Le Rendez-vous, ou l'Amour Supposé - Revision history

Satj: /* Performance history of all versions in South Africa */

2020-09-29T04:49:33Z

Performance history of all versions in South Africa

Satj: /* Performance history of all versions in South Africa */

2020-09-29T04:46:02Z

Performance history of all versions in South Africa

Satj: /* Sources */

2020-09-29T04:43:19Z

Sources

Satj: /* Performance history of all versions in South Africa */

2020-09-29T04:40:42Z

Performance history of all versions in South Africa

Satj: /* Performance history of all versions in South Africa */

2020-09-29T04:38:27Z

Performance history of all versions in South Africa

Satj: /* Translations and adaptations */

2020-09-29T04:35:36Z

Translations and adaptations

Satj: /* Translations and adaptations of the French text */

2020-09-29T04:32:54Z

Translations and adaptations of the French text

Satj: /* Le Rendezvous, a "laughable extravaganza" performed by M'Collum's Circus (1860) */

2020-09-29T04:25:48Z

Le Rendezvous, a "laughable extravaganza" performed by M'Collum's Circus (1860)

Satj: /* The original French text (1733) */

2020-09-29T04:19:16Z

The original French text (1733)

Satj: /* Sources */

2020-09-29T04:18:22Z

Sources

@@ Line 40: / Line 40: @@
 : The English version performed in the [[Theatre Royal]], Cape Town, as '''''[[Rendezvous, or Love in All Corners]]''''' by [[Sefton Parry]] and his company on 22 August, with ''[[The Lady of Lyons]]'' (Lytton).
-: A piece called '''''[[Love in All Corners]]''''' was produced by [[Disney Roebuck]] and his company in the [[Theatre Royal]], Cape Town, on 23 March, as afterpiece to ''[[The Octoroon]]'' (Boucicault). F.C.L. Bosman (1980, p.366) seems to call it a "new ballet", but it is far more likely that this was just a typographical error, a semi-colon having been left out, and that this was simply a version of Ayton's play, with the ballet performed as an interlude, as was often the case with Roebuck's performances.
+: A piece called '''''[[Love in All Corners]]''''' was produced by [[Disney Roebuck]] and his company in the [[Theatre Royal]], Cape Town, on 23 March, as afterpiece to ''[[The Octoroon]]'' (Boucicault). F.C.L. Bosman (1980, p.366) seems to call it a "new ballet", but it is far more likely that this was just a typographical error, a semi-colon having been left out, and that this was simply a version of Ayton's play (using the subtitle), with the ballet performed as an interlude, as was often the case with Roebuck's performances.
 = '''Sources''' =

@@ Line 40: / Line 40: @@
 : The English version performed in the [[Theatre Royal]], Cape Town, as '''''[[Rendezvous, or Love in All Corners]]''''' by [[Sefton Parry]] and his company on 22 August, with ''[[The Lady of Lyons]]'' (Lytton).
-: A piece called '''''[[Love in All Corners]]''''' was produced by [[Disney Roebuck]] and his company in the [[Theatre Royal]], Cape Town, on 23 march, as afterpiece to ''[[The Octoroon]]'' (Boucicault). F.C.L. Bosman (1980, p.366) seems to call it a "new ballet", but it is far more likely that this was just a typographical error, a semi-colon having been left out, and that this was simply a version of Ayton's play, with the ballet performed as an interlude, as was often the case with Roebuck's performances.
+: A piece called '''''[[Love in All Corners]]''''' was produced by [[Disney Roebuck]] and his company in the [[Theatre Royal]], Cape Town, on 23 March, as afterpiece to ''[[The Octoroon]]'' (Boucicault). F.C.L. Bosman (1980, p.366) seems to call it a "new ballet", but it is far more likely that this was just a typographical error, a semi-colon having been left out, and that this was simply a version of Ayton's play, with the ballet performed as an interlude, as was often the case with Roebuck's performances.
 = '''Sources''' =

← Older revision		Revision as of 04:43, 29 September 2020
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	[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman\|Bosman]] 1980: pp. 374-439.)		[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman\|Bosman]] 1980: pp. 374-439.)

−	[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp.139, 366	+	[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp. 98, 139, 366

@@ Line 36: / Line 36: @@
 : The [[Dutch]] version performed as '''''[[De Man van Veertig Jaren]]''''' in  Cape Town  by [[Door Yver Bloeit de Kunst]] on 19 June,  as an afterpiece to ''[[Charlotte Blandford, of De Wedergevonden Vader]]'' (Anon/Engelman)
-''[[Mont au Ciel]]'' is the name given to a [[tableau]] given
+: Performed by [[M'Collum's Circus]] in Cape Town during August, with two tableaux (''[[Harlequin Statue]]'' and ''[[Mont au Ciel]]'' ) and scenes from the [[burletta]] ''[[Fra Diavolo, or The Beauty and the Brigands]]'' (Byron).
 : The English version performed in the [[Theatre Royal]], Cape Town, as '''''[[Rendezvous, or Love in All Corners]]''''' by [[Sefton Parry]] and his company on 22 August, with ''[[The Lady of Lyons]]'' (Lytton).

@@ Line 36: / Line 36: @@
 : The [[Dutch]] version performed as '''''[[De Man van Veertig Jaren]]''''' in  Cape Town  by [[Door Yver Bloeit de Kunst]] on 19 June,  as an afterpiece to ''[[Charlotte Blandford, of De Wedergevonden Vader]]'' (Anon/Engelman)
-: [[M'Collum's Circus]]
+''[[Mont au Ciel]]'' is the name given to a [[tableau]] given
 : The English version performed in the [[Theatre Royal]], Cape Town, as '''''[[Rendezvous, or Love in All Corners]]''''' by [[Sefton Parry]] and his company on 22 August, with ''[[The Lady of Lyons]]'' (Lytton).

@@ Line 30: / Line 30: @@
 ===Translations and adaptations===
-''[[Le Rendezvous]]'' (wrongly titled La Rendezvous by Bosman, 1980), billed as a "laughable extravaganza", was performed by [[M'Collum's Circus]] in Cape Town in 1860. It was probably a burlesque version of Fagan's original French text (or the German version by Von Kotzebue or the English one by Ayrton),
+''[[Le Rendezvous]]'' (wrongly titled ''[[La Rendezvous]]'' by Bosman, 1980), was performed by [[M'Collum's Circus]] in Cape Town in 1860, and billed as a "laughable extravaganza". It was probably a burlesque version of Ayrton's English adaptation of Fagan's original.
 = '''Performance history of all versions in South Africa'''=

← Older revision		Revision as of 04:32, 29 September 2020
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	The French play was translated into English as ''[[The Rendezvous]]'' (or ''[[Rendezvous, or Love in All Corners]]'') by Richard Ayton (1786-1823)[https://en.wikipedia.org/wiki/Richard_Ayton]. First Performed at the Theatre Royal, English Opera, in September, 1818, and became extremely popular for most of the 109th and early 20th centuries. Published by [[S. French]], 1818, I. Riley in 1818?, by John Cumberland		The French play was translated into English as ''[[The Rendezvous]]'' (or ''[[Rendezvous, or Love in All Corners]]'') by Richard Ayton (1786-1823)[https://en.wikipedia.org/wiki/Richard_Ayton]. First Performed at the Theatre Royal, English Opera, in September, 1818, and became extremely popular for most of the 109th and early 20th centuries. Published by [[S. French]], 1818, I. Riley in 1818?, by John Cumberland
		+
		+
		+	===Translations and adaptations===
		+
		+	''[[Le Rendezvous]]'' (wrongly titled La Rendezvous by Bosman, 1980), billed as a "laughable extravaganza", was performed by [[M'Collum's Circus]] in Cape Town in 1860. It was probably a burlesque version of Fagan's original French text (or the German version by Von Kotzebue or the English one by Ayrton),

	= '''Performance history of all versions in South Africa'''=		= '''Performance history of all versions in South Africa'''=

← Older revision		Revision as of 04:25, 29 September 2020
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	The French play was translated into English as ''[[The Rendezvous]]'' (or ''[[Rendezvous, or Love in All Corners]]'') by Richard Ayton (1786-1823)[https://en.wikipedia.org/wiki/Richard_Ayton]. First Performed at the Theatre Royal, English Opera, in September, 1818, and became extremely popular for most of the 109th and early 20th centuries. Published by [[S. French]], 1818, I. Riley in 1818?, by John Cumberland		The French play was translated into English as ''[[The Rendezvous]]'' (or ''[[Rendezvous, or Love in All Corners]]'') by Richard Ayton (1786-1823)[https://en.wikipedia.org/wiki/Richard_Ayton]. First Performed at the Theatre Royal, English Opera, in September, 1818, and became extremely popular for most of the 109th and early 20th centuries. Published by [[S. French]], 1818, I. Riley in 1818?, by John Cumberland
−
−	~~==''[[Le Rendezvous]]'', a "laughable extravaganza" performed by [[M'Collum's Circus]] (1860)==~~
−
−	~~This was probably a [[burlesque]] version by [[M'Collum's Circus]] of Fagan's original French text, or the German text by Kotzebue or the English version by Ayrton.~~

	= '''Performance history of all versions in South Africa'''=		= '''Performance history of all versions in South Africa'''=

@@ Line 5: / Line 5: @@
 = '''The original French text''' (1733)=
-''[[Le Rendez-vous, ou l'Amour Supposé]]'' (lit "The assignation, or the imagined love") is a one act French comedy in verse by Barthélemy-Christophe Fagan, (also known as "Fagan de Lugny", 1702-1755)
+''[[Le Rendez-vous, ou l'Amour Supposé]]'' (lit "The assignation, or the imagined love") is a one act French comedy in verse (also referred to as an "[[operetta]]") by Barthélemy-Christophe Fagan, (also known as "Fagan de Lugny", 1702-1755)
 First performed as ''[[Le Rendez-vous, ou l'Amour Supposé]]'' in Paris at the Théâtre-Français on 27 May 1733.

← Older revision		Revision as of 04:18, 29 September 2020
Line 74:		Line 74:
	[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman\|Bosman]] 1980: pp. 374-439.)		[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman\|Bosman]] 1980: pp. 374-439.)

−	[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp.366	+	[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp.139, 366