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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Julius_Royston</id>
	<title>Julius Royston - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Julius_Royston"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;action=history"/>
	<updated>2026-09-30T21:13:20Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.33.2</generator>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=157445&amp;oldid=prev</id>
		<title>Satj at 03:39, 7 September 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=157445&amp;oldid=prev"/>
		<updated>2018-09-07T03:39:33Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 03:39, 7 September 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l20&quot; &gt;Line 20:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 20:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[The Star]]'', 1 July 1935 (Obituary)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[The Star]]'', 1 July 1935 (Obituary)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Dictionary of South African Biography''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Human Sciences Research Council]]. &lt;/ins&gt;''Dictionary of South African Biography''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[André I. le Roux]]  and [[Lilla Fourie]].  ''Filmverlede: Geskiedenis van die Suid-Afrikaanse Speelfilm''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[André I. le Roux]]  and [[Lilla Fourie]].  ''Filmverlede: Geskiedenis van die Suid-Afrikaanse Speelfilm''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=157442&amp;oldid=prev</id>
		<title>Satj: /* Sources */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=157442&amp;oldid=prev"/>
		<updated>2018-09-07T03:12:56Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Sources&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 03:12, 7 September 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot; &gt;Line 14:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 14:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Stage and Cinema, 25 May 1918&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Stage and Cinema&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;, 25 May 1918&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Natal Witness, 1 July 1935 (Obituary)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;The Natal Witness&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;, 1 July 1935 (Obituary)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Star, 1 July 1935 (Obituary)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;The Star&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;, 1 July 1935 (Obituary)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dictionary of South African &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;biography&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Dictionary of South African &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Biography''&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Le Roux, &lt;/del&gt;André I. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;amp; &lt;/del&gt;Fourie&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, Lilla – &lt;/del&gt;Filmverlede: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;geskiedenis &lt;/del&gt;van die Suid-Afrikaanse &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;speelfilm&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;André I. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;le Roux]]  and [[Lilla &lt;/ins&gt;Fourie&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]].  ''&lt;/ins&gt;Filmverlede: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Geskiedenis &lt;/ins&gt;van die Suid-Afrikaanse &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Speelfilm''&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;http://paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&amp;amp;d=AG19181018.2.27&amp;amp;dliv=&amp;amp;e=-------10--1----0--&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;http://paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&amp;amp;d=AG19181018.2.27&amp;amp;dliv=&amp;amp;e=-------10--1----0--&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=157441&amp;oldid=prev</id>
		<title>Satj at 03:09, 7 September 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=157441&amp;oldid=prev"/>
		<updated>2018-09-07T03:09:58Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 03:09, 7 September 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Alfred Julius (or Julius Alfred) Royston was born in the Yorkshire market town of Beverley and made his first appearance at Sadler’s Wells with a stock company under the management of J. Bannister Howard.  Subsequently he acted first with Miller &amp;amp; Elliston, then with Sir Augustus Harris, followed by George Edwardes and finally W.S. Penley, the original stage star of ''Charley’s Aunt''.  In March 1897 he appeared in ''The Mariners of England'' at The Olympic and in January 1899 in ''A Little Ray of Sunshine'' at the Royalty Theatre in London.  In 1901 he accompanied Mrs. Patrick Campbell’s repertory company to America, where they toured the United States and Canada for 15 months.  The plays in which he appeared during this time included ''The Second Mrs. Tanqueray'' and ''The Joy of Living'', both in October/November 1902 at the Garden Theatre, after which he returned to England.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Alfred Julius (or Julius Alfred) Royston was born in the Yorkshire market town of Beverley and made his first appearance at Sadler’s Wells with a stock company under the management of J. Bannister Howard.  Subsequently he acted first with Miller &amp;amp; Elliston, then with Sir Augustus Harris, followed by George Edwardes and finally W.S. Penley, the original stage star of ''Charley’s Aunt''.  In March 1897 he appeared in ''The Mariners of England'' at The Olympic and in January 1899 in ''A Little Ray of Sunshine'' at the Royalty Theatre in London.  In 1901 he accompanied Mrs. Patrick Campbell’s repertory company to America, where they toured the United States and Canada for 15 months.  The plays in which he appeared during this time included ''The Second Mrs. Tanqueray'' and ''The Joy of Living'', both in October/November 1902 at the Garden Theatre, after which he returned to England.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He seems to have come out to South Africa in 1904 to join [[Joseph Ashman]], performing in Cape Town in ''[[The Triumph of the Cross]]'' and then joining [[William Haviland]] and [[Edith Latimer]] under the Wheeler &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;management&lt;/del&gt;.  He was about to leave for England when he was called upon by [[Frank Wheeler]] to play Napoleon in ''[[The Duchess of Dantzic]]'' at [[His Majesty’s Theatre]] in Johannesburg.  Afterwards he leased the [[Standard Theatre]] in that city for a number of farces and in 1910 organised a company to play the [[Theatre Royal]] in Durban.  In addition, in October of that year, he co-produced ''[[The Dawn of Union]]'' at the [[Tivoli]] in Cape Town, which celebrated the unification of the country.  Highly regarded by contemporary audiences, he achieved one of his greatest successes in the abridged version of the play ''[[The Bells]]'' as Mathias, the role Sir Henry Irving had made his own, but also acted in farces like ''[[Charley’s Aunt]]'' and ''[[The Private Secretary]]''.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He seems to have come out to South Africa in 1904 to join [[Joseph Ashman]], performing in Cape Town in ''[[The Triumph of the Cross]]'' and then joining [[William Haviland]] and [[Edith Latimer]] under the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;management of the [[&lt;/ins&gt;Wheeler &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Theatre Company]]&lt;/ins&gt;.  He was about to leave for England when he was called upon by [[Frank Wheeler]] to play Napoleon in ''[[The Duchess of Dantzic]]'' at [[His Majesty’s Theatre]] in Johannesburg.  Afterwards he leased the [[Standard Theatre]] in that city for a number of farces and in 1910 organised a company to play the [[Theatre Royal]] in Durban.  In addition, in October of that year, he co-produced ''[[The Dawn of Union]]'' at the [[Tivoli]] in Cape Town, which celebrated the unification of the country.  Highly regarded by contemporary audiences, he achieved one of his greatest successes in the abridged version of the play ''[[The Bells]]'' as Mathias, the role Sir Henry Irving had made his own, but also acted in farces like ''[[Charley’s Aunt]]'' and ''[[The Private Secretary]]''.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When [[African Film Productions]] began producing its own films, he soon became a member of its stock company, frequently playing the villain.  He first acted in a number of shorts: ''[[A Story of the Rand]]'' ([[Lorimer Johnston]]/1916), ''[[A Zulu’s Devotion]]'' ([[Lorimer Johnston]]/1916), ''[[The Silver Wolf]]'' ([[Lorimer Johnston]]/1916), ''[[A Kract Affair]]'' ([[B.F. Clinton]]/1916), ''[[The Water Cure]]'' ([[B.F. Clinton]]/1916) and ''[[The Splendid Waster]]'' ([[Lorimer Johnston]]/1916) and these were followed by the features ''[[The Gun-Runner]]'' ([[Lorimer Johnston]]/1916), ''[[Gloria]]'' ([[Lorimer Johnston]]/1916), ''[[De Voortrekkers]]'' ([[Harold M. Shaw]]/1916), ''[[And Then ---]]'' ([[Dick Cruikshanks]] &amp;amp; [[Joseph Albrecht]]/1917) and [[The Symbol of Sacrifice]] ([[Dick Cruikshanks]]/1918).  In the process he became one of South Africa’s first movie character actors.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When [[African Film Productions]] began producing its own films, he soon became a member of its stock company, frequently playing the villain.  He first acted in a number of shorts: ''[[A Story of the Rand]]'' ([[Lorimer Johnston]]/1916), ''[[A Zulu’s Devotion]]'' ([[Lorimer Johnston]]/1916), ''[[The Silver Wolf]]'' ([[Lorimer Johnston]]/1916), ''[[A Kract Affair]]'' ([[B.F. Clinton]]/1916), ''[[The Water Cure]]'' ([[B.F. Clinton]]/1916) and ''[[The Splendid Waster]]'' ([[Lorimer Johnston]]/1916) and these were followed by the features ''[[The Gun-Runner]]'' ([[Lorimer Johnston]]/1916), ''[[Gloria]]'' ([[Lorimer Johnston]]/1916), ''[[De Voortrekkers]]'' ([[Harold M. Shaw]]/1916), ''[[And Then ---]]'' ([[Dick Cruikshanks]] &amp;amp; [[Joseph Albrecht]]/1917) and [[The Symbol of Sacrifice]] ([[Dick Cruikshanks]]/1918).  In the process he became one of South Africa’s first movie character actors.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=157440&amp;oldid=prev</id>
		<title>Satj: /* Biography */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=157440&amp;oldid=prev"/>
		<updated>2018-09-07T03:07:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Biography&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 03:07, 7 September 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Alfred Julius (or Julius Alfred) Royston was born in the Yorkshire market town of Beverley and made his first appearance at Sadler’s Wells with a stock company under the management of J. Bannister Howard.  Subsequently he acted first with Miller &amp;amp; Elliston, then with Sir Augustus Harris, followed by George Edwardes and finally W.S. Penley, the original stage star of ''Charley’s Aunt''.  In March 1897 he appeared in ''The Mariners of England'' at The Olympic and in January 1899 in ''A Little Ray of Sunshine'' at the Royalty Theatre in London.  In 1901 he accompanied Mrs. Patrick Campbell’s repertory company to America, where they toured the United States and Canada for 15 months.  The plays in which he appeared during this time included ''The Second Mrs. Tanqueray'' and ''The Joy of Living'', both in October/November 1902 at the Garden Theatre, after which he returned to England.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Alfred Julius (or Julius Alfred) Royston was born in the Yorkshire market town of Beverley and made his first appearance at Sadler’s Wells with a stock company under the management of J. Bannister Howard.  Subsequently he acted first with Miller &amp;amp; Elliston, then with Sir Augustus Harris, followed by George Edwardes and finally W.S. Penley, the original stage star of ''Charley’s Aunt''.  In March 1897 he appeared in ''The Mariners of England'' at The Olympic and in January 1899 in ''A Little Ray of Sunshine'' at the Royalty Theatre in London.  In 1901 he accompanied Mrs. Patrick Campbell’s repertory company to America, where they toured the United States and Canada for 15 months.  The plays in which he appeared during this time included ''The Second Mrs. Tanqueray'' and ''The Joy of Living'', both in October/November 1902 at the Garden Theatre, after which he returned to England.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He seems to have come out to South Africa in 1904 to join Joseph Ashman, performing in Cape Town in ''[[The Triumph of the Cross]]'' and then joining William Haviland and Edith Latimer under the Wheeler management.  He was about to leave for England when he was called upon by [[Frank Wheeler]] to play Napoleon in ''[[The Duchess of Dantzic]]'' at [[His Majesty’s Theatre]] in Johannesburg.  Afterwards he leased the [[Standard Theatre]] in that city for a number of farces and in 1910 organised a company to play the [[Theatre Royal]] in Durban.  In addition, in October of that year, he co-produced ''[[The Dawn of Union]]'' at the [[Tivoli]] in Cape Town, which celebrated the unification of the country.  Highly regarded by contemporary audiences, he achieved one of his greatest successes in the abridged version of the play ''[[The Bells]]'' as Mathias, the role Sir Henry Irving had made his own, but also acted in farces like ''[[Charley’s Aunt]]'' and ''[[The Private Secretary]]''.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He seems to have come out to South Africa in 1904 to join &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Joseph Ashman&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, performing in Cape Town in ''[[The Triumph of the Cross]]'' and then joining &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;William Haviland&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Edith Latimer&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;under the Wheeler management.  He was about to leave for England when he was called upon by [[Frank Wheeler]] to play Napoleon in ''[[The Duchess of Dantzic]]'' at [[His Majesty’s Theatre]] in Johannesburg.  Afterwards he leased the [[Standard Theatre]] in that city for a number of farces and in 1910 organised a company to play the [[Theatre Royal]] in Durban.  In addition, in October of that year, he co-produced ''[[The Dawn of Union]]'' at the [[Tivoli]] in Cape Town, which celebrated the unification of the country.  Highly regarded by contemporary audiences, he achieved one of his greatest successes in the abridged version of the play ''[[The Bells]]'' as Mathias, the role Sir Henry Irving had made his own, but also acted in farces like ''[[Charley’s Aunt]]'' and ''[[The Private Secretary]]''.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When [[African Film Productions]] began producing its own films, he soon became a member of its stock company, frequently playing the villain.  He first acted in a number of shorts: ''[[A Story of the Rand]]'' ([[Lorimer Johnston]]/1916), ''[[A Zulu’s Devotion]]'' ([[Lorimer Johnston]]/1916), ''[[The Silver Wolf]]'' ([[Lorimer Johnston]]/1916), ''[[A Kract Affair]]'' ([[B.F. Clinton]]/1916), ''[[The Water Cure]]'' ([[B.F. Clinton]]/1916) and ''[[The Splendid Waster]]'' ([[Lorimer Johnston]]/1916) and these were followed by the features ''[[The Gun-Runner]]'' ([[Lorimer Johnston]]/1916), ''[[Gloria]]'' ([[Lorimer Johnston]]/1916), ''[[De Voortrekkers]]'' ([[Harold M. Shaw]]/1916), ''[[And Then ---]]'' ([[Dick Cruikshanks]] &amp;amp; [[Joseph Albrecht]]/1917) and [[The Symbol of Sacrifice]] ([[Dick Cruikshanks]]/1918).  In the process he became one of South Africa’s first movie character actors.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When [[African Film Productions]] began producing its own films, he soon became a member of its stock company, frequently playing the villain.  He first acted in a number of shorts: ''[[A Story of the Rand]]'' ([[Lorimer Johnston]]/1916), ''[[A Zulu’s Devotion]]'' ([[Lorimer Johnston]]/1916), ''[[The Silver Wolf]]'' ([[Lorimer Johnston]]/1916), ''[[A Kract Affair]]'' ([[B.F. Clinton]]/1916), ''[[The Water Cure]]'' ([[B.F. Clinton]]/1916) and ''[[The Splendid Waster]]'' ([[Lorimer Johnston]]/1916) and these were followed by the features ''[[The Gun-Runner]]'' ([[Lorimer Johnston]]/1916), ''[[Gloria]]'' ([[Lorimer Johnston]]/1916), ''[[De Voortrekkers]]'' ([[Harold M. Shaw]]/1916), ''[[And Then ---]]'' ([[Dick Cruikshanks]] &amp;amp; [[Joseph Albrecht]]/1917) and [[The Symbol of Sacrifice]] ([[Dick Cruikshanks]]/1918).  In the process he became one of South Africa’s first movie character actors.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=157439&amp;oldid=prev</id>
		<title>Fogterop at 17:48, 6 September 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=157439&amp;oldid=prev"/>
		<updated>2018-09-06T17:48:50Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:48, 6 September 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Alfred Julius (or Julius Alfred) Royston was born in the Yorkshire market town of Beverley and made his first appearance at Sadler’s Wells with a stock company under the management of J. Bannister Howard.  Subsequently he acted first with Miller &amp;amp; Elliston, then with Sir Augustus Harris, followed by George Edwardes and finally W.S. Penley, the original stage star of ''Charley’s Aunt''.  In March 1897 he appeared in ''The Mariners of England'' at The Olympic and in January 1899 in ''A Little Ray of Sunshine'' at the Royalty Theatre in London.  In 1901 he accompanied Mrs. Patrick Campbell’s repertory company to America, where they toured the United States and Canada for 15 months.  The plays in which he appeared during this time included ''The Second Mrs. Tanqueray'' and ''The Joy of Living'', both in October/November 1902 at the Garden Theatre, after which he returned to England.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Alfred Julius (or Julius Alfred) Royston was born in the Yorkshire market town of Beverley and made his first appearance at Sadler’s Wells with a stock company under the management of J. Bannister Howard.  Subsequently he acted first with Miller &amp;amp; Elliston, then with Sir Augustus Harris, followed by George Edwardes and finally W.S. Penley, the original stage star of ''Charley’s Aunt''.  In March 1897 he appeared in ''The Mariners of England'' at The Olympic and in January 1899 in ''A Little Ray of Sunshine'' at the Royalty Theatre in London.  In 1901 he accompanied Mrs. Patrick Campbell’s repertory company to America, where they toured the United States and Canada for 15 months.  The plays in which he appeared during this time included ''The Second Mrs. Tanqueray'' and ''The Joy of Living'', both in October/November 1902 at the Garden Theatre, after which he returned to England.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He seems to have come out to South Africa in 1904 to join Joseph Ashman, performing in Cape Town in ''[[The Triumph of the Cross]]'' and then joining William Haviland and Edith Latimer under the Wheeler management.  He was about to leave for England when he was called upon by [[Frank Wheeler]] to play Napoleon in ''[[The Duchess of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Danzig&lt;/del&gt;]]'' at [[His Majesty’s Theatre]] in Johannesburg.  Afterwards he leased the [[Standard Theatre]] in that city for a number of farces and in 1910 organised a company to play the [[Theatre Royal]] in Durban.  In addition, in October of that year, he co-produced ''[[The Dawn of Union]]'' at the [[Tivoli]] in Cape Town, which celebrated the unification of the country.  Highly regarded by contemporary audiences, he achieved one of his greatest successes in the abridged version of the play ''[[The Bells]]'' as Mathias, the role Sir Henry Irving had made his own, but also acted in farces like ''[[Charley’s Aunt]]'' and ''[[The Private Secretary]]''.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He seems to have come out to South Africa in 1904 to join Joseph Ashman, performing in Cape Town in ''[[The Triumph of the Cross]]'' and then joining William Haviland and Edith Latimer under the Wheeler management.  He was about to leave for England when he was called upon by [[Frank Wheeler]] to play Napoleon in ''[[The Duchess of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Dantzic&lt;/ins&gt;]]'' at [[His Majesty’s Theatre]] in Johannesburg.  Afterwards he leased the [[Standard Theatre]] in that city for a number of farces and in 1910 organised a company to play the [[Theatre Royal]] in Durban.  In addition, in October of that year, he co-produced ''[[The Dawn of Union]]'' at the [[Tivoli]] in Cape Town, which celebrated the unification of the country.  Highly regarded by contemporary audiences, he achieved one of his greatest successes in the abridged version of the play ''[[The Bells]]'' as Mathias, the role Sir Henry Irving had made his own, but also acted in farces like ''[[Charley’s Aunt]]'' and ''[[The Private Secretary]]''.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When [[African Film Productions]] began producing its own films, he soon became a member of its stock company, frequently playing the villain.  He first acted in a number of shorts: ''[[A Story of the Rand]]'' ([[Lorimer Johnston]]/1916), ''[[A Zulu’s Devotion]]'' ([[Lorimer Johnston]]/1916), ''[[The Silver Wolf]]'' ([[Lorimer Johnston]]/1916), ''[[A Kract Affair]]'' ([[B.F. Clinton]]/1916), ''[[The Water Cure]]'' ([[B.F. Clinton]]/1916) and ''[[The Splendid Waster]]'' ([[Lorimer Johnston]]/1916) and these were followed by the features ''[[The Gun-Runner]]'' ([[Lorimer Johnston]]/1916), ''[[Gloria]]'' ([[Lorimer Johnston]]/1916), ''[[De Voortrekkers]]'' ([[Harold M. Shaw]]/1916), ''[[And Then ---]]'' ([[Dick Cruikshanks]] &amp;amp; [[Joseph Albrecht]]/1917) and [[The Symbol of Sacrifice]] ([[Dick Cruikshanks]]/1918).  In the process he became one of South Africa’s first movie character actors.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When [[African Film Productions]] began producing its own films, he soon became a member of its stock company, frequently playing the villain.  He first acted in a number of shorts: ''[[A Story of the Rand]]'' ([[Lorimer Johnston]]/1916), ''[[A Zulu’s Devotion]]'' ([[Lorimer Johnston]]/1916), ''[[The Silver Wolf]]'' ([[Lorimer Johnston]]/1916), ''[[A Kract Affair]]'' ([[B.F. Clinton]]/1916), ''[[The Water Cure]]'' ([[B.F. Clinton]]/1916) and ''[[The Splendid Waster]]'' ([[Lorimer Johnston]]/1916) and these were followed by the features ''[[The Gun-Runner]]'' ([[Lorimer Johnston]]/1916), ''[[Gloria]]'' ([[Lorimer Johnston]]/1916), ''[[De Voortrekkers]]'' ([[Harold M. Shaw]]/1916), ''[[And Then ---]]'' ([[Dick Cruikshanks]] &amp;amp; [[Joseph Albrecht]]/1917) and [[The Symbol of Sacrifice]] ([[Dick Cruikshanks]]/1918).  In the process he became one of South Africa’s first movie character actors.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=134020&amp;oldid=prev</id>
		<title>Fogterop at 13:12, 4 September 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=134020&amp;oldid=prev"/>
		<updated>2017-09-04T13:12:27Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:12, 4 September 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Beverley, Yorkshire, **/**/1876 - d. Johannesburg, 29/06/1935)&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;.  Stage &lt;/del&gt;and film actor.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''Julius Royston''' &lt;/ins&gt;(b. Beverley, Yorkshire, **/**/1876 - d. Johannesburg, 29/06/1935) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was a stage &lt;/ins&gt;and film actor.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=134019&amp;oldid=prev</id>
		<title>Fogterop at 13:10, 4 September 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=134019&amp;oldid=prev"/>
		<updated>2017-09-04T13:10:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:10, 4 September 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Alfred Julius (or Julius Alfred) Royston was born in the Yorkshire market town of Beverley and made his first appearance at Sadler’s Wells with a stock company under the management of J. Bannister Howard.  Subsequently he acted first with Miller &amp;amp; Elliston, then with Sir Augustus Harris, followed by George Edwardes and finally W.S. Penley, the original stage star of ''Charley’s Aunt''.  In March 1897 he appeared in ''The Mariners of England'' at The Olympic and in January 1899 in ''A Little Ray of Sunshine'' at the Royalty Theatre in London.  In 1901 he accompanied Mrs. Patrick Campbell’s repertory company to America, where they toured the United States and Canada for 15 months.  The plays in which he appeared during this time included ''The Second Mrs. Tanqueray'' and ''The Joy of Living'', both in October/November 1902 at the Garden Theatre, after which he returned to England.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Alfred Julius (or Julius Alfred) Royston was born in the Yorkshire market town of Beverley and made his first appearance at Sadler’s Wells with a stock company under the management of J. Bannister Howard.  Subsequently he acted first with Miller &amp;amp; Elliston, then with Sir Augustus Harris, followed by George Edwardes and finally W.S. Penley, the original stage star of ''Charley’s Aunt''.  In March 1897 he appeared in ''The Mariners of England'' at The Olympic and in January 1899 in ''A Little Ray of Sunshine'' at the Royalty Theatre in London.  In 1901 he accompanied Mrs. Patrick Campbell’s repertory company to America, where they toured the United States and Canada for 15 months.  The plays in which he appeared during this time included ''The Second Mrs. Tanqueray'' and ''The Joy of Living'', both in October/November 1902 at the Garden Theatre, after which he returned to England.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He seems to have come out to South Africa in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1906 with &lt;/del&gt;Joseph Ashman, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;opening &lt;/del&gt;in Cape Town in ''[[The Triumph of the Cross]]'' and then joining William Haviland and Edith Latimer under the Wheeler management.  He was about to leave for England when he was called upon by [[Frank Wheeler]] to play Napoleon in ''[[The Duchess of Danzig]]'' at [[His Majesty’s Theatre]] in Johannesburg.  Afterwards he leased the [[Standard Theatre]] in that city for a number of farces and in 1910 organised a company to play the [[Theatre Royal]] in Durban.  In addition, in October of that year, he co-produced ''[[The Dawn of Union]]'' at the [[Tivoli]] in Cape Town, which celebrated the unification of the country.  Highly regarded by contemporary audiences, he achieved one of his greatest successes in the abridged version of the play ''[[The Bells]]'' as Mathias, the role Sir Henry Irving had made his own, but also acted in farces like ''[[Charley’s Aunt]]'' and ''[[The Private Secretary]]''.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He seems to have come out to South Africa in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1904 to join &lt;/ins&gt;Joseph Ashman, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;performing &lt;/ins&gt;in Cape Town in ''[[The Triumph of the Cross]]'' and then joining William Haviland and Edith Latimer under the Wheeler management.  He was about to leave for England when he was called upon by [[Frank Wheeler]] to play Napoleon in ''[[The Duchess of Danzig]]'' at [[His Majesty’s Theatre]] in Johannesburg.  Afterwards he leased the [[Standard Theatre]] in that city for a number of farces and in 1910 organised a company to play the [[Theatre Royal]] in Durban.  In addition, in October of that year, he co-produced ''[[The Dawn of Union]]'' at the [[Tivoli]] in Cape Town, which celebrated the unification of the country.  Highly regarded by contemporary audiences, he achieved one of his greatest successes in the abridged version of the play ''[[The Bells]]'' as Mathias, the role Sir Henry Irving had made his own, but also acted in farces like ''[[Charley’s Aunt]]'' and ''[[The Private Secretary]]''.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When [[African Film Productions]] began producing its own films, he soon became a member of its stock company, frequently playing the villain.  He first acted in a number of shorts: ''[[A Story of the Rand]]'' ([[Lorimer Johnston]]/1916), ''[[A Zulu’s Devotion]]'' ([[Lorimer Johnston]]/1916), ''[[The Silver Wolf]]'' ([[Lorimer Johnston]]/1916), ''[[A Kract Affair]]'' ([[B.F. Clinton]]/1916), ''[[The Water Cure]]'' ([[B.F. Clinton]]/1916) and ''[[The Splendid Waster]]'' ([[Lorimer Johnston]]/1916) and these were followed by the features ''[[The Gun-Runner]]'' ([[Lorimer Johnston]]/1916), ''[[Gloria]]'' ([[Lorimer Johnston]]/1916), ''[[De Voortrekkers]]'' ([[Harold M. Shaw]]/1916), ''[[And Then ---]]'' ([[Dick Cruikshanks]] &amp;amp; [[Joseph Albrecht]]/1917) and [[The Symbol of Sacrifice]] ([[Dick Cruikshanks]]/1918).  In the process he became one of South Africa’s first movie character actors.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When [[African Film Productions]] began producing its own films, he soon became a member of its stock company, frequently playing the villain.  He first acted in a number of shorts: ''[[A Story of the Rand]]'' ([[Lorimer Johnston]]/1916), ''[[A Zulu’s Devotion]]'' ([[Lorimer Johnston]]/1916), ''[[The Silver Wolf]]'' ([[Lorimer Johnston]]/1916), ''[[A Kract Affair]]'' ([[B.F. Clinton]]/1916), ''[[The Water Cure]]'' ([[B.F. Clinton]]/1916) and ''[[The Splendid Waster]]'' ([[Lorimer Johnston]]/1916) and these were followed by the features ''[[The Gun-Runner]]'' ([[Lorimer Johnston]]/1916), ''[[Gloria]]'' ([[Lorimer Johnston]]/1916), ''[[De Voortrekkers]]'' ([[Harold M. Shaw]]/1916), ''[[And Then ---]]'' ([[Dick Cruikshanks]] &amp;amp; [[Joseph Albrecht]]/1917) and [[The Symbol of Sacrifice]] ([[Dick Cruikshanks]]/1918).  In the process he became one of South Africa’s first movie character actors.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1918 [[S.A. Pictorial]] reported that he had contracted tuberculosis of the spine and would be confined to bed at the Hillbrow Nursing Home for six months.  He entered hospital in May 1918 and in March 1919 was allowed to go out for the first time.  By August 1920 he was back in hospital, this time in East London, where he underwent an operation.  Later that year, still seriously ill, he was advised to leave East London for the dry climate of the Free State.  During his long illness his friends and colleagues organised a benefit concert for him, resulting in the General Manager of the [[African Theatres Trust]] being charged with contravening the Sunday Observance Law by “allowing and permitting” a non-sacred concert to take place in the [[Orpheum Theatre]] in Johannesburg.  A somewhat uproarious court case ended with the charge being dismissed.  After his eventual recovery he returned to the stage, primarily as a producer and ran a drama studio in Johannesburg.  He died in 1935 and was survived by his wife, Mary Sophie Ives, whom he married in 1900, and a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;son, Ronald&lt;/del&gt;.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1918 [[S.A. Pictorial]] reported that he had contracted tuberculosis of the spine and would be confined to bed at the Hillbrow Nursing Home for six months.  He entered hospital in May 1918 and in March 1919 was allowed to go out for the first time.  By August 1920 he was back in hospital, this time in East London, where he underwent an operation.  Later that year, still seriously ill, he was advised to leave East London for the dry climate of the Free State.  During his long illness his friends and colleagues organised a benefit concert for him, resulting in the General Manager of the [[African Theatres Trust]] being charged with contravening the Sunday Observance Law by “allowing and permitting” a non-sacred concert to take place in the [[Orpheum Theatre]] in Johannesburg.  A somewhat uproarious court case ended with the charge being dismissed.  After his eventual recovery he returned to the stage, primarily as a producer and ran a drama studio in Johannesburg.  He died in 1935 and was survived by his wife, Mary Sophie Ives, whom he married in 1900, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;a son &lt;/ins&gt;and a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;daughter&lt;/ins&gt;.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=123611&amp;oldid=prev</id>
		<title>Fogterop at 16:27, 7 March 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=123611&amp;oldid=prev"/>
		<updated>2017-03-07T16:27:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:27, 7 March 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Alfred Julius (or Julius Alfred) Royston was born in the Yorkshire market town of Beverley and made his first appearance at Sadler’s Wells with a stock company under the management of J. Bannister Howard.  Subsequently he acted first with Miller &amp;amp; Elliston, then with Sir Augustus Harris, followed by George Edwardes and finally W.S. Penley, the original stage star of ''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Charlie’s &lt;/del&gt;Aunt''.  In March 1897 he appeared in ''The Mariners of England'' at The Olympic and in January 1899 in ''A Little Ray of Sunshine'' at the Royalty Theatre in London.  In 1901 he accompanied Mrs. Patrick Campbell’s repertory company to America, where they toured the United States and Canada for 15 months.  The plays in which he appeared during this time included ''The Second Mrs. Tanqueray'' and ''The Joy of Living'', both in October/November 1902 at the Garden Theatre, after which he returned to England.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Alfred Julius (or Julius Alfred) Royston was born in the Yorkshire market town of Beverley and made his first appearance at Sadler’s Wells with a stock company under the management of J. Bannister Howard.  Subsequently he acted first with Miller &amp;amp; Elliston, then with Sir Augustus Harris, followed by George Edwardes and finally W.S. Penley, the original stage star of ''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Charley’s &lt;/ins&gt;Aunt''.  In March 1897 he appeared in ''The Mariners of England'' at The Olympic and in January 1899 in ''A Little Ray of Sunshine'' at the Royalty Theatre in London.  In 1901 he accompanied Mrs. Patrick Campbell’s repertory company to America, where they toured the United States and Canada for 15 months.  The plays in which he appeared during this time included ''The Second Mrs. Tanqueray'' and ''The Joy of Living'', both in October/November 1902 at the Garden Theatre, after which he returned to England.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He seems to have come out to South Africa in 1906 with Joseph Ashman, opening in Cape Town in ''[[The Triumph of the Cross]]'' and then joining William Haviland and Edith Latimer under the Wheeler management.  He was about to leave for England when he was called upon by [[Frank Wheeler]] to play Napoleon in ''[[The Duchess of Danzig]]'' at [[His Majesty’s Theatre]] in Johannesburg.  Afterwards he leased the [[Standard Theatre]] in that city for a number of farces and in 1910 organised a company to play the [[Theatre Royal]] in Durban.  In addition, in October of that year, he co-produced ''[[The Dawn of Union]]'' at the [[Tivoli]] in Cape Town, which celebrated the unification of the country.  Highly regarded by contemporary audiences, he achieved one of his greatest successes in the abridged version of the play ''[[The Bells]]'' as Mathias, the role Sir Henry Irving had made his own, but also acted in farces like ''[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Charlie’s &lt;/del&gt;Aunt]]'' and ''[[The Private Secretary]]''.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He seems to have come out to South Africa in 1906 with Joseph Ashman, opening in Cape Town in ''[[The Triumph of the Cross]]'' and then joining William Haviland and Edith Latimer under the Wheeler management.  He was about to leave for England when he was called upon by [[Frank Wheeler]] to play Napoleon in ''[[The Duchess of Danzig]]'' at [[His Majesty’s Theatre]] in Johannesburg.  Afterwards he leased the [[Standard Theatre]] in that city for a number of farces and in 1910 organised a company to play the [[Theatre Royal]] in Durban.  In addition, in October of that year, he co-produced ''[[The Dawn of Union]]'' at the [[Tivoli]] in Cape Town, which celebrated the unification of the country.  Highly regarded by contemporary audiences, he achieved one of his greatest successes in the abridged version of the play ''[[The Bells]]'' as Mathias, the role Sir Henry Irving had made his own, but also acted in farces like ''[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Charley’s &lt;/ins&gt;Aunt]]'' and ''[[The Private Secretary]]''.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When [[African Film Productions]] began producing its own films, he soon became a member of its stock company, frequently playing the villain.  He first acted in a number of shorts: ''[[A Story of the Rand]]'' ([[Lorimer Johnston]]/1916), ''[[A Zulu’s Devotion]]'' ([[Lorimer Johnston]]/1916), ''[[The Silver Wolf]]'' ([[Lorimer Johnston]]/1916), ''[[A Kract Affair]]'' ([[B.F. Clinton]]/1916), ''[[The Water Cure]]'' ([[B.F. Clinton]]/1916) and ''[[The Splendid Waster]]'' ([[Lorimer Johnston]]/1916) and these were followed by the features ''[[The Gun-Runner]]'' ([[Lorimer Johnston]]/1916), ''[[Gloria]]'' ([[Lorimer Johnston]]/1916), ''[[De Voortrekkers]]'' ([[Harold M. Shaw]]/1916), ''[[And Then ---]]'' ([[Dick Cruikshanks]] &amp;amp; [[Joseph Albrecht]]/1917) and [[The Symbol of Sacrifice]] ([[Dick Cruikshanks]]/1918).  In the process he became one of South Africa’s first movie character actors.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When [[African Film Productions]] began producing its own films, he soon became a member of its stock company, frequently playing the villain.  He first acted in a number of shorts: ''[[A Story of the Rand]]'' ([[Lorimer Johnston]]/1916), ''[[A Zulu’s Devotion]]'' ([[Lorimer Johnston]]/1916), ''[[The Silver Wolf]]'' ([[Lorimer Johnston]]/1916), ''[[A Kract Affair]]'' ([[B.F. Clinton]]/1916), ''[[The Water Cure]]'' ([[B.F. Clinton]]/1916) and ''[[The Splendid Waster]]'' ([[Lorimer Johnston]]/1916) and these were followed by the features ''[[The Gun-Runner]]'' ([[Lorimer Johnston]]/1916), ''[[Gloria]]'' ([[Lorimer Johnston]]/1916), ''[[De Voortrekkers]]'' ([[Harold M. Shaw]]/1916), ''[[And Then ---]]'' ([[Dick Cruikshanks]] &amp;amp; [[Joseph Albrecht]]/1917) and [[The Symbol of Sacrifice]] ([[Dick Cruikshanks]]/1918).  In the process he became one of South Africa’s first movie character actors.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=123610&amp;oldid=prev</id>
		<title>Fogterop at 16:24, 7 March 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=123610&amp;oldid=prev"/>
		<updated>2017-03-07T16:24:23Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:24, 7 March 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Alfred Julius (or Julius Alfred) Royston was born in the Yorkshire market town of Beverley and made his first appearance at Sadler’s Wells with a stock company under the management of J. Bannister Howard.  Subsequently he acted first with Miller &amp;amp; Elliston, then with Sir Augustus Harris, followed by George Edwardes and finally W.S. Penley, the original stage star of ''Charlie’s Aunt''.  In March 1897 he appeared in ''The Mariners of England'' at The Olympic and in January 1899 in ''A Little Ray of Sunshine'' at the Royalty Theatre in London.  In 1901 he accompanied Mrs. Patrick Campbell’s repertory company to America, where they toured the United States and Canada for 15 months.  The plays in which he appeared during this time included ''The Second Mrs. Tanqueray'' and ''The Joy of Living'', both in October/November 1902 at the Garden Theatre, after which he returned to England.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Alfred Julius (or Julius Alfred) Royston was born in the Yorkshire market town of Beverley and made his first appearance at Sadler’s Wells with a stock company under the management of J. Bannister Howard.  Subsequently he acted first with Miller &amp;amp; Elliston, then with Sir Augustus Harris, followed by George Edwardes and finally W.S. Penley, the original stage star of ''Charlie’s Aunt''.  In March 1897 he appeared in ''The Mariners of England'' at The Olympic and in January 1899 in ''A Little Ray of Sunshine'' at the Royalty Theatre in London.  In 1901 he accompanied Mrs. Patrick Campbell’s repertory company to America, where they toured the United States and Canada for 15 months.  The plays in which he appeared during this time included ''The Second Mrs. Tanqueray'' and ''The Joy of Living'', both in October/November 1902 at the Garden Theatre, after which he returned to England.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He seems to have come out to South Africa in 1906 with Joseph Ashman, opening in Cape Town in ''[[The Triumph of the Cross]]'' and then joining William Haviland and Edith Latimer under the Wheeler management.  He was about to leave for England when he was called upon by [[Frank Wheeler]] to play Napoleon in ''[[The Duchess of Danzig]]'' at [[His Majesty’s Theatre]] in Johannesburg.  Afterwards he leased the [[Standard Theatre]] in that city for a number of farces and in 1910 organised a company to play the [[Theatre Royal]] in Durban.  In addition, in October of that year, he co-produced ''[[The Dawn of Union]]'' at the [[Tivoli &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Theatre&lt;/del&gt;]] in Cape Town, which celebrated the unification of the country.  Highly regarded by contemporary audiences, he achieved one of his greatest successes in the abridged version of the play ''[[The Bells]]'' as Mathias, the role Sir Henry Irving had made his own, but also acted in farces like ''[[Charlie’s Aunt]]'' and ''[[The Private Secretary]]''.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He seems to have come out to South Africa in 1906 with Joseph Ashman, opening in Cape Town in ''[[The Triumph of the Cross]]'' and then joining William Haviland and Edith Latimer under the Wheeler management.  He was about to leave for England when he was called upon by [[Frank Wheeler]] to play Napoleon in ''[[The Duchess of Danzig]]'' at [[His Majesty’s Theatre]] in Johannesburg.  Afterwards he leased the [[Standard Theatre]] in that city for a number of farces and in 1910 organised a company to play the [[Theatre Royal]] in Durban.  In addition, in October of that year, he co-produced ''[[The Dawn of Union]]'' at the [[Tivoli]] in Cape Town, which celebrated the unification of the country.  Highly regarded by contemporary audiences, he achieved one of his greatest successes in the abridged version of the play ''[[The Bells]]'' as Mathias, the role Sir Henry Irving had made his own, but also acted in farces like ''[[Charlie’s Aunt]]'' and ''[[The Private Secretary]]''.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When [[African Film Productions]] began producing its own films, he soon became a member of its stock company, frequently playing the villain.  He first acted in a number of shorts: ''[[A Story of the Rand]]'' ([[Lorimer Johnston]]/1916), ''[[A Zulu’s Devotion]]'' ([[Lorimer Johnston]]/1916), ''[[The Silver Wolf]]'' ([[Lorimer Johnston]]/1916), ''[[A Kract Affair]]'' ([[B.F. Clinton]]/1916), ''[[The Water Cure]]'' ([[B.F. Clinton]]/1916) and ''[[The Splendid Waster]]'' ([[Lorimer Johnston]]/1916) and these were followed by the features ''[[The Gun-Runner]]'' ([[Lorimer Johnston]]/1916), ''[[Gloria]]'' ([[Lorimer Johnston]]/1916), ''[[De Voortrekkers]]'' ([[Harold M. Shaw]]/1916), ''[[And Then ---]]'' ([[Dick Cruikshanks]] &amp;amp; [[Joseph Albrecht]]/1917) and [[The Symbol of Sacrifice]] ([[Dick Cruikshanks]]/1918).  In the process he became one of South Africa’s first movie character actors.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When [[African Film Productions]] began producing its own films, he soon became a member of its stock company, frequently playing the villain.  He first acted in a number of shorts: ''[[A Story of the Rand]]'' ([[Lorimer Johnston]]/1916), ''[[A Zulu’s Devotion]]'' ([[Lorimer Johnston]]/1916), ''[[The Silver Wolf]]'' ([[Lorimer Johnston]]/1916), ''[[A Kract Affair]]'' ([[B.F. Clinton]]/1916), ''[[The Water Cure]]'' ([[B.F. Clinton]]/1916) and ''[[The Splendid Waster]]'' ([[Lorimer Johnston]]/1916) and these were followed by the features ''[[The Gun-Runner]]'' ([[Lorimer Johnston]]/1916), ''[[Gloria]]'' ([[Lorimer Johnston]]/1916), ''[[De Voortrekkers]]'' ([[Harold M. Shaw]]/1916), ''[[And Then ---]]'' ([[Dick Cruikshanks]] &amp;amp; [[Joseph Albrecht]]/1917) and [[The Symbol of Sacrifice]] ([[Dick Cruikshanks]]/1918).  In the process he became one of South Africa’s first movie character actors.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=123609&amp;oldid=prev</id>
		<title>Fogterop at 16:22, 7 March 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Julius_Royston&amp;diff=123609&amp;oldid=prev"/>
		<updated>2017-03-07T16:22:51Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:22, 7 March 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Beverley, Yorkshire, **/**/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1875? &lt;/del&gt;- d. Johannesburg, 29/06/1935).  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;British-born stage &lt;/del&gt;and film actor&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. Julius Royston was born in the Yorkshire market town of Beverley and made his first appearance at Sadler’s Wells with a stock company under the management of J. Bannister Howard.  Subsequently he acted first with Miller &amp;amp; Elliston, then with Sir Augustus Harris, followed by George Edwardes and finally W.S. Penley, the original stage star of ''Charlie’s Aunt''.  In March 1897 he appeared in ''The mariners of England'' at the Olympic and in January 1899 in ''A little ray of sunshine'' at the Royalty Theatre in London.  In 1901 he accompanied Mrs. Patrick Campbell’s repertory company to America, where they toured the United States and Canada for 15 months.  The plays in which he appeared during this time included ''The second Mrs. Tanqueray'' and ''The joy of living'', both in October/November 1902 at the Garden Theatre, after which he returned to England&lt;/del&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Beverley, Yorkshire, **/**/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1876 &lt;/ins&gt;- d. Johannesburg, 29/06/1935).  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Stage &lt;/ins&gt;and film actor.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;He came out to South Africa in 1906(?) with [[Joseph Ashman]], opening in Cape Town in [[The triumph of the cross]] and then joining [[William Haviland]] and [[Edith Latimer]] under the Wheeler management.  He was about to leave for England when he was called upon by [[Frank Wheeler]] to play Napoleon in [[The Duchess of Danzig]] at [[His Majesty]]’s in Johannesburg.  Afterwards he leased the [[Standard Theatre]] in Johannesburg for a number of farces and in 1910 organised a company to play the [[Theatre Royal]] in Durban.  In addition, in October of that year, he co-produced [[The Dawn of Union]] at the [[Tivoli Theatre]] in Cape Town, which celebrated the unification of the country.  Highly regarded by contemporary audiences, he achieved one of his greatest successes in the abridged version of the play [[The bells]] as Mathias, the role Sir Henry Irving had made his own, but also acted in farces like [[Charlie’s Aunt]] and [[The Private Secretary]].  &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== Biography ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;When [[African Film Productions]] began producing its own films, he soon became &lt;/del&gt;a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;member of its &lt;/del&gt;stock company, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;frequently playing &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;villain&lt;/del&gt;.  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;He first acted &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a number &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;shorts: [[&lt;/del&gt;A &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Story &lt;/del&gt;of the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Rand]] ([[Lorimer Johnston]]/1916), [[A Zulu’s Devotion]] ([[Lorimer Johnston]]/1916), [[The Silver Wolf]] ([[Lorimer Johnston]]/1916), [[A Kract Affair]] ([[B&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;F&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Clinton]]/1916)&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[The Water Cure]] ([[B&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;F. Clinton]]/1916) and [[&lt;/del&gt;The &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Splendid Waster]] ([[Lorimer Johnston]]/1916) and these were followed by the features [[&lt;/del&gt;The &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Gun-Runner]] (not completed) ([[Lorimer Johnston]]/1916), &lt;/del&gt;''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Gloria]]&lt;/del&gt;'' &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;([[Lorimer Johnston]]/1916), [[De Voortrekkers]] ([[Harold M. Shaw]]/1916), [[And Then ---]] ([[Dick Cruikshanks]] &amp;amp; [[Joseph Albrecht]]/1917) and [[&lt;/del&gt;The &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Symbol &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Sacrifice]] ([[Dick Cruikshanks]]&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1918).  In &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;process &lt;/del&gt;he &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;became one of the first recognised character actors in South African movies&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Alfred Julius (or Julius Alfred) Royston was born in the Yorkshire market town of Beverley and made his first appearance at Sadler’s Wells with &lt;/ins&gt;a stock company &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;under the management of J. Bannister Howard.  Subsequently he acted first with Miller &amp;amp; Elliston, then with Sir Augustus Harris, followed by George Edwardes and finally W.S. Penley&lt;/ins&gt;, the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;original stage star of ''Charlie’s Aunt''&lt;/ins&gt;.  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In March 1897 he appeared &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''The Mariners &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;England'' at The Olympic and in January 1899 in ''&lt;/ins&gt;A &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Little Ray &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Sunshine'' at &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Royalty Theatre in London&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; In 1901 he accompanied Mrs&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Patrick Campbell’s repertory company to America&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;where they toured the United States and Canada for 15 months&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;plays in which he appeared during this time included ''&lt;/ins&gt;The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Second Mrs. Tanqueray&lt;/ins&gt;'' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and &lt;/ins&gt;''The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Joy &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Living'', both in October&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;November 1902 at &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Garden Theatre, after which &lt;/ins&gt;he &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;returned to England&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1918 [[S.A. Pictorial]] reported that he had contracted tuberculosis of the spine and would be confined to bed at &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a &lt;/del&gt;Hillbrow &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;nursing home &lt;/del&gt;for six months.  He entered hospital in May 1918 and in March 1919 was allowed to go out for the first time&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, being taken for a drive by Madame Fillis&lt;/del&gt;.  By August 1920 he was back in hospital, this time in East London, where he underwent an operation.  Later that year, still seriously ill, he was advised to leave East London for the dry climate of the Free State.  During his long illness his friends and colleagues organised a benefit concert for him, resulting in the General Manager of the [[African Theatres Trust]] being charged with contravening the Sunday Observance Law by “allowing and permitting” a non-sacred concert to take place in the [[Orpheum Theatre]] in Johannesburg.  A somewhat &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;unconventional &lt;/del&gt;court case ended with the charge being dismissed.  After his eventual recovery he returned to the stage, primarily as a producer and ran a drama studio in Johannesburg.  He died in 1935 and was survived by his wife, Mary &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Royston&lt;/del&gt;, a son &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and a daughter&lt;/del&gt;.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;He seems to have come out to South Africa in 1906 with Joseph Ashman, opening in Cape Town in ''[[The Triumph of the Cross]]'' and then joining William Haviland and Edith Latimer under the Wheeler management.  He was about to leave for England when he was called upon by [[Frank Wheeler]] to play Napoleon in ''[[The Duchess of Danzig]]'' at [[His Majesty’s Theatre]] in Johannesburg.  Afterwards he leased the [[Standard Theatre]] in that city for a number of farces and in 1910 organised a company to play the [[Theatre Royal]] in Durban.  In addition, in October of that year, he co-produced ''[[The Dawn of Union]]'' at the [[Tivoli Theatre]] in Cape Town, which celebrated the unification of the country.  Highly regarded by contemporary audiences, he achieved one of his greatest successes in the abridged version of the play ''[[The Bells]]'' as Mathias, the role Sir Henry Irving had made his own, but also acted in farces like ''[[Charlie’s Aunt]]'' and ''[[The Private Secretary]]''.  &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;When [[African Film Productions]] began producing its own films, he soon became a member of its stock company, frequently playing the villain.  He first acted in a number of shorts: ''[[A Story of the Rand]]'' ([[Lorimer Johnston]]/1916), ''[[A Zulu’s Devotion]]'' ([[Lorimer Johnston]]/1916), ''[[The Silver Wolf]]'' ([[Lorimer Johnston]]/1916), ''[[A Kract Affair]]'' ([[B.F. Clinton]]/1916), ''[[The Water Cure]]'' ([[B.F. Clinton]]/1916) and ''[[The Splendid Waster]]'' ([[Lorimer Johnston]]/1916) and these were followed by the features ''[[The Gun-Runner]]'' ([[Lorimer Johnston]]/1916), ''[[Gloria]]'' ([[Lorimer Johnston]]/1916), ''[[De Voortrekkers]]'' ([[Harold M. Shaw]]/1916), ''[[And Then ---]]'' ([[Dick Cruikshanks]] &amp;amp; [[Joseph Albrecht]]/1917) and [[The Symbol of Sacrifice]] ([[Dick Cruikshanks]]/1918).  In the process he became one of South Africa’s first movie character actors.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1918 [[S.A. Pictorial]] reported that he had contracted tuberculosis of the spine and would be confined to bed at &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the &lt;/ins&gt;Hillbrow &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Nursing Home &lt;/ins&gt;for six months.  He entered hospital in May 1918 and in March 1919 was allowed to go out for the first time.  By August 1920 he was back in hospital, this time in East London, where he underwent an operation.  Later that year, still seriously ill, he was advised to leave East London for the dry climate of the Free State.  During his long illness his friends and colleagues organised a benefit concert for him, resulting in the General Manager of the [[African Theatres Trust]] being charged with contravening the Sunday Observance Law by “allowing and permitting” a non-sacred concert to take place in the [[Orpheum Theatre]] in Johannesburg.  A somewhat &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;uproarious &lt;/ins&gt;court case ended with the charge being dismissed.  After his eventual recovery he returned to the stage, primarily as a producer and ran a drama studio in Johannesburg.  He died in 1935 and was survived by his wife, Mary &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Sophie Ives&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;whom he married in 1900, and &lt;/ins&gt;a son&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, Ronald&lt;/ins&gt;.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot; &gt;Line 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 26:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;http://paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&amp;amp;d=AG19181018.2.27&amp;amp;dliv=&amp;amp;e=-------10--1----0--&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;http://paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&amp;amp;d=AG19181018.2.27&amp;amp;dliv=&amp;amp;e=-------10--1----0--&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;http://www.imdb.com/name/nm4921570/?ref_=nv_sr_1&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Return to ==	&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Return to ==	&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
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