 1957-1958, and actual work began on the 14th October 1958.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The space opened on 17 November 1958 with ''[[Voorlopige Vonnis]]'' (&amp;quot;Provisional Sentence&amp;quot;) by Jozef van Hoeck, directed by [[Tone Brulin]]. This experiment lasted 10 months in which time they did &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;** &lt;/del&gt;productions. In 1960 the venue was renamed The [[National Theatre]] and later again in 1967 the [[Breytenbach Theatre]] after [[P.P.B. Breytenbach]].  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The space opened on 17 November 1958 with ''[[Voorlopige Vonnis]]'' (&amp;quot;Provisional Sentence&amp;quot;) by Jozef van Hoeck, directed by [[Tone Brulin]]. This experiment lasted 10 months in which time they did &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;a number of &lt;/ins&gt;productions. In 1960 the venue was renamed The [[National Theatre]] and later again in 1967 the [[Breytenbach Theatre]] after [[P.P.B. Breytenbach]].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''(See also [[National Theatre Organisation]] and [[Breytenbach Theatre]].)'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''(See also [[National Theatre Organisation]] and [[Breytenbach Theatre]].)'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot; &gt;Line 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 22:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''''Performances'''''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''''Performances'''''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;also did Seven Against the Sun (James Ambrose Brown), ''[['n Bruid in die môre]]'' (Hugo Claus), Uncle Joe and the Jukebox (Tone Brulin), Mag ek &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;saamspeel &lt;/del&gt;(Marcel Achard), Moeder Hanna (Bartho Smit), ''[[Meisies van Vervloë Dae]]'' (Bartho Smit), Waiting for Godot (Beckett)&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;The Chairs (Eugene Ionesco). The Nederlands Kamertoneel from Antwerp in Belgium also performed here, doing Een Vredesduif Braden (Jan Christiaens), Kent U de Melkweg? (Karl Wittlinger), Moord Romance (I.S. Black) and  Wrok op Gisteren (John Osborne). In 1960 the space was renamed The National Theatre and later again in 1967 the Breytenbach Theatre after P.P.B. Breytenbach. (See also  National Theatre Organisation and Breytenbach Theatre.) (See Michal Grobbelaar , 1985)  Kamertoneel in PTA,.  Ou Harmoniesaal, 18 November 1958 geopen( Presidentstraat 145, Pta.  200 sitplekke.  Eerste opvoering was:  Voorlopige Vonnis (Josef van Hoeck), regie Tone Brulin.  Vertaal deur W.J. du P. Erlank vertaal uit Vlaams.  Siegfried Mynhardt, Johan Malherbe, &amp;amp; Eone v/d Berg. Siegfried &amp;amp; Eone het in die eerste 2 opvoerings wat in 1948 deur die NTO gehou is, gespeel.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;They &lt;/ins&gt;also did &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[''&lt;/ins&gt;Seven Against the Sun&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'']] &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;James Ambrose Brown&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;), ''[['n Bruid in die môre]]'' (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Hugo Claus&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Uncle Joe and the Jukebox&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Tone Brulin&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Mag ek &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Saamspeel]]'' &lt;/ins&gt;(Marcel Achard), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Moeder Hanna&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Bartho Smit&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;), ''[[Meisies van Vervloë Dae]]'' (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Bartho Smit&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Waiting for Godot&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(Beckett) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and ''[[&lt;/ins&gt;The Chairs&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(Eugene Ionesco). The Nederlands Kamertoneel from Antwerp in Belgium also performed here, doing &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Een Vredesduif Braden&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(Jan Christiaens), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Kent U de Melkweg?&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(Karl Wittlinger), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Moord Romance&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(I.S. Black) and  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Wrok op Gisteren&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(John Osborne).  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=NOTES TO BE PROCESSED=&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1960 the space was renamed &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;The National Theatre&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;and later again in 1967 the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Breytenbach Theatre&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;after &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;P.P.B. Breytenbach&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. (See also  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;National Theatre Organisation&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Breytenbach Theatre&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;.) (See Michal Grobbelaar , 1985)  Kamertoneel in PTA,.  Ou Harmoniesaal, 18 November 1958 geopen( Presidentstraat 145, Pta.  200 sitplekke.  Eerste opvoering was:  Voorlopige Vonnis (Josef van Hoeck), regie Tone Brulin.  Vertaal deur W.J. du P. Erlank vertaal uit Vlaams.  Siegfried Mynhardt, Johan Malherbe, &amp;amp; Eone v/d Berg. Siegfried &amp;amp; Eone het in die eerste 2 opvoerings wat in 1948 deur die NTO gehou is, gespeel.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Pta:  Uncle &amp;amp; the Dukebox, Tone Brulin (regie), met Ivor v Rensburg, Bella Mariani, Ralph Bennitt, Warren Sands, Joycelyn de Bruyn &amp;amp; Tanya Barron.  Waiting for Godot, (Becket) Tone Brulin &amp;amp; David Herbert, Gabriel Bayman &amp;amp; Gerrit Wessels. Kamertoneel het ook aan 5 dramastudente kans gebied om die hoofstadgehore te vermaak in Pta.  Meisies van Vervloe  Jare (Barto Smit)  is saam met Moeder Hanna opgevoer.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Pta:  Uncle &amp;amp; the Dukebox, Tone Brulin (regie), met Ivor v Rensburg, Bella Mariani, Ralph Bennitt, Warren Sands, Joycelyn de Bruyn &amp;amp; Tanya Barron.  Waiting for Godot, (Becket) Tone Brulin &amp;amp; David Herbert, Gabriel Bayman &amp;amp; Gerrit Wessels. Kamertoneel het ook aan 5 dramastudente kans gebied om die hoofstadgehore te vermaak in Pta.  Meisies van Vervloe  Jare (Barto Smit)  is saam met Moeder Hanna opgevoer.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101459&amp;oldid=prev</id>
		<title>Satj: /* The NTO experiments */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101459&amp;oldid=prev"/>
		<updated>2016-03-26T07:32:44Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The NTO experiments&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 07:32, 26 March 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot; &gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Pretoria a theatre space was set up by [[NTO]] to produce smaller, more experimental work. It was situated in an old gymnasium, the [[Harmony Hall]] (Harmoniesaal) in President Street, Sunnyside, Pretoria. The conversion was done by administrative personnel of [[NTO]] led by [[Michal Grobbellaar]], utilizing private donations, a process which started with plans being drawn up in 1957-1958, and actual work began on the 14th October 1958.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Pretoria a theatre space was set up by [[NTO]] to produce smaller, more experimental work. It was situated in an old gymnasium, the [[Harmony Hall]] (Harmoniesaal) in President Street, Sunnyside, Pretoria. The conversion was done by administrative personnel of [[NTO]] led by [[Michal Grobbellaar]], utilizing private donations, a process which started with plans being drawn up in 1957-1958, and actual work began on the 14th October 1958.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The space opened on 17 November 1958 with ''[[Voorlopige Vonnis]]'' (&amp;quot;Provisional Sentence&amp;quot;) by Jozef van Hoeck, directed by [[Tone Brulin]]. In 1960 the venue was renamed The [[National Theatre]] and later again in 1967 the [[Breytenbach Theatre]] after [[P.P.B. Breytenbach]].  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The space opened on 17 November 1958 with ''[[Voorlopige Vonnis]]'' (&amp;quot;Provisional Sentence&amp;quot;) by Jozef van Hoeck, directed by [[Tone Brulin]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. This experiment lasted 10 months in which time they did ** productions&lt;/ins&gt;. In 1960 the venue was renamed The [[National Theatre]] and later again in 1967 the [[Breytenbach Theatre]] after [[P.P.B. Breytenbach]].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''(See also [[National Theatre Organisation]] and [[Breytenbach Theatre]].)'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''(See also [[National Theatre Organisation]] and [[Breytenbach Theatre]].)'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot; &gt;Line 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 22:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''''Performances'''''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''''Performances'''''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;This experiment lasted 10 months in which time they &lt;/del&gt;also did Seven Against the Sun (James Ambrose Brown), ''[['n Bruid in die môre]]'' (Hugo Claus), Uncle Joe and the Jukebox (Tone Brulin), Mag ek saamspeel (Marcel Achard), Moeder Hanna (Bartho Smit), ''[[Meisies van Vervloë Dae]]'' (Bartho Smit), Waiting for Godot (Beckett), The Chairs (Eugene Ionesco). The Nederlands Kamertoneel from Antwerp in Belgium also performed here, doing Een Vredesduif Braden (Jan Christiaens), Kent U de Melkweg? (Karl Wittlinger), Moord Romance (I.S. Black) and  Wrok op Gisteren (John Osborne). In 1960 the space was renamed The National Theatre and later again in 1967 the Breytenbach Theatre after P.P.B. Breytenbach. (See also  National Theatre Organisation and Breytenbach Theatre.) (See Michal Grobbelaar , 1985)  Kamertoneel in PTA,.  Ou Harmoniesaal, 18 November 1958 geopen( Presidentstraat 145, Pta.  200 sitplekke.  Eerste opvoering was:  Voorlopige Vonnis (Josef van Hoeck), regie Tone Brulin.  Vertaal deur W.J. du P. Erlank vertaal uit Vlaams.  Siegfried Mynhardt, Johan Malherbe, &amp;amp; Eone v/d Berg. Siegfried &amp;amp; Eone het in die eerste 2 opvoerings wat in 1948 deur die NTO gehou is, gespeel.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;also did Seven Against the Sun (James Ambrose Brown), ''[['n Bruid in die môre]]'' (Hugo Claus), Uncle Joe and the Jukebox (Tone Brulin), Mag ek saamspeel (Marcel Achard), Moeder Hanna (Bartho Smit), ''[[Meisies van Vervloë Dae]]'' (Bartho Smit), Waiting for Godot (Beckett), The Chairs (Eugene Ionesco). The Nederlands Kamertoneel from Antwerp in Belgium also performed here, doing Een Vredesduif Braden (Jan Christiaens), Kent U de Melkweg? (Karl Wittlinger), Moord Romance (I.S. Black) and  Wrok op Gisteren (John Osborne). In 1960 the space was renamed The National Theatre and later again in 1967 the Breytenbach Theatre after P.P.B. Breytenbach. (See also  National Theatre Organisation and Breytenbach Theatre.) (See Michal Grobbelaar , 1985)  Kamertoneel in PTA,.  Ou Harmoniesaal, 18 November 1958 geopen( Presidentstraat 145, Pta.  200 sitplekke.  Eerste opvoering was:  Voorlopige Vonnis (Josef van Hoeck), regie Tone Brulin.  Vertaal deur W.J. du P. Erlank vertaal uit Vlaams.  Siegfried Mynhardt, Johan Malherbe, &amp;amp; Eone v/d Berg. Siegfried &amp;amp; Eone het in die eerste 2 opvoerings wat in 1948 deur die NTO gehou is, gespeel.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Pta:  Uncle &amp;amp; the Dukebox, Tone Brulin (regie), met Ivor v Rensburg, Bella Mariani, Ralph Bennitt, Warren Sands, Joycelyn de Bruyn &amp;amp; Tanya Barron.  Waiting for Godot, (Becket) Tone Brulin &amp;amp; David Herbert, Gabriel Bayman &amp;amp; Gerrit Wessels. Kamertoneel het ook aan 5 dramastudente kans gebied om die hoofstadgehore te vermaak in Pta.  Meisies van Vervloe  Jare (Barto Smit)  is saam met Moeder Hanna opgevoer.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Pta:  Uncle &amp;amp; the Dukebox, Tone Brulin (regie), met Ivor v Rensburg, Bella Mariani, Ralph Bennitt, Warren Sands, Joycelyn de Bruyn &amp;amp; Tanya Barron.  Waiting for Godot, (Becket) Tone Brulin &amp;amp; David Herbert, Gabriel Bayman &amp;amp; Gerrit Wessels. Kamertoneel het ook aan 5 dramastudente kans gebied om die hoofstadgehore te vermaak in Pta.  Meisies van Vervloe  Jare (Barto Smit)  is saam met Moeder Hanna opgevoer.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Kamertoneel in Bellville ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Kamertoneel in Bellville ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Voorlopige vonnis met Pieter Bredenkamp, Joey de Koker &amp;amp; Gerrit Wessels. Seven Against the Sun (James Ambrose Brown), Regie:  Victor Melleney.  (Arthur Hall, David Herbert &amp;amp; Pietro Nolte ? Nie seker Pta of Bellville nie). ''[[Een Bruid in Den Morgen]]'' (Hugo Claus), Tone Brulin (regie)   In Pta het Pieter Geldenhuys, Wilma Stockenstrom, Laurika Meerkotter, Joan Brink &amp;amp; Dale Swanepoel. In Bellville:  Pietro Nolte (reg), Wilma Stockenstrom, Pieter Bredenkamp, Chris Fourie, Joey de Koker &amp;amp; Tossie Lochner. Jan Rabie vertaal uit Vlaams.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Voorlopige vonnis met Pieter Bredenkamp, Joey de Koker &amp;amp; Gerrit Wessels. Seven Against the Sun (James Ambrose Brown), Regie:  Victor Melleney.  (Arthur Hall, David Herbert &amp;amp; Pietro Nolte ? Nie seker Pta of Bellville nie). ''[[Een Bruid in Den Morgen]]'' (Hugo Claus), Tone Brulin (regie)   In Pta het Pieter Geldenhuys, Wilma Stockenstrom, Laurika Meerkotter, Joan Brink &amp;amp; Dale Swanepoel. In Bellville:  Pietro Nolte (reg), Wilma Stockenstrom, Pieter Bredenkamp, Chris Fourie, Joey de Koker &amp;amp; Tossie Lochner. Jan Rabie vertaal uit Vlaams.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l32&quot; &gt;Line 32:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Bellville:  ''[[The Chairs]]'' (Richard Daneel – Regie),  weer ''[[The Cave Dwellers]]'' (William Saroyan) &amp;amp; ''[[Mornings at Seven]]'' (Paul Osborn). Mag ek Saamspeel?  Marcel Achard vertaal deur Laurie v/d Merwe. Emsie Botha, Piet Bezuidenhout, Richard Daneel, Dale Swanepoel.  Tone Brulin (regie). Johanna, die Soldaat van God, (Shaw), Fred Engelen (regie), WEG Louw  vertaal.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Bellville:  ''[[The Chairs]]'' (Richard Daneel – Regie),  weer ''[[The Cave Dwellers]]'' (William Saroyan) &amp;amp; ''[[Mornings at Seven]]'' (Paul Osborn). Mag ek Saamspeel?  Marcel Achard vertaal deur Laurie v/d Merwe. Emsie Botha, Piet Bezuidenhout, Richard Daneel, Dale Swanepoel.  Tone Brulin (regie). Johanna, die Soldaat van God, (Shaw), Fred Engelen (regie), WEG Louw  vertaal.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bellville.  Ook The Trial, Kafka, UCT. Moeder Hanna (Bartho Smit )Milla Louw, Jan Bruyns, Lynette Kotze, Siegfried Mynhardt. .    In Bellville – Moeder Hanna met:  Babs Laker, Leonora Nel, Jan v Zyl, Cobus Rossouw &amp;amp; Matthys du Toit.  In Bellville is dit vervang met Die Les (Eugene Ionesco) Robert Mohr (ook regisseur), Esther van Ryswyk, Elma Marais. School for Scandal (Sheridan) Leon Gluckman (Prod), UP, Margaret Inglis, Pieter Geldenhuys, Siegfried Mynhardt, Frank Wise, Joyce Grant, Nigel Hawthorne, Brian Proudfoot, Zoe Randall, David Laughton, Pamela Borain, David Beattie, Robert Del Kyrke, David Herbert, Yvonne Dur &amp;amp; Gerald Schuller.  Victor Melleney (Prod. Manager),  Frank Graves (set), Doreen Graves (costumes). &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Kaapland en Tvl het elkeen ‘n Jeugtoneelgroep gevorm en op reis gestuur met oa.  Die Bruidskool (Moliere), The Prisoner (Bridget Boland). Nie vir Geleerdes (NP vWyk Louw) &lt;/del&gt;In gebruikneming van sy eie Nasionale Skouburg op 28 Junie 1960.  NTO het ses dramas instudeer:  The Cave Dwellers (William Saroyan), Romeo en Jeanette (Anouillh)  Babs Laker &amp;amp; Laurie v/d Merwe, A moon for the Misbegotten (O’Neill) met Alec Bell, Die vonkel in haar oë (Gerhard Beukes), met Elsa Fouche. NTO jeuggroep:  Jannie Gildenhuys, Cobus Rossouw, Leonora Nel &amp;amp; Irene Durr.  Doen ook  Dieselfde Pad (Kootjie v/d Heever).(Die groep het Pret &amp;amp; Plesier uit die Boekrak aangebied vir skole.  Hulle het 248 keer opgetree en ‘n herlewing i/d studie van Letterkunde by skole bevorder.  Her veroorsaak dat spellesings in bibs bevorder is.  Vier dramas wat gedoen was:  No exit (Satre), Mage k saamspeel? (Marcel Achard), The Bear (Tjekov), Miss Julie (Strindberg). Samewerking met Universiteite en die Alexander Teater: 1961.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bellville.  Ook The Trial, Kafka, UCT. Moeder Hanna (Bartho Smit )Milla Louw, Jan Bruyns, Lynette Kotze, Siegfried Mynhardt. .    In Bellville – Moeder Hanna met:  Babs Laker, Leonora Nel, Jan v Zyl, Cobus Rossouw &amp;amp; Matthys du Toit.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Bellville is dit vervang met Die Les (Eugene Ionesco) Robert Mohr (ook regisseur), Esther van Ryswyk, Elma Marais. School for Scandal (Sheridan) Leon Gluckman (Prod), UP, Margaret Inglis, Pieter Geldenhuys, Siegfried Mynhardt, Frank Wise, Joyce Grant, Nigel Hawthorne, Brian Proudfoot, Zoe Randall, David Laughton, Pamela Borain, David Beattie, Robert Del Kyrke, David Herbert, Yvonne Dur &amp;amp; Gerald Schuller.  Victor Melleney (Prod. Manager),  Frank Graves (set), Doreen Graves (costumes). In gebruikneming van sy eie Nasionale Skouburg op 28 Junie 1960.  NTO het ses dramas instudeer:  The Cave Dwellers (William Saroyan), Romeo en Jeanette (Anouillh)  Babs Laker &amp;amp; Laurie v/d Merwe, A moon for the Misbegotten (O’Neill) met Alec Bell, Die vonkel in haar oë (Gerhard Beukes), met Elsa Fouche. NTO jeuggroep:  Jannie Gildenhuys, Cobus Rossouw, Leonora Nel &amp;amp; Irene Durr.  Doen ook  Dieselfde Pad (Kootjie v/d Heever).(Die groep het Pret &amp;amp; Plesier uit die Boekrak aangebied vir skole.  Hulle het 248 keer opgetree en ‘n herlewing i/d studie van Letterkunde by skole bevorder.  Her veroorsaak dat spellesings in bibs bevorder is.  Vier dramas wat gedoen was:  No exit (Satre), Mage k saamspeel? (Marcel Achard), The Bear (Tjekov), Miss Julie (Strindberg). Samewerking met Universiteite en die Alexander Teater: 1961.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101458&amp;oldid=prev</id>
		<title>Satj: /* Kamertoneel in Pretoria */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101458&amp;oldid=prev"/>
		<updated>2016-03-26T07:30:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Kamertoneel in Pretoria&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 07:30, 26 March 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot; &gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Pretoria a theatre space was set up by [[NTO]] to produce smaller, more experimental work. It was situated in an old gymnasium, the [[Harmony Hall]] (Harmoniesaal) in President Street, Sunnyside, Pretoria. The conversion was done by administrative personnel of [[NTO]] led by [[Michal Grobbellaar]], utilizing private donations, a process which started with plans being drawn up in 1957-1958, and actual work began on the 14th October 1958.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Pretoria a theatre space was set up by [[NTO]] to produce smaller, more experimental work. It was situated in an old gymnasium, the [[Harmony Hall]] (Harmoniesaal) in President Street, Sunnyside, Pretoria. The conversion was done by administrative personnel of [[NTO]] led by [[Michal Grobbellaar]], utilizing private donations, a process which started with plans being drawn up in 1957-1958, and actual work began on the 14th October 1958.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The space opened on 17 November 1958 with ''[[Voorlopige Vonnis]]'' (&amp;quot;Provisional Sentence&amp;quot;) by Jozef van Hoeck, directed by [[Tone Brulin]].  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The space opened on 17 November 1958 with ''[[Voorlopige Vonnis]]'' (&amp;quot;Provisional Sentence&amp;quot;) by Jozef van Hoeck, directed by [[Tone Brulin&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]. In 1960 the venue was renamed The [[National Theatre]] and later again in 1967 the [[Breytenbach Theatre]] after [[P.P.B. Breytenbach&lt;/ins&gt;]].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Performances'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''(See also [[National Theatre Organisation]] and [[Breytenbach Theatre]].)'''&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;'''Performances&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This experiment lasted 10 months in which time they also did Seven Against the Sun (James Ambrose Brown), ''[['n Bruid in die môre]]'' (Hugo Claus), Uncle Joe and the Jukebox (Tone Brulin), Mag ek saamspeel (Marcel Achard), Moeder Hanna (Bartho Smit), ''[[Meisies van Vervloë Dae]]'' (Bartho Smit), Waiting for Godot (Beckett), The Chairs (Eugene Ionesco). The Nederlands Kamertoneel from Antwerp in Belgium also performed here, doing Een Vredesduif Braden (Jan Christiaens), Kent U de Melkweg? (Karl Wittlinger), Moord Romance (I.S. Black) and  Wrok op Gisteren (John Osborne). In 1960 the space was renamed The National Theatre and later again in 1967 the Breytenbach Theatre after P.P.B. Breytenbach. (See also  National Theatre Organisation and Breytenbach Theatre.) (See Michal Grobbelaar , 1985)  Kamertoneel in PTA,.  Ou Harmoniesaal, 18 November 1958 geopen( Presidentstraat 145, Pta.  200 sitplekke.  Eerste opvoering was:  Voorlopige Vonnis (Josef van Hoeck), regie Tone Brulin.  Vertaal deur W.J. du P. Erlank vertaal uit Vlaams.  Siegfried Mynhardt, Johan Malherbe, &amp;amp; Eone v/d Berg. Siegfried &amp;amp; Eone het in die eerste 2 opvoerings wat in 1948 deur die NTO gehou is, gespeel.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This experiment lasted 10 months in which time they also did Seven Against the Sun (James Ambrose Brown), ''[['n Bruid in die môre]]'' (Hugo Claus), Uncle Joe and the Jukebox (Tone Brulin), Mag ek saamspeel (Marcel Achard), Moeder Hanna (Bartho Smit), ''[[Meisies van Vervloë Dae]]'' (Bartho Smit), Waiting for Godot (Beckett), The Chairs (Eugene Ionesco). The Nederlands Kamertoneel from Antwerp in Belgium also performed here, doing Een Vredesduif Braden (Jan Christiaens), Kent U de Melkweg? (Karl Wittlinger), Moord Romance (I.S. Black) and  Wrok op Gisteren (John Osborne). In 1960 the space was renamed The National Theatre and later again in 1967 the Breytenbach Theatre after P.P.B. Breytenbach. (See also  National Theatre Organisation and Breytenbach Theatre.) (See Michal Grobbelaar , 1985)  Kamertoneel in PTA,.  Ou Harmoniesaal, 18 November 1958 geopen( Presidentstraat 145, Pta.  200 sitplekke.  Eerste opvoering was:  Voorlopige Vonnis (Josef van Hoeck), regie Tone Brulin.  Vertaal deur W.J. du P. Erlank vertaal uit Vlaams.  Siegfried Mynhardt, Johan Malherbe, &amp;amp; Eone v/d Berg. Siegfried &amp;amp; Eone het in die eerste 2 opvoerings wat in 1948 deur die NTO gehou is, gespeel.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Pta:  Uncle &amp;amp; the Dukebox, Tone Brulin (regie), met Ivor v Rensburg, Bella Mariani, Ralph Bennitt, Warren Sands, Joycelyn de Bruyn &amp;amp; Tanya Barron.  Waiting for Godot, (Becket) Tone Brulin &amp;amp; David Herbert, Gabriel Bayman &amp;amp; Gerrit Wessels. Kamertoneel het ook aan 5 dramastudente kans gebied om die hoofstadgehore te vermaak in Pta.  Meisies van Vervloe  Jare (Barto Smit)  is saam met Moeder Hanna opgevoer.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Pta:  Uncle &amp;amp; the Dukebox, Tone Brulin (regie), met Ivor v Rensburg, Bella Mariani, Ralph Bennitt, Warren Sands, Joycelyn de Bruyn &amp;amp; Tanya Barron.  Waiting for Godot, (Becket) Tone Brulin &amp;amp; David Herbert, Gabriel Bayman &amp;amp; Gerrit Wessels. Kamertoneel het ook aan 5 dramastudente kans gebied om die hoofstadgehore te vermaak in Pta.  Meisies van Vervloe  Jare (Barto Smit)  is saam met Moeder Hanna opgevoer.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Kamertoneel in Bellville ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Kamertoneel in Bellville ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101457&amp;oldid=prev</id>
		<title>Satj at 07:28, 26 March 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101457&amp;oldid=prev"/>
		<updated>2016-03-26T07:28:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 07:28, 26 March 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Two (linked) experiments were done in this regard, with a [[Kamertoneel]] in Pretoria and one in Belville, Cape.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Two (linked) experiments were done in this regard, with a [[Kamertoneel]] in Pretoria and one in Belville, Cape.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== [[Kamertoneel]] in Pretoria ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;== [[Kamertoneel]] in Pretoria &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101456&amp;oldid=prev</id>
		<title>Satj: /* Kamertoneel in Pretoria */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101456&amp;oldid=prev"/>
		<updated>2016-03-26T07:27:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Kamertoneel in Pretoria&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 07:27, 26 March 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot; &gt;Line 14:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 14:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;A &lt;/del&gt;theatre space set up by [[NTO]] to produce smaller, more experimental work. It was situated in an old gymnasium, the [[Harmony Hall]] (Harmoniesaal) in President Street, Sunnyside, Pretoria. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;This &lt;/del&gt;was &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;turned into a theatre &lt;/del&gt;by administrative personnel of NTO, utilizing private donations, a process which started with plans being drawn up in 1957-1958, and actual work began on the 14th October 1958. The space opened on 17 November 1958 with ''[[Voorlopige Vonnis]]'' (&amp;quot;Provisional Sentence&amp;quot;) by Jozef van Hoeck, directed by [[Tone Brulin]]. This experiment lasted 10 months in which time they also did Seven Against the Sun (James Ambrose Brown), ''[['n Bruid in die môre]]'' (Hugo Claus), Uncle Joe and the Jukebox (Tone Brulin), Mag ek saamspeel (Marcel Achard), Moeder Hanna (Bartho Smit), ''[[Meisies van Vervloë Dae]]'' (Bartho Smit), Waiting for Godot (Beckett), The Chairs (Eugene Ionesco). The Nederlands Kamertoneel from Antwerp in Belgium also performed here, doing Een Vredesduif Braden (Jan Christiaens), Kent U de Melkweg? (Karl Wittlinger), Moord Romance (I.S. Black) and  Wrok op Gisteren (John Osborne). In 1960 the space was renamed The National Theatre and later again in 1967 the Breytenbach Theatre after P.P.B. Breytenbach. (See also  National Theatre Organisation and Breytenbach Theatre.) (See Michal Grobbelaar , 1985)  Kamertoneel in PTA,.  Ou Harmoniesaal, 18 November 1958 geopen( Presidentstraat 145, Pta.  200 sitplekke.  Eerste opvoering was:  Voorlopige Vonnis (Josef van Hoeck), regie Tone Brulin.  Vertaal deur W.J. du P. Erlank vertaal uit Vlaams.  Siegfried Mynhardt, Johan Malherbe, &amp;amp; Eone v/d Berg. Siegfried &amp;amp; Eone het in die eerste 2 opvoerings wat in 1948 deur die NTO gehou is, gespeel.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In Pretoria a &lt;/ins&gt;theatre space &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was &lt;/ins&gt;set up by [[NTO]] to produce smaller, more experimental work. It was situated in an old gymnasium, the [[Harmony Hall]] (Harmoniesaal) in President Street, Sunnyside, Pretoria. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The conversion &lt;/ins&gt;was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;done &lt;/ins&gt;by administrative personnel of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;NTO&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] led by [[Michal Grobbellaar]]&lt;/ins&gt;, utilizing private donations, a process which started with plans being drawn up in 1957-1958, and actual work began on the 14th October 1958.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The space opened on 17 November 1958 with ''[[Voorlopige Vonnis]]'' (&amp;quot;Provisional Sentence&amp;quot;) by Jozef van Hoeck, directed by [[Tone Brulin]].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''Performances'''&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This experiment lasted 10 months in which time they also did Seven Against the Sun (James Ambrose Brown), ''[['n Bruid in die môre]]'' (Hugo Claus), Uncle Joe and the Jukebox (Tone Brulin), Mag ek saamspeel (Marcel Achard), Moeder Hanna (Bartho Smit), ''[[Meisies van Vervloë Dae]]'' (Bartho Smit), Waiting for Godot (Beckett), The Chairs (Eugene Ionesco). The Nederlands Kamertoneel from Antwerp in Belgium also performed here, doing Een Vredesduif Braden (Jan Christiaens), Kent U de Melkweg? (Karl Wittlinger), Moord Romance (I.S. Black) and  Wrok op Gisteren (John Osborne). In 1960 the space was renamed The National Theatre and later again in 1967 the Breytenbach Theatre after P.P.B. Breytenbach. (See also  National Theatre Organisation and Breytenbach Theatre.) (See Michal Grobbelaar , 1985)  Kamertoneel in PTA,.  Ou Harmoniesaal, 18 November 1958 geopen( Presidentstraat 145, Pta.  200 sitplekke.  Eerste opvoering was:  Voorlopige Vonnis (Josef van Hoeck), regie Tone Brulin.  Vertaal deur W.J. du P. Erlank vertaal uit Vlaams.  Siegfried Mynhardt, Johan Malherbe, &amp;amp; Eone v/d Berg. Siegfried &amp;amp; Eone het in die eerste 2 opvoerings wat in 1948 deur die NTO gehou is, gespeel.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Pta:  Uncle &amp;amp; the Dukebox, Tone Brulin (regie), met Ivor v Rensburg, Bella Mariani, Ralph Bennitt, Warren Sands, Joycelyn de Bruyn &amp;amp; Tanya Barron.  Waiting for Godot, (Becket) Tone Brulin &amp;amp; David Herbert, Gabriel Bayman &amp;amp; Gerrit Wessels. Kamertoneel het ook aan 5 dramastudente kans gebied om die hoofstadgehore te vermaak in Pta.  Meisies van Vervloe  Jare (Barto Smit)  is saam met Moeder Hanna opgevoer.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Pta:  Uncle &amp;amp; the Dukebox, Tone Brulin (regie), met Ivor v Rensburg, Bella Mariani, Ralph Bennitt, Warren Sands, Joycelyn de Bruyn &amp;amp; Tanya Barron.  Waiting for Godot, (Becket) Tone Brulin &amp;amp; David Herbert, Gabriel Bayman &amp;amp; Gerrit Wessels. Kamertoneel het ook aan 5 dramastudente kans gebied om die hoofstadgehore te vermaak in Pta.  Meisies van Vervloe  Jare (Barto Smit)  is saam met Moeder Hanna opgevoer.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101455&amp;oldid=prev</id>
		<title>Satj: /* The NTO experiments */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101455&amp;oldid=prev"/>
		<updated>2016-03-26T07:25:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The NTO experiments&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 07:25, 26 March 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot; &gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== The NTO experiments ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== The NTO experiments ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Two experiments were &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;dione &lt;/del&gt;in this regard, with a [[Kamertoneel]] in Pretoria and one in Belville, Cape&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Two &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(linked) &lt;/ins&gt;experiments were &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;done &lt;/ins&gt;in this regard, with a [[Kamertoneel]] in Pretoria and one in Belville, Cape&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== [[Kamertoneel]] in Pretoria ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== [[Kamertoneel]] in Pretoria ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101454&amp;oldid=prev</id>
		<title>Satj: /* The NTO experiment */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101454&amp;oldid=prev"/>
		<updated>2016-03-26T07:23:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The NTO experiment&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 07:23, 26 March 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot; &gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concept of [[Kamertoneel]] came from Belgium and and was brought to South Africa by [[Tone Brulin]], and was based on similar theatres in Belgium. The term used to denote an &amp;quot;experimental theatre project or space&amp;quot;.  (The [[NTO]] version of it is also referred to simply as &amp;quot;[[Kamertoneel]]&amp;quot; by some writers.)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concept of [[Kamertoneel]] came from Belgium and and was brought to South Africa by [[Tone Brulin]], and was based on similar theatres in Belgium. The term used to denote an &amp;quot;experimental theatre project or space&amp;quot;.  (The [[NTO]] version of it is also referred to simply as &amp;quot;[[Kamertoneel]]&amp;quot; by some writers.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== The NTO &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;experiment &lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== The NTO &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;experiments &lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A theatre space set up by [[NTO]] to produce smaller, more experimental work. It was situated in an old gymnasium, the [[Harmony Hall]] (Harmoniesaal) in President Street, Sunnyside, Pretoria. This was turned into a theatre by administrative personnel of NTO, utilizing private donations, a process which started with plans being drawn up in 1957-1958, and actual work began on the 14th October 1958. The space opened on 17 November 1958 with ''[[Voorlopige Vonnis]]'' (&amp;quot;Provisional Sentence&amp;quot;) by Jozef van Hoeck, directed by [[Tone Brulin]]. This experiment lasted 10 months in which time they also did Seven Against the Sun (James Ambrose Brown), ''[['n Bruid in die môre]]'' (Hugo Claus), Uncle Joe and the Jukebox (Tone Brulin), Mag ek saamspeel (Marcel Achard), Moeder Hanna (Bartho Smit), ''[[Meisies van Vervloë Dae]]'' (Bartho Smit), Waiting for Godot (Beckett), The Chairs (Eugene Ionesco). The Nederlands Kamertoneel from Antwerp in Belgium also performed here, doing Een Vredesduif Braden (Jan Christiaens), Kent U de Melkweg? (Karl Wittlinger), Moord Romance (I.S. Black) and  Wrok op Gisteren (John Osborne). In 1960 the space was renamed The National Theatre and later again in 1967 the Breytenbach Theatre after P.P.B. Breytenbach. (See also  National Theatre Organisation and Breytenbach Theatre.) (See Michal Grobbelaar , 1985)  Kamertoneel in PTA,.  Ou Harmoniesaal, 18 November 1958 geopen( Presidentstraat 145, Pta.  200 sitplekke.  Eerste opvoering was:  Voorlopige Vonnis (Josef van Hoeck), regie Tone Brulin.  Vertaal deur W.J. du P. Erlank vertaal uit Vlaams.  Siegfried Mynhardt, Johan Malherbe, &amp;amp; Eone v/d Berg. Siegfried &amp;amp; Eone het in die eerste 2 opvoerings wat in 1948 deur die NTO gehou is, gespeel. Kamertoneel in Bellville&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. &lt;/del&gt;Voorlopige vonnis met Pieter Bredenkamp, Joey de Koker &amp;amp; Gerrit Wessels. Seven Against the Sun (James Ambrose Brown), Regie:  Victor Melleney.  (Arthur Hall, David Herbert &amp;amp; Pietro Nolte ? Nie seker Pta of Bellville nie). ''[[Een Bruid in Den Morgen]]'' (Hugo Claus), Tone Brulin (regie)   In Pta het Pieter Geldenhuys, Wilma Stockenstrom, Laurika Meerkotter, Joan Brink &amp;amp; Dale Swanepoel. In Bellville:  Pietro Nolte (reg), Wilma Stockenstrom, Pieter Bredenkamp, Chris Fourie, Joey de Koker &amp;amp; Tossie Lochner. Jan Rabie vertaal uit Vlaams. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;In Pta:  Uncle &amp;amp; the Dukebox, Tone Brulin (regie), met Ivor v Rensburg, Bella Mariani, Ralph Bennitt, Warren Sands, Joycelyn de Bruyn &amp;amp; Tanya Barron.  Waiting for Godot, (Becket) Tone Brulin &amp;amp; David Herbert, Gabriel Bayman &amp;amp; Gerrit Wessels. &lt;/del&gt;In Bellville:  ''[[The Chairs]]'' (Richard Daneel – Regie),  weer ''[[The Cave Dwellers]]'' (William Saroyan) &amp;amp; ''[[Mornings at Seven]]'' (Paul Osborn). Mag ek Saamspeel?  Marcel Achard vertaal deur Laurie v/d Merwe. Emsie Botha, Piet Bezuidenhout, Richard Daneel, Dale Swanepoel.  Tone Brulin (regie). Johanna, die Soldaat van God, (Shaw), Fred Engelen (regie), WEG Louw  vertaal.  Bellville.  Ook The Trial, Kafka, UCT. Moeder Hanna (Bartho Smit )Milla Louw, Jan Bruyns, Lynette Kotze, Siegfried Mynhardt. . &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; Kamertoneel het ook aan 5 dramastudente kans gebied om die hoofstadgehore te vermaak in Pta.  Meisies van Vervloe  Jare (Barto Smit)  is saam met Moeder Hanna opgevoer.  &lt;/del&gt;In Bellville – Moeder Hanna met:  Babs Laker, Leonora Nel, Jan v Zyl, Cobus Rossouw &amp;amp; Matthys du Toit.  In Bellville is dit vervang met Die Les (Eugene Ionesco) Robert Mohr (ook regisseur), Esther van Ryswyk, Elma Marais. School for Scandal (Sheridan) Leon Gluckman (Prod), UP, Margaret Inglis, Pieter Geldenhuys, Siegfried Mynhardt, Frank Wise, Joyce Grant, Nigel Hawthorne, Brian Proudfoot, Zoe Randall, David Laughton, Pamela Borain, David Beattie, Robert Del Kyrke, David Herbert, Yvonne Dur &amp;amp; Gerald Schuller.  Victor Melleney (Prod. Manager),  Frank Graves (set), Doreen Graves (costumes). Kaapland en Tvl het elkeen ‘n Jeugtoneelgroep gevorm en op reis gestuur met oa.  Die Bruidskool (Moliere), The Prisoner (Bridget Boland). Nie vir Geleerdes (NP vWyk Louw) In gebruikneming van sy eie Nasionale Skouburg op 28 Junie 1960.  NTO het ses dramas instudeer:  The Cave Dwellers (William Saroyan), Romeo en Jeanette (Anouillh)  Babs Laker &amp;amp; Laurie v/d Merwe, A moon for the Misbegotten (O’Neill) met Alec Bell, Die vonkel in haar oë (Gerhard Beukes), met Elsa Fouche. NTO jeuggroep:  Jannie Gildenhuys, Cobus Rossouw, Leonora Nel &amp;amp; Irene Durr.  Doen ook  Dieselfde Pad (Kootjie v/d Heever).(Die groep het Pret &amp;amp; Plesier uit die Boekrak aangebied vir skole.  Hulle het 248 keer opgetree en ‘n herlewing i/d studie van Letterkunde by skole bevorder.  Her veroorsaak dat spellesings in bibs bevorder is.  Vier dramas wat gedoen was:  No exit (Satre), Mage k saamspeel? (Marcel Achard), The Bear (Tjekov), Miss Julie (Strindberg). Samewerking met Universiteite en die Alexander Teater: 1961.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Two experiments were dione in this regard, with a [[Kamertoneel]] in Pretoria and one in Belville, Cape&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== [[Kamertoneel]] in Pretoria ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A theatre space set up by [[NTO]] to produce smaller, more experimental work. It was situated in an old gymnasium, the [[Harmony Hall]] (Harmoniesaal) in President Street, Sunnyside, Pretoria. This was turned into a theatre by administrative personnel of NTO, utilizing private donations, a process which started with plans being drawn up in 1957-1958, and actual work began on the 14th October 1958. The space opened on 17 November 1958 with ''[[Voorlopige Vonnis]]'' (&amp;quot;Provisional Sentence&amp;quot;) by Jozef van Hoeck, directed by [[Tone Brulin]]. This experiment lasted 10 months in which time they also did Seven Against the Sun (James Ambrose Brown), ''[['n Bruid in die môre]]'' (Hugo Claus), Uncle Joe and the Jukebox (Tone Brulin), Mag ek saamspeel (Marcel Achard), Moeder Hanna (Bartho Smit), ''[[Meisies van Vervloë Dae]]'' (Bartho Smit), Waiting for Godot (Beckett), The Chairs (Eugene Ionesco). The Nederlands Kamertoneel from Antwerp in Belgium also performed here, doing Een Vredesduif Braden (Jan Christiaens), Kent U de Melkweg? (Karl Wittlinger), Moord Romance (I.S. Black) and  Wrok op Gisteren (John Osborne). In 1960 the space was renamed The National Theatre and later again in 1967 the Breytenbach Theatre after P.P.B. Breytenbach. (See also  National Theatre Organisation and Breytenbach Theatre.) (See Michal Grobbelaar , 1985)  Kamertoneel in PTA,.  Ou Harmoniesaal, 18 November 1958 geopen( Presidentstraat 145, Pta.  200 sitplekke.  Eerste opvoering was:  Voorlopige Vonnis (Josef van Hoeck), regie Tone Brulin.  Vertaal deur W.J. du P. Erlank vertaal uit Vlaams.  Siegfried Mynhardt, Johan Malherbe, &amp;amp; Eone v/d Berg. Siegfried &amp;amp; Eone het in die eerste 2 opvoerings wat in 1948 deur die NTO gehou is, gespeel.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In Pta:  Uncle &amp;amp; the Dukebox, Tone Brulin (regie), met Ivor v Rensburg, Bella Mariani, Ralph Bennitt, Warren Sands, Joycelyn de Bruyn &amp;amp; Tanya Barron.  Waiting for Godot, (Becket) Tone Brulin &amp;amp; David Herbert, Gabriel Bayman &amp;amp; Gerrit Wessels. Kamertoneel het ook aan 5 dramastudente kans gebied om die hoofstadgehore te vermaak in Pta.  Meisies van Vervloe  Jare (Barto Smit)  is saam met Moeder Hanna opgevoer.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=== &lt;/ins&gt;Kamertoneel in Bellville &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Voorlopige vonnis met Pieter Bredenkamp, Joey de Koker &amp;amp; Gerrit Wessels. Seven Against the Sun (James Ambrose Brown), Regie:  Victor Melleney.  (Arthur Hall, David Herbert &amp;amp; Pietro Nolte ? Nie seker Pta of Bellville nie). ''[[Een Bruid in Den Morgen]]'' (Hugo Claus), Tone Brulin (regie)   In Pta het Pieter Geldenhuys, Wilma Stockenstrom, Laurika Meerkotter, Joan Brink &amp;amp; Dale Swanepoel. In Bellville:  Pietro Nolte (reg), Wilma Stockenstrom, Pieter Bredenkamp, Chris Fourie, Joey de Koker &amp;amp; Tossie Lochner. Jan Rabie vertaal uit Vlaams.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Bellville:  ''[[The Chairs]]'' (Richard Daneel – Regie),  weer ''[[The Cave Dwellers]]'' (William Saroyan) &amp;amp; ''[[Mornings at Seven]]'' (Paul Osborn). Mag ek Saamspeel?  Marcel Achard vertaal deur Laurie v/d Merwe. Emsie Botha, Piet Bezuidenhout, Richard Daneel, Dale Swanepoel.  Tone Brulin (regie). Johanna, die Soldaat van God, (Shaw), Fred Engelen (regie), WEG Louw  vertaal.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bellville.  Ook The Trial, Kafka, UCT. Moeder Hanna (Bartho Smit )Milla Louw, Jan Bruyns, Lynette Kotze, Siegfried Mynhardt. . &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;   &lt;/ins&gt;In Bellville – Moeder Hanna met:  Babs Laker, Leonora Nel, Jan v Zyl, Cobus Rossouw &amp;amp; Matthys du Toit.  In Bellville is dit vervang met Die Les (Eugene Ionesco) Robert Mohr (ook regisseur), Esther van Ryswyk, Elma Marais. School for Scandal (Sheridan) Leon Gluckman (Prod), UP, Margaret Inglis, Pieter Geldenhuys, Siegfried Mynhardt, Frank Wise, Joyce Grant, Nigel Hawthorne, Brian Proudfoot, Zoe Randall, David Laughton, Pamela Borain, David Beattie, Robert Del Kyrke, David Herbert, Yvonne Dur &amp;amp; Gerald Schuller.  Victor Melleney (Prod. Manager),  Frank Graves (set), Doreen Graves (costumes). Kaapland en Tvl het elkeen ‘n Jeugtoneelgroep gevorm en op reis gestuur met oa.  Die Bruidskool (Moliere), The Prisoner (Bridget Boland). Nie vir Geleerdes (NP vWyk Louw) In gebruikneming van sy eie Nasionale Skouburg op 28 Junie 1960.  NTO het ses dramas instudeer:  The Cave Dwellers (William Saroyan), Romeo en Jeanette (Anouillh)  Babs Laker &amp;amp; Laurie v/d Merwe, A moon for the Misbegotten (O’Neill) met Alec Bell, Die vonkel in haar oë (Gerhard Beukes), met Elsa Fouche. NTO jeuggroep:  Jannie Gildenhuys, Cobus Rossouw, Leonora Nel &amp;amp; Irene Durr.  Doen ook  Dieselfde Pad (Kootjie v/d Heever).(Die groep het Pret &amp;amp; Plesier uit die Boekrak aangebied vir skole.  Hulle het 248 keer opgetree en ‘n herlewing i/d studie van Letterkunde by skole bevorder.  Her veroorsaak dat spellesings in bibs bevorder is.  Vier dramas wat gedoen was:  No exit (Satre), Mage k saamspeel? (Marcel Achard), The Bear (Tjekov), Miss Julie (Strindberg). Samewerking met Universiteite en die Alexander Teater: 1961.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101453&amp;oldid=prev</id>
		<title>Satj: /* The concept */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101453&amp;oldid=prev"/>
		<updated>2016-03-26T07:19:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The concept&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 07:19, 26 March 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot; &gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concept of [[Kamertoneel]] came from Belgium and and was brought &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;here &lt;/del&gt;by [[Tone Brulin]], and was based on similar theatres in Belgium. The term used to denote an &amp;quot;experimental theatre project or space&amp;quot;.  (The [[NTO]] version of it is also referred to simply as &amp;quot;[[Kamertoneel]]&amp;quot; by some writers.)  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concept of [[Kamertoneel]] came from Belgium and and was brought &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;to South Africa &lt;/ins&gt;by [[Tone Brulin]], and was based on similar theatres in Belgium. The term used to denote an &amp;quot;experimental theatre project or space&amp;quot;.  (The [[NTO]] version of it is also referred to simply as &amp;quot;[[Kamertoneel]]&amp;quot; by some writers.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== The NTO experiment ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== The NTO experiment ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101446&amp;oldid=prev</id>
		<title>Satj: /* The NTO experiment */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101446&amp;oldid=prev"/>
		<updated>2016-03-26T07:06:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The NTO experiment&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 07:06, 26 March 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A theatre space set up by [[NTO]] to produce smaller, more experimental work. It was situated in an old gymnasium, the [[Harmony Hall]] (Harmoniesaal) in President Street, Sunnyside, Pretoria. This was turned into a theatre by administrative personnel of NTO, utilizing private donations, a process which started with plans being drawn up in 1957-1958, and actual work began on the 14th October 1958. The space opened on 17 November 1958 with ''[[Voorlopige Vonnis]]'' (&amp;quot;Provisional Sentence&amp;quot;) by Jozef van Hoeck, directed by [[Tone Brulin]]. This experiment lasted 10 months in which time they also did Seven Against the Sun (James Ambrose Brown), ''[['n Bruid in die môre]]'' (Hugo Claus), Uncle Joe and the Jukebox (Tone Brulin), Mag ek saamspeel (Marcel Achard), Moeder Hanna (Bartho Smit), ''[[Meisies van Vervloë Dae]]'' (Bartho Smit), Waiting for Godot (Beckett), The Chairs (Eugene Ionesco). The Nederlands Kamertoneel from Antwerp in Belgium also performed here, doing Een Vredesduif Braden (Jan Christiaens), Kent U de Melkweg? (Karl Wittlinger), Moord Romance (I.S. Black) and  Wrok op Gisteren (John Osborne). In 1960 the space was renamed The National Theatre and later again in 1967 the Breytenbach Theatre after P.P.B. Breytenbach. (See also  National Theatre Organisation and Breytenbach Theatre.) (See Michal Grobbelaar , 1985)  Kamertoneel in PTA,.  Ou Harmoniesaal, 18 November 1958 geopen( Presidentstraat 145, Pta.  200 sitplekke.  Eerste opvoering was:  Voorlopige Vonnis (Josef van Hoeck), regie Tone Brulin.  Vertaal deur W.J. du P. Erlank vertaal uit Vlaams.  Siegfried Mynhardt, Johan Malherbe, &amp;amp; Eone v/d Berg. Siegfried &amp;amp; Eone het in die eerste 2 opvoerings wat in 1948 deur die NTO gehou is, gespeel. Kamertoneel in Bellville. Voorlopige vonnis met Pieter Bredenkamp, Joey de Koker &amp;amp; Gerrit Wessels. Seven Against the Sun (James Ambrose Brown), Regie:  Victor Melleney.  (Arthur Hall, David Herbert &amp;amp; Pietro Nolte ? Nie seker Pta of Bellville nie). ''[[Een Bruid in Den Morgen]]'' (Hugo Claus), Tone Brulin (regie)   In Pta het Pieter Geldenhuys, Wilma Stockenstrom, Laurika Meerkotter, Joan Brink &amp;amp; Dale Swanepoel. In Bellville:  Pietro Nolte (reg), Wilma Stockenstrom, Pieter Bredenkamp, Chris Fourie, Joey de Koker &amp;amp; Tossie Lochner. Jan Rabie vertaal uit Vlaams. In Pta:  Uncle &amp;amp; the Dukebox, Tone Brulin (regie), met Ivor v Rensburg, Bella Mariani, Ralph Bennitt, Warren Sands, Joycelyn de Bruyn &amp;amp; Tanya Barron.  Waiting for Godot, (Becket) Tone Brulin &amp;amp; David Herbert, Gabriel Bayman &amp;amp; Gerrit Wessels. In Bellville:  ''[[The Chairs]]'' (Richard Daneel – Regie),  weer ''[[The Cave Dwellers]]'' (William Saroyan) &amp;amp; ''[[Mornings at Seven]]'' (Paul Osborn). Mag ek Saamspeel?  Marcel Achard vertaal deur Laurie v/d Merwe. Emsie Botha, Piet Bezuidenhout, Richard Daneel, Dale Swanepoel.  Tone Brulin (regie). Johanna, die Soldaat van God, (Shaw), Fred Engelen (regie), WEG Louw  vertaal.  Bellville.  Ook The Trial, Kafka, UCT. Moeder Hanna (Bartho Smit )Milla Louw, Jan Bruyns, Lynette Kotze, Siegfried Mynhardt. .  Kamertoneel het ook aan 5 dramastudente kans gebied om die hoofstadgehore te vermaak in Pta.  Meisies van Vervloe  Jare (Barto Smit)  is saam met Moeder Hanna opgevoer.  In Bellville – Moeder Hanna met:  Babs Laker, Leonora Nel, Jan v Zyl, Cobus Rossouw &amp;amp; Matthys du Toit.  In Bellville is dit vervang met Die Les (Eugene Ionesco) Robert Mohr (ook regisseur), Esther van Ryswyk, Elma Marais. School for Scandal (Sheridan) Leon Gluckman (Prod), UP, Margaret Inglis, Pieter Geldenhuys, Siegfried Mynhardt, Frank Wise, Joyce Grant, Nigel Hawthorne, Brian Proudfoot, Zoe Randall, David Laughton, Pamela Borain, David Beattie, Robert Del Kyrke, David Herbert, Yvonne Dur &amp;amp; Gerald Schuller.  Victor Melleney (Prod. Manager),  Frank Graves (set), Doreen Graves (costumes). Kaapland en Tvl het elkeen ‘n Jeugtoneelgroep gevorm en op reis gestuur met oa.  Die Bruidskool (Moliere), The Prisoner (Bridget Boland). Nie vir Geleerdes (NP vWyk Louw) In gebruikneming van sy eie Nasionale Skouburg op 28 Junie 1960.  NTO het ses dramas instudeer:  The Cave Dwellers (William Saroyan), Romeo en Jeanette (Anouillh)  Babs Laker &amp;amp; Laurie v/d Merwe, A moon for the Misbegotten (O’Neill) met Alec Bell, Die vonkel in haar oë (Gerhard Beukes), met Elsa Fouche. NTO jeuggroep:  Jannie Gildenhuys, Cobus Rossouw, Leonora Nel &amp;amp; Irene Durr.  Doen ook  Dieselfde Pad (Kootjie v/d Heever).(Die groep het Pret &amp;amp; Plesier uit die Boekrak aangebied vir skole.  Hulle het 248 keer opgetree en ‘n herlewing i/d studie van Letterkunde by skole bevorder.  Her veroorsaak dat spellesings in bibs bevorder is.  Vier dramas wat gedoen was:  No exit (Satre), Mage k saamspeel? (Marcel Achard), The Bear (Tjekov), Miss Julie (Strindberg). Samewerking met Universiteite en die Alexander Teater: 1961.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A theatre space set up by [[NTO]] to produce smaller, more experimental work. It was situated in an old gymnasium, the [[Harmony Hall]] (Harmoniesaal) in President Street, Sunnyside, Pretoria. This was turned into a theatre by administrative personnel of NTO, utilizing private donations, a process which started with plans being drawn up in 1957-1958, and actual work began on the 14th October 1958. The space opened on 17 November 1958 with ''[[Voorlopige Vonnis]]'' (&amp;quot;Provisional Sentence&amp;quot;) by Jozef van Hoeck, directed by [[Tone Brulin]]. This experiment lasted 10 months in which time they also did Seven Against the Sun (James Ambrose Brown), ''[['n Bruid in die môre]]'' (Hugo Claus), Uncle Joe and the Jukebox (Tone Brulin), Mag ek saamspeel (Marcel Achard), Moeder Hanna (Bartho Smit), ''[[Meisies van Vervloë Dae]]'' (Bartho Smit), Waiting for Godot (Beckett), The Chairs (Eugene Ionesco). The Nederlands Kamertoneel from Antwerp in Belgium also performed here, doing Een Vredesduif Braden (Jan Christiaens), Kent U de Melkweg? (Karl Wittlinger), Moord Romance (I.S. Black) and  Wrok op Gisteren (John Osborne). In 1960 the space was renamed The National Theatre and later again in 1967 the Breytenbach Theatre after P.P.B. Breytenbach. (See also  National Theatre Organisation and Breytenbach Theatre.) (See Michal Grobbelaar , 1985)  Kamertoneel in PTA,.  Ou Harmoniesaal, 18 November 1958 geopen( Presidentstraat 145, Pta.  200 sitplekke.  Eerste opvoering was:  Voorlopige Vonnis (Josef van Hoeck), regie Tone Brulin.  Vertaal deur W.J. du P. Erlank vertaal uit Vlaams.  Siegfried Mynhardt, Johan Malherbe, &amp;amp; Eone v/d Berg. Siegfried &amp;amp; Eone het in die eerste 2 opvoerings wat in 1948 deur die NTO gehou is, gespeel. Kamertoneel in Bellville. Voorlopige vonnis met Pieter Bredenkamp, Joey de Koker &amp;amp; Gerrit Wessels. Seven Against the Sun (James Ambrose Brown), Regie:  Victor Melleney.  (Arthur Hall, David Herbert &amp;amp; Pietro Nolte ? Nie seker Pta of Bellville nie). ''[[Een Bruid in Den Morgen]]'' (Hugo Claus), Tone Brulin (regie)   In Pta het Pieter Geldenhuys, Wilma Stockenstrom, Laurika Meerkotter, Joan Brink &amp;amp; Dale Swanepoel. In Bellville:  Pietro Nolte (reg), Wilma Stockenstrom, Pieter Bredenkamp, Chris Fourie, Joey de Koker &amp;amp; Tossie Lochner. Jan Rabie vertaal uit Vlaams. In Pta:  Uncle &amp;amp; the Dukebox, Tone Brulin (regie), met Ivor v Rensburg, Bella Mariani, Ralph Bennitt, Warren Sands, Joycelyn de Bruyn &amp;amp; Tanya Barron.  Waiting for Godot, (Becket) Tone Brulin &amp;amp; David Herbert, Gabriel Bayman &amp;amp; Gerrit Wessels. In Bellville:  ''[[The Chairs]]'' (Richard Daneel – Regie),  weer ''[[The Cave Dwellers]]'' (William Saroyan) &amp;amp; ''[[Mornings at Seven]]'' (Paul Osborn). Mag ek Saamspeel?  Marcel Achard vertaal deur Laurie v/d Merwe. Emsie Botha, Piet Bezuidenhout, Richard Daneel, Dale Swanepoel.  Tone Brulin (regie). Johanna, die Soldaat van God, (Shaw), Fred Engelen (regie), WEG Louw  vertaal.  Bellville.  Ook The Trial, Kafka, UCT. Moeder Hanna (Bartho Smit )Milla Louw, Jan Bruyns, Lynette Kotze, Siegfried Mynhardt. .  Kamertoneel het ook aan 5 dramastudente kans gebied om die hoofstadgehore te vermaak in Pta.  Meisies van Vervloe  Jare (Barto Smit)  is saam met Moeder Hanna opgevoer.  In Bellville – Moeder Hanna met:  Babs Laker, Leonora Nel, Jan v Zyl, Cobus Rossouw &amp;amp; Matthys du Toit.  In Bellville is dit vervang met Die Les (Eugene Ionesco) Robert Mohr (ook regisseur), Esther van Ryswyk, Elma Marais. School for Scandal (Sheridan) Leon Gluckman (Prod), UP, Margaret Inglis, Pieter Geldenhuys, Siegfried Mynhardt, Frank Wise, Joyce Grant, Nigel Hawthorne, Brian Proudfoot, Zoe Randall, David Laughton, Pamela Borain, David Beattie, Robert Del Kyrke, David Herbert, Yvonne Dur &amp;amp; Gerald Schuller.  Victor Melleney (Prod. Manager),  Frank Graves (set), Doreen Graves (costumes). Kaapland en Tvl het elkeen ‘n Jeugtoneelgroep gevorm en op reis gestuur met oa.  Die Bruidskool (Moliere), The Prisoner (Bridget Boland). Nie vir Geleerdes (NP vWyk Louw) In gebruikneming van sy eie Nasionale Skouburg op 28 Junie 1960.  NTO het ses dramas instudeer:  The Cave Dwellers (William Saroyan), Romeo en Jeanette (Anouillh)  Babs Laker &amp;amp; Laurie v/d Merwe, A moon for the Misbegotten (O’Neill) met Alec Bell, Die vonkel in haar oë (Gerhard Beukes), met Elsa Fouche. NTO jeuggroep:  Jannie Gildenhuys, Cobus Rossouw, Leonora Nel &amp;amp; Irene Durr.  Doen ook  Dieselfde Pad (Kootjie v/d Heever).(Die groep het Pret &amp;amp; Plesier uit die Boekrak aangebied vir skole.  Hulle het 248 keer opgetree en ‘n herlewing i/d studie van Letterkunde by skole bevorder.  Her veroorsaak dat spellesings in bibs bevorder is.  Vier dramas wat gedoen was:  No exit (Satre), Mage k saamspeel? (Marcel Achard), The Bear (Tjekov), Miss Julie (Strindberg). Samewerking met Universiteite en die Alexander Teater: 1961.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101442&amp;oldid=prev</id>
		<title>Satj: /* Sources */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=NTO_Kamertoneel&amp;diff=101442&amp;oldid=prev"/>
		<updated>2016-03-26T07:03:00Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Sources&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 07:03, 26 March 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Percy Tucker]], 1997; [[Michal Grobbelaar]], 1985  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Percy Tucker]], 1997;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Michal Grobbelaar]], 1985&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== For more information ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== For more information ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
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