Little Theatre Movement - Revision history

Satj at 05:25, 22 November 2015

2015-11-22T05:25:59Z

Satj at 05:25, 22 November 2015

2015-11-22T05:25:25Z

Satj at 05:24, 22 November 2015

2015-11-22T05:24:43Z

Satj: Created page with "Little Theatre Movement (called "la petite scène" in Canada) had its origins in the USA around 1912, in reaction against the advent of film, which appeared to be repl..."

2015-11-22T05:04:18Z

Created page with "Little Theatre Movement (called "la petite scène" in Canada) had its origins in the USA around 1912, in reaction against the advent of film, which appeared to be repl..."

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[[Little Theatre Movement]] (called "la petite scène" in Canada) had its origins in the USA around 1912, in reaction against the advent of [[film]], which appeared to be replacing staged theatre as a medium for large-scale spectacle entertainment.

It also has its roots in the European movement to free dramatic forms and methods of production from the limitations of the large commercial theatres by establishing small experimental centres of drama. In this case the incentive came from young dramatists, stage designers, and actors who were influenced by the vital European theatre of the late 19th century (e.g. the ideas of Max Reinhardt, Adolphe Appia, Gordon Craig, the Théâtre-Libre of Paris, the Freie Bühne in Berlin, etc.)

However, it later would become a generic term for the amateur or nonprofessional "community" theatre, and the notion of community sponsored "[[little theatre]]s". It was used in this sense in South Africa by the 1930s, when amateur theatre set about organizing itself nationally through FATTSA and similar organizations.

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	However, it later would become a generic term for the amateur or nonprofessional "community" theatre, and the notion of community sponsored "[[little theatre]]s" or performance spaces. The term was being used in this sense in South Africa by the 1930s, when amateur theatre set about organizing itself nationally through [[FATSSA]] and more and more [[amateur]] groups were seeking to build small-scale, community based venues for their work.		However, it later would become a generic term for the amateur or nonprofessional "community" theatre, and the notion of community sponsored "[[little theatre]]s" or performance spaces. The term was being used in this sense in South Africa by the 1930s, when amateur theatre set about organizing itself nationally through [[FATSSA]] and more and more [[amateur]] groups were seeking to build small-scale, community based venues for their work.

−	This approach has had many spin-offs since then, not only being taken up by the amateur theatre companies, but also by the state funded theatre organizations ([[NTO]], [[~~PAC~~]]s) and those opposed to them. It would later convert into the [[Experimental Theatre]] or [[Workshop Theatre]] movement(s) inspired by the political situation in the country and ultimately became an integral part of the so-called "[Cultural Struggle]]" against Apartheid. Today vestigial characteristics of this movement are still present in the burgeoning [[community theatre]] and [[applied theatre]] movements in the country.	+	This approach has had many spin-offs since then, not only being taken up by the amateur theatre companies, but also by the state funded theatre organizations ([[NTO]], [[PACs]]) and those opposed to them. It would later convert into the [[Experimental Theatre]] or [[Workshop Theatre]] movement(s) inspired by the political situation in the country and ultimately became an integral part of the so-called "[Cultural Struggle]]" against Apartheid. Today vestigial characteristics of this movement are still present in the burgeoning [[community theatre]] and [[applied theatre]] movements in the country.

← Older revision		Revision as of 05:25, 22 November 2015
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	http://global.britannica.com/art/little-theatre-American-theatrical-movement		http://global.britannica.com/art/little-theatre-American-theatrical-movement
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		+	Go to [[South African Theatre/Bibliography]]
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		+	== Return to ==
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		+	Return to [[The South African Context/General Terminology and Thematic Entries]]
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		+	Return to [[South African Theatre/Terminology and Thematic Entries]]
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		+	Return to [[South African Film /Terminology and Thematic Entries]]
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-[[Little Theatre Movement]] (called "la petite scène" in Canada) had its origins in the USA around 1912, in reaction against the advent of [[film]], which appeared to be replacing staged theatre as a medium for large-scale spectacle entertainment.
+The [[Little Theatre Movement]]  had its origins in the USA around 1912, in reaction against the advent of [[film]], which appeared to be replacing staged theatre as a medium for large-scale spectacle entertainment. It soon spread to Canada (where it was also referred to as "la petite scène") and to other parts of the world.
-It also has its roots in the European movement to free dramatic forms and methods of production from the limitations of the large commercial theatres by establishing small experimental centres of drama. In this case the incentive came from young dramatists, stage designers, and actors who were influenced by the vital European theatre of the late 19th century (e.g. the ideas of Max Reinhardt, Adolphe Appia, Gordon Craig, the Théâtre-Libre of Paris, the Freie Bühne in Berlin, etc.)
+The movement also had close links with the slightly earlier European movement to free dramatic forms and methods of production from the limitations of the large commercial theatres by establishing small experimental centres of drama. In this case the incentive came from young dramatists, stage designers, and actors who were influenced by the vital European theatre of the late 19th century (e.g. the ideas of Max Reinhardt, Adolphe Appia, Gordon Craig, the Théâtre-Libre of Paris, the Freie Bühne in Berlin, etc.)
-However, it later would become a generic term for the amateur or nonprofessional "community" theatre, and the notion of community sponsored "[[little theatre]]s". It was used in this sense in South Africa by the 1930s, when amateur theatre set about organizing itself nationally through FATTSA and similar organizations.
+However, it later would become a generic term for the amateur or nonprofessional "community" theatre, and the notion of community sponsored "[[little theatre]]s" or performance spaces. The term was being used in this sense in South Africa by the 1930s, when amateur theatre set about organizing itself nationally through [[FATSSA]] and more and more [[amateur]] groups were seeking to build small-scale, community based venues for their work.