Louis de Vriendt - Revision history

Miriamt at 12:55, 21 July 2017

2017-07-21T12:55:41Z

Miriamt at 06:49, 21 June 2017

2017-06-21T06:49:28Z

Miriamt: /* Return to */

2017-06-20T14:16:01Z

Return to

Miriamt: /* Career */

2017-06-20T14:15:46Z

Career

Miriamt at 14:11, 20 June 2017

2017-06-20T14:11:12Z

Miriamt: /* Sources */

2017-06-20T14:05:00Z

Sources

Miriamt at 14:03, 20 June 2017

2017-06-20T14:03:01Z

Miriamt at 09:48, 29 April 2015

2015-04-29T09:48:06Z

Miriamt at 09:47, 29 April 2015

2015-04-29T09:47:11Z

Miriamt: Created page with "DE VRIENDT, Louis. (18-19) Actor and manager. The son of a Flemish sculptor, De Vriendt began acting when he was eighteen and trained in the Flemish "volkstoneel" ("folk thea..."

2012-07-11T13:14:27Z

Created page with "DE VRIENDT, Louis. (18**-19**) Actor and manager. The son of a Flemish sculptor, De Vriendt began acting when he was eighteen and trained in the Flemish "volkstoneel" ("folk thea..."

New page

DE VRIENDT, Louis. (18**-19**) Actor and manager. The son of a Flemish sculptor, De Vriendt began acting when he was eighteen and trained in the Flemish "volkstoneel" ("folk theatre") with Jan van Beers and Emiel Hullebroeck. He travelled widely also in eastern Europe, and apparently met his wife Mignon Sorel there. When they returned to Europe in 1914 they lived in Amsterdam and later moved to Belgium and formed the De Comoedia theatre group, presenting popular "transformation pieces" in which they portrayed a dozen or more characters. For example, when they performed ''Die Niksnuts'' ("Worthless Man") he and his wife enacted eight characters each, utilizing a strong mimetic style of characterization. In the 1922-23 season they joined [[Anton Verheyen]] on his tour of India and returned with him to Cape Town in 1927, to tour with their pieces, including ''[[Bietje]]'' ("Little"), ''[[De Brandstichter]]'' ("The Pyromaniac", ''[[De Gebroken Spiegel]]'' ("The Broken Mirror"), ''[[Niksnuts]]'' ("Worthless Man") and ''[[De Zonden van het Verleden]]'' ("The sins of the past" or ''[[Het Kind der Zonde]]'' = "Child of Sin "). Soon Verheyen breaks way, and they continued touring on their own. * In 1938 he directed ''[[Sepp'l]]'', a Flemish operetta he had co-written with Emil Hullebroeck, for [[Volksteater]]. *

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@@ Line 1: / Line 1: @@
-'''Louis de Vriendt'''. (18**-1946) Actor and manager.
+'''Louis de Vriendt'''. (18**-1946) Actor, director, playwright and manager.
 == Biography ==
@@ Line 18: / Line 18: @@
 In 1938 he directed ''[[Sepp'l]]'', a Flemish operetta he had co-written with Emil Hullebroeck, for [[Volksteater]].
 == Awards, etc ==
@@ Line 24: / Line 26: @@
 == Sources ==
 SA History Online [http://www.sahistory.org.za/people/franciscus-jacobus-ludovicus-also-franccedilois-jacobus-louis-de-vriendt].
 Go to [[ESAT Bibliography]]

← Older revision		Revision as of 06:49, 21 June 2017
Line 1:		Line 1:
−	'''Louis de Vriendt'''. (18-19) Actor and manager.	+	'''Louis de Vriendt'''. (18**-1946) Actor and manager.

	== Biography ==		== Biography ==

@@ Line 10: / Line 10: @@
 === Career ===
-He travelled widely also in eastern Europe, and apparently met his wife [[Mignon Sorel]] there. When they returned to Europe in 1914 they lived in Amsterdam and later moved to Belgium and formed the De Comoedia theatre group, presenting popular "transformation pieces" in which they portrayed a dozen or more characters. For example, when they performed ''Die Niksnuts'' ("Worthless Man") he and his wife enacted eight characters each, utilizing a strong mimetic style of characterization.
+He travelled widely, also in eastern Europe, and apparently met his wife [[Mignon Sorel]] there. When they returned to Europe in 1914 they lived in Amsterdam and later moved to Belgium and formed the De Comoedia theatre group, presenting popular "transformation pieces" in which they portrayed a dozen or more characters. For example, when they performed ''Die Niksnuts'' ("Worthless Man") he and his wife enacted eight characters each, utilizing a strong mimetic style of characterization.
 In the 1922-23 season they joined [[Anton Verheyen]] on his tour of India and returned with him to Cape Town in 1927.

@@ Line 1: / Line 1: @@
-'''Louis de Vriendt'''. (18**-19**) Actor and manager. ,
+'''Louis de Vriendt'''. (18**-19**) Actor and manager.
 == Biography ==
 He was the son of a Flemish sculptor.
 === Training ===

@@ Line 21: / Line 21: @@
 == Sources ==
+SA History Online [http://www.sahistory.org.za/people/franciscus-jacobus-ludovicus-also-franccedilois-jacobus-louis-de-vriendt].
 Go to [[ESAT Bibliography]]

@@ Line 29: / Line 29: @@
 == Return to ==
-Return to [[ESAT Personalities  D]
+Return to [[ESAT Personalities  D]]
 Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]

← Older revision		Revision as of 09:48, 29 April 2015
Line 1:		Line 1:
−	DE VRIENDT, Louis. (18-19) Actor and manager. The son of a Flemish sculptor, De Vriendt began acting when he was eighteen and trained in the Flemish "volkstoneel" ("folk theatre") with Jan van Beers and Emiel Hullebroeck. He travelled widely also in eastern Europe, and apparently met his wife Mignon Sorel there. When they returned to Europe in 1914 they lived in Amsterdam and later moved to Belgium and formed the De Comoedia theatre group, presenting popular "transformation pieces" in which they portrayed a dozen or more characters. For example, when they performed ''Die Niksnuts'' ("Worthless Man") he and his wife enacted eight characters each, utilizing a strong mimetic style of characterization. In the 1922-23 season they joined [[Anton Verheyen]] on his tour of India and returned with him to Cape Town in 1927, to tour with their pieces, including ''[[Elckerlijc]]'', ''[[Bietje]]'' ("Little"), ''[[De Brandstichter]]'' ("The Pyromaniac", ''[[De Gebroken Spiegel]]'' ("The Broken Mirror"), ''[[Niksnuts]]'' ("Worthless Man") and ''[[De Zonden van het Verleden]]'' ("The sins of the past" or ''[[Het Kind der Zonde]]'' = "Child of Sin "). Soon Verheyen breaks way, and they continued touring on their own. * In 1938 he directed ''[[Sepp'l]]'', a Flemish operetta he had co-written with Emil Hullebroeck, for [[Volksteater]]. *	+	DE VRIENDT, Louis. (18-19) Actor and manager. The son of a Flemish sculptor, De Vriendt began acting when he was eighteen and trained in the Flemish "volkstoneel" ("folk theatre") with Jan van Beers and Emiel Hullebroeck. He travelled widely also in eastern Europe, and apparently met his wife [[Mignon Sorel]] there. When they returned to Europe in 1914 they lived in Amsterdam and later moved to Belgium and formed the De Comoedia theatre group, presenting popular "transformation pieces" in which they portrayed a dozen or more characters. For example, when they performed ''Die Niksnuts'' ("Worthless Man") he and his wife enacted eight characters each, utilizing a strong mimetic style of characterization. In the 1922-23 season they joined [[Anton Verheyen]] on his tour of India and returned with him to Cape Town in 1927, to tour with their pieces, including ''[[Elckerlijc]]'', ''[[Bietje]]'' ("Little"), ''[[De Brandstichter]]'' ("The Pyromaniac", ''[[De Gebroken Spiegel]]'' ("The Broken Mirror"), ''[[Niksnuts]]'' ("Worthless Man") and ''[[De Zonden van het Verleden]]'' ("The sins of the past" or ''[[Het Kind der Zonde]]'' = "Child of Sin "). Soon Verheyen breaks way, and they continued touring on their own. * In 1938 he directed ''[[Sepp'l]]'', a Flemish operetta he had co-written with Emil Hullebroeck, for [[Volksteater]]. *

← Older revision		Revision as of 09:47, 29 April 2015
Line 1:		Line 1:
−	DE VRIENDT, Louis. (18-19) Actor and manager. The son of a Flemish sculptor, De Vriendt began acting when he was eighteen and trained in the Flemish "volkstoneel" ("folk theatre") with Jan van Beers and Emiel Hullebroeck. He travelled widely also in eastern Europe, and apparently met his wife Mignon Sorel there. When they returned to Europe in 1914 they lived in Amsterdam and later moved to Belgium and formed the De Comoedia theatre group, presenting popular "transformation pieces" in which they portrayed a dozen or more characters. For example, when they performed ''Die Niksnuts'' ("Worthless Man") he and his wife enacted eight characters each, utilizing a strong mimetic style of characterization. In the 1922-23 season they joined [[Anton Verheyen]] on his tour of India and returned with him to Cape Town in 1927, to tour with their pieces, including ''[[Bietje]]'' ("Little"), ''[[De Brandstichter]]'' ("The Pyromaniac", ''[[De Gebroken Spiegel]]'' ("The Broken Mirror"), ''[[Niksnuts]]'' ("Worthless Man") and ''[[De Zonden van het Verleden]]'' ("The sins of the past" or ''[[Het Kind der Zonde]]'' = "Child of Sin "). Soon Verheyen breaks way, and they continued touring on their own. * In 1938 he directed ''[[Sepp'l]]'', a Flemish operetta he had co-written with Emil Hullebroeck, for [[Volksteater]]. *	+	DE VRIENDT, Louis. (18-19) Actor and manager. The son of a Flemish sculptor, De Vriendt began acting when he was eighteen and trained in the Flemish "volkstoneel" ("folk theatre") with Jan van Beers and Emiel Hullebroeck. He travelled widely also in eastern Europe, and apparently met his wife Mignon Sorel there. When they returned to Europe in 1914 they lived in Amsterdam and later moved to Belgium and formed the De Comoedia theatre group, presenting popular "transformation pieces" in which they portrayed a dozen or more characters. For example, when they performed ''Die Niksnuts'' ("Worthless Man") he and his wife enacted eight characters each, utilizing a strong mimetic style of characterization. In the 1922-23 season they joined [[Anton Verheyen]] on his tour of India and returned with him to Cape Town in 1927, to tour with their pieces, including ''[[Elckerlijc]]'', ''[[Bietje]]'' ("Little"), ''[[De Brandstichter]]'' ("The Pyromaniac", ''[[De Gebroken Spiegel]]'' ("The Broken Mirror"), ''[[Niksnuts]]'' ("Worthless Man") and ''[[De Zonden van het Verleden]]'' ("The sins of the past" or ''[[Het Kind der Zonde]]'' = "Child of Sin "). Soon Verheyen breaks way, and they continued touring on their own. * In 1938 he directed ''[[Sepp'l]]'', a Flemish operetta he had co-written with Emil Hullebroeck, for [[Volksteater]]. *