Myles Holloway - Revision history

Satj at 04:56, 3 January 2021

2021-01-03T04:56:40Z

Satj at 04:54, 3 January 2021

2021-01-03T04:54:12Z

Satj: /* Contribution to SA theatre, film, media and/or performance */

2021-01-03T04:53:23Z

Contribution to SA theatre, film, media and/or performance

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Sources

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Sources

Satj: /* Contribution to SA theatre, film, media and/or performance */

2021-01-03T04:43:51Z

Contribution to SA theatre, film, media and/or performance

Satj: /* Contribution to SA theatre, film, media and/or performance */

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Contribution to SA theatre, film, media and/or performance

Satj: /* Contribution to SA theatre, film, media and/or performance */

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Contribution to SA theatre, film, media and/or performance

← Older revision		Revision as of 04:56, 3 January 2021
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−	[[Myles Holloway]] (1958-)[]. Teacher, lecturer critic and academic.	+	[[Myles Holloway]] (1958-). Teacher, lecturer critic and academic.

	== Biography ==		== Biography ==

← Older revision		Revision as of 04:54, 3 January 2021
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−	[[Myles Holloway]] (19*-). ~~Critic~~ and academic.	+	[[Myles Holloway]] (1958-)[]. Teacher, lecturer critic and academic.
−

	== Biography ==		== Biography ==

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 While a student he was a member of the [[Durban Film Society]].
-Besides his master's thesis, he wrote many articles on the work of various playwrights and on the history of theatre for various journals in the period 1988 to 1993.
+Besides his master's thesis, he wrote many articles on the work of South African playwrights and on the history of theatre for various journals in the period 1988 to 1993.
 For example, in the ''[[South African Theatre Journal]]'' he has published "An interview with [[Zakes Mda]]" (1988: Vol. 2), "Discordant voices of a lived reality:  [[Zakes Mda]]’s ''[[The Hill]]''". (1989: Vol. 3(2):33-50), "Creative co-operation: a critical survey of workshop theatre in South Africa" (1993: Vol. 7(1):17-31) and "Music Hall in Johannesburg: 1886-1896" (1997: Vol. 11(1&2):15-53).

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 Various entries in the [[NELM]] catalogue.
-For more on publications of Myles Holloway, see [[ESAT Bibliography Hes-Hol|Holloway, Myles]].
+For more on publications of Myles Holloway, see [[ESAT Bibliography Hes-Hol|Holloway, Myles]] in [[ESAT]].
 Go to the  [[ESAT Bibliography]]

← Older revision		Revision as of 04:52, 3 January 2021
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	CV of Myles Holloway[https://www.linkedin.com/in/myles-holloway-234b8367/detail/overlay-view/urn:li:fsd_profileTreasuryMedia:(ACoAAA470YgBfDEGI5vrDRiyhAwgp24l2TTmLkk,1568891497046)/]		CV of Myles Holloway[https://www.linkedin.com/in/myles-holloway-234b8367/detail/overlay-view/urn:li:fsd_profileTreasuryMedia:(ACoAAA470YgBfDEGI5vrDRiyhAwgp24l2TTmLkk,1568891497046)/]
		+
		+	https://www.linkedin.com/in/myles-holloway-234b8367/

	Various entries in the [[NELM]] catalogue.		Various entries in the [[NELM]] catalogue.

← Older revision		Revision as of 04:49, 3 January 2021
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	[[ESAT Bibliography Hes-Hol\|Holloway, Myles]].		[[ESAT Bibliography Hes-Hol\|Holloway, Myles]].
		+
		+	Go to the [[ESAT Bibliography]]

	== Return to ==		== Return to ==

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 ==Contribution to SA theatre, film, media and/or performance==
-Besides his master's thesis, he has written many articles on the work of various playwrights and on the history of theatre for various journals.
+While a student he was a member of the [[Durban Film Society]].
 For example, in the ''[[South African Theatre Journal]]'' he has published "An interview with [[Zakes Mda]]" (1988: Vol. 2), "Discordant voices of a lived reality:  [[Zakes Mda]]’s ''[[The Hill]]''". (1989: Vol. 3(2):33-50), "Creative co-operation: a critical survey of workshop theatre in South Africa" (1993: Vol. 7(1):17-31) and "Music Hall in Johannesburg: 1886-1896" (1997: Vol. 11(1&2):15-53).

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 For example, in the ''[[South African Theatre Journal]]'' he has published "An interview with [[Zakes Mda]]" (1988: Vol. 2), "Discordant voices of a lived reality:  [[Zakes Mda]]’s ''[[The Hill]]''". (1989: Vol. 3(2):33-50), "Creative co-operation: a critical survey of workshop theatre in South Africa" (1993: Vol. 7(1):17-31) and "Music Hall in Johannesburg: 1886-1896" (1997: Vol. 11(1&2):15-53).
-Other articles are "Social commentary and artistic mediation in [[Zakes Mda]]’s  early plays" (''[[English Academy Review]]'', 1989: 6:28-41), "Black South African Theatre. The Conscience of a Country" (1990: ''Theatre Studies Publication'', Glagow),  "Dr Jim-Crack and See-Saw Roads: [[Harold Bolce]]'s ''[[A Slump in Heroes]]''" (,"The crisis of liberalism in South African theatre." (''[[Westerley]]'', 1992: Vol. 3:41-47) and "''[[Playland]]'': [[Athol Fugard|Fugard]]'s liberalism." (1993: ''[[UNISA English Studies]]'', Vol. 31:1).
+Other articles are "Social commentary and artistic mediation in [[Zakes Mda]]’s  early plays" (''[[English Academy Review]]'', 1989: 6:28-41), "Black South African Theatre. The Conscience of a Country" (1990: ''Theatre Studies Publication'', Glagow),  "Dr Jim-Crack and See-Saw Roads: [[Harold Bolce]]'s ''[[A Slump in Heroes]]''" (1991: ''[[English Studies in Africa]]'', 1991: Vol,18/2), "The crisis of liberalism in South African theatre." (''[[Westerley]]'', 1992: Vol. 3:41-47) and "''[[Playland]]'': [[Athol Fugard|Fugard]]'s liberalism." (1993: ''[[UNISA English Studies]]'', Vol. 31:1).
 == Sources ==