Kabale und Liebe - Revision history

Satj: /* Performance history of all versions in South Africa */

2021-03-11T04:37:01Z

Performance history of all versions in South Africa

Satj: /* Sources */

2021-03-11T04:35:22Z

Sources

Satj: /* Performance history in South Africa */

2021-03-11T04:34:19Z

Performance history in South Africa

Satj: /* Performance history in South Africa */

2018-06-08T04:19:52Z

Performance history in South Africa

Satj: /* Performance history in South Africa */

2018-06-07T03:16:40Z

Performance history in South Africa

Satj: /* Performance history in South Africa */

2018-06-07T03:16:14Z

Performance history in South Africa

Satj at 03:40, 9 April 2017

2017-04-09T03:40:53Z

Satj: /* Translations and adaptations */

2017-04-09T03:30:25Z

Translations and adaptations

Satj: /* Translations and adaptations */

2016-10-01T03:54:27Z

Translations and adaptations

Satj: /* Performance history in South Africa */

2016-10-01T03:53:02Z

Performance history in South Africa

@@ Line 20: / Line 20: @@
 : Performed in Barnett's English version as ''[[Power and Principle]]'' in Cape Town on Monday 31 October 1853 by the [[Garrison Players|Amateur Company]] in the [[Garrison Theatre]], alongside ''[[Box and Cox]]'' (J.M. Morton) and ''[[Circumstantial Evidence]]'' (Carew).
-: Performed in in Barnett's English version as ''[[Power and Principle]]'' in the [[Cabinet Theatre]], Cape Town, by the [[Cape Town Dramatic Club]] on 17 July, with ''[[Two Heads are Better than One]]'' (Horne) and songs sung by [[Mr. Durban]].
+: Performed in in Barnett's English version as ''[[Power and Principle]]'' in the [[Cabinet Theatre]], Cape Town, by the [[Cape Town Dramatic Club]] on 17 July, with ''[[Two Heads are Better than One]]'' (Horne) and songs sung by [[Mr Durban]].
 -1979(?): Performed in the original German by [[SWAPAC]] in 1977-79?*.

← Older revision		Revision as of 04:35, 11 March 2021
Line 39:		Line 39:

	[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 278, 343, 369, 375, 404-5.		[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 278, 343, 369, 375, 404-5.
		+
		+	[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp.153-5
		+

	Go to [[ESAT Bibliography]]		Go to [[ESAT Bibliography]]

@@ Line 14: / Line 14: @@
 Adapted to a play in three-acts by Morris Barnett (1800 – 1856)[https://en.wikipedia.org/wiki/Morris_Barnett] in 1850 under the title ''[[Power and Principle]]''. This adaptation  was first performed in London at the new Strand Theatre on June 10, 1850. Published in London by T.H. Lacy in 1850(?).
-== Performance history in South Africa ==
+== Performance history of all versions  in South Africa ==
 : Performed in [[Dutch]] as ''[[Kabaal en Liefde]]'' by [[Honi Soit Qui Mal Y Pense]], led by [[C.E. Boniface]],  in the [[African Theatre]], Cape Town on 1 May. (One reviewer apparently found the play a trifle lewd for Cape Town audiences.)

@@ Line 20: / Line 20: @@
 : Performed in Barnett's English version as ''[[Power and Principle]]'' in Cape Town on Monday 31 October 1853 by the [[Garrison Players|Amateur Company]] in the [[Garrison Theatre]], alongside ''[[Box and Cox]]'' (J.M. Morton) and ''[[Circumstantial Evidence]]'' (Carew).
-: Performed in in Barnett's English version as ''[[Power and Principle]]'' in the [[Cabinet Theatre]], Cape Town, by the [[Cape Town Dramatic Club]] on 17 July, with ''[[Two Heads are better than One]]'' (Horne) and songs sung by [[Mr. Durban]].
+: Performed in in Barnett's English version as ''[[Power and Principle]]'' in the [[Cabinet Theatre]], Cape Town, by the [[Cape Town Dramatic Club]] on 17 July, with ''[[Two Heads are Better than One]]'' (Horne) and songs sung by [[Mr. Durban]].
 -1979(?): Performed in the original German by [[SWAPAC]] in 1977-79?*.

@@ Line 20: / Line 20: @@
 : Performed in Barnett's English version as ''[[Power and Principle]]'' in Cape Town on Monday 31 October 1853 by the [[Garrison Players|Amateur Company]] in the [[Garrison Theatre]], alongside ''[[Box and Cox]]'' (J.M. Morton) and ''[[Circumstantial Evidence]]'' (Carew).
-: Performed in in Barnett's English version in the [[Cabinet Theatre]], Cape Town, by the [[Cape Town Dramatic Club]] on 17 July, with ''[[Two Heads are better than One]]'' (Horne) and songs sung by [[Mr. Durban]].
+: Performed in in Barnett's English version as ''[[Power and Principle]]'' in the [[Cabinet Theatre]], Cape Town, by the [[Cape Town Dramatic Club]] on 17 July, with ''[[Two Heads are better than One]]'' (Horne) and songs sung by [[Mr. Durban]].
 -1979(?): Performed in the original German by [[SWAPAC]] in 1977-79?*.

← Older revision		Revision as of 03:16, 7 June 2018
Line 19:		Line 19:

	1853: Performed in Barnett's English version as ''[[Power and Principle]]'' in Cape Town on Monday 31 October 1853 by the [[Garrison Players\|Amateur Company]] in the [[Garrison Theatre]], alongside ''[[Box and Cox]]'' (J.M. Morton) and ''[[Circumstantial Evidence]]'' (Carew).		1853: Performed in Barnett's English version as ''[[Power and Principle]]'' in Cape Town on Monday 31 October 1853 by the [[Garrison Players\|Amateur Company]] in the [[Garrison Theatre]], alongside ''[[Box and Cox]]'' (J.M. Morton) and ''[[Circumstantial Evidence]]'' (Carew).
		+
		+	1860: Performed in in Barnett's English version in the [[Cabinet Theatre]], Cape Town, by the [[Cape Town Dramatic Club]] on 17 July, with ''[[Two Heads are better than One]]'' (Horne) and songs sung by [[Mr. Durban]].

	1977-1979(?): Performed in the original German by [[SWAPAC]] in 1977-79?*.		1977-1979(?): Performed in the original German by [[SWAPAC]] in 1977-79?*.

@@ Line 16: / Line 16: @@
 == Performance history in South Africa ==
-: Performed in [[Dutch]] as ''[[Kabaal en Liefde]]'' by [[Honi Soit Qui Mal Y Pense]], led by [[C.E. Boniface]],  in the [[African Theatre]], Cape Town on 1 May.
+: Performed in [[Dutch]] as ''[[Kabaal en Liefde]]'' by [[Honi Soit Qui Mal Y Pense]], led by [[C.E. Boniface]],  in the [[African Theatre]], Cape Town on 1 May. (One reviewer apparently found the play a trifle lewd for Cape Town audiences.)
 : Performed in Barnett's English version as ''[[Power and Principle]]'' in Cape Town on Monday 31 October 1853 by the [[Garrison Players|Amateur Company]] in the [[Garrison Theatre]], alongside ''[[Box and Cox]]'' (J.M. Morton) and ''[[Circumstantial Evidence]]'' (Carew).
@@ Line 36: / Line 36: @@
 "Power & Principle" in WorldCat[http://www.worldcat.org/title/power-principle-a-drama-in-three-acts-founded-upon-von-schillers-kabale-und-liebe/oclc/25061555?referer=di&ht=edition]
-[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 278, 404-5.
+[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 278, 343, 369, 375, 404-5.
 Go to [[ESAT Bibliography]]

@@ Line 10: / Line 10: @@
 Titles for English translations vary greatly, according to the translator: these include  ''[[Intrigue and Love]]'', ''[[Love and Intrigue]]'', ''[[Love and Politics]]'', and ''[[Luise Miller]]''.
-Translated into [[Dutch]] by an anonymous author as  ''[[Kabaal en Liefde]]'' ("noise and love") by **, and published in Amsterdam in 1791 in the ''Algemeene Spectatoriaale Schouwburg'' by Hendrik Gartman, Willem Vermandel en Jan Willem Smit. The translation of the German "Kabale" ("intrigue") as "Kabaal" ("noise" or "racket") in [[Dutch]]  is rather misleading of course.
+Translated into [[Dutch]] by an anonymous author as  ''[[Kabaal en Liefde]]'' ("noise and love") and published in Amsterdam in 1791 in the ''Algemeene Spectatoriaale Schouwburg'' by Hendrik Gartman, Willem Vermandel en Jan Willem Smit. The translation of the German "Kabale" ("intrigue") as "Kabaal" ("noise" or "racket") in [[Dutch]]  is rather misleading of course.
 Adapted to a play in three-acts by Morris Barnett (1800 – 1856)[https://en.wikipedia.org/wiki/Morris_Barnett] in 1850 under the title ''[[Power and Principle]]''. This adaptation  was first performed in London at the new Strand Theatre on June 10, 1850. Published in London by T.H. Lacy in 1850(?).