Kita Redelinghuys - Revision history

Miriamt: /* Contribution to SA theatre, film, media and/or performance */

2022-05-15T15:33:24Z

Contribution to SA theatre, film, media and/or performance

Miriamt at 15:32, 15 May 2022

2022-05-15T15:32:38Z

Satj: /* Biography */

2021-12-09T13:51:38Z

Biography

Satj: /* Biography */

2021-12-09T13:49:18Z

Biography

Satj: /* Biography */

2021-12-09T13:48:29Z

Biography

Satj: /* Biography */

2021-12-09T13:46:50Z

Biography

Satj: /* Contribution to SA theatre, film, media and/or performance */

2021-05-30T05:20:17Z

Contribution to SA theatre, film, media and/or performance

Satj: /* Biography */

2021-05-30T05:17:48Z

Biography

Satj at 05:14, 30 May 2021

2021-05-30T05:14:57Z

Satj at 05:05, 30 May 2021

2021-05-30T05:05:47Z

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 Played  the “coloured” mother “Bertha” to great acclaim in [[Lewis Sowden]]’s  ''[[The Kimberley Train]]'' (1958), ''[[Les Fourberies de Scapin|Die Jakkalsstreke van Scapino]]'' (1958), “Joan” in Shaw’s ''[[Saint Joan]]'' ([[NTO]], 1959), ''[[Herr Sleeman kommer|Meneer Sleeman Kom]]'' (1963).
-Other productions include ''[[Hannah Sennesh]]'', ''[[Loval vir 'n Man Alleen]]'', ''[[Montserrat]]'', ''[[Huit Femmes|Agt Vroue]]'', ''[[Der Zerbrochene Krug|Die Gebreekte Kruik]]'', ''[[Arms and the Man|Soldate-vryers]]'' (1965), ''[[Pa, Maak vir my 'n Vlieër Pa]]'', ''[[Exit the King|Die Koning Sterf]]'', ''[[Uncle Vanya|Oom Wanja]]'' ([[PACT]] 1967), ''[[Die Skuld van Oedipus]]'', ''[[Modes van Agter, Skuld van Voor]]'', ''[[Rhinoceros|Die Renosters]]'', ''[[La vita che ti diedi|Die Lewe wat ek jou Gegee het]]'', ''[[Monserrat]]'', ''[[Bruidjie Dit en Bruidjie Dot]]'', ''[[Modes van Agter, Skuld van Voor]]'', ''[[Sagmoedige Neelsie]]'', ''[[Dödsdansen|Dodedans]]''.
+Other productions include ''[[Hannah Sennesh]]'', ''[[Lokval vir 'n Man Alleen]]'', ''[[Montserrat]]'', ''[[Huit Femmes|Agt Vroue]]'', ''[[Der Zerbrochene Krug|Die Gebreekte Kruik]]'', ''[[Arms and the Man|Soldate-vryers]]'' (1965), ''[[Pa, Maak vir my 'n Vlieër Pa]]'', ''[[Exit the King|Die Koning Sterf]]'', ''[[Uncle Vanya|Oom Wanja]]'' ([[PACT]] 1967), ''[[Die Skuld van Oedipus]]'', ''[[Modes van Agter, Skuld van Voor]]'', ''[[Rhinoceros|Die Renosters]]'', ''[[La vita che ti diedi|Die Lewe wat ek jou Gegee het]]'', ''[[Monserrat]]'', ''[[Bruidjie Dit en Bruidjie Dot]]'', ''[[Modes van Agter, Skuld van Voor]]'', ''[[Sagmoedige Neelsie]]'', ''[[Dödsdansen|Dodedans]]''.
 Film work included roles in ''[[The Second Sin]]'' (1966), ''[[Majuba: Heuwel van Duiwe]]'' (1968), ''[[Erfgenaam]]'' (1971), ''[[Die Voortrekkers]]''  (1973) and ''[[Springbok]]'' (1976)

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 Like her husband, she was also a translator. Publications in this regard include ''Vyf Luister Na Mamma Stories'', a book by Jean Sutcliffe,
-She received her training at the University of Pretoria, and, having married to dramatist [[Bartho Smit]] and  accompanying her husband to Paris in 1952, took course at the drama schools of Charles Antonetti and Raymonde Lombardin in Paris and the Webber Douglas School of Dramatic Art in London. They returned to South Africa in 1957, where she began her career on stage and film.
+She received her training at the University of Pretoria, and, having married dramatist [[Bartho Smit]] and accompanying her husband to Paris in 1952, took courses at the drama schools of Charles Antonetti and Raymonde Lombardin in Paris and the Webber Douglas School of Dramatic Art in London. They returned to South Africa in 1957, where she began her career on stage and film.
 She translated five stories from  [[Jean Sutcliffe]]'s book ''Listen with Mother Birthday Gift Book'' (London, 1955) into [[Afrikaans]] as ''Vyf Luister Na Mamma Stories''.
@@ Line 19: / Line 19: @@
 Played  the “coloured” mother “Bertha” to great acclaim in [[Lewis Sowden]]’s  ''[[The Kimberley Train]]'' (1958), ''[[Les Fourberies de Scapin|Die Jakkalsstreke van Scapino]]'' (1958), “Joan” in Shaw’s ''[[Saint Joan]]'' ([[NTO]], 1959), ''[[Herr Sleeman kommer|Meneer Sleeman Kom]]'' (1963).
-Other productions include ''[[Huit Femmes|Agt Vroue]]'', ''[[Der Zerbrochene Krug|Die Gebreekte Kruik]]'', ''[[Arms and the Man|Soldate-vryers]]'' (1965), ''[[Pa, Maak vir my 'n Vlieër Pa]]'', ''[[Exit the King|Die Koning Sterf]]'', ''[[Uncle Vanya|Oom Wanja]]'' ([[PACT]] 1967), ''[[Die Skuld van Oedipus]]'', ''[[Modes van Agter, Skuld van Voor]]'', ''[[Rhinoceros|Die Renosters]]'', ''[[La vita che ti diedi|Die Lewe wat ek jou Gegee het]]'', ''[[Monserrat]]'', ''[[Bruidjie Dit en Bruidjie Dot]]'', ''[[Modes van Agter, Skuld van Voor]]'', ''[[Sagmoedige Neelsie]]'', ''[[Dödsdansen|Dodedans]]''.
+Other productions include ''[[Hannah Sennesh]]'', ''[[Loval vir 'n Man Alleen]]'', ''[[Montserrat]]'', ''[[Huit Femmes|Agt Vroue]]'', ''[[Der Zerbrochene Krug|Die Gebreekte Kruik]]'', ''[[Arms and the Man|Soldate-vryers]]'' (1965), ''[[Pa, Maak vir my 'n Vlieër Pa]]'', ''[[Exit the King|Die Koning Sterf]]'', ''[[Uncle Vanya|Oom Wanja]]'' ([[PACT]] 1967), ''[[Die Skuld van Oedipus]]'', ''[[Modes van Agter, Skuld van Voor]]'', ''[[Rhinoceros|Die Renosters]]'', ''[[La vita che ti diedi|Die Lewe wat ek jou Gegee het]]'', ''[[Monserrat]]'', ''[[Bruidjie Dit en Bruidjie Dot]]'', ''[[Modes van Agter, Skuld van Voor]]'', ''[[Sagmoedige Neelsie]]'', ''[[Dödsdansen|Dodedans]]''.
 Film work included roles in ''[[The Second Sin]]'' (1966), ''[[Majuba: Heuwel van Duiwe]]'' (1968), ''[[Erfgenaam]]'' (1971), ''[[Die Voortrekkers]]''  (1973) and ''[[Springbok]]'' (1976)

@@ Line 9: / Line 9: @@
 She received her training at the University of Pretoria, and, having married to dramatist [[Bartho Smit]] and  accompanying her husband to Paris in 1952, took course at the drama schools of Charles Antonetti and Raymonde Lombardin in Paris and the Webber Douglas School of Dramatic Art in London. They returned to South Africa in 1957, where she began her career on stage and film.
-She translated  [[Jean Sutcliffe]]'s book ''Listen with Mother Birthday Gift Book'' (London, 1955) into [[Afrikaans]] as ''Vyf Luister Na Mamma Stories''.
+She translated five stories from  [[Jean Sutcliffe]]'s book ''Listen with Mother Birthday Gift Book'' (London, 1955) into [[Afrikaans]] as ''Vyf Luister Na Mamma Stories''.
 She later developed an alcohol problem and disappeared from the scene. Many believe [[Bartho Smit]]'s finest play, ''[[Christine]]'', is in part based on his complex relationship with Kita. She died in 1994.

@@ Line 9: / Line 9: @@
 She received her training at the University of Pretoria, and, having married to dramatist [[Bartho Smit]] and  accompanying her husband to Paris in 1952, took course at the drama schools of Charles Antonetti and Raymonde Lombardin in Paris and the Webber Douglas School of Dramatic Art in London. They returned to South Africa in 1957, where she began her career on stage and film.
-She translated  Jean Sutcliffe's book ''Listen with Mother Birthday Gift Book'' (London, 1955) into [[Afrikaans]] as ''Vyf Luister Na Mamma Stories''.
+She translated  [[Jean Sutcliffe]]'s book ''Listen with Mother Birthday Gift Book'' (London, 1955) into [[Afrikaans]] as ''Vyf Luister Na Mamma Stories''.
 She later developed an alcohol problem and disappeared from the scene. Many believe [[Bartho Smit]]'s finest play, ''[[Christine]]'', is in part based on his complex relationship with Kita. She died in 1994.

@@ Line 9: / Line 9: @@
 She received her training at the University of Pretoria, and, having married to dramatist [[Bartho Smit]] and  accompanying her husband to Paris in 1952, took course at the drama schools of Charles Antonetti and Raymonde Lombardin in Paris and the Webber Douglas School of Dramatic Art in London. They returned to South Africa in 1957, where she began her career on stage and film.
-She translated  Jean Sutcliffe's book '' '' into Afrikaans as ''Vyf Luister Na Mamma Stories'' ... In Afrikaans Vertaal Deur ...https://books.google.com › about › V...· Translate this page
+She translated  Jean Sutcliffe's book ''Listen with Mother Birthday Gift Book'' (London, 1955) into [[Afrikaans]] as ''Vyf Luister Na Mamma Stories''.
 In Afrikaans Vertaal Deur Kita Redelinghuys. Author, Jean SUTCLIFFE. Publisher, Londen [c.], 1955.

← Older revision		Revision as of 13:46, 9 December 2021
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	She received her training at the University of Pretoria, and, having married to dramatist [[Bartho Smit]] and accompanying her husband to Paris in 1952, took course at the drama schools of Charles Antonetti and Raymonde Lombardin in Paris and the Webber Douglas School of Dramatic Art in London. They returned to South Africa in 1957, where she began her career on stage and film.		She received her training at the University of Pretoria, and, having married to dramatist [[Bartho Smit]] and accompanying her husband to Paris in 1952, took course at the drama schools of Charles Antonetti and Raymonde Lombardin in Paris and the Webber Douglas School of Dramatic Art in London. They returned to South Africa in 1957, where she began her career on stage and film.
		+
		+	She translated Jean Sutcliffe's book '' '' into Afrikaans as ''Vyf Luister Na Mamma Stories'' ... In Afrikaans Vertaal Deur ...https://books.google.com › about › V...· Translate this page
		+	In Afrikaans Vertaal Deur Kita Redelinghuys. Author, Jean SUTCLIFFE. Publisher, Londen [c.], 1955.

	She later developed an alcohol problem and disappeared from the scene. Many believe [[Bartho Smit]]'s finest play, ''[[Christine]]'', is in part based on his complex relationship with Kita. She died in 1994.		She later developed an alcohol problem and disappeared from the scene. Many believe [[Bartho Smit]]'s finest play, ''[[Christine]]'', is in part based on his complex relationship with Kita. She died in 1994.

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 ==Contribution to SA theatre, film, media and/or performance==
-She started out as an amateur actress with [[Volksteater]].  She joined the [[NTO]] in 1957 and from 1963 onwards worked for [[PACT]].
+She originally started out as an amateur actress with [[Volksteater]] and began her professional career on her return from Paris, when she joined [[NTO]] in 1957 and from 1963 onwards worked for [[PACT]]. She also acted for a number of independent companies, including .
 Played  the “coloured” mother “Bertha” to great acclaim in [[Lewis Sowden]]’s  ''[[The Kimberley Train]]'' (1958), ''[[Les Fourberies de Scapin|Die Jakkalsstreke van Scapino]]'' (1958), “Joan” in Shaw’s ''[[Saint Joan]]'' ([[NTO]], 1959), ''[[Herr Sleeman kommer|Meneer Sleeman Kom]]'' (1963).

@@ Line 1: / Line 1: @@
-[[Kita Redelinghuys]] (Also written [[Kita Redelinghuijs]] at times) (19**-1994). Actress.
+[[Kita Redelinghuys]] (19**-1994) was an actress.
 == Biography ==
-=== Youth ===
+Married to dramatist [[Bartho Smit]] in 19**. She later developed an alcohol problem and disappeared from the scene. Many believe [[Bartho Smit]]'s finest play, ''[[Christine]]'', is in part based on his complex relationship with Kita.
-=== Training ===
+She died in 1994.
 She received her training at the University of Pretoria, the drama schools of Charles Antonetti and Raymonde Lombardin in Paris and the Webber Douglas School of Dramatic Art in London. She returned to South Africa in 1957.
 ==Contribution to SA theatre, film, media and/or performance==
 Played  the “coloured” mother “Bertha” to great acclaim in [[Lewis Sowden]]’s  ''[[The Kimberley Train]]'' (1958), ''[[Les Fourberies de Scapin|Die Jakkalsstreke van Scapino]]'' (1958), “Joan” in Shaw’s ''[[Saint Joan]]'' ([[NTO]], 1959), ''[[Herr Sleeman kommer|Meneer Sleeman Kom]]'' (1963).

← Older revision		Revision as of 05:05, 30 May 2021
Line 1:		Line 1:
−	[[Kita Redelinghuys]] (Also written Kita Redelinghuijs at times) (19**-1994). Actress.	+	[[Kita Redelinghuys]] (Also written [[Kita Redelinghuijs]] at times) (19**-1994). Actress.

	== Biography ==		== Biography ==