Miki Flockemann - Revision history

Satj at 04:57, 27 January 2024

2024-01-27T04:57:21Z

Satj: /* Contribution to SA theatre, film, media and/or performance */

2024-01-27T04:56:23Z

Contribution to SA theatre, film, media and/or performance

Satj: /* Contribution to SA theatre, film, media and/or performance */

2024-01-27T04:55:15Z

Contribution to SA theatre, film, media and/or performance

Satj at 04:52, 27 January 2024

2024-01-27T04:52:52Z

Satj at 07:27, 19 April 2017

2017-04-19T07:27:08Z

Satj at 07:21, 19 April 2017

2017-04-19T07:21:52Z

Satj at 07:15, 19 April 2017

2017-04-19T07:15:58Z

Satj at 07:15, 19 April 2017

2017-04-19T07:15:32Z

Satj at 07:15, 19 April 2017

2017-04-19T07:15:00Z

Satj: Created page with "Miki Flockemann is an academic, English lecturer and theatre researcher. Also found Mikki Flockemann (Ph.D, UN) is Extraordinary Professor in the Department of Eng..."

2017-04-19T07:13:53Z

Created page with "Miki Flockemann is an academic, English lecturer and theatre researcher. Also found Mikki Flockemann (Ph.D, UN) is Extraordinary Professor in the Department of Eng..."

New page

[[Miki Flockemann]] is an academic, English lecturer and theatre researcher.

Also found [[Mikki Flockemann]]

(Ph.D, UN) is Extraordinary Professor in the Department of English. Her primary research interest is the aesthetics of transformation. Her publications include comparative studies of diasporic writings from South Africa, the Americas and the Caribbean. More recently, her focus has extended to looking at interconnectedness between local cultural production and the Indian Ocean World.

She has a long-standing interest in interdisciplinary approaches, and is co-convenor of an interdisciplinary Humanities course, and teaches a final year Topics in Theatre elective.

She has a strong interest in aesthetic trends in South African theatre and her work has appeared in collections such as The Routledge Reader in Gender and Performance (1998), The Routledge Reader in Post-coloniality and Performance (2000), and SA Lit Beyond 2000 (2011). She has also published in journals such as Kunapipi, Tulsa Women’s Studies , Ariel, Journal of Commonwealth Literature, MaComere, International Journal of Learning, Journal of Literary Studies, Pretexts, English Academy Review, English in Africa, ''[[South African Theatre Journal]]'', Journal for Theatre and Drama, Contemporary Theatre Review, AlterNation and English Studies in Africa. She is engaged in two performance-related projects on Migrancy, Citizenship and Performance as well as Postcoloniality and Performative Aesthetics.

← Older revision		Revision as of 04:57, 27 January 2024
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	[[Miki Flockemann]] is an academic, English lecturer and theatre researcher.		[[Miki Flockemann]] is an academic, English lecturer and theatre researcher.

−	Also referred to as [[Marika Flockemann]]	+	Also referred to as '''[[Marika Flockemann]]'''.

@@ Line 16: / Line 16: @@
 She has a long-standing interest in interdisciplinary approaches, and is co-convenor of an interdisciplinary Humanities course, and teaches a final year Topics in Theatre elective.
-She has a strong interest in aesthetic trends in South African theatre and besides her numerous articles in various journals (see [[ESAT bibliography]]), her work has also appeared in collections such as ''The Routledge Reader in Gender and Performance'' (1998), ''The Routledge Reader in Post-coloniality and Performance'' (2000),  and ''SA Lit Beyond 2000'' (2011),  ''The Methuen Drama Guide to Contemporary South African Theatre'' (2015).
+She has a strong interest in aesthetic trends in South African theatre and besides her numerous articles in various journals (see [[ESAT Bibliography]]), her work has also appeared in collections such as ''The Routledge Reader in Gender and Performance'' (1998), ''The Routledge Reader in Post-coloniality and Performance'' (2000),  and ''SA Lit Beyond 2000'' (2011),  ''The Methuen Drama Guide to Contemporary South African Theatre'' (2015).
 She is engaged in two performance-related projects on ''Migrancy, Citizenship and Performance'' as well as ''Postcoloniality and Performative Aesthetics''.

@@ Line 16: / Line 16: @@
 She has a long-standing interest in interdisciplinary approaches, and is co-convenor of an interdisciplinary Humanities course, and teaches a final year Topics in Theatre elective.
-She has a strong interest in aesthetic trends in South African theatre and her work has appeared in collections such as ''The Routledge Reader in Gender and Performance'' (1998), ''The Routledge Reader in Post-coloniality and Performance'' (2000),  and ''SA Lit Beyond 2000'' (2011),  ''The Methuen Drama Guide to Contemporary South African Theatre'' (2015).
+She has a strong interest in aesthetic trends in South African theatre and besides her numerous articles in various journals (see [[ESAT bibliography]]), her work has also appeared in collections such as ''The Routledge Reader in Gender and Performance'' (1998), ''The Routledge Reader in Post-coloniality and Performance'' (2000),  and ''SA Lit Beyond 2000'' (2011),  ''The Methuen Drama Guide to Contemporary South African Theatre'' (2015).
 She is engaged in two performance-related projects on ''Migrancy, Citizenship and Performance'' as well as ''Postcoloniality and Performative Aesthetics''.
 == Sources ==

@@ Line 1: / Line 1: @@
 [[Miki Flockemann]] is an academic, English lecturer and theatre researcher.
@@ Line 9: / Line 11: @@
 After retirement she was made Extraordinary Professor in the Department of English and co-convenor of an interdisciplinary Humanities course at the [[University of the Western Cape]].
 ==Contribution to SA theatre, film, media and/or performance==
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 https://www.uwc.ac.za/Faculties/ART/English/Pages/People---English.aspx
 Go to the  [[ESAT Bibliography]]

@@ Line 1: / Line 1: @@
 [[Miki Flockemann]] is an academic, English lecturer and theatre researcher.
 == Biography ==
 She has a Ph.D. from the [[University of Natal]].
@@ Line 11: / Line 8: @@
 Her primary research interest is the aesthetics of transformation. Her publications include comparative studies of diasporic writings from South Africa, the Americas and the Caribbean. More recently, her focus has extended to looking at interconnectedness between local cultural production and the Indian Ocean World.
-After retirement she was made Extraordinary Professor in the Department of English at the [[University of the Western Cape]].
+After retirement she was made Extraordinary Professor in the Department of English and co-convenor of an interdisciplinary Humanities course at the [[University of the Western Cape]].
 ==Contribution to SA theatre, film, media and/or performance==

← Older revision		Revision as of 07:15, 19 April 2017
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	She has a strong interest in aesthetic trends in South African theatre and her work has appeared in collections such as The Routledge Reader in Gender and Performance (1998), The Routledge Reader in Post-coloniality and Performance (2000), and SA Lit Beyond 2000 (2011). She has also published in journals such as Kunapipi, Tulsa Women’s Studies , Ariel, Journal of Commonwealth Literature, MaComere, International Journal of Learning, Journal of Literary Studies, Pretexts, English Academy Review, English in Africa, ''[[South African Theatre Journal]]'', Journal for Theatre and Drama, Contemporary Theatre Review, AlterNation and English Studies in Africa. She is engaged in two performance-related projects on Migrancy, Citizenship and Performance as well as Postcoloniality and Performative Aesthetics.		She has a strong interest in aesthetic trends in South African theatre and her work has appeared in collections such as The Routledge Reader in Gender and Performance (1998), The Routledge Reader in Post-coloniality and Performance (2000), and SA Lit Beyond 2000 (2011). She has also published in journals such as Kunapipi, Tulsa Women’s Studies , Ariel, Journal of Commonwealth Literature, MaComere, International Journal of Learning, Journal of Literary Studies, Pretexts, English Academy Review, English in Africa, ''[[South African Theatre Journal]]'', Journal for Theatre and Drama, Contemporary Theatre Review, AlterNation and English Studies in Africa. She is engaged in two performance-related projects on Migrancy, Citizenship and Performance as well as Postcoloniality and Performative Aesthetics.
		+
		+
		+	== Sources ==
		+
		+
		+	https://www.uwc.ac.za/Faculties/ART/English/Pages/People---English.aspx

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 Also found [[Mikki Flockemann]]
- (Ph.D, UN) is Extraordinary Professor in the Department of English. Her primary research interest is the aesthetics of transformation. Her publications include comparative studies of diasporic writings from South Africa, the Americas and the Caribbean. More recently, her focus has extended to looking at interconnectedness between local cultural production and the Indian Ocean World.
+She has a Ph.D. from the [[University of Natal]].
 She has a long-standing interest in interdisciplinary approaches, and is co-convenor of an interdisciplinary Humanities course, and teaches a final year Topics in Theatre elective.
 She has a strong interest in aesthetic trends in South African theatre and her work has appeared in collections such as The Routledge Reader in Gender and Performance (1998), The Routledge Reader in Post-coloniality and Performance (2000),  and SA Lit Beyond 2000 (2011). She has also published in journals such as Kunapipi, Tulsa Women’s Studies , Ariel, Journal of Commonwealth Literature, MaComere, International Journal of Learning, Journal of Literary Studies, Pretexts, English Academy Review, English in Africa,  ''[[South African Theatre Journal]]'', Journal for Theatre and Drama, Contemporary Theatre Review, AlterNation and English Studies in Africa.  She is engaged in two performance-related projects on Migrancy, Citizenship and Performance as well as Postcoloniality and Performative Aesthetics.