Mihloti Group - Revision history

Satj at 14:17, 4 September 2023

2023-09-04T14:17:54Z

Satj at 14:16, 4 September 2023

2023-09-04T14:16:48Z

Satj at 05:22, 10 May 2014

2014-05-10T05:22:59Z

Miriamt at 09:42, 23 August 2012

2012-08-23T09:42:46Z

Centaps: Created page with "A cultural group in Alexandra Township, Johannesburg, afiliated to MDALI. In 1972 they participated in the TECON Theatre Festival in Durban with a poetry programme. Their..."

2011-01-05T14:50:32Z

Created page with "A cultural group in Alexandra Township, Johannesburg, afiliated to MDALI. In 1972 they participated in the TECON Theatre Festival in Durban with a poetry programme. Their..."

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A cultural group in Alexandra Township, Johannesburg, afiliated to [[MDALI]]. In 1972 they participated in the [[TECON]] Theatre Festival in Durban with a poetry programme. Their poetry took on a terse agit-prop style, utilizing choral chants and direct audience address. In January 1973 they organised a Black Arts Exhibition at the [[Mofolo Hall]], Soweto, where the notion of what constitutes black theatre was introduced through a paper written by [[Saths Cooper]], presented by [[Sipho Buthelezi]] and debated by those present. The meeting reinforced the notion of the arts as a weapon in the struggle. Another prominent member and spokesman was [[Mafika Gwala]].

== Sources ==

[[Loren Kruger]], 1999: 137, 141

== For more information ==

== Return to ==

Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]

Return to [[The ESAT Entries]]

Return to [[Main Page]]

← Older revision		Revision as of 14:17, 4 September 2023
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−	The [[Mihloti Group]] was a cultural group active in in Alexandra Township, Johannesburg, afiliated to [[MDALI]]. In 1972 they participated in the [[TECON]] Theatre Festival in Durban with a poetry programme. Their poetry took on a terse agit-prop style, utilizing choral chants and direct audience address. In January 1973 they organised a Black Arts Exhibition at the [[Mofolo Hall]], Soweto, where the notion of what constitutes black theatre was introduced through a paper written by [[Saths Cooper]], presented by [[Sipho Buthelezi]] and debated by those present. The meeting reinforced the notion of the arts as a weapon in the struggle. Another prominent member and spokesman was [[Mafika Pascal Gwala\|Mafika Gwala]]. It was one of a number of arts and culture organizations associated with the [[Black Consciousness\|Black Consciousness Movement]] in the 1970s-1980s.	+	The [[Mihloti Group]] was a cultural group active in in Alexandra Township, Johannesburg, afiliated to [[MDALI]]. In 1972 they participated in the [[TECON]] Theatre Festival in Durban with a poetry programme. Their poetry took on a terse agit-prop style, utilizing choral chants and direct audience address. In January 1973 they organised a Black Arts Exhibition at the [[Mofolo Hall]], Soweto, where the notion of what constitutes [[black theatre]] was introduced through a paper written by [[Saths Cooper]], presented by [[Sipho Buthelezi]] and debated by those present. The meeting reinforced the notion of the [[arts as a weapon]] in the struggle. Another prominent member and spokesman was [[Mafika Pascal Gwala\|Mafika Gwala]]. It was one of a number of arts and culture organizations associated with the [[Black Consciousness\|Black Consciousness Movement]] in the 1970s-1980s.

	== Sources ==		== Sources ==

← Older revision		Revision as of 14:16, 4 September 2023
Line 1:		Line 1:
−	A cultural group in Alexandra Township, Johannesburg, afiliated to [[MDALI]]. In 1972 they participated in the [[TECON]] Theatre Festival in Durban with a poetry programme. Their poetry took on a terse agit-prop style, utilizing choral chants and direct audience address. In January 1973 they organised a Black Arts Exhibition at the [[Mofolo Hall]], Soweto, where the notion of what constitutes black theatre was introduced through a paper written by [[Saths Cooper]], presented by [[Sipho Buthelezi]] and debated by those present. The meeting reinforced the notion of the arts as a weapon in the struggle. Another prominent member and spokesman was [[Mafika Pascal Gwala\|Mafika Gwala]]. It was one of a number of arts and culture organizations associated with the [[Black Consciousness\|Black Consciousness Movement]] in the 1970s-1980s.	+	The [[Mihloti Group]] was a cultural group active in in Alexandra Township, Johannesburg, afiliated to [[MDALI]]. In 1972 they participated in the [[TECON]] Theatre Festival in Durban with a poetry programme. Their poetry took on a terse agit-prop style, utilizing choral chants and direct audience address. In January 1973 they organised a Black Arts Exhibition at the [[Mofolo Hall]], Soweto, where the notion of what constitutes black theatre was introduced through a paper written by [[Saths Cooper]], presented by [[Sipho Buthelezi]] and debated by those present. The meeting reinforced the notion of the arts as a weapon in the struggle. Another prominent member and spokesman was [[Mafika Pascal Gwala\|Mafika Gwala]]. It was one of a number of arts and culture organizations associated with the [[Black Consciousness\|Black Consciousness Movement]] in the 1970s-1980s.

	== Sources ==		== Sources ==

← Older revision		Revision as of 05:22, 10 May 2014
Line 1:		Line 1:
−	A cultural group in Alexandra Township, Johannesburg, afiliated to [[MDALI]]. In 1972 they participated in the [[TECON]] Theatre Festival in Durban with a poetry programme. Their poetry took on a terse agit-prop style, utilizing choral chants and direct audience address. In January 1973 they organised a Black Arts Exhibition at the [[Mofolo Hall]], Soweto, where the notion of what constitutes black theatre was introduced through a paper written by [[Saths Cooper]], presented by [[Sipho Buthelezi]] and debated by those present. The meeting reinforced the notion of the arts as a weapon in the struggle. Another prominent member and spokesman was [[Mafika Pascal Gwala\|Mafika Gwala]].	+	A cultural group in Alexandra Township, Johannesburg, afiliated to [[MDALI]]. In 1972 they participated in the [[TECON]] Theatre Festival in Durban with a poetry programme. Their poetry took on a terse agit-prop style, utilizing choral chants and direct audience address. In January 1973 they organised a Black Arts Exhibition at the [[Mofolo Hall]], Soweto, where the notion of what constitutes black theatre was introduced through a paper written by [[Saths Cooper]], presented by [[Sipho Buthelezi]] and debated by those present. The meeting reinforced the notion of the arts as a weapon in the struggle. Another prominent member and spokesman was [[Mafika Pascal Gwala\|Mafika Gwala]]. It was one of a number of arts and culture organizations associated with the [[Black Consciousness\|Black Consciousness Movement]] in the 1970s-1980s.

	== Sources ==		== Sources ==

← Older revision		Revision as of 09:42, 23 August 2012
Line 1:		Line 1:
−	A cultural group in Alexandra Township, Johannesburg, afiliated to [[MDALI]]. In 1972 they participated in the [[TECON]] Theatre Festival in Durban with a poetry programme. Their poetry took on a terse agit-prop style, utilizing choral chants and direct audience address. In January 1973 they organised a Black Arts Exhibition at the [[Mofolo Hall]], Soweto, where the notion of what constitutes black theatre was introduced through a paper written by [[Saths Cooper]], presented by [[Sipho Buthelezi]] and debated by those present. The meeting reinforced the notion of the arts as a weapon in the struggle. Another prominent member and spokesman was [[Mafika Gwala]].	+	A cultural group in Alexandra Township, Johannesburg, afiliated to [[MDALI]]. In 1972 they participated in the [[TECON]] Theatre Festival in Durban with a poetry programme. Their poetry took on a terse agit-prop style, utilizing choral chants and direct audience address. In January 1973 they organised a Black Arts Exhibition at the [[Mofolo Hall]], Soweto, where the notion of what constitutes black theatre was introduced through a paper written by [[Saths Cooper]], presented by [[Sipho Buthelezi]] and debated by those present. The meeting reinforced the notion of the arts as a weapon in the struggle. Another prominent member and spokesman was [[Mafika Pascal Gwala\|Mafika Gwala]].

	== Sources ==		== Sources ==