Krishna Shah - Revision history

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Biography

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Biography

Satj at 15:38, 14 January 2021

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Biography

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Sources

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Contribution to South African Theatre

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Contribution to South African Theatre

Satj at 15:19, 14 January 2021

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Sources

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Biography

← Older revision		Revision as of 03:13, 15 January 2021
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	Sponsored by the Indian National Theatre, Shah now went to the United States to study and survey Western trends in Drama. As the winner of an international scholarship he studied and taught at Iowa University. In this period he directed Rabindranath Tagore's play ''[[King of the Dark Chamber]]'' (the English version of ''[[Raja]]'') in New York, the production running for a year to rave notices.		Sponsored by the Indian National Theatre, Shah now went to the United States to study and survey Western trends in Drama. As the winner of an international scholarship he studied and taught at Iowa University. In this period he directed Rabindranath Tagore's play ''[[King of the Dark Chamber]]'' (the English version of ''[[Raja]]'') in New York, the production running for a year to rave notices.

−	In 1961 Union Artists brought him ~~and the play,~~ to South Africa ~~where~~ the play was a success once more and he also went on to do important work with local artists between 1961 and 1963, leading to the founding of the [[Shah Theatre Academy]], a Durban based training academy named after him. ''(See section on his contribution below)''	+	In 1961 Union Artists brought him to South Africa to mount an 'All-Indian" production of the play with [[AMDA]] students in Durban and Johannesburg. The play was a success once more and he also went on to do important work with local artists between 1961 and 1963, leading to the founding of the [[Shah Theatre Academy]], a Durban based training academy named after him. ''(See section on his contribution below)''

@@ Line 7: / Line 7: @@
 He next turned to directing when he staged ''Kadam Milake Chalo'' in Bombay, the play winning the first prize in the State Drama Competition in 1958 and Shah was named best director of the year. This catapulted him into another realm at the time, as indicated by a programme note to ''[[Sponono]]'' (which he had co-authored and directed in 1963): "Two directors are cited for their experimental work in India, Satyajit Ray of Calcutta for his films, and the young director, [[Krishna Shah]] of Bombay, for his stage plays."
-Sponsored by the Indian National Theatre, Shah now went to the United States to study and survey Western trends in Drama. As the winner of an international scholarship he studied and taught at Iowa University. In this period he directed Rabindranath Tagore's play''[[King of the Dark Chamber]]'' in New York,  the production running for a year to rave notices.
+Sponsored by the Indian National Theatre, Shah now went to the United States to study and survey Western trends in Drama. As the winner of an international scholarship he studied and taught at Iowa University. In this period he directed Rabindranath Tagore's play ''[[King of the Dark Chamber]]'' (the English version of ''[[Raja]]'') in New York,  the production running for a year to rave notices.
 In 1961 Union Artists brought him and the play, to South Africa where the play was a success once more and he also went on to do important work with local artists between 1961 and 1963, leading to the founding of the [[Shah Theatre Academy]],  a Durban based training academy named after him. ''(See section on his contribution below)''

@@ Line 16: / Line 16: @@
 After this fiasco Shah turned his interest to film and TV, enrolling in  UCLA's film program of the day.
 In 1969 Shah married Diane Hillman and he passed away on 13 October 2013 in Mumbai.
 ==Contribution to South African Theatre ==

@@ Line 11: / Line 11: @@
 In 1961 Union Artists brought him and the play, to South Africa where the play was a success once more and he also went on to do important work with local artists between 1961 and 1963, leading to the founding of the [[Shah Theatre Academy]],  a Durban based training academy named after him. ''(See section on his contribution below)''
-In 1969 he married Diane Hillman.
+'''''For more on Krishna Shah's subsequent international career see for example the [[Wikipedia]] entry on him at https://en.wikipedia.org/wiki/Krishna_Shah''
-−
-He passed away on 13 October 2013 in Mumbai.
+In 1969 Shah married Diane Hillman and he passed away on 13 October 2013 in Mumbai.
 ==Contribution to South African Theatre ==

← Older revision		Revision as of 15:25, 14 January 2021
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	In recognition of his influence in the period, the [[Shah Theatre Academy]] in Durban was named after the director.		In recognition of his influence in the period, the [[Shah Theatre Academy]] in Durban was named after the director.
−
−	~~==Sources==~~
−
−
−	~~Quoted out of a programme of ''[[Sponono]]'' staged from February 20th, 1963 and performed by [[Union Artists]] production:~~
−	'Two directors are cited for their experimental work in India, Satyajit Ray of Calcutta for his films, and the young director, Krishna Shah of Bombay, for his stage plays. Mr. Shah graduated from the Indian Academy of Dramatic Art and became a leading actor on the professional stage. Turning to directing he staged ''Kadam Milake Chalo'' in Bombay where it is still running after four years. In 1958 the play won the first prize in the State Drama Competition and he was named best director of the year. Sponsored by the Indian National Theatre, he went to the United States to study and survey Western trends in Drama. As the winner of an international scholarship he studied and taught at Iowa University. He directed ''King of the Dark Chamber'' in New York where it received rave notices and ran for a year. In 1961 Union Artists brought him to South Africa where his production of this play enjoyed an enthusiastic reception.'

	==Contribution to SA theatre, film, media and/or performance==		==Contribution to SA theatre, film, media and/or performance==

@@ Line 22: / Line 22: @@
 In 1961  the progressive professional theatre organisation  [[Union Artists]].
-brought Shah and his production of Tagore's play to South Africa  The production starred Indian stars [[Surya Kumari]] and [[Baskhar]] and opened in Durban before playing at the [[Wits University Great Hall]]. then went on to play at the [[University of the Witwatersrand]]'s [[Great Hall]]. This event would have a great influence on the evolution of theatre among the South African Indian community as well as the theatre industry as a whole. In recognition of this influence, the [[Shah Theatre Academy]] was named after the director.
+brought Shah and his production of Tagore's play to South Africa  The production starred Indian stars [[Surya Kumari]] and [[Baskhar]] and opened in Durban before playing at the [[Wits University Great Hall]]. then went on to play at the [[University of the Witwatersrand]]'s [[Great Hall]]. This event would have a great influence on the evolution of theatre among the South African Indian community as well as the theatre industry as a whole.
-In 1961 Shah brought his New York production of Rabinadrath Tagore's ''[[The King of the Dark Chamber]]'' () to Durban, South Africa .
+In 1963 Shah returned to Durban to conduct workshops and co-create and direct ''[[Sponono]]'' (with [[Alan Paton]]) - which they also took to New York.
-In 1963 Shah returned to Durban to conduct workshops, and this led to the founding of the influential [[Shah Academy]] in 1965 and the emergence of what was at one time known as [[Indic Theatre]] in the country.
+In recognition of his influence in the period, the [[Shah Theatre Academy]] in Durban was named after the director.
 ==Sources==

@@ Line 1: / Line 1: @@
-[[Krishna Shah]] (1938-2013) [https://en.wikipedia.org/wiki/Krishna_Shah]. Distinguished American/Gujarati film and theatre director.
+[[Krishna Shah]] (1938-2013) [https://en.wikipedia.org/wiki/Krishna_Shah]. Distinguished India-born American/Gujarati film and theatre director, screenwriter, playwright, producer, and production/distribution executive.
 == Biography ==
-==Biography==
+Born on 10 May 1938 in Bombay, India,  Shah graduated from the Indian Academy of Dramatic Art and became a leading actor on the professional stage.
-Born on 10 May 1938 in Bombay, India,
+He next turned to directing when he staged ''Kadam Milake Chalo'' in Bombay, the play winning the first prize in the State Drama Competition in 1958 and Shah was named best director of the year. This catapulted him into another realm at the time, as indicated by a programme note to ''[[Sponono]]'' (which he had co-authored and directed in 1963): "Two directors are cited for their experimental work in India, Satyajit Ray of Calcutta for his films, and the young director, [[Krishna Shah]] of Bombay, for his stage plays."
-In 1969 he married Diane Hillman.
+In 1961 Union Artists brought him and the play, to South Africa where the play was a success once more and he also went on to do important work with local artists between 1961 and 1963, leading to the founding of the [[Shah Theatre Academy]],  a Durban based training academy named after him. ''(See section on his contribution below)''
-He passed away on 13 October 2013 in Mumbai.
+However, Shah would eventually also move on to TV and film production himself.
-''[[King of the Dark Chamber]]'' opened in Durban in 1962, then went on to play at the [[University of the Witwatersrand]]'s [[Great Hall]], and would have a great influence on the evolution of theatre among the South African Indian community. In recognition of this influence the [[Shah Theatre Academy]] was named after the director.
+In 1969 he married Diane Hillman.
-Professor Dennis Schauffer of the University of Durban-Westville would later write a scholarly paper titled "In the Shadow of the Shah" which explained in detail Shah's contribution to South Africa's cultural enlightenment.[20]
+He passed away on 13 October 2013 in Mumbai.
-In 1963, Krishna Shah directed the three act Sponono, which he'd co-written with South African author and anti-apartheid activist Alan Paton.[21] It was Shah's idea to convert three of Paton's preexisting short stories into a stage play. Shah and Paton worked together on the script, and Union Artists were tapped for actors and other contributions.[22] Sponono debuted 12 December 1962 at ML Sultan Theatre, Durban, then travelled to Sea Point, Johannesburg, and on to Pietermaritzburg's Lotus Hall in March 1963. Cape Times critic Ivor Jones said the play was an "exciting dramatic contrivance (that) drew a packed multi-racial audience to its opening night" while Tony Williams Short of The Argus noted the play's "universal theme" as being "a profound study of the subtleties and depths of forgiveness."[23]
+==Contribution to South African Theatre ==
-The play closed prematurely. Quite unlike its South African run, Sponono on Broadway was indeed a critical and financial failure. As the play was dying, Frank ran a confrontational and confusing ad in the New York Times, lambasting the city's "Negroes and liberals" for not attending the show, while crediting the play completely to Shah and Paton as their work, alone.[27] It was twenty years before Frank would produce her next and final play,[28] while Krishna Shah would abandon the world of theatre to explore film and television. Paton himself expressed regret at the "tragic" occurrences due to Frank's interference, saying, "I now wish, of course, that we had not presented the play on Broadway."
+In 1961  the progressive professional theatre organisation  [[Union Artists]].
 In 1961 Shah brought his New York production of Rabinadrath Tagore's ''[[The King of the Dark Chamber]]'' () to Durban, South Africa .

← Older revision		Revision as of 14:46, 14 January 2021
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	== Sources ==		== Sources ==
		+
		+	https://en.wikipedia.org/wiki/Krishna_Shah#Stage
		+
		+	Dennis Schauffer. 1990. "In the Shadow of the Shah: The [[Indic]] Contribution to Our Developing South African Culture". [[Asoka Theatre]] Publications.
		+
	[[ESAT Bibliography Tra-Tz\|Tucker]], 1997.		[[ESAT Bibliography Tra-Tz\|Tucker]], 1997.

← Older revision		Revision as of 14:45, 14 January 2021
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	== Biography ==		== Biography ==
		+	(1939-2013)[https://en.wikipedia.org/wiki/Krishna_Shah] was an India-born American/Gujarati film and theatre director, screenwriter, playwright, producer, and production/distribution executive.
		+
		+	==Biography==
		+
		+	Born on 10 May 1938 in Bombay, India,
		+
		+
		+	In 1969 he married Diane Hillman.
		+
		+	He passed away on 13 October 2013 in Mumbai.
		+
		+	==Contribution to South African Theatre ==
		+
		+	As Artistic Director of the Indian National Theatre, Shah had mounted Rabindranath Tagore's ''[[King of the Dark Chamber]]'' in New York City in 1961, and later that same year Shah and his production were brought to South Africa by the progressive professional theatre organisation [[Union Artists]].
		+
		+	''[[King of the Dark Chamber]]'' opened in Durban in 1962, then went on to play at the [[University of the Witwatersrand]]'s [[Great Hall]], and would have a great influence on the evolution of theatre among the South African Indian community. In recognition of this influence the [[Shah Theatre Academy]] was named after the director.
		+
		+	Professor Dennis Schauffer of the University of Durban-Westville would later write a scholarly paper titled "In the Shadow of the Shah" which explained in detail Shah's contribution to South Africa's cultural enlightenment.[20]
		+
		+	In 1963, Krishna Shah directed the three act Sponono, which he'd co-written with South African author and anti-apartheid activist Alan Paton.[21] It was Shah's idea to convert three of Paton's preexisting short stories into a stage play. Shah and Paton worked together on the script, and Union Artists were tapped for actors and other contributions.[22] Sponono debuted 12 December 1962 at ML Sultan Theatre, Durban, then travelled to Sea Point, Johannesburg, and on to Pietermaritzburg's Lotus Hall in March 1963. Cape Times critic Ivor Jones said the play was an "exciting dramatic contrivance (that) drew a packed multi-racial audience to its opening night" while Tony Williams Short of The Argus noted the play's "universal theme" as being "a profound study of the subtleties and depths of forgiveness."[23]
		+
		+	In 1964, Shah and Paton took Sponono to the Cort Theatre on Broadway, via US stage producer Mary Frank.[24][25] The play had many internal difficulties. Frank fired Shah shortly before opening night and proceeded to change pivotal aspects of the play. Shah vehemently protested these changes, stating that the play had seen success in South Africa and that the changes Frank was making would destroy the meaning and presentation. Shah was subsequently forbidden to be near the play's cast or production, with Frank citing Shah as being "ill" for a cover story.[26]
		+
		+	The play closed prematurely. Quite unlike its South African run, Sponono on Broadway was indeed a critical and financial failure. As the play was dying, Frank ran a confrontational and confusing ad in the New York Times, lambasting the city's "Negroes and liberals" for not attending the show, while crediting the play completely to Shah and Paton as their work, alone.[27] It was twenty years before Frank would produce her next and final play,[28] while Krishna Shah would abandon the world of theatre to explore film and television. Paton himself expressed regret at the "tragic" occurrences due to Frank's interference, saying, "I now wish, of course, that we had not presented the play on Broadway."
		+
		+	In 1961 Shah brought his New York production of Rabinadrath Tagore's ''[[The King of the Dark Chamber]]'' () to Durban, South Africa .
		+
		+	In 1963 Shah returned to Durban to conduct workshops, and this led to the founding of the influential [[Shah Academy]] in 1965 and the growth of [[Indic Theatre]] in the country.
		+
		+
		+	==Sources==
		+

	Quoted out of a programme of ''[[Sponono]]'' staged from February 20th, 1963 and performed by [[Union Artists]] production:		Quoted out of a programme of ''[[Sponono]]'' staged from February 20th, 1963 and performed by [[Union Artists]] production: