Muthal Naidoo - Revision history

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Contribution to SA theatre, film, media and/or performance

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← Older revision		Revision as of 04:01, 25 May 2021
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	https://www.muthalnaidoo.co.za/		https://www.muthalnaidoo.co.za/
		+
		+	[[Muthal Naidoo]]. 1993. ''The Search for Cultural Identity - A Personal Odyssey''. No 1 in the [[Indic Theatre]] Monograph Series, [[Asoka Theatre Publications]][https://scnc.ukzn.ac.za/doc/INDIAN/PDFfiles/Naidoo,%20Muthal%20Search%204%20cultural%20identity.pdf].

	[[ESAT Bibliography N-Nde\|Naidoo, Muthal]], 1993.		[[ESAT Bibliography N-Nde\|Naidoo, Muthal]], 1993.

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 She returned to  South Africa in August 1976 to work with the [[Shah Theatre Academy]] once more and in 1981 formed her own company, the [[Work-in-Progress Theatre Company]] ([[WIP]]), and in 1983 became the Head of the Department of Drama at the [[Giyani College of Education]]. While in the Transvaal she was also involved in the organisation of the [[Laudium One-Act Play Festival]].
 She is the author of a number of published works, ranging from poetry, plays and stories, to autobiographical and academic articles and monographs.
 ==Contribution to SA theatre, film, media and/or performance==

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 She is the author of a number of published works, ranging from poetry, plays and stories, to autobiographical and academic articles and monographs.
-Among them are  ''The Search for Cultural Identity - A Personal Odyssey''. (No 1 in the [[Indic Theatre]] Monograph Series, [[Asoka Theatre Publications]], 1993).
+Among them are  ''The Search for Cultural Identity - A Personal Odyssey''. (No 1 in the [[Indic Theatre]] Monograph Series, [[Asoka Theatre Publications]], 1993)[https://scnc.ukzn.ac.za/doc/INDIAN/PDFfiles/Naidoo,%20Muthal%20Search%204%20cultural%20identity.pdf].
 ==Contribution to SA theatre, film, media and/or performance==

@@ Line 9: / Line 9: @@
 She returned to  South Africa in August 1976 to work with the [[Shah Theatre Academy]] once more and in 1981 formed her own company, the [[Work-in-Progress Theatre Company]] ([[WIP]]), and in 1983 became the Head of the Department of Drama at the [[Giyani College of Education]]. While in the Transvaal she was also involved in the organisation of the [[Laudium One-Act Play Festival]].
-She is the author of a a number of published works, ranging from poetry, plays and stories, to autobiographical and academic articles and monographs.
+She is the author of a number of published works, ranging from poetry, plays and stories, to autobiographical and academic articles and monographs.
 Among them are  ''The Search for Cultural Identity - A Personal Odyssey''. (No 1 in the [[Indic Theatre]] Monograph Series, [[Asoka Theatre Publications]], 1993).

@@ Line 9: / Line 9: @@
 She returned to  South Africa in August 1976 to work with the [[Shah Theatre Academy]] once more and in 1981 formed her own company, the [[Work-in-Progress Theatre Company]] ([[WIP]]), and in 1983 became the Head of the Department of Drama at the [[Giyani College of Education]]. While in the Transvaal she was also involved in the organisation of the [[Laudium One-Act Play Festival]].
-She is the author of a monograph, ''The Search for Cultural Identity - A Personal Odyssey''. (No 1 in the [[Indic Theatre]] Monograph Series, [[Asoka Theatre Publications]], 1993).
+She is the author of a a number of published works, ranging from poetry, plays and stories, to autobiographical and academic articles and monographs.
 ==Contribution to SA theatre, film, media and/or performance==

@@ Line 3: / Line 3: @@
 == Biography ==
-She studied drama at the [[University of Durban-Westville]] and in 1963 became a founding member of the short lived [[Durban Academy of Theatre Arts]] ([[DATA]] (sometimes referred to as the [[Durban Theatre Association]]) in Durban. Other members included [[Devi Bughwan]], [[Pauline Morel]], [[Fatima Meer]], [[Ronnie Govender]], [[Kessie Govender]] and [[Welcome Msomi]]. She also taught at the [[M.L. Sultan Technical College]]. Then she left [[DATA]] to form [[Shah Theatre Academy]] with friends. In 1965 she left South Africa on a Fulbright Scholarship and obtained a PhD in Theatre and Drama from Indiana University in the U.S.A. in 1972.
+She studied drama at the [[University of Durban-Westville]] and in 1963 became a founding member of the short lived [[Durban Academy of Theatre Arts]] ([[DATA]] (sometimes referred to as the [[Durban Theatre Association]]) in Durban. Other members included [[Devi Bughwan]], [[Pauline Morel]], [[Fatima Meer]], [[Ronnie Govender]], [[Kessie Govender]] and [[Welcome Msomi]]. She also taught at the [[M.L. Sultan Technical College]]. Then she left [[DATA]] on 1964, to co-found the [[Shah Theatre Academy]] with [[Ronnie Govender]].
-She was a lecturer at Washington University in St Louis, Missouri, until 1976, then  returned t  South Africa in August 1976 to work with the [[Shah Theatre Academy]].
+As a result of her work as director she was then awarded a Fulbright Scholarship to study in the United States of America. She secured a joint appointment in the Black Studies Department and Performing Arts Area at Washington University in St Louis where she lectured and produced plays by African and African-American playwrights. In this time she completed  a PhD in Theatre and Drama with Indiana University (1972).
-In 1981 she formed her own company, the [[Work-in-Progress Theatre Company]] ([[WIP]]), and in 1983 became the Head of the Department of Drama at the [[Giyani College of Education]]. While in the Transvaal she was also involved in the organisation of the [[Laudium One-Act Play Festival]].
 She is the author of a monograph, ''The Search for Cultural Identity - A Personal Odyssey''. (No 1 in the [[Indic Theatre]] Monograph Series, [[Asoka Theatre Publications]], 1993).

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 ==Contribution to SA theatre, film, media and/or performance==
-Author of a number of one-act plays, including ''[[Black Magic]]'', ''[[Have Tea and Go]]'', ''[[It's Mine]]'' (performed at the [[Hermit Theatre]] in Durban as a triple bill under the title ''[[Three for Tea]]''), ''[[Nobody’s Hero]]'' and ''[[Our Home]]'' performed as a double bill at the [[Market Theatre]] in 1987. Other plays include ''[[We 3 Kings]]''''[[Ikhayalethu]]'', ''[[Masks]]'', ''[[Coming Home]]'', ''[[The Masterplan]]'', ''[[Flight from the Mahabarath]]'', ''[[Luci's Dilemma]]'' (2019).
+Author of a number of one-act plays, including ''[[Black Magic]]'', ''[[Have Tea and Go]]'', ''[[It's Mine]]'' (performed at the [[Hermit Theatre]] in Durban as a triple bill under the title ''[[Three for Tea]]''), ''[[Nobody’s Hero]]'' and ''[[Our Home]]'' performed as a double bill at the [[Market Theatre]] in 1987. Other plays include ''[[We 3 Kings]]'', ''[[Ikhayalethu]]'', ''[[Masks]]'', ''[[Coming Home]]'', ''[[The Masterplan]]'', ''[[Flight from the Mahabarath]]'', ''[[Luci's Dilemma]]'' (2019).
 Her play ''[[We Three Kings]]'' was published in 1992 in the [[Asoka Theatre Publications]] Playscript Series.

← Older revision		Revision as of 03:27, 25 May 2021
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	== Sources ==		== Sources ==
		+
		+	https://www.muthalnaidoo.co.za/

	[[ESAT Bibliography N-Nde\|Naidoo, Muthal]], 1993.		[[ESAT Bibliography N-Nde\|Naidoo, Muthal]], 1993.