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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Leander_De_Cordova</id>
	<title>Leander De Cordova - Revision history</title>
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	<updated>2026-09-01T13:26:15Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=133212&amp;oldid=prev</id>
		<title>Fogterop at 16:34, 21 August 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=133212&amp;oldid=prev"/>
		<updated>2017-08-21T16:34:54Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:34, 21 August 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Kingston, Jamaica, 05/12/1877 – d. Los Angeles, 19/03/1969).  American actor and director.  Leander Hilarion Donalbin De Cordova was born in Jamaica.  The son of Altamont De Cordova, a prominent Kingston merchant who was a justice of the peace and a member of the House of Assembly, he came to the United States in 1888 when his father established a brokerage firm in New York.  According to The Moving Picture World of 15 April 1916, prior to becoming involved in the film industry, he had directed and managed stock companies in a dozen cities and The Film Daily of 24 April 1921 confirmed that previously he had been an actor “on the speaking stage”, his appearances &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;including &lt;/del&gt;a role in a 1916 dramatization of ''Ben-Hur'' at the Manhattan Opera House.  At the time he was married to the British-born actress Ethel Bland, who died in January 1920.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Kingston, Jamaica, 05/12/1877 – d. Los Angeles, 19/03/1969).  American actor and director.  Leander Hilarion Donalbin De Cordova was born in Jamaica.  The son of Altamont De Cordova, a prominent Kingston merchant who was a justice of the peace and a member of the House of Assembly, he came to the United States in 1888 when his father established a brokerage firm in New York.  According to The Moving Picture World of 15 April 1916, prior to becoming involved in the film industry, he had directed and managed stock companies in a dozen cities and The Film Daily of 24 April 1921 confirmed that previously he had been an actor “on the speaking stage”, his appearances &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;included &lt;/ins&gt;a role in a 1916 dramatization of ''Ben-Hur'' at the Manhattan Opera House.  At the time he was married to the British-born actress Ethel Bland, who died in January 1920.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When later that year  [[African Film Productions]] asked him to direct the film version of [[H. Rider Haggard]]’s novel “Swallow: a tale of the Great Trek”, he accepted the invitation and, together with production manager [[Leon D. Britton]] and cinematographer [[Edward C. Earle]], sailed for South Africa on 31 December 1920.  Before that he had been assistant director on a number of now forgotten films and had directed three himself.  For ''[[Swallow]]'' (1922) AFP brought out [[Joan Morgan]] and [[Hayford Hobbs]] from England, and this was followed by ''[[Sam’s Kid]]'' (1922), based on a novel by [[F.E. Mills Young]].  The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that is incorrect. While ''[[Swallow]]'' and ''[[Sam’s Kid]]'' were the only features he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences while filming in Basutoland and [[Thelma Gutsche]] makes mention of a documentary entitled ''[[Peep into Basutolandl]]'' that was released by AFP a year or two later.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When later that year  [[African Film Productions]] asked him to direct the film version of [[H. Rider Haggard]]’s novel “Swallow: a tale of the Great Trek”, he accepted the invitation and, together with production manager [[Leon D. Britton]] and cinematographer [[Edward C. Earle]], sailed for South Africa on 31 December 1920.  Before that he had been assistant director on a number of now forgotten films and had directed three himself.  For ''[[Swallow]]'' (1922) AFP brought out [[Joan Morgan]] and [[Hayford Hobbs]] from England, and this was followed by ''[[Sam’s Kid]]'' (1922), based on a novel by [[F.E. Mills Young]].  The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that is incorrect. While ''[[Swallow]]'' and ''[[Sam’s Kid]]'' were the only features he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences while filming in Basutoland and [[Thelma Gutsche]] makes mention of a documentary entitled ''[[Peep into Basutolandl]]'' that was released by AFP a year or two later.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=94255&amp;oldid=prev</id>
		<title>Fogterop at 18:30, 5 December 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=94255&amp;oldid=prev"/>
		<updated>2015-12-05T18:30:23Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:30, 5 December 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Kingston, Jamaica, 05/12/1877 – d. Los Angeles, 19/03/1969).  American actor and director.  Leander Hilarion Donalbin De Cordova was born in Jamaica.  The son of Altamont De Cordova, a prominent Kingston merchant who was a justice of the peace and a member of the House of Assembly, he came to the United States in 1888 when his father established a brokerage firm in New York.  According to The Moving Picture World of 15 April 1916, prior to becoming involved in the film industry, he had directed and managed stock companies in a dozen cities and The Film Daily of 24 April 1921 confirmed that previously he had been an actor “on the speaking stage”, his appearances including a role in a 1916 dramatization of ''Ben-Hur'' at the Manhattan Opera House.  At the time he was married to the British-born actress Ethel Bland, who died in January 1920.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Kingston, Jamaica, 05/12/1877 – d. Los Angeles, 19/03/1969).  American actor and director.  Leander Hilarion Donalbin De Cordova was born in Jamaica.  The son of Altamont De Cordova, a prominent Kingston merchant who was a justice of the peace and a member of the House of Assembly, he came to the United States in 1888 when his father established a brokerage firm in New York.  According to The Moving Picture World of 15 April 1916, prior to becoming involved in the film industry, he had directed and managed stock companies in a dozen cities and The Film Daily of 24 April 1921 confirmed that previously he had been an actor “on the speaking stage”, his appearances including a role in a 1916 dramatization of ''Ben-Hur'' at the Manhattan Opera House.  At the time he was married to the British-born actress Ethel Bland, who died in January 1920.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When later that year  [[African Film Productions]] asked him to direct the film version of [[H. Rider Haggard]]’s novel “Swallow: a tale of the Great Trek”, he accepted the invitation and, together with production manager [[Leon D. Britton]] and cinematographer [[Edward C. Earle]], sailed for South Africa on 31 December 1920.  Before that he had been assistant director on a number of now forgotten films and had directed three himself.  For ''[[Swallow]]'' (1922) AFP brought out [[Joan Morgan]] and [[Hayford Hobbs]] from England, and this was followed by ''[[Sam’s Kid]]'' (1922), based on a novel by [[F.E. Mills&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;-&lt;/del&gt;Young]].  The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that is incorrect. While ''[[Swallow]]'' and ''[[Sam’s Kid]]'' were the only features he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences while filming in Basutoland and [[Thelma Gutsche]] makes mention of a documentary entitled ''[[Peep into Basutolandl]]'' that was released by AFP a year or two later.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When later that year  [[African Film Productions]] asked him to direct the film version of [[H. Rider Haggard]]’s novel “Swallow: a tale of the Great Trek”, he accepted the invitation and, together with production manager [[Leon D. Britton]] and cinematographer [[Edward C. Earle]], sailed for South Africa on 31 December 1920.  Before that he had been assistant director on a number of now forgotten films and had directed three himself.  For ''[[Swallow]]'' (1922) AFP brought out [[Joan Morgan]] and [[Hayford Hobbs]] from England, and this was followed by ''[[Sam’s Kid]]'' (1922), based on a novel by [[F.E. Mills Young]].  The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that is incorrect. While ''[[Swallow]]'' and ''[[Sam’s Kid]]'' were the only features he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences while filming in Basutoland and [[Thelma Gutsche]] makes mention of a documentary entitled ''[[Peep into Basutolandl]]'' that was released by AFP a year or two later.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While in South Africa, he was joined by Emma Louise Hope, who had recently been widowed, and when he returned to the United States via England, he was accompanied by Emmy L. De Cordova.  In fact, on her passport application she stated that she was going to South Africa to get married.  Returning to England on the same ship were [[Abe Barker]] and [[M.A. Wetherell]].  Subsequently De Cordova had another encounter with Haggard when he directed one of the many versions of ''She'' (1925), this one starring Betty Blythe. This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired. During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be [[H. Lisle Lucoque]], the director of ''[[King Solomon’s Mines]]'' and ''[[Allan Quatermain]]''.  He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably as the Governor in ''Zorro’s Fighting Legion'' (1939).  Acting with him in that serial was C. Montague Shaw, who as [[Charles Sparrow]] had acted in ''[[With Edged Tools]]'' (1919). He continued to appear in films until 1961, though in the Federal Census of 1940 his occupation was given as manager of a match factory.  The writer/actor Rudolph De Cordova, who settled in Great Britain, was his older brother. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While in South Africa, he was joined by Emma Louise Hope, who had recently been widowed, and when he returned to the United States via England, he was accompanied by Emmy L. De Cordova.  In fact, on her passport application she stated that she was going to South Africa to get married.  Returning to England on the same ship were [[Abe Barker]] and [[M.A. Wetherell]].  Subsequently De Cordova had another encounter with Haggard when he directed one of the many versions of ''She'' (1925), this one starring Betty Blythe. This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired. During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be [[H. Lisle Lucoque]], the director of ''[[King Solomon’s Mines]]'' and ''[[Allan Quatermain]]''.  He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably as the Governor in ''Zorro’s Fighting Legion'' (1939).  Acting with him in that serial was C. Montague Shaw, who as [[Charles Sparrow]] had acted in ''[[With Edged Tools]]'' (1919). He continued to appear in films until 1961, though in the Federal Census of 1940 his occupation was given as manager of a match factory.  The writer/actor Rudolph De Cordova, who settled in Great Britain, was his older brother. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=94254&amp;oldid=prev</id>
		<title>Fogterop at 18:28, 5 December 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=94254&amp;oldid=prev"/>
		<updated>2015-12-05T18:28:28Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:28, 5 December 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When later that year  [[African Film Productions]] asked him to direct the film version of [[H. Rider Haggard]]’s novel “Swallow: a tale of the Great Trek”, he accepted the invitation and, together with production manager [[Leon D. Britton]] and cinematographer [[Edward C. Earle]], sailed for South Africa on 31 December 1920.  Before that he had been assistant director on a number of now forgotten films and had directed three himself.  For ''[[Swallow]]'' (1922) AFP brought out [[Joan Morgan]] and [[Hayford Hobbs]] from England, and this was followed by ''[[Sam’s Kid]]'' (1922), based on a novel by [[F.E. Mills-Young]].  The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that is incorrect. While ''[[Swallow]]'' and ''[[Sam’s Kid]]'' were the only features he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences while filming in Basutoland and [[Thelma Gutsche]] makes mention of a documentary entitled ''[[Peep into Basutolandl]]'' that was released by AFP a year or two later.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When later that year  [[African Film Productions]] asked him to direct the film version of [[H. Rider Haggard]]’s novel “Swallow: a tale of the Great Trek”, he accepted the invitation and, together with production manager [[Leon D. Britton]] and cinematographer [[Edward C. Earle]], sailed for South Africa on 31 December 1920.  Before that he had been assistant director on a number of now forgotten films and had directed three himself.  For ''[[Swallow]]'' (1922) AFP brought out [[Joan Morgan]] and [[Hayford Hobbs]] from England, and this was followed by ''[[Sam’s Kid]]'' (1922), based on a novel by [[F.E. Mills-Young]].  The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that is incorrect. While ''[[Swallow]]'' and ''[[Sam’s Kid]]'' were the only features he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences while filming in Basutoland and [[Thelma Gutsche]] makes mention of a documentary entitled ''[[Peep into Basutolandl]]'' that was released by AFP a year or two later.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While in South Africa, he was joined by Emma Louise Hope, who had recently been widowed, and when he returned to the United States via England, he was accompanied by Emmy L. De Cordova.  In fact, on her passport application she stated that she was going to South Africa to get married.  Returning to England on the same ship were [[Abe Barker]] and [[M.A. Wetherell]].  Subsequently De Cordova had another encounter with Haggard when he directed one of the many versions of ''She'' (1925), this one starring Betty Blythe. This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired. During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be [[H. Lisle Lucoque]], the director of ''[[King Solomon’s Mines]]'' and ''[[Allan Quatermain]]''.  He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably as the Governor in ''Zorro’s Fighting Legion'' (1939).  Acting with him in that serial was C. Montague Shaw, who as [[Charles Sparrow]] had acted in ''[[With Edged Tools]]'' (1919). He continued to appear in films until 1961, though in the Federal Census of 1940 his occupation &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;is &lt;/del&gt;given as manager of a match factory.  The writer/actor Rudolph De Cordova, who settled in Great Britain, was his older brother. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While in South Africa, he was joined by Emma Louise Hope, who had recently been widowed, and when he returned to the United States via England, he was accompanied by Emmy L. De Cordova.  In fact, on her passport application she stated that she was going to South Africa to get married.  Returning to England on the same ship were [[Abe Barker]] and [[M.A. Wetherell]].  Subsequently De Cordova had another encounter with Haggard when he directed one of the many versions of ''She'' (1925), this one starring Betty Blythe. This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired. During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be [[H. Lisle Lucoque]], the director of ''[[King Solomon’s Mines]]'' and ''[[Allan Quatermain]]''.  He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably as the Governor in ''Zorro’s Fighting Legion'' (1939).  Acting with him in that serial was C. Montague Shaw, who as [[Charles Sparrow]] had acted in ''[[With Edged Tools]]'' (1919). He continued to appear in films until 1961, though in the Federal Census of 1940 his occupation &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was &lt;/ins&gt;given as manager of a match factory.  The writer/actor Rudolph De Cordova, who settled in Great Britain, was his older brother. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=94253&amp;oldid=prev</id>
		<title>Fogterop at 18:27, 5 December 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=94253&amp;oldid=prev"/>
		<updated>2015-12-05T18:27:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:27, 5 December 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When later that year  [[African Film Productions]] asked him to direct the film version of [[H. Rider Haggard]]’s novel “Swallow: a tale of the Great Trek”, he accepted the invitation and, together with production manager [[Leon D. Britton]] and cinematographer [[Edward C. Earle]], sailed for South Africa on 31 December 1920.  Before that he had been assistant director on a number of now forgotten films and had directed three himself.  For ''[[Swallow]]'' (1922) AFP brought out [[Joan Morgan]] and [[Hayford Hobbs]] from England, and this was followed by ''[[Sam’s Kid]]'' (1922), based on a novel by [[F.E. Mills-Young]].  The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that is incorrect. While ''[[Swallow]]'' and ''[[Sam’s Kid]]'' were the only features he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences while filming in Basutoland and [[Thelma Gutsche]] makes mention of a documentary entitled ''[[Peep into Basutolandl]]'' that was released by AFP a year or two later.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When later that year  [[African Film Productions]] asked him to direct the film version of [[H. Rider Haggard]]’s novel “Swallow: a tale of the Great Trek”, he accepted the invitation and, together with production manager [[Leon D. Britton]] and cinematographer [[Edward C. Earle]], sailed for South Africa on 31 December 1920.  Before that he had been assistant director on a number of now forgotten films and had directed three himself.  For ''[[Swallow]]'' (1922) AFP brought out [[Joan Morgan]] and [[Hayford Hobbs]] from England, and this was followed by ''[[Sam’s Kid]]'' (1922), based on a novel by [[F.E. Mills-Young]].  The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that is incorrect. While ''[[Swallow]]'' and ''[[Sam’s Kid]]'' were the only features he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences while filming in Basutoland and [[Thelma Gutsche]] makes mention of a documentary entitled ''[[Peep into Basutolandl]]'' that was released by AFP a year or two later.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While in South Africa, he was joined by Emma Louise Hope, who had recently been widowed, and when he returned to the United States via England, he was accompanied by Emmy L. De Cordova.  In fact, on her passport application she stated that she was going to South Africa to get married.  Returning to England on the same ship were [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Abie &lt;/del&gt;Barker]] and [[M.A. Wetherell]].  Subsequently De Cordova had another encounter with Haggard when he directed one of the many versions of ''She'' (1925), this one starring Betty Blythe. This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired. During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be [[H. Lisle Lucoque]], the director of ''[[King Solomon’s Mines]]'' and ''[[Allan Quatermain]]''.  He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably as the Governor in ''Zorro’s Fighting Legion'' (1939).  Acting with him in that serial was C. Montague Shaw, who as [[Charles Sparrow]] had acted in ''[[With Edged Tools]]'' (1919). He continued to appear in films until 1961, though in the Federal Census of 1940 his occupation is given as manager of a match factory.  The writer/actor Rudolph De Cordova, who settled in Great Britain, was his older brother. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While in South Africa, he was joined by Emma Louise Hope, who had recently been widowed, and when he returned to the United States via England, he was accompanied by Emmy L. De Cordova.  In fact, on her passport application she stated that she was going to South Africa to get married.  Returning to England on the same ship were [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Abe &lt;/ins&gt;Barker]] and [[M.A. Wetherell]].  Subsequently De Cordova had another encounter with Haggard when he directed one of the many versions of ''She'' (1925), this one starring Betty Blythe. This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired. During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be [[H. Lisle Lucoque]], the director of ''[[King Solomon’s Mines]]'' and ''[[Allan Quatermain]]''.  He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably as the Governor in ''Zorro’s Fighting Legion'' (1939).  Acting with him in that serial was C. Montague Shaw, who as [[Charles Sparrow]] had acted in ''[[With Edged Tools]]'' (1919). He continued to appear in films until 1961, though in the Federal Census of 1940 his occupation is given as manager of a match factory.  The writer/actor Rudolph De Cordova, who settled in Great Britain, was his older brother. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=94252&amp;oldid=prev</id>
		<title>Fogterop at 18:26, 5 December 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=94252&amp;oldid=prev"/>
		<updated>2015-12-05T18:26:20Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:26, 5 December 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Kingston, Jamaica, 05/12/1877 – d. Los Angeles, 19/03/1969).  American actor and director.  Leander Hilarion Donalbin De Cordova was born in Jamaica.  The son of Altamont De Cordova, a prominent Kingston merchant who was a justice of the peace and a member of the House of Assembly, he came to the United States in 1888 when his father established a brokerage firm in New York.  According to The Moving Picture World of 15 April 1916, prior to becoming involved in the film industry, he had directed and managed stock companies in a dozen cities and The Film Daily of 24 April 1921 confirmed that previously he had been an actor “on the speaking stage”, his appearances including a role in a 1916 dramatization of ''Ben-Hur'' at the Manhattan Opera House.  At the time he was married to the British-born actress Ethel Bland, who died in January 1920.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Kingston, Jamaica, 05/12/1877 – d. Los Angeles, 19/03/1969).  American actor and director.  Leander Hilarion Donalbin De Cordova was born in Jamaica.  The son of Altamont De Cordova, a prominent Kingston merchant who was a justice of the peace and a member of the House of Assembly, he came to the United States in 1888 when his father established a brokerage firm in New York.  According to The Moving Picture World of 15 April 1916, prior to becoming involved in the film industry, he had directed and managed stock companies in a dozen cities and The Film Daily of 24 April 1921 confirmed that previously he had been an actor “on the speaking stage”, his appearances including a role in a 1916 dramatization of ''Ben-Hur'' at the Manhattan Opera House.  At the time he was married to the British-born actress Ethel Bland, who died in January 1920.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When later that year  [[African Film Productions]] asked him to direct the film version of [[H. Rider Haggard]]’s novel “Swallow: a tale of the Great Trek”, he accepted the invitation and, together with production manager [[Leon D. Britton]] and cinematographer [[Edward C. Earle]], sailed for South Africa on 31 December 1920.  Before that he had been assistant director on a number of now forgotten films and had directed three himself.  For ''[[Swallow]]'' (1922) AFP brought out [[Joan Morgan]] and [[Hayford Hobbs]] from England, and this was followed by ''[[Sam’s Kid]]'' (1922), based on a novel by [[F.E. Mills-Young]].  The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that is incorrect. While ''[[Swallow]]'' and ''[[Sam’s Kid]]'' were the only features he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences while filming in Basutoland and [[Thelma Gutsche]] makes mention of a documentary entitled ''[[Peep into &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Basutol&lt;/del&gt;]]''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and &lt;/del&gt;that was released by AFP a year or two later.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When later that year  [[African Film Productions]] asked him to direct the film version of [[H. Rider Haggard]]’s novel “Swallow: a tale of the Great Trek”, he accepted the invitation and, together with production manager [[Leon D. Britton]] and cinematographer [[Edward C. Earle]], sailed for South Africa on 31 December 1920.  Before that he had been assistant director on a number of now forgotten films and had directed three himself.  For ''[[Swallow]]'' (1922) AFP brought out [[Joan Morgan]] and [[Hayford Hobbs]] from England, and this was followed by ''[[Sam’s Kid]]'' (1922), based on a novel by [[F.E. Mills-Young]].  The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that is incorrect. While ''[[Swallow]]'' and ''[[Sam’s Kid]]'' were the only features he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences while filming in Basutoland and [[Thelma Gutsche]] makes mention of a documentary entitled ''[[Peep into &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Basutolandl&lt;/ins&gt;]]'' that was released by AFP a year or two later.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While in South Africa, he was joined by Emma Louise Hope, who had recently been widowed, and when he returned to the United States via England, he was accompanied by Emmy L. De Cordova.  In fact, on her passport application she stated that she was going to South Africa to get married.  Returning to England on the same ship were [[Abie Barker]] and [[M.A. Wetherell]].  Subsequently De Cordova had another encounter with Haggard when he directed one of the many versions of ''She'' (1925), this one starring Betty Blythe. This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired. During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be [[H. Lisle Lucoque]], the director of ''[[King Solomon’s Mines]]'' and ''[[Allan Quatermain]]''.  He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably as the Governor in ''Zorro’s Fighting Legion'' (1939).  Acting with him in that serial was C. Montague Shaw, who as [[Charles Sparrow]] had acted in ''[[With Edged Tools]]'' (1919). He continued to appear in films until 1961, though in the Federal Census of 1940 his occupation is given as manager of a match factory.  The writer/actor Rudolph De Cordova, who settled in Great Britain, was his older brother. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While in South Africa, he was joined by Emma Louise Hope, who had recently been widowed, and when he returned to the United States via England, he was accompanied by Emmy L. De Cordova.  In fact, on her passport application she stated that she was going to South Africa to get married.  Returning to England on the same ship were [[Abie Barker]] and [[M.A. Wetherell]].  Subsequently De Cordova had another encounter with Haggard when he directed one of the many versions of ''She'' (1925), this one starring Betty Blythe. This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired. During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be [[H. Lisle Lucoque]], the director of ''[[King Solomon’s Mines]]'' and ''[[Allan Quatermain]]''.  He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably as the Governor in ''Zorro’s Fighting Legion'' (1939).  Acting with him in that serial was C. Montague Shaw, who as [[Charles Sparrow]] had acted in ''[[With Edged Tools]]'' (1919). He continued to appear in films until 1961, though in the Federal Census of 1940 his occupation is given as manager of a match factory.  The writer/actor Rudolph De Cordova, who settled in Great Britain, was his older brother. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=94251&amp;oldid=prev</id>
		<title>Fogterop at 18:24, 5 December 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=94251&amp;oldid=prev"/>
		<updated>2015-12-05T18:24:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:24, 5 December 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Kingston, Jamaica, 05/12/1877 – d. Los Angeles, 19/03/1969).  American actor and director.  Leander Hilarion Donalbin De Cordova was born in Jamaica.  The son of Altamont De Cordova, a prominent Kingston merchant who was a justice of the peace and a member of the House of Assembly, he came to the United States in 1888 when his father established a brokerage firm in New York.  According to The Moving Picture World of 15 April 1916, prior to becoming involved in the film industry, he had directed and managed stock companies in a dozen cities and The Film Daily of 24 April 1921 confirmed that previously he had been an actor “on the speaking stage”, his appearances including a role in a 1916 dramatization of ''Ben-Hur'' at the Manhattan Opera House.  At the time he was married to the British-born actress Ethel Bland, who died in January 1920.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Kingston, Jamaica, 05/12/1877 – d. Los Angeles, 19/03/1969).  American actor and director.  Leander Hilarion Donalbin De Cordova was born in Jamaica.  The son of Altamont De Cordova, a prominent Kingston merchant who was a justice of the peace and a member of the House of Assembly, he came to the United States in 1888 when his father established a brokerage firm in New York.  According to The Moving Picture World of 15 April 1916, prior to becoming involved in the film industry, he had directed and managed stock companies in a dozen cities and The Film Daily of 24 April 1921 confirmed that previously he had been an actor “on the speaking stage”, his appearances including a role in a 1916 dramatization of ''Ben-Hur'' at the Manhattan Opera House.  At the time he was married to the British-born actress Ethel Bland, who died in January 1920.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When later that year  [[African Film Productions]] asked him to direct the film version of [[H. Rider Haggard]]’s novel “Swallow: a tale of the Great Trek”, he accepted the invitation and, together with production manager [[Leon D. Britton]] and cinematographer [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Edwin &lt;/del&gt;C. Earle]], sailed for South Africa on 31 December 1920.  Before that he had been assistant director on a number of now forgotten films and had directed three himself.  For ''[[Swallow]]'' (1922) AFP brought out [[Joan Morgan]] and [[Hayford Hobbs]] from England, and this was followed by ''[[Sam’s Kid]]'' (1922), based on a novel by [[F.E. Mills-Young]].  The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that is incorrect. While ''[[Swallow]]'' and ''[[Sam’s Kid]]'' were the only features he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences while filming in Basutoland and [[Thelma Gutsche]] makes mention of a documentary entitled ''[[Peep into Basutol]]''and that was released by AFP a year or two later.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When later that year  [[African Film Productions]] asked him to direct the film version of [[H. Rider Haggard]]’s novel “Swallow: a tale of the Great Trek”, he accepted the invitation and, together with production manager [[Leon D. Britton]] and cinematographer [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Edward &lt;/ins&gt;C. Earle]], sailed for South Africa on 31 December 1920.  Before that he had been assistant director on a number of now forgotten films and had directed three himself.  For ''[[Swallow]]'' (1922) AFP brought out [[Joan Morgan]] and [[Hayford Hobbs]] from England, and this was followed by ''[[Sam’s Kid]]'' (1922), based on a novel by [[F.E. Mills-Young]].  The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that is incorrect. While ''[[Swallow]]'' and ''[[Sam’s Kid]]'' were the only features he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences while filming in Basutoland and [[Thelma Gutsche]] makes mention of a documentary entitled ''[[Peep into Basutol]]''and that was released by AFP a year or two later.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While in South Africa, he was joined by Emma Louise Hope, who had recently been widowed, and when he returned to the United States via England, he was accompanied by Emmy L. De Cordova.  In fact, on her passport application she stated that she was going to South Africa to get married.  Returning to England on the same ship were [[Abie Barker]] and [[M.A. Wetherell]].  Subsequently De Cordova had another encounter with Haggard when he directed one of the many versions of ''She'' (1925), this one starring Betty Blythe. This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired. During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be [[H. Lisle Lucoque]], the director of ''[[King Solomon’s Mines]]'' and ''[[Allan Quatermain]]''.  He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably as the Governor in ''Zorro’s Fighting Legion'' (1939).  Acting with him in that serial was C. Montague Shaw, who as [[Charles Sparrow]] had acted in ''[[With Edged Tools]]'' (1919). He continued to appear in films until 1961, though in the Federal Census of 1940 his occupation is given as manager of a match factory.  The writer/actor Rudolph De Cordova, who settled in Great Britain, was his older brother. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While in South Africa, he was joined by Emma Louise Hope, who had recently been widowed, and when he returned to the United States via England, he was accompanied by Emmy L. De Cordova.  In fact, on her passport application she stated that she was going to South Africa to get married.  Returning to England on the same ship were [[Abie Barker]] and [[M.A. Wetherell]].  Subsequently De Cordova had another encounter with Haggard when he directed one of the many versions of ''She'' (1925), this one starring Betty Blythe. This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired. During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be [[H. Lisle Lucoque]], the director of ''[[King Solomon’s Mines]]'' and ''[[Allan Quatermain]]''.  He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably as the Governor in ''Zorro’s Fighting Legion'' (1939).  Acting with him in that serial was C. Montague Shaw, who as [[Charles Sparrow]] had acted in ''[[With Edged Tools]]'' (1919). He continued to appear in films until 1961, though in the Federal Census of 1940 his occupation is given as manager of a match factory.  The writer/actor Rudolph De Cordova, who settled in Great Britain, was his older brother. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=94250&amp;oldid=prev</id>
		<title>Fogterop at 18:22, 5 December 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=94250&amp;oldid=prev"/>
		<updated>2015-12-05T18:22:47Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:22, 5 December 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Kingston, Jamaica, 05/12/1877 – d. Los Angeles, 19/03/1969).  American actor and director.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Kingston, Jamaica, 05/12/1877 – d. Los Angeles, 19/03/1969).  American actor and director. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;Leander Hilarion Donalbin De Cordova was born in Jamaica.  The son of Altamont De Cordova, a prominent Kingston merchant who was a justice of the peace and a member of the House of Assembly, he came to the United States in 1888 when his father established a brokerage firm in New York.  According to The Moving Picture World of 15 April 1916, prior to becoming involved in the film industry, he had directed and managed stock companies in a dozen cities and The Film Daily of 24 April 1921 confirmed that previously he had been an actor “on the speaking stage”, his appearances including a role in a 1916 dramatization of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Ben-Hur&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;at the Manhattan Opera House.  At the time he was married to the British-born actress Ethel Bland, who died in January 1920.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Leander Hilarion Donalbin De Cordova was born in Jamaica.  The son of Altamont De Cordova, a prominent Kingston merchant who was a justice of the peace and a member of the House of Assembly, he came to the United States in 1888 when his father established a brokerage firm in New York.  According to The Moving Picture World of 15 April 1916, prior to becoming involved in the film industry, he had directed and managed stock companies in a dozen cities and The Film Daily of 24 April 1921 confirmed that previously he had been an actor “on the speaking stage”, his appearances including a role in a 1916 dramatization of Ben-Hur at the Manhattan Opera House.  At the time he was married to the British-born actress Ethel Bland, who died in January 1920.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When later that year  African Film Productions asked him to direct the film version of H. Rider &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Haggard’s &lt;/del&gt;novel “Swallow: a tale of the Great Trek”, he accepted the invitation and, together with production manager Leon D. Britton and cinematographer Edwin C. Earle, sailed for South Africa on 31 December 1920.  Before that he had been assistant director on a number of now forgotten films and had directed three himself.  For Swallow (1922) AFP brought out Joan Morgan and Hayford Hobbs from England, and this was followed by Sam’s Kid (1922), based on a novel by F.E. Mills-Young.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When later that year  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;African Film Productions&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;asked him to direct the film version of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;H. Rider &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Haggard]]’s &lt;/ins&gt;novel “Swallow: a tale of the Great Trek”, he accepted the invitation and, together with production manager &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Leon D. Britton&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;and cinematographer &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Edwin C. Earle&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, sailed for South Africa on 31 December 1920.  Before that he had been assistant director on a number of now forgotten films and had directed three himself.  For &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Swallow&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(1922) AFP brought out &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Joan Morgan&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Hayford Hobbs&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;from England, and this was followed by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Sam’s Kid&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(1922), based on a novel by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;F.E. Mills-Young&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that is incorrect. While &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Swallow&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Sam’s Kid&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;were the only features he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences while filming in Basutoland and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Thelma Gutsche&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;makes mention of a documentary entitled &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Peep into &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Basutol]]''and &lt;/ins&gt;that was released by AFP a year or two later.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Interestingly, &lt;/del&gt;The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that is incorrect. While Swallow and Sam’s Kid were the only features he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences while filming in Basutoland and Thelma Gutsche makes mention of a documentary entitled Peep into &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Basutoland &lt;/del&gt;that was released by AFP a year or two later.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While in South Africa, he was joined by Emma Louise Hope, who had recently been widowed, and when he returned to the United States via England, he was accompanied by Emmy L. De Cordova.  In fact, on her passport application she stated that she was going to South Africa to get married.  Returning to England on the same ship were Abie Barker and M.A. Wetherell.  Subsequently De Cordova had another encounter with Haggard when he directed one of the many versions of She (1925), this one starring Betty Blythe. This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired. During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be H. Lisle Lucoque, the director of King Solomon’s Mines and Allan Quatermain.  He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably as the Governor in Zorro’s Fighting Legion (1939).  Acting with him in that serial was C. Montague Shaw, who as Charles Sparrow had acted in With Edged Tools (1919). He continued to appear in films until 1961, though in the Federal Census of 1940 his occupation is given as manager of a match factory.  The writer/actor Rudolph De Cordova, who settled in Great Britain, was his older brother. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While in South Africa, he was joined by Emma Louise Hope, who had recently been widowed, and when he returned to the United States via England, he was accompanied by Emmy L. De Cordova.  In fact, on her passport application she stated that she was going to South Africa to get married.  Returning to England on the same ship were &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Abie Barker&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;M.A. Wetherell&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;.  Subsequently De Cordova had another encounter with Haggard when he directed one of the many versions of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;She&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;(1925), this one starring Betty Blythe. This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired. During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;H. Lisle Lucoque&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, the director of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;King Solomon’s Mines&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Allan Quatermain&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;.  He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably as the Governor in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Zorro’s Fighting Legion&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;(1939).  Acting with him in that serial was C. Montague Shaw, who as &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Charles Sparrow&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;had acted in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;With Edged Tools&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;(1919). He continued to appear in films until 1961, though in the Federal Census of 1940 his occupation is given as manager of a match factory.  The writer/actor Rudolph De Cordova, who settled in Great Britain, was his older brother. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=94249&amp;oldid=prev</id>
		<title>Fogterop at 18:16, 5 December 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=94249&amp;oldid=prev"/>
		<updated>2015-12-05T18:16:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:16, 5 December 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Kingston, Jamaica, 05/12/1877 – d. Los Angeles, 19/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;09&lt;/del&gt;/1969).  American actor and director.  According to The Moving Picture World of 15 April 1916, prior to becoming involved in the film industry, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Leander De Cordova &lt;/del&gt;had directed and managed stock companies in a dozen cities and The Film Daily of 24 April 1921 confirmed that previously he had been an actor “on the speaking stage”, his &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;appearance &lt;/del&gt;including a role in a 1916 &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;dramatisation &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/del&gt;Ben-Hur&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/del&gt;at the Manhattan Opera House.  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;In &lt;/del&gt;1920 &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;African Film Productions&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] recruited &lt;/del&gt;him to direct the film version of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;H. Rider &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Haggard]]’s &lt;/del&gt;novel “Swallow: a tale of the Great Trek”, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a &lt;/del&gt;production for &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;which [[&lt;/del&gt;Joan Morgan&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Hayford Hobbs&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] were brought out &lt;/del&gt;from England&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;.  This &lt;/del&gt;was followed by &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Sam's &lt;/del&gt;Kid&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;(1922), based on a novel by &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;F.E. Mills Young&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Prior &lt;/del&gt;to that he had been &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;assistant director on a number of now forgotten films &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;had directed three himself&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;while after [[Swallow]] (1922) &lt;/del&gt;he had another encounter with Haggard when he directed one of the many versions of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/del&gt;She&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/del&gt;(1925), this one starring Betty Blythe. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;H. Lisle Lucoque&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, the director of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;King &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Solomon's &lt;/del&gt;Mines&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Allan Quatermain&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;  &lt;/del&gt;He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the serial ''&lt;/del&gt;Zorro’s Fighting Legion&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/del&gt;(1939). &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;  Interestingly&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The Film Daily of 10 October 1922 makes reference &lt;/del&gt;to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;six features based on novels by Rider Haggard he supposedly made for AFP&lt;/del&gt;, though &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;clearly that claim &lt;/del&gt;is a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;fallacy&lt;/del&gt;.  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;While [[Swallow]] and [[Sam's Kid]] were the only features he directed in South Africa, in an article written for &lt;/del&gt;The &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Film Daily of 9 May 1921, &lt;/del&gt;De Cordova &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;describes his experiences of filming &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Basutoland and Thelma Gutsche makes mention of a documentary entitled “Peep into Basutoland” that &lt;/del&gt;was &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;released by AFP a year or two later&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;(FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Kingston, Jamaica, 05/12/1877 – d. Los Angeles, 19/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;03&lt;/ins&gt;/1969).  American actor and director&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Leander Hilarion Donalbin De Cordova was born in Jamaica.  The son of Altamont De Cordova, a prominent Kingston merchant who was a justice of the peace and a member of the House of Assembly, he came to the United States in 1888 when his father established a brokerage firm in New York&lt;/ins&gt;.  According to The Moving Picture World of 15 April 1916, prior to becoming involved in the film industry, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;he &lt;/ins&gt;had directed and managed stock companies in a dozen cities and The Film Daily of 24 April 1921 confirmed that previously he had been an actor “on the speaking stage”, his &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;appearances &lt;/ins&gt;including a role in a 1916 &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;dramatization &lt;/ins&gt;of Ben-Hur at the Manhattan Opera House.  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;At the time he was married to the British-born actress Ethel Bland, who died in January &lt;/ins&gt;1920&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;When later that year  &lt;/ins&gt;African Film Productions &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;asked &lt;/ins&gt;him to direct the film version of H. Rider &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Haggard’s &lt;/ins&gt;novel “Swallow: a tale of the Great Trek”, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;he accepted the invitation and, together with &lt;/ins&gt;production &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;manager Leon D. Britton and cinematographer Edwin C. Earle, sailed &lt;/ins&gt;for &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;South Africa on 31 December 1920.  Before that he had been assistant director on a number of now forgotten films and had directed three himself.  For Swallow (1922) AFP brought out &lt;/ins&gt;Joan Morgan and Hayford Hobbs from England&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, and this &lt;/ins&gt;was followed by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Sam’s &lt;/ins&gt;Kid (1922), based on a novel by F.E. Mills&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;-&lt;/ins&gt;Young.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Interestingly, The Film Daily of 10 October 1922 makes reference &lt;/ins&gt;to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;six features based on novels by Rider Haggard he supposedly made for AFP, though clearly &lt;/ins&gt;that &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;is incorrect. While Swallow and Sam’s Kid were the only features &lt;/ins&gt;he &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences while filming in Basutoland and Thelma Gutsche makes mention of a documentary entitled Peep into Basutoland that was released by AFP a year or two later.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;While in South Africa, he was joined by Emma Louise Hope, who &lt;/ins&gt;had &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;recently &lt;/ins&gt;been &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;widowed, &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;when he returned to the United States via England&lt;/ins&gt;, he &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was accompanied by Emmy L. De Cordova.  In fact, on her passport application she stated that she was going to South Africa to get married.  Returning to England on the same ship were Abie Barker and M.A. Wetherell.  Subsequently De Cordova &lt;/ins&gt;had another encounter with Haggard when he directed one of the many versions of She (1925), this one starring Betty Blythe. This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired. During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be H. Lisle Lucoque, the director of King &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Solomon’s &lt;/ins&gt;Mines and Allan Quatermain. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;as the Governor &lt;/ins&gt;in Zorro’s Fighting Legion (1939). &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; Acting with him in that serial was C. Montague Shaw&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;who as Charles Sparrow had acted in With Edged Tools (1919). He continued &lt;/ins&gt;to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;appear in films until 1961&lt;/ins&gt;, though &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in the Federal Census of 1940 his occupation &lt;/ins&gt;is &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;given as manager of &lt;/ins&gt;a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;match factory&lt;/ins&gt;.  The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;writer/actor Rudolph &lt;/ins&gt;De Cordova&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, who settled &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Great Britain, &lt;/ins&gt;was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;his older brother&lt;/ins&gt;. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot; &gt;Line 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;S.A. Pictorial, 22 July 1922&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;S.A. Pictorial, 22 July 1922&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gutsche, Thelma - The history and social significance of motion pictures in South Africa 1895-1940&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Le Roux, André I. &amp;amp; Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;http://www.imdb.com/name/nm0208113/?ref_=fn_nm_nm_1&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;http://www.imdb.com/name/nm0208113/?ref_=fn_nm_nm_1&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=67359&amp;oldid=prev</id>
		<title>Fogterop at 15:42, 17 September 2014</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=67359&amp;oldid=prev"/>
		<updated>2014-09-17T15:42:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:42, 17 September 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Kingston, Jamaica, 05/12/1877 – d. Los Angeles, 19/09/1969).  American actor and director.  According to The Moving Picture World of 15 April 1916, prior to becoming involved in the film industry, Leander De Cordova had directed and managed stock companies in a dozen cities and The Film Daily of 24 April 1921 confirmed that previously he had been an actor “on the speaking stage”, his appearance including a role in a 1916 dramatisation of ''Ben-Hur'' at the Manhattan Opera House.  In 1920 [[African Film Productions]] recruited him to direct the film version of [[H. Rider Haggard]]’s novel “Swallow: a tale of the Great Trek”, a production for which [[Joan Morgan]] and [[Hayford Hobbs]] were brought out from England.  This was followed by [[Sam's Kid]] (1922), based on a novel by [[F.E. Mills Young]]. Prior to that he had been assistant director on a number of now forgotten films and had directed three himself, while after [[Swallow]] (1922) he had another encounter with Haggard when he directed one of the many versions of ''She'' (1925), this one starring Betty Blythe.  This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired.  During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be [[H. Lisle Lucoque]], the director of [[King Solomon's Mines]] and [[Allan Quatermain]].   He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably in the serial ''Zorro’s Fighting Legion'' (1939).   Interestingly, The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that claim is a fallacy.  While &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;“Swallow” &lt;/del&gt;and [[Sam's Kid]] were the only features he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences of filming in Basutoland and Thelma Gutsche makes mention of a documentary entitled “Peep into Basutoland” that was released by AFP a year or two later.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Kingston, Jamaica, 05/12/1877 – d. Los Angeles, 19/09/1969).  American actor and director.  According to The Moving Picture World of 15 April 1916, prior to becoming involved in the film industry, Leander De Cordova had directed and managed stock companies in a dozen cities and The Film Daily of 24 April 1921 confirmed that previously he had been an actor “on the speaking stage”, his appearance including a role in a 1916 dramatisation of ''Ben-Hur'' at the Manhattan Opera House.  In 1920 [[African Film Productions]] recruited him to direct the film version of [[H. Rider Haggard]]’s novel “Swallow: a tale of the Great Trek”, a production for which [[Joan Morgan]] and [[Hayford Hobbs]] were brought out from England.  This was followed by [[Sam's Kid]] (1922), based on a novel by [[F.E. Mills Young]]. Prior to that he had been assistant director on a number of now forgotten films and had directed three himself, while after [[Swallow]] (1922) he had another encounter with Haggard when he directed one of the many versions of ''She'' (1925), this one starring Betty Blythe.  This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired.  During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be [[H. Lisle Lucoque]], the director of [[King Solomon's Mines]] and [[Allan Quatermain]].   He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably in the serial ''Zorro’s Fighting Legion'' (1939).   Interestingly, The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that claim is a fallacy.  While &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Swallow]] &lt;/ins&gt;and [[Sam's Kid]] were the only features he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences of filming in Basutoland and Thelma Gutsche makes mention of a documentary entitled “Peep into Basutoland” that was released by AFP a year or two later.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=67358&amp;oldid=prev</id>
		<title>Fogterop at 15:42, 17 September 2014</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Leander_De_Cordova&amp;diff=67358&amp;oldid=prev"/>
		<updated>2014-09-17T15:42:13Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:42, 17 September 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Kingston, Jamaica, 05/12/1877 – d. Los Angeles, 19/09/1969).  American actor and director.  According to The Moving Picture World of 15 April 1916, prior to becoming involved in the film industry, Leander De Cordova had directed and managed stock companies in a dozen cities and The Film Daily of 24 April 1921 confirmed that previously he had been an actor “on the speaking stage”, his appearance including a role in a 1916 dramatisation of ''Ben-Hur'' at the Manhattan Opera House.  In 1920 [[African Film Productions]] recruited him to direct the film version of [[H. Rider Haggard]]’s novel “Swallow: a tale of the Great Trek”, a production for which [[Joan Morgan]] and [[Hayford Hobbs]] were brought out from England.  This was followed by [[Sam's Kid]] (1922), based on a novel by [[F.E. Mills Young]]. Prior to that he had been assistant director on a number of now forgotten films and had directed three himself, while after [[Swallow]] (1922) he had another encounter with Haggard when he directed one of the many versions of ''She'' (1925), this one starring Betty Blythe.  This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired.  During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be [[H. Lisle Lucoque]], the director of [[King Solomon's Mines]] and [[Allan Quatermain]].   He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably in the serial ''Zorro’s Fighting Legion'' (1939).   Interestingly, The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that claim is a fallacy.  While “Swallow” &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;was &lt;/del&gt;the only &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;feature &lt;/del&gt;he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences of filming in Basutoland and Thelma Gutsche makes mention of a documentary entitled “Peep into Basutoland” that was released by AFP a year or two later.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Kingston, Jamaica, 05/12/1877 – d. Los Angeles, 19/09/1969).  American actor and director.  According to The Moving Picture World of 15 April 1916, prior to becoming involved in the film industry, Leander De Cordova had directed and managed stock companies in a dozen cities and The Film Daily of 24 April 1921 confirmed that previously he had been an actor “on the speaking stage”, his appearance including a role in a 1916 dramatisation of ''Ben-Hur'' at the Manhattan Opera House.  In 1920 [[African Film Productions]] recruited him to direct the film version of [[H. Rider Haggard]]’s novel “Swallow: a tale of the Great Trek”, a production for which [[Joan Morgan]] and [[Hayford Hobbs]] were brought out from England.  This was followed by [[Sam's Kid]] (1922), based on a novel by [[F.E. Mills Young]]. Prior to that he had been assistant director on a number of now forgotten films and had directed three himself, while after [[Swallow]] (1922) he had another encounter with Haggard when he directed one of the many versions of ''She'' (1925), this one starring Betty Blythe.  This experience ended in a court case in which De Cordova sued producer George B. Samuelson after he had been discharged as director before his contract had expired.  During the hearings it emerged that he had been hired through an agent acting on the company's behalf, who turned out to be [[H. Lisle Lucoque]], the director of [[King Solomon's Mines]] and [[Allan Quatermain]].   He made his last film as director in 1931 and afterwards returned to acting, frequently uncredited, but most notably in the serial ''Zorro’s Fighting Legion'' (1939).   Interestingly, The Film Daily of 10 October 1922 makes reference to six features based on novels by Rider Haggard he supposedly made for AFP, though clearly that claim is a fallacy.  While “Swallow” &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and [[Sam's Kid]] were &lt;/ins&gt;the only &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;features &lt;/ins&gt;he directed in South Africa, in an article written for The Film Daily of 9 May 1921, De Cordova describes his experiences of filming in Basutoland and Thelma Gutsche makes mention of a documentary entitled “Peep into Basutoland” that was released by AFP a year or two later.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
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