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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Marjorie_Gordon</id>
	<title>Marjorie Gordon - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Marjorie_Gordon"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;action=history"/>
	<updated>2026-09-27T03:07:36Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.33.2</generator>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=138518&amp;oldid=prev</id>
		<title>Miriamt: /* Contribution to SA theatre, film, media and/or performance */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=138518&amp;oldid=prev"/>
		<updated>2017-12-05T16:58:15Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Contribution to SA theatre, film, media and/or performance&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:58, 5 December 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l30&quot; &gt;Line 30:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 30:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In association with [[ACT]], Marjorie and her company presented four plays at The [[Standard Theatre]] circa 1947 including Coward's ''[[Design for Living]]''. Starred in [[Leon Gluckman]]’s revue ''[[Xmas Box]]'' at the [[Library Theatre]] towards the end of 1949. [[Herbert Kretzmer]] composed five of the songs and the cast included [[Johann Nell]].  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In association with [[ACT]], Marjorie and her company presented four plays at The [[Standard Theatre]] circa 1947 including Coward's ''[[Design for Living]]''. Starred in [[Leon Gluckman]]’s revue ''[[Xmas Box]]'' at the [[Library Theatre]] towards the end of 1949. [[Herbert Kretzmer]] composed five of the songs and the cast included [[Johann Nell]].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She starred in Noël Coward’s ''[[Private Lives]] which was directed by [[Minna Millsten]] for the [[Johannesburg Repertory Society|Reps]] in 1953.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She starred in Noël Coward’s ''[[Private Lives]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;which was directed by [[Minna Millsten]] for the [[Johannesburg Repertory Society|Reps]] in 1953.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Other prominent performances include roles in ''[[Third Person]]''[?] ([[Company of Three]], 1955), ''[[A Hatful of Rain]]'' ([[Company of Three]], 1957), ''[[Summer of the Seventeenth Doll]]'' ([[NTO]], 1957), Basil Warner’s ''[[Try for White]]'' ([[Cockpit Players]], 1958?), the part of Dolly Levi in Thornton Wilder’s lively period-New York comedy, ''[[The Matchmaker]]'' ([[Cockpit Players]], 1959), Clive Hirschhorn’s ''[[A State of Innocence]]'' ([[Library Theatre]], 1960), [[Le Malade Imaginaire|The Gay Invalid]] (1960),&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Other prominent performances include roles in ''[[Third Person]]''[?] ([[Company of Three]], 1955), ''[[A Hatful of Rain]]'' ([[Company of Three]], 1957), ''[[Summer of the Seventeenth Doll]]'' ([[NTO]], 1957), Basil Warner’s ''[[Try for White]]'' ([[Cockpit Players]], 1958?), the part of Dolly Levi in Thornton Wilder’s lively period-New York comedy, ''[[The Matchmaker]]'' ([[Cockpit Players]], 1959), Clive Hirschhorn’s ''[[A State of Innocence]]'' ([[Library Theatre]], 1960), [[Le Malade Imaginaire|The Gay Invalid]] (1960),&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=138517&amp;oldid=prev</id>
		<title>Miriamt: /* Contribution to SA theatre, film, media and/or performance */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=138517&amp;oldid=prev"/>
		<updated>2017-12-05T16:57:54Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Contribution to SA theatre, film, media and/or performance&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:57, 5 December 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l38&quot; &gt;Line 38:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 38:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She replaced [[Joan Blake]] in [[Adam Leslie]]’s revue ''[[Strike it Rich]]'' at the [[Adam Leslie Theatre]] in 1967/8. She starred in [[Leonard Schach]]’s production of the Paul Zindel play ''[[The Effect of Gamma Rays on Man-in-the-moon Marigolds]]'', for [[PACT]] in 1971, the Ben Travers farce, ''[[The Bed Before Yesterday]]'' (1976).  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She replaced [[Joan Blake]] in [[Adam Leslie]]’s revue ''[[Strike it Rich]]'' at the [[Adam Leslie Theatre]] in 1967/8. She starred in [[Leonard Schach]]’s production of the Paul Zindel play ''[[The Effect of Gamma Rays on Man-in-the-moon Marigolds]]'', for [[PACT]] in 1971, the Ben Travers farce, ''[[The Bed Before Yesterday]]'' (1976).  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Marjorie has also appeared in [[The Killing of Sister George]], [[Rookery Nook]], as “the widow of Bath”  in [[Canterbury Tales (musical)]], [[Love in Albania]], [[Ladies in Retirement]], [[Design for Living]], [[The Hostage]] and [[Oliver!]].  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Marjorie has also appeared in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[The Killing of Sister George]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Rookery Nook]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, as “the widow of Bath”  in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Canterbury Tales (musical)]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Love in Albania]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Ladies in Retirement]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Design for Living]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[The Hostage]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Oliver!]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Awards, etc ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Awards, etc ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=138516&amp;oldid=prev</id>
		<title>Miriamt at 16:56, 5 December 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=138516&amp;oldid=prev"/>
		<updated>2017-12-05T16:56:07Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:56, 5 December 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;****&lt;/del&gt;-&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;****&lt;/del&gt;). &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; Actress.  Performed in ''[[People are Living There]]''&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''[[The Effect of Gamma Rays on Man-in-the-moon Marigolds]]'' &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;as “the widow of Bath” in ''[[The Canterbury Tales]]''&lt;/del&gt;.  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;([[SACD]] 1973)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Marjorie Gordon]] &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1921&lt;/ins&gt;-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1981&lt;/ins&gt;). &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;English born actress and comedian&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;director &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;producer&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== Biography ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;GORDON, Marjorie. (1921?-1981) Actress, director and producer. Born &lt;/del&gt;in England&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, where she was an actress &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;comedian who enjoyed a successful career in London, largely in musical comedy. Invited to Australia where she starred &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;several musicals and had two world tours including New York. Came to &lt;/del&gt;South Africa in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;circa 1947 with her company to present four plays &lt;/del&gt;at &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The [[Standard Theatre]] in association with [[ACT]] ( including Coward's [[Design for Living]]). She then settled in South Africa and, besides her stage career, became very involved in South African radio and radio drama. In 1955 she went into partnership with actors [[Stuart Brown]] and [[Bruce Anderson]] to form The [[Company of Three]]. Fondly known as Maggie, she was a favourite with critics, audiences and colleagues alike. Prominent performances include roles in [[Leon Gluckman]]’s revue ''[[Xmas Box]]'' (1949), ''[[Private Lives]]'' ([[Johannesburg Repertory Society|Johannesburg Reps]], 1953), ''[[Third Person]]''[?] ([[Company of Three]], 1955), ''[[A Hatful of Rain]]'' ([[Company of Three]], 1957), ''[[Summer of &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Seventeenth Doll]]'' ([[NTO]], 1957), Basil Warner’s ''[[Try for White]]'' ([[Cockpit Players]], 1958?), Thornton Wilder’s ''[[The Matchmaker]]'' ([[Cockpit Players]], 1959), Clive Hirschhorn’s ''[[A State &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Innocence]]'' ([[Library Theatre]], 1960), Harold Pinter’s ''[[The Birthday Party]]'' (1962?*), Tennessee Williams’s ''[[The Night of the Iguana]]'' ([[Cockpit Players]],  1962), [[Athol Fugard]]’s ''[[People are Living There]]'' ([[CAPAB]]? Touring company, 196*), *&lt;/del&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;She was born &lt;/ins&gt;in England and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;died &lt;/ins&gt;in South Africa in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1981 &lt;/ins&gt;at the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;age &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;sixty&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;GORDON, Marjorie. English born actress and comedian who enjoyed a successful career in London, largely in musical comedy; invited to Australia where she starred in several musicals; had two world tours including New York. She eventually made her home in South Africa. In association with [[ACT]], Marjorie and her company presented four plays at The [[Standard Theatre]] circa 1947 including Coward's ''[[Design for Living]]''. Starred in [[Leon Gluckman]]’s revue ''[[Xmas Box]]'' at the [[Library Theatre]] towards the end of 1949. [[Herbert Kretzmer]] composed five of the songs and cast included [[Johann Nell]]. She was very involved in South Africa’s radio drama scene. She starred in Noël Coward’s ''[[Private Lives]] which was directed by [[Minna Millsten]] for the [[Johannesburg Repertory Society|Reps]] in 1953. She was also fondly &lt;/del&gt;known as Maggie &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and &lt;/del&gt;was a favourite with critics, audiences and colleagues&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. She died in 1981 at the age of sixty. She went into partnership with actors [[Stuart Brown]] and [[Bruce Anderson]] to form The [[Company of  Three]] in 1955. Their first production was ''[[Third Person]]'' and was staged at the [[Reps Theatre]]. She starred in The [[Company of Three]]’s production of the hard-hitting American drama, ''[[A Hatful of Rain]]'', which was directed by [[Stuart Brown]]  and staged at the [[Library Theatre]] in 1957. Also starring [[Ivan Berold]] and [[Jenny Gratus]]. She starred in [[Summer of the Seventeenth Doll]], which was presented by The [[National Theatre]] at the [[Reps Theatre|Reps]] in 1957. It was directed by [[Leonard Schach]], and was written by the Australian Ray Lawler. She starred in [[Leonard Schach]]’s [[Cockpit Players]] production of [[Basil Warner]]’s ''[[Try for White]]'', which opened at the [[Pretoria Opera House]] before moving to the [[Intimate Theatre]] for the remainder of their highly successful run. It also starred [[Nigel Hawthorne]], [[Zoë Randall]], [[Michael Turner]]. [[Joyce Grant]] and [[Fiona Fraser]] replaced [[Minna Millsten]] and [[Heather Lloyd-Jones]] respectively, from the Cape Town cast&lt;/del&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Fondly &lt;/ins&gt;known as Maggie&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, she &lt;/ins&gt;was a favourite with critics, audiences and colleagues &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;alike&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;She played the part of Dolly Levi in Thornton Wilder’s lively period-New York comedy, ''[[The Matchmaker]]'', which was staged by [[Leonard Schach]]’s [[Cockpit Players]] in 1959. This enduring show, also starring [[John McKelvey]], [[Nigel Hawthorne]], [[Michael McGovern]], [[Robert Haber]] and [[Heather Lloyd-Jones]], became the musical ''[[Hello, Dolly!]]'' She starred in Clive Hirschhorn’s ''[[A State of Innocence]]'' which was staged at the [[Library Theatre]] in 1960. [[Ruth Oppenheim]] directed and it also starred [[Johann Nell]]. She starred in Harold Pinter’s ''[[The Birthday Party]]'', followed by Tennessee Williams’ ''[[The Night of the Iguana]]'' which was staged at the [[Playhouse]] by the [[Cockpit Players]] in 1962. [[Leonard Schach]] directed, and in his company of actors for these plays were [[Michael McGovern]], [[Margaret Inglis]], [[Siegfried Mynhardt]], [[Diane Wilson]] and [[Kerry Jordan]]. She replaced [[Joan Blake]] in [[Adam Leslie]]’s revue ''[[Strike it Rich]]'' at the [[Adam Leslie Theatre]] in 1967/8. It starred Leslie, Joan , [[Judy Layne]] and [[Goerge Korelin]]. She starred in [[Leonard Schach]]’s production of the Paul Zindel play ''[[The Effect of Gamma Rays on Man-in-the-moon Marigolds]]'', for [[PACT]] in 1971. It also starred [[Janice Honeyman]]. She starred in the Ben Travers farce, ''[[The Bed Before Yesterday]]'', together with [[Leonard Whiting]], [[Jean Kent]], [[Naomi Buch]], [[Graham Armitage]] and [[Gordon Mulholland]]. It was presented by [[Pieter Toerien]] in 1976. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;GORDON, Marjorie, ''[[Summer of the Seventeenth Doll]]'' (Australian comedy-drama)by Ray Lawler, presented by [[NTO]],  [[Edward Ogden]] &amp;amp; [[Bill Brewer]].  [[Frank Graves]] (décor), 1958.  Later changes:  [[Fiona Fraser]], [[Joan Blake]], [[Jane Fenn]], [[Elspeth Bryce]], [[Nigel Hawthorne]], [[Eveline Garratt]], [[Robert Cheetham]], [[Doreen Graves]] (Costumes).&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=== Youth ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[ESAT Personalities G]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=== Training ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=== Career ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Marjorie enjoyed a successful career in London, largely in musical comedy. She was invited to Australia where she starred in several musicals; had two world tours including New York. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;She came to South Africa in circa 1947 with her company to present four plays at The [[Standard Theatre]] in association with [[ACT]]. She eventually made her home in South Africa.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Besides her stage career, she became very involved in South African radio and radio drama. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In 1955 she went into partnership with actors [[Stuart Brown]] and [[Bruce Anderson]] to form The [[Company of Three]]. Their first production was ''[[Third Person]]'' and was staged at the [[Reps Theatre]].&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;==Contribution to SA theatre, film, media and/or performance==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In association with [[ACT]], Marjorie and her company presented four plays at The [[Standard Theatre]] circa 1947 including Coward's ''[[Design for Living]]''. Starred in [[Leon Gluckman]]’s revue ''[[Xmas Box]]'' at the [[Library Theatre]] towards the end of 1949. [[Herbert Kretzmer]] composed five of the songs and the cast included [[Johann Nell]]. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;She starred in Noël Coward’s ''[[Private Lives]] which was directed by [[Minna Millsten]] for the [[Johannesburg Repertory Society|Reps]] in 1953.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Other prominent performances include roles in ''[[Third Person]]''[?] ([[Company of Three]], 1955), ''[[A Hatful of Rain]]'' ([[Company of Three]], 1957), ''[[Summer of the Seventeenth Doll]]'' ([[NTO]], 1957), Basil Warner’s ''[[Try for White]]'' ([[Cockpit Players]], 1958?), the part of Dolly Levi in Thornton Wilder’s lively period-New York comedy, ''[[The Matchmaker]]'' ([[Cockpit Players]], 1959), Clive Hirschhorn’s ''[[A State of Innocence]]'' ([[Library Theatre]], 1960), [[Le Malade Imaginaire|The Gay Invalid]] (1960),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Harold Pinter’s ''[[The Birthday Party]]'' (1962), Tennessee Williams’s ''[[The Night of the Iguana]]'' ([[Cockpit Players]],  1962), [[Athol Fugard]]’s ''[[People are Living There]]'' ([[CAPAB]]? Touring company, 196*), *. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Performed in ''[[People are Living There]]'', andin ''[[The Canterbury Tales]]''.  &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;She replaced [[Joan Blake]] in [[Adam Leslie]]’s revue ''[[Strike it Rich]]'' at the [[Adam Leslie Theatre]] in 1967/8. She starred in [[Leonard Schach]]’s production of the Paul Zindel play ''[[The Effect of Gamma Rays on Man-in-the-moon Marigolds]]'', for [[PACT]] in 1971, the Ben Travers farce, ''[[The Bed Before Yesterday]]'' (1976). &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Marjorie has also appeared in [[The Killing of Sister George]], [[Rookery Nook]], as “the widow of Bath”  in [[Canterbury Tales (musical)]], [[Love in Albania]], [[Ladies in Retirement]], [[Design for Living]], [[The Hostage]] and [[Oliver!]]. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== Awards, etc ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== Sources ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[SACD]] 1973.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[ESAT Bibliography Tra-Tz|Tucker]], 1997.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Entries in the [[NELM]] catalogue.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Go to [[ESAT Bibliography]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== Return to ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[ESAT Personalities &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;G]]  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Return to [[The ESAT Entries]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[Main Page]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[Main Page]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=51781&amp;oldid=prev</id>
		<title>Miriamt at 10:51, 7 February 2014</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=51781&amp;oldid=prev"/>
		<updated>2014-02-07T10:51:47Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 10:51, 7 February 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(****-****).  Actress.  Performed in ''[[People are Living There]]'', ''[[Gamma Rays]]'' and as “the widow of Bath” in ''[[The Canterbury Tales]]''.  ([[SACD]] 1973)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(****-****).  Actress.  Performed in ''[[People are Living There]]'', ''[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The Effect of &lt;/ins&gt;Gamma Rays &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;on Man-in-the-moon Marigolds&lt;/ins&gt;]]'' and as “the widow of Bath” in ''[[The Canterbury Tales]]''.  ([[SACD]] 1973)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;GORDON, Marjorie. (1921?-1981) Actress, director and producer. Born in England, where she was an actress and comedian who enjoyed a successful career in London, largely in musical comedy. Invited to Australia where she starred in several musicals and had two world tours including New York. Came to South Africa in circa 1947 with her company to present four plays at The [[Standard Theatre]] in association with [[ACT]] ( including Coward's [[Design for Living]]). She then settled in South Africa and, besides her stage career, became very involved in South African radio and radio drama. In 1955 she went into partnership with actors [[Stuart Brown]] and [[Bruce Anderson]] to form The [[Company of Three]]. Fondly known as Maggie, she was a favourite with critics, audiences and colleagues alike. Prominent performances include roles in [[Leon Gluckman]]’s revue ''[[Xmas Box]]'' (1949), ''[[Private Lives]]'' ([[Johannesburg Repertory Society|Johannesburg Reps]], 1953), ''[[Third Person]]''[?] ([[Company of Three]], 1955), ''[[A Hatful of Rain]]'' ([[Company of Three]], 1957), ''[[Summer of the Seventeenth Doll]]'' ([[NTO]], 1957), Basil Warner’s ''[[Try for White]]'' ([[Cockpit Players]], 1958?), Thornton Wilder’s ''[[The Matchmaker]]'' ([[Cockpit Players]], 1959), Clive Hirschhorn’s ''[[A State of Innocence]]'' ([[Library Theatre]], 1960), Harold Pinter’s ''[[The Birthday Party]]'' (1962?*), Tennessee Williams’s ''[[The Night of the Iguana]]'' ([[Cockpit Players]],  1962), [[Athol Fugard]]’s ''[[People are Living There]]'' ([[CAPAB]]? Touring company, 196*), *.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;GORDON, Marjorie. (1921?-1981) Actress, director and producer. Born in England, where she was an actress and comedian who enjoyed a successful career in London, largely in musical comedy. Invited to Australia where she starred in several musicals and had two world tours including New York. Came to South Africa in circa 1947 with her company to present four plays at The [[Standard Theatre]] in association with [[ACT]] ( including Coward's [[Design for Living]]). She then settled in South Africa and, besides her stage career, became very involved in South African radio and radio drama. In 1955 she went into partnership with actors [[Stuart Brown]] and [[Bruce Anderson]] to form The [[Company of Three]]. Fondly known as Maggie, she was a favourite with critics, audiences and colleagues alike. Prominent performances include roles in [[Leon Gluckman]]’s revue ''[[Xmas Box]]'' (1949), ''[[Private Lives]]'' ([[Johannesburg Repertory Society|Johannesburg Reps]], 1953), ''[[Third Person]]''[?] ([[Company of Three]], 1955), ''[[A Hatful of Rain]]'' ([[Company of Three]], 1957), ''[[Summer of the Seventeenth Doll]]'' ([[NTO]], 1957), Basil Warner’s ''[[Try for White]]'' ([[Cockpit Players]], 1958?), Thornton Wilder’s ''[[The Matchmaker]]'' ([[Cockpit Players]], 1959), Clive Hirschhorn’s ''[[A State of Innocence]]'' ([[Library Theatre]], 1960), Harold Pinter’s ''[[The Birthday Party]]'' (1962?*), Tennessee Williams’s ''[[The Night of the Iguana]]'' ([[Cockpit Players]],  1962), [[Athol Fugard]]’s ''[[People are Living There]]'' ([[CAPAB]]? Touring company, 196*), *.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=31376&amp;oldid=prev</id>
		<title>Miriamt at 13:49, 20 August 2012</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=31376&amp;oldid=prev"/>
		<updated>2012-08-20T13:49:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:49, 20 August 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot; &gt;Line 3:&lt;/td&gt;
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&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;GORDON, Marjorie. (1921?-1981) Actress, director and producer. Born in England, where she was an actress and comedian who enjoyed a successful career in London, largely in musical comedy. Invited to Australia where she starred in several musicals and had two world tours including New York. Came to South Africa in circa 1947 with her company to present four plays at The [[Standard Theatre]] in association with [[ACT]] ( including Coward's [[Design for Living]]). She then settled in South Africa and, besides her stage career, became very involved in South African radio and radio drama. In 1955 she went into partnership with actors [[Stuart Brown]] and [[Bruce Anderson]] to form The [[Company of Three]]. Fondly known as Maggie, she was a favourite with critics, audiences and colleagues alike. Prominent performances include roles in [[Leon Gluckman]]’s revue ''[[Xmas Box]]'' (1949), ''[[Private Lives]]'' ([[Johannesburg Repertory Society|Johannesburg Reps]], 1953), ''[[Third Person]]''[?] ([[Company of Three]], 1955), ''[[A Hatful of Rain]]'' ([[Company of Three]], 1957), ''[[Summer of the Seventeenth Doll]]'' ([[NTO]], 1957), Basil Warner’s ''[[Try for White]]'' ([[Cockpit Players]], 1958?), Thornton Wilder’s ''[[The Matchmaker]]'' ([[Cockpit Players]], 1959), Clive Hirschhorn’s ''[[A State of Innocence]]'' ([[Library Theatre]], 1960), Harold Pinter’s ''[[The Birthday Party]]'' (1962?*), Tennessee Williams’s ''[[The Night of the Iguana]]'' ([[Cockpit Players]],  1962), [[Athol Fugard]]’s ''[[People are Living There]]'' ([[CAPAB]]? Touring company, 196*), *.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;GORDON, Marjorie. (1921?-1981) Actress, director and producer. Born in England, where she was an actress and comedian who enjoyed a successful career in London, largely in musical comedy. Invited to Australia where she starred in several musicals and had two world tours including New York. Came to South Africa in circa 1947 with her company to present four plays at The [[Standard Theatre]] in association with [[ACT]] ( including Coward's [[Design for Living]]). She then settled in South Africa and, besides her stage career, became very involved in South African radio and radio drama. In 1955 she went into partnership with actors [[Stuart Brown]] and [[Bruce Anderson]] to form The [[Company of Three]]. Fondly known as Maggie, she was a favourite with critics, audiences and colleagues alike. Prominent performances include roles in [[Leon Gluckman]]’s revue ''[[Xmas Box]]'' (1949), ''[[Private Lives]]'' ([[Johannesburg Repertory Society|Johannesburg Reps]], 1953), ''[[Third Person]]''[?] ([[Company of Three]], 1955), ''[[A Hatful of Rain]]'' ([[Company of Three]], 1957), ''[[Summer of the Seventeenth Doll]]'' ([[NTO]], 1957), Basil Warner’s ''[[Try for White]]'' ([[Cockpit Players]], 1958?), Thornton Wilder’s ''[[The Matchmaker]]'' ([[Cockpit Players]], 1959), Clive Hirschhorn’s ''[[A State of Innocence]]'' ([[Library Theatre]], 1960), Harold Pinter’s ''[[The Birthday Party]]'' (1962?*), Tennessee Williams’s ''[[The Night of the Iguana]]'' ([[Cockpit Players]],  1962), [[Athol Fugard]]’s ''[[People are Living There]]'' ([[CAPAB]]? Touring company, 196*), *.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;GORDON, Marjorie. English born actress and comedian who enjoyed a successful career in London, largely in musical comedy; invited to Australia where she starred in several musicals; had two world tours including New York. She eventually made her home in South Africa. In association with [[ACT]], Marjorie and her company presented four plays at The [[Standard Theatre]] circa 1947 including Coward's ''[[Design for Living]]''. Starred in [[Leon Gluckman]]’s revue ''[[Xmas Box]]'' at the [[Library Theatre]] towards the end of 1949. [[Herbert Kretzmer]] composed five of the songs and cast included [[Johann Nell]]. She was very involved in South Africa’s radio drama scene. She starred in Noël Coward’s ''[[Private Lives]] which was directed by [[Minna Millsten]] for the [[Johannesburg Repertory Society|Reps]] in 1953. She was also fondly known as Maggie and was a favourite with critics, audiences and colleagues. She died in 1981 at the age of sixty. She went into partnership with actors [[Stuart Brown]] and [[Bruce Anderson]] to form The [[Company of  Three]] in 1955. Their first production was ''[[Third Person]]'' and was staged at the [[Reps Theatre]]. She starred in The [[Company of Three]]’s production of the hard-hitting American drama, ''[[A Hatful of Rain]]'', which was directed by [[Stuart Brown]]  and staged at the [[Library Theatre]] in 1957. Also starring [[Ivan Berold]] and [[Jenny Gratus]]. She starred in [[Summer of the Seventeenth Doll]], which was presented by The [[National Theatre]] at the [[Reps Theatre|Reps]] in 1957. It was directed by [[Leonard Schach]], and was written by the Australian Ray Lawler. She starred in [[Leonard Schach]]’s [[Cockpit Players]] production of [[Basil Warner]]’s ''[[Try for White]]'', which opened at the [[Pretoria Opera House]] before moving to the [[Intimate Theatre]] for the remainder of their highly successful run. It also starred [[Nigel Hawthorne]], [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Zoe &lt;/del&gt;Randall]], [[Michael Turner]]. [[Joyce Grant]] and [[Fiona Fraser]] replaced [[Minna Millsten]] and [[Heather Lloyd-Jones]] respectively, from the Cape Town cast.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;GORDON, Marjorie. English born actress and comedian who enjoyed a successful career in London, largely in musical comedy; invited to Australia where she starred in several musicals; had two world tours including New York. She eventually made her home in South Africa. In association with [[ACT]], Marjorie and her company presented four plays at The [[Standard Theatre]] circa 1947 including Coward's ''[[Design for Living]]''. Starred in [[Leon Gluckman]]’s revue ''[[Xmas Box]]'' at the [[Library Theatre]] towards the end of 1949. [[Herbert Kretzmer]] composed five of the songs and cast included [[Johann Nell]]. She was very involved in South Africa’s radio drama scene. She starred in Noël Coward’s ''[[Private Lives]] which was directed by [[Minna Millsten]] for the [[Johannesburg Repertory Society|Reps]] in 1953. She was also fondly known as Maggie and was a favourite with critics, audiences and colleagues. She died in 1981 at the age of sixty. She went into partnership with actors [[Stuart Brown]] and [[Bruce Anderson]] to form The [[Company of  Three]] in 1955. Their first production was ''[[Third Person]]'' and was staged at the [[Reps Theatre]]. She starred in The [[Company of Three]]’s production of the hard-hitting American drama, ''[[A Hatful of Rain]]'', which was directed by [[Stuart Brown]]  and staged at the [[Library Theatre]] in 1957. Also starring [[Ivan Berold]] and [[Jenny Gratus]]. She starred in [[Summer of the Seventeenth Doll]], which was presented by The [[National Theatre]] at the [[Reps Theatre|Reps]] in 1957. It was directed by [[Leonard Schach]], and was written by the Australian Ray Lawler. She starred in [[Leonard Schach]]’s [[Cockpit Players]] production of [[Basil Warner]]’s ''[[Try for White]]'', which opened at the [[Pretoria Opera House]] before moving to the [[Intimate Theatre]] for the remainder of their highly successful run. It also starred [[Nigel Hawthorne]], [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Zoë &lt;/ins&gt;Randall]], [[Michael Turner]]. [[Joyce Grant]] and [[Fiona Fraser]] replaced [[Minna Millsten]] and [[Heather Lloyd-Jones]] respectively, from the Cape Town cast.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She played the part of Dolly Levi in Thornton Wilder’s lively period-New York comedy, The Matchmaker, which was staged by Leonard &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Schach’s &lt;/del&gt;Cockpit &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Player’s &lt;/del&gt;in 1959. This enduring show, also starring John McKelvey, Nigel Hawthorne, Michael McGovern, Robert Haber and Heather Lloyd-Jones, became the musical Hello, Dolly! She starred in Clive Hirschhorn’s A State of Innocence which was staged at the Library Theatre in 1960. Ruth Oppenheim directed and it also starred Johann Nell. She starred in Harold Pinter’s The Birthday Party, followed by Tennessee Williams’ The Night of the Iguana which was staged at the Playhouse by the Cockpit Players in 1962. Leonard Schach directed, and in his company of actors for these plays were Michael McGovern, Margaret Inglis, Siegfried Mynhardt, Diane Wilson and Kerry Jordan. She replaced Joan Blake in Adam &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Leslie’s &lt;/del&gt;revue Strike it Rich at the Adam Leslie Theatre in 1967/8. It starred Leslie, Joan , Judy Layne and Goerge Korelin. She starred in Leonard &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Schach’s &lt;/del&gt;production of the Paul Zindel play The Effect of Gamma Rays on Man-in-the-moon Marigolds, for PACT in 1971. It also starred Janice Honeyman. She starred in the Ben Travers farce, The Bed Before Yesterday, together with Leonard Whiting, Jean Kent, Naomi Buch, Graham Armitage and Gordon Mulholland. It was presented by Pieter Toerien in 1976. GORDON, Marjorie, Summer of the Seventeenth Doll (Australian comedy-drama)by Ray Lawler, presented by NTO,  Edward Ogden &amp;amp; Bill Brewer.  Frank Graves (décor), 1958.  Later changes:  Fiona Fraser, Joan Blake, Jane Fenn, Elspeth Bryce, Nigel Hawthorne, Eveline Garratt, Robert Cheetham, Doreen Graves (Costumes).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She played the part of Dolly Levi in Thornton Wilder’s lively period-New York comedy, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;The Matchmaker&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;, which was staged by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Leonard &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Schach]]’s [[&lt;/ins&gt;Cockpit &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Players]] &lt;/ins&gt;in 1959. This enduring show, also starring &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;John McKelvey&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Nigel Hawthorne&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Michael McGovern&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Robert Haber&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Heather Lloyd-Jones&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, became the musical &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Hello, Dolly!&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;She starred in Clive Hirschhorn’s &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;A State of Innocence&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;which was staged at the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Library Theatre&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;in 1960. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Ruth Oppenheim&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;directed and it also starred &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Johann Nell&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. She starred in Harold Pinter’s &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;The Birthday Party&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;, followed by Tennessee Williams’ &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;The Night of the Iguana&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;which was staged at the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Playhouse&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;by the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Cockpit Players&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;in 1962. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Leonard Schach&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;directed, and in his company of actors for these plays were &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Michael McGovern&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Margaret Inglis&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Siegfried Mynhardt&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Diane Wilson&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Kerry Jordan&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. She replaced &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Joan Blake&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Adam &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Leslie]]’s &lt;/ins&gt;revue &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Strike it Rich&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;at the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Adam Leslie Theatre&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;in 1967/8. It starred Leslie, Joan , &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Judy Layne&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Goerge Korelin&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. She starred in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Leonard &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Schach]]’s &lt;/ins&gt;production of the Paul Zindel play &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;The Effect of Gamma Rays on Man-in-the-moon Marigolds&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;, for &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;PACT&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;in 1971. It also starred &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Janice Honeyman&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. She starred in the Ben Travers farce, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;The Bed Before Yesterday&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;, together with &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Leonard Whiting&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jean Kent&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Naomi Buch&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Graham Armitage&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Gordon Mulholland&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. It was presented by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pieter Toerien&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;in 1976.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;GORDON, Marjorie, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Summer of the Seventeenth Doll&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(Australian comedy-drama)by Ray Lawler, presented by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;NTO&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;,  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Edward Ogden&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;&amp;amp; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Bill Brewer&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;.  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Frank Graves&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(décor), 1958.  Later changes:  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Fiona Fraser&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Joan Blake&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jane Fenn&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Elspeth Bryce&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Nigel Hawthorne&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Eveline Garratt&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Robert Cheetham&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Doreen Graves&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Costumes).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=31375&amp;oldid=prev</id>
		<title>Miriamt at 13:41, 20 August 2012</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=31375&amp;oldid=prev"/>
		<updated>2012-08-20T13:41:39Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:41, 20 August 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot; &gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;GORDON, Marjorie. (1921?-1981) Actress, director and producer. Born in England, where she was an actress and comedian who enjoyed a successful career in London, largely in musical comedy. Invited to Australia where she starred in several musicals and had two world tours including New York. Came to South Africa in circa 1947 with her company to present four plays at The [[Standard Theatre]] in association with [[ACT]] ( including Coward's [[Design for Living]]). She then settled in South Africa and, besides her stage career, became very involved in South African radio and radio drama. In 1955 she went into partnership with actors [[Stuart Brown]] and [[Bruce Anderson]] to form The [[Company of Three]]. Fondly known as Maggie, she was a favourite with critics, audiences and colleagues alike. Prominent performances include roles in [[Leon Gluckman]]’s revue ''[[Xmas Box]]'' (1949), ''[[Private Lives]]'' ([[Johannesburg Repertory Society|Johannesburg Reps]], 1953), ''[[Third Person]]''[?] ([[Company of Three]], 1955), ''[[A Hatful of Rain]]'' ([[Company of Three]], 1957), ''[[Summer of the Seventeenth Doll]]'' ([[NTO]], 1957), Basil Warner’s ''[[Try for White]]'' ([[Cockpit Players]], 1958?), Thornton Wilder’s ''[[The Matchmaker]]'' ([[Cockpit Players]], 1959), Clive Hirschhorn’s ''[[A State of Innocence]]'' ([[Library Theatre]], 1960), Harold Pinter’s ''[[The Birthday Party]]'' (1962?*), Tennessee Williams’s ''[[The Night of the Iguana]]'' ([[Cockpit Players]],  1962), [[Athol Fugard]]’s ''[[People are Living There]]'' ([[CAPAB]]? Touring company, 196*), *.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;GORDON, Marjorie. (1921?-1981) Actress, director and producer. Born in England, where she was an actress and comedian who enjoyed a successful career in London, largely in musical comedy. Invited to Australia where she starred in several musicals and had two world tours including New York. Came to South Africa in circa 1947 with her company to present four plays at The [[Standard Theatre]] in association with [[ACT]] ( including Coward's [[Design for Living]]). She then settled in South Africa and, besides her stage career, became very involved in South African radio and radio drama. In 1955 she went into partnership with actors [[Stuart Brown]] and [[Bruce Anderson]] to form The [[Company of Three]]. Fondly known as Maggie, she was a favourite with critics, audiences and colleagues alike. Prominent performances include roles in [[Leon Gluckman]]’s revue ''[[Xmas Box]]'' (1949), ''[[Private Lives]]'' ([[Johannesburg Repertory Society|Johannesburg Reps]], 1953), ''[[Third Person]]''[?] ([[Company of Three]], 1955), ''[[A Hatful of Rain]]'' ([[Company of Three]], 1957), ''[[Summer of the Seventeenth Doll]]'' ([[NTO]], 1957), Basil Warner’s ''[[Try for White]]'' ([[Cockpit Players]], 1958?), Thornton Wilder’s ''[[The Matchmaker]]'' ([[Cockpit Players]], 1959), Clive Hirschhorn’s ''[[A State of Innocence]]'' ([[Library Theatre]], 1960), Harold Pinter’s ''[[The Birthday Party]]'' (1962?*), Tennessee Williams’s ''[[The Night of the Iguana]]'' ([[Cockpit Players]],  1962), [[Athol Fugard]]’s ''[[People are Living There]]'' ([[CAPAB]]? Touring company, 196*), *.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;GORDON, Marjorie. English born actress and comedian who enjoyed a successful career in London, largely in musical comedy; invited to Australia where she starred in several musicals; had two world tours including New York. She eventually made her home in South Africa. In association with ACT, Marjorie and her company presented four plays at The Standard &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;circa1947 &lt;/del&gt;including Coward's Design for Living. Starred in Leon &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Gluckman’s &lt;/del&gt;revue Xmas Box at the Library towards the end of 1949. Herbert Kretzmer composed five of the songs and cast included Johann Nell. She was very involved in South Africa’s radio drama scene. She starred in Noël Coward’s Private &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Live’s &lt;/del&gt;which was directed by Minna Millsten for the Reps in 1953. She was also fondly known as Maggie and was a favourite with critics, audiences and colleagues. She died in 1981 at the age of sixty. She went into partnership with actors Stuart Brown and Bruce Anderson to form The Company of  Three in 1955. Their first production was Third Person and was staged at the Reps. She starred in The Company of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Three’s &lt;/del&gt;production of the hard-hitting American drama, A Hatful of Rain, which was directed by Stuart Brown  and staged at the Library Theatre in 1957. Also starring Ivan Berold and Jenny Gratus. She starred in Summer of the Seventeenth Doll, which was presented by The National Theatre at the Reps in 1957. It was directed by Leonard Schach, and was written by the Australian Ray Lawler. She starred in Leonard &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Schach’s &lt;/del&gt;Cockpit Players production of Basil &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Warner’s &lt;/del&gt;Try for White, which opened at the Pretoria Opera House before moving to the Intimate Theatre for the remainder of their highly successful run. It also starred Nigel Hawthorne, Zoe Randall, Michael Turner. Joyce Grant and Fiona Fraser replaced Minna Millsten and Heather Lloyd-Jones respectively, from the Cape Town cast. She played the part of Dolly Levi in Thornton Wilder’s lively period-New York comedy, The Matchmaker, which was staged by Leonard Schach’s Cockpit Player’s in 1959. This enduring show, also starring John McKelvey, Nigel Hawthorne, Michael McGovern, Robert Haber and Heather Lloyd-Jones, became the musical Hello, Dolly! She starred in Clive Hirschhorn’s A State of Innocence which was staged at the Library Theatre in 1960. Ruth Oppenheim directed and it also starred Johann Nell. She starred in Harold Pinter’s The Birthday Party, followed by Tennessee Williams’ The Night of the Iguana which was staged at the Playhouse by the Cockpit Players in 1962. Leonard Schach directed, and in his company of actors for these plays were Michael McGovern, Margaret Inglis, Siegfried Mynhardt, Diane Wilson and Kerry Jordan. She replaced Joan Blake in Adam Leslie’s revue Strike it Rich at the Adam Leslie Theatre in 1967/8. It starred Leslie, Joan , Judy Layne and Goerge Korelin. She starred in Leonard Schach’s production of the Paul Zindel play The Effect of Gamma Rays on Man-in-the-moon Marigolds, for PACT in 1971. It also starred Janice Honeyman. She starred in the Ben Travers farce, The Bed Before Yesterday, together with Leonard Whiting, Jean Kent, Naomi Buch, Graham Armitage and Gordon Mulholland. It was presented by Pieter Toerien in 1976. GORDON, Marjorie, Summer of the Seventeenth Doll (Australian comedy-drama)by Ray Lawler, presented by NTO,  Edward Ogden &amp;amp; Bill Brewer.  Frank Graves (décor), 1958.  Later changes:  Fiona Fraser, Joan Blake, Jane Fenn, Elspeth Bryce, Nigel Hawthorne, Eveline Garratt, Robert Cheetham, Doreen Graves (Costumes).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;GORDON, Marjorie. English born actress and comedian who enjoyed a successful career in London, largely in musical comedy; invited to Australia where she starred in several musicals; had two world tours including New York. She eventually made her home in South Africa. In association with &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;ACT&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, Marjorie and her company presented four plays at The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Standard &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Theatre]] circa 1947 &lt;/ins&gt;including Coward's &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Design for Living&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;. Starred in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Leon &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Gluckman]]’s &lt;/ins&gt;revue &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Xmas Box&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;at the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Library &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Theatre]] &lt;/ins&gt;towards the end of 1949. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Herbert Kretzmer&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;composed five of the songs and cast included &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Johann Nell&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. She was very involved in South Africa’s radio drama scene. She starred in Noël Coward’s &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Private &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Lives]] &lt;/ins&gt;which was directed by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Minna Millsten&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;for the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Johannesburg Repertory Society|&lt;/ins&gt;Reps&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;in 1953. She was also fondly known as Maggie and was a favourite with critics, audiences and colleagues. She died in 1981 at the age of sixty. She went into partnership with actors &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Stuart Brown&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Bruce Anderson&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;to form The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Company of  Three&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;in 1955. Their first production was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Third Person&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;and was staged at the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Reps &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Theatre]]&lt;/ins&gt;. She starred in The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Company of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Three]]’s &lt;/ins&gt;production of the hard-hitting American drama, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;A Hatful of Rain&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;, which was directed by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Stuart Brown&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt; and staged at the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Library Theatre&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;in 1957. Also starring &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Ivan Berold&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jenny Gratus&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. She starred in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Summer of the Seventeenth Doll&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, which was presented by The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;National Theatre&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;at the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Reps Theatre|&lt;/ins&gt;Reps&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;in 1957. It was directed by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Leonard Schach&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, and was written by the Australian Ray Lawler. She starred in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Leonard &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Schach]]’s [[&lt;/ins&gt;Cockpit Players&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;production of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Basil &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Warner]]’s ''[[&lt;/ins&gt;Try for White&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;, which opened at the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pretoria Opera House&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;before moving to the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Intimate Theatre&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;for the remainder of their highly successful run. It also starred &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Nigel Hawthorne&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Zoe Randall&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Michael Turner&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Joyce Grant&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Fiona Fraser&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;replaced &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Minna Millsten&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Heather Lloyd-Jones&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;respectively, from the Cape Town cast.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She played the part of Dolly Levi in Thornton Wilder’s lively period-New York comedy, The Matchmaker, which was staged by Leonard Schach’s Cockpit Player’s in 1959. This enduring show, also starring John McKelvey, Nigel Hawthorne, Michael McGovern, Robert Haber and Heather Lloyd-Jones, became the musical Hello, Dolly! She starred in Clive Hirschhorn’s A State of Innocence which was staged at the Library Theatre in 1960. Ruth Oppenheim directed and it also starred Johann Nell. She starred in Harold Pinter’s The Birthday Party, followed by Tennessee Williams’ The Night of the Iguana which was staged at the Playhouse by the Cockpit Players in 1962. Leonard Schach directed, and in his company of actors for these plays were Michael McGovern, Margaret Inglis, Siegfried Mynhardt, Diane Wilson and Kerry Jordan. She replaced Joan Blake in Adam Leslie’s revue Strike it Rich at the Adam Leslie Theatre in 1967/8. It starred Leslie, Joan , Judy Layne and Goerge Korelin. She starred in Leonard Schach’s production of the Paul Zindel play The Effect of Gamma Rays on Man-in-the-moon Marigolds, for PACT in 1971. It also starred Janice Honeyman. She starred in the Ben Travers farce, The Bed Before Yesterday, together with Leonard Whiting, Jean Kent, Naomi Buch, Graham Armitage and Gordon Mulholland. It was presented by Pieter Toerien in 1976. GORDON, Marjorie, Summer of the Seventeenth Doll (Australian comedy-drama)by Ray Lawler, presented by NTO,  Edward Ogden &amp;amp; Bill Brewer.  Frank Graves (décor), 1958.  Later changes:  Fiona Fraser, Joan Blake, Jane Fenn, Elspeth Bryce, Nigel Hawthorne, Eveline Garratt, Robert Cheetham, Doreen Graves (Costumes).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=31374&amp;oldid=prev</id>
		<title>Miriamt at 13:34, 20 August 2012</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=31374&amp;oldid=prev"/>
		<updated>2012-08-20T13:34:01Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:34, 20 August 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(****-****).  Actress.  Performed in ''[[People are Living There]]'', ''[[Gamma Rays]]'' and as “the widow of Bath” in ''[[The Canterbury Tales]]''.  ([[SACD]] 1973)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(****-****).  Actress.  Performed in ''[[People are Living There]]'', ''[[Gamma Rays]]'' and as “the widow of Bath” in ''[[The Canterbury Tales]]''.  ([[SACD]] 1973)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;GORDON, Marjorie. (1921?-1981) Actress, director and producer. Born in England, where she was an actress and comedian who enjoyed a successful career in London, largely in musical comedy. Invited to Australia where she starred in several musicals and had two world tours including New York. Came to South Africa in circa 1947 with her company to present four plays at The [[Standard Theatre]] in association with [[ACT]] ( including Coward's [[Design for Living]]). She then settled in South Africa and, besides her stage career, became very involved in South African radio and radio drama. In 1955 she went into partnership with actors [[Stuart Brown]] and [[Bruce Anderson]] to form [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The &lt;/del&gt;Company of Three]]. Fondly known as Maggie, she was a favourite with critics, audiences and colleagues alike. Prominent performances include roles in [[Leon Gluckman]]’s revue ''[[Xmas Box]]'' (1949), ''[[Private Lives]]'' ([[Johannesburg Repertory Society|Johannesburg Reps]], 1953), ''[[Third Person]]''[?] ([[Company of Three]], 1955), ''[[A Hatful of Rain]]'' ([[Company of Three]], 1957), ''[[Summer of the Seventeenth Doll]]'' ([[NTO]], 1957), Basil Warner’s ''[[Try for White]]'' ([[Cockpit Players]], 1958?), Thornton Wilder’s ''[[The Matchmaker]]'' ([[Cockpit Players]], 1959), Clive Hirschhorn’s ''[[A State of Innocence]]'' ([[Library Theatre]], 1960), Harold Pinter’s ''[[The Birthday Party]]'' (1962?*), Tennessee Williams’s ''[[The Night of the Iguana]]'' ([[Cockpit Players]],  1962), [[Athol Fugard]]’s ''[[People are Living There]]'' ([[CAPAB]]? Touring company, 196*), *.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;GORDON, Marjorie. (1921?-1981) Actress, director and producer. Born in England, where she was an actress and comedian who enjoyed a successful career in London, largely in musical comedy. Invited to Australia where she starred in several musicals and had two world tours including New York. Came to South Africa in circa 1947 with her company to present four plays at The [[Standard Theatre]] in association with [[ACT]] ( including Coward's [[Design for Living]]). She then settled in South Africa and, besides her stage career, became very involved in South African radio and radio drama. In 1955 she went into partnership with actors [[Stuart Brown]] and [[Bruce Anderson]] to form &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The &lt;/ins&gt;[[Company of Three]]. Fondly known as Maggie, she was a favourite with critics, audiences and colleagues alike. Prominent performances include roles in [[Leon Gluckman]]’s revue ''[[Xmas Box]]'' (1949), ''[[Private Lives]]'' ([[Johannesburg Repertory Society|Johannesburg Reps]], 1953), ''[[Third Person]]''[?] ([[Company of Three]], 1955), ''[[A Hatful of Rain]]'' ([[Company of Three]], 1957), ''[[Summer of the Seventeenth Doll]]'' ([[NTO]], 1957), Basil Warner’s ''[[Try for White]]'' ([[Cockpit Players]], 1958?), Thornton Wilder’s ''[[The Matchmaker]]'' ([[Cockpit Players]], 1959), Clive Hirschhorn’s ''[[A State of Innocence]]'' ([[Library Theatre]], 1960), Harold Pinter’s ''[[The Birthday Party]]'' (1962?*), Tennessee Williams’s ''[[The Night of the Iguana]]'' ([[Cockpit Players]],  1962), [[Athol Fugard]]’s ''[[People are Living There]]'' ([[CAPAB]]? Touring company, 196*), *.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;GORDON, Marjorie. English born actress and comedian who enjoyed a successful career in London, largely in musical comedy; invited to Australia where she starred in several musicals; had two world tours including New York. She eventually made her home in South Africa. In association with ACT, Marjorie and her company presented four plays at The Standard circa1947 including Coward's Design for Living. Starred in Leon Gluckman’s revue Xmas Box at the Library towards the end of 1949. Herbert Kretzmer composed five of the songs and cast included Johann Nell. She was very involved in South Africa’s radio drama scene. She starred in Noël Coward’s Private Live’s which was directed by Minna Millsten for the Reps in 1953. She was also fondly known as Maggie and was a favourite with critics, audiences and colleagues. She died in 1981 at the age of sixty. She went into partnership with actors Stuart Brown and Bruce Anderson to form The Company of  Three in 1955. Their first production was Third Person and was staged at the Reps. She starred in The Company of Three’s production of the hard-hitting American drama, A Hatful of Rain, which was directed by Stuart Brown  and staged at the Library Theatre in 1957. Also starring Ivan Berold and Jenny Gratus. She starred in Summer of the Seventeenth Doll, which was presented by The National Theatre at the Reps in 1957. It was directed by Leonard Schach, and was written by the Australian Ray Lawler. She starred in Leonard Schach’s Cockpit Players production of Basil Warner’s Try for White, which opened at the Pretoria Opera House before moving to the Intimate Theatre for the remainder of their highly successful run. It also starred Nigel Hawthorne, Zoe Randall, Michael Turner. Joyce Grant and Fiona Fraser replaced Minna Millsten and Heather Lloyd-Jones respectively, from the Cape Town cast. She played the part of Dolly Levi in Thornton Wilder’s lively period-New York comedy, The Matchmaker, which was staged by Leonard Schach’s Cockpit Player’s in 1959. This enduring show, also starring John McKelvey, Nigel Hawthorne, Michael McGovern, Robert Haber and Heather Lloyd-Jones, became the musical Hello, Dolly! She starred in Clive Hirschhorn’s A State of Innocence which was staged at the Library Theatre in 1960. Ruth Oppenheim directed and it also starred Johann Nell. She starred in Harold Pinter’s The Birthday Party, followed by Tennessee Williams’ The Night of the Iguana which was staged at the Playhouse by the Cockpit Players in 1962. Leonard Schach directed, and in his company of actors for these plays were Michael McGovern, Margaret Inglis, Siegfried Mynhardt, Diane Wilson and Kerry Jordan. She replaced Joan Blake in Adam Leslie’s revue Strike it Rich at the Adam Leslie Theatre in 1967/8. It starred Leslie, Joan , Judy Layne and Goerge Korelin. She starred in Leonard Schach’s production of the Paul Zindel play The Effect of Gamma Rays on Man-in-the-moon Marigolds, for PACT in 1971. It also starred Janice Honeyman. She starred in the Ben Travers farce, The Bed Before Yesterday, together with Leonard Whiting, Jean Kent, Naomi Buch, Graham Armitage and Gordon Mulholland. It was presented by Pieter Toerien in 1976. GORDON, Marjorie, Summer of the Seventeenth Doll (Australian comedy-drama)by Ray Lawler, presented by NTO,  Edward Ogden &amp;amp; Bill Brewer.  Frank Graves (décor), 1958.  Later changes:  Fiona Fraser, Joan Blake, Jane Fenn, Elspeth Bryce, Nigel Hawthorne, Eveline Garratt, Robert Cheetham, Doreen Graves (Costumes).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;GORDON, Marjorie. English born actress and comedian who enjoyed a successful career in London, largely in musical comedy; invited to Australia where she starred in several musicals; had two world tours including New York. She eventually made her home in South Africa. In association with ACT, Marjorie and her company presented four plays at The Standard circa1947 including Coward's Design for Living. Starred in Leon Gluckman’s revue Xmas Box at the Library towards the end of 1949. Herbert Kretzmer composed five of the songs and cast included Johann Nell. She was very involved in South Africa’s radio drama scene. She starred in Noël Coward’s Private Live’s which was directed by Minna Millsten for the Reps in 1953. She was also fondly known as Maggie and was a favourite with critics, audiences and colleagues. She died in 1981 at the age of sixty. She went into partnership with actors Stuart Brown and Bruce Anderson to form The Company of  Three in 1955. Their first production was Third Person and was staged at the Reps. She starred in The Company of Three’s production of the hard-hitting American drama, A Hatful of Rain, which was directed by Stuart Brown  and staged at the Library Theatre in 1957. Also starring Ivan Berold and Jenny Gratus. She starred in Summer of the Seventeenth Doll, which was presented by The National Theatre at the Reps in 1957. It was directed by Leonard Schach, and was written by the Australian Ray Lawler. She starred in Leonard Schach’s Cockpit Players production of Basil Warner’s Try for White, which opened at the Pretoria Opera House before moving to the Intimate Theatre for the remainder of their highly successful run. It also starred Nigel Hawthorne, Zoe Randall, Michael Turner. Joyce Grant and Fiona Fraser replaced Minna Millsten and Heather Lloyd-Jones respectively, from the Cape Town cast. She played the part of Dolly Levi in Thornton Wilder’s lively period-New York comedy, The Matchmaker, which was staged by Leonard Schach’s Cockpit Player’s in 1959. This enduring show, also starring John McKelvey, Nigel Hawthorne, Michael McGovern, Robert Haber and Heather Lloyd-Jones, became the musical Hello, Dolly! She starred in Clive Hirschhorn’s A State of Innocence which was staged at the Library Theatre in 1960. Ruth Oppenheim directed and it also starred Johann Nell. She starred in Harold Pinter’s The Birthday Party, followed by Tennessee Williams’ The Night of the Iguana which was staged at the Playhouse by the Cockpit Players in 1962. Leonard Schach directed, and in his company of actors for these plays were Michael McGovern, Margaret Inglis, Siegfried Mynhardt, Diane Wilson and Kerry Jordan. She replaced Joan Blake in Adam Leslie’s revue Strike it Rich at the Adam Leslie Theatre in 1967/8. It starred Leslie, Joan , Judy Layne and Goerge Korelin. She starred in Leonard Schach’s production of the Paul Zindel play The Effect of Gamma Rays on Man-in-the-moon Marigolds, for PACT in 1971. It also starred Janice Honeyman. She starred in the Ben Travers farce, The Bed Before Yesterday, together with Leonard Whiting, Jean Kent, Naomi Buch, Graham Armitage and Gordon Mulholland. It was presented by Pieter Toerien in 1976. GORDON, Marjorie, Summer of the Seventeenth Doll (Australian comedy-drama)by Ray Lawler, presented by NTO,  Edward Ogden &amp;amp; Bill Brewer.  Frank Graves (décor), 1958.  Later changes:  Fiona Fraser, Joan Blake, Jane Fenn, Elspeth Bryce, Nigel Hawthorne, Eveline Garratt, Robert Cheetham, Doreen Graves (Costumes).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=31373&amp;oldid=prev</id>
		<title>Miriamt at 13:32, 20 August 2012</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=31373&amp;oldid=prev"/>
		<updated>2012-08-20T13:32:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:32, 20 August 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(****-****).  Actress.  Performed in People are Living There, Gamma Rays and as “the widow of Bath” in The Canterbury Tales.  (SACD 1973)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(****-****).  Actress.  Performed in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;People are Living There&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Gamma Rays&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;and as “the widow of Bath” in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;The Canterbury Tales&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;.  (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;SACD&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;1973)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;GORDON, Marjorie. (1921?-1981) Actress, director and producer. Born in England, where she was an actress and comedian who enjoyed a successful career in London, largely in musical comedy. Invited to Australia where she starred in several musicals and had two world tours including New York. Came to South Africa in circa 1947 with her company to present four plays at The [[Standard Theatre]] in association with [[ACT]] ( including Coward's [[Design for Living]]). She then settled in South Africa and, besides her stage career, became very involved in South African radio and radio drama. In 1955 she went into partnership with actors [[Stuart Brown]] and [[Bruce Anderson]] to form [[The Company of Three]]. Fondly known as Maggie, she was a favourite with critics, audiences and colleagues alike. Prominent performances include roles in [[Leon Gluckman]]’s revue ''[[Xmas Box]]'' (1949), ''[[Private Lives]]'' ([[Johannesburg Repertory Society|Johannesburg Reps]], 1953), ''[[Third Person]]''[?] ([[Company of Three]], 1955), ''[[A Hatful of Rain]]'' ([[Company of Three]], 1957), ''[[Summer of the Seventeenth Doll]]'' ([[NTO]], 1957), Basil Warner’s ''[[Try for White]]'' ([[Cockpit Players]], 1958?), Thornton Wilder’s ''[[The Matchmaker]]'' ([[Cockpit Players]], 1959), Clive Hirschhorn’s ''[[A State of Innocence]]'' ([[Library Theatre]], 1960), Harold Pinter’s ''[[The Birthday Party]]'' (1962?*), Tennessee Williams’s ''[[The Night of the Iguana]]'' ([[Cockpit Players]],  1962), [[Athol Fugard]]’s ''[[People are Living There]]'' ([[CAPAB]]? Touring company, 196*), *. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;GORDON, Marjorie. English born actress and comedian who enjoyed a successful career in London, largely in musical comedy; invited to Australia where she starred in several musicals; had two world tours including New York. She eventually made her home in South Africa. In association with ACT, Marjorie and her company presented four plays at The Standard circa1947 including Coward's Design for Living. Starred in Leon Gluckman’s revue Xmas Box at the Library towards the end of 1949. Herbert Kretzmer composed five of the songs and cast included Johann Nell. She was very involved in South Africa’s radio drama scene. She starred in Noël Coward’s Private Live’s which was directed by Minna Millsten for the Reps in 1953. She was also fondly known as Maggie and was a favourite with critics, audiences and colleagues. She died in 1981 at the age of sixty. She went into partnership with actors Stuart Brown and Bruce Anderson to form The Company of  Three in 1955. Their first production was Third Person and was staged at the Reps. She starred in The Company of Three’s production of the hard-hitting American drama, A Hatful of Rain, which was directed by Stuart Brown  and staged at the Library Theatre in 1957. Also starring Ivan Berold and Jenny Gratus. She starred in Summer of the Seventeenth Doll, which was presented by The National Theatre at the Reps in 1957. It was directed by Leonard Schach, and was written by the Australian Ray Lawler. She starred in Leonard Schach’s Cockpit Players production of Basil Warner’s Try for White, which opened at the Pretoria Opera House before moving to the Intimate Theatre for the remainder of their highly successful run. It also starred Nigel Hawthorne, Zoe Randall, Michael Turner. Joyce Grant and Fiona Fraser replaced Minna Millsten and Heather Lloyd-Jones respectively, from the Cape Town cast. She played the part of Dolly Levi in Thornton Wilder’s lively period-New York comedy, The Matchmaker, which was staged by Leonard Schach’s Cockpit Player’s in 1959. This enduring show, also starring John McKelvey, Nigel Hawthorne, Michael McGovern, Robert Haber and Heather Lloyd-Jones, became the musical Hello, Dolly! She starred in Clive Hirschhorn’s A State of Innocence which was staged at the Library Theatre in 1960. Ruth Oppenheim directed and it also starred Johann Nell. She starred in Harold Pinter’s The Birthday Party, followed by Tennessee Williams’ The Night of the Iguana which was staged at the Playhouse by the Cockpit Players in 1962. Leonard Schach directed, and in his company of actors for these plays were Michael McGovern, Margaret Inglis, Siegfried Mynhardt, Diane Wilson and Kerry Jordan. She replaced Joan Blake in Adam Leslie’s revue Strike it Rich at the Adam Leslie Theatre in 1967/8. It starred Leslie, Joan , Judy Layne and Goerge Korelin. She starred in Leonard Schach’s production of the Paul Zindel play The Effect of Gamma Rays on Man-in-the-moon Marigolds, for PACT in 1971. It also starred Janice Honeyman. She starred in the Ben Travers farce, The Bed Before Yesterday, together with Leonard Whiting, Jean Kent, Naomi Buch, Graham Armitage and Gordon Mulholland. It was presented by Pieter Toerien in 1976. GORDON, Marjorie, Summer of the Seventeenth Doll (Australian comedy-drama)by Ray Lawler, presented by NTO,  Edward Ogden &amp;amp; Bill Brewer.  Frank Graves (décor), 1958.  Later changes:  Fiona Fraser, Joan Blake, Jane Fenn, Elspeth Bryce, Nigel Hawthorne, Eveline Garratt, Robert Cheetham, Doreen Graves (Costumes).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[ESAT Personalities G]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[ESAT Personalities G]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=5120&amp;oldid=prev</id>
		<title>Smartrebecca: Created page with &quot;(****-****).  Actress.  Performed in People are Living There, Gamma Rays and as “the widow of Bath” in The Canterbury Tales.  (SACD 1973)  Return to ESAT Personalities G ...&quot;</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Marjorie_Gordon&amp;diff=5120&amp;oldid=prev"/>
		<updated>2010-11-08T13:03:35Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;(****-****).  Actress.  Performed in People are Living There, Gamma Rays and as “the widow of Bath” in The Canterbury Tales.  (SACD 1973)  Return to &lt;a href=&quot;/index.php/ESAT_Personalities_G&quot; title=&quot;ESAT Personalities G&quot;&gt;ESAT Personalities G&lt;/a&gt; ...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;(****-****).  Actress.  Performed in People are Living There, Gamma Rays and as “the widow of Bath” in The Canterbury Tales.  (SACD 1973)&lt;br /&gt;
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Return to [[ESAT Personalities G]]&lt;br /&gt;
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Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]&lt;br /&gt;
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Return to [[Main Page]]&lt;/div&gt;</summary>
		<author><name>Smartrebecca</name></author>
		
	</entry>
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