<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Judex_C._Viljoen</id>
	<title>Judex C. Viljoen - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Judex_C._Viljoen"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Judex_C._Viljoen&amp;action=history"/>
	<updated>2026-09-12T21:04:15Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.33.2</generator>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Judex_C._Viljoen&amp;diff=161056&amp;oldid=prev</id>
		<title>Fogterop at 18:40, 11 December 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Judex_C._Viljoen&amp;diff=161056&amp;oldid=prev"/>
		<updated>2018-12-11T18:40:08Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:40, 11 December 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Judex C. Viljoen (b. 15/01/1930 – d. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;**&lt;/del&gt;/01/1977) was a cinematographer, director and editor.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Judex C. Viljoen (b. 15/01/1930 – d. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;25&lt;/ins&gt;/01/1977) was a cinematographer, director and editor.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During the late 1950s, Judex Charl Viljoen was a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Johannesburg-based &lt;/del&gt;photographer&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;.  He had &lt;/del&gt;a studio in Linden and made a living shooting record sleeves and magazine covers. At that time he began to extend his activities to include films and the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;first &lt;/del&gt;feature &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;he worked on was &lt;/del&gt;''[[Satanskoraal]]'' ([[Elmo de Witt]]/1959), on which he assisted [[Vincent G. Cox]].  Initially he worked primarily with [[Jamie Uys]] and [[Emil Nofal]] and for the former he also directed a few sponsored shorts, including ones for Union Castle and the South African Road Safety Council.  He was responsible for the cinematography of three of Uys’s features – ''[[Hans en die Rooinek]]'' (1961), ''[[Lord Oom Piet]]'' (1962) and ''[[Dingaka]]'' (1964).  His only feature as director was ''[[Marmerpoel]]'' (1972).  In 1962 he married Anuska Gelletich who, as Anuska Viljoen, was responsible for the make-up on ''[[King Hendrik]]'' ([[Emil Nofal]]/1965).   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During the late 1950s, Judex Charl Viljoen was a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;press and commercial &lt;/ins&gt;photographer &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;with &lt;/ins&gt;a studio in Linden and made a living shooting record sleeves and magazine covers. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;At that time he began to extend his activities to include films and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;established a production company called [[Johannesburg Film Productions]] with German-born [[Hans Kaniuk]].  Their first film was a short called ''South African Miscellany'' (1958), which was followed by &lt;/ins&gt;the feature ''[[Satanskoraal]]'' ([[Elmo de Witt]]/1959), on which he assisted [[Vincent G. Cox]] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;as cameraman&lt;/ins&gt;.  Initially he worked primarily with [[Jamie Uys]] and [[Emil Nofal]] and for the former he also directed a few sponsored shorts, including ones for Union Castle and the South African Road Safety Council.  He was responsible for the cinematography of three of Uys’s features – ''[[Hans en die Rooinek]]'' (1961), ''[[Lord Oom Piet]]'' (1962) and ''[[Dingaka]]'' (1964).  His only feature as director was ''[[Marmerpoel]]'' (1972)&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.  He is also said to have headed Gualtiero Jacopetti’s second unit crew in Africa on the Italian director’s notorious ''Africa Addio'' (1966) and distributed the film in South Africa through his company Ultra Films&lt;/ins&gt;.  In 1962 he married Anuska Gelletich who, as &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Anuska Viljoen&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, was responsible for the make-up on ''[[King Hendrik]]'' ([[Emil Nofal]]/1965).   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l17&quot; &gt;Line 17:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 17:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Cinematographer'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Cinematographer'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;''South African Miscellany'' (Documentary) (Producer: Hans Kaniuk/1958),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[Satanskoraal]]'' (with [[Vincent G. Cox]]) ([[Elmo de Witt]]/1959),&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[Satanskoraal]]'' (with [[Vincent G. Cox]]) ([[Elmo de Witt]]/1959),&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Holiday Romance'' / ''Kaapse Draai'' (with [[Vincent G. Cox]] &amp;amp; [[Manie Botha]]) (Documentary) ([[Jamie Uys]]/1961),&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Holiday Romance'' / ''Kaapse Draai'' (with [[Vincent G. Cox]] &amp;amp; [[Manie Botha]]) (Documentary) ([[Jamie Uys]]/1961),&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Judex_C._Viljoen&amp;diff=142949&amp;oldid=prev</id>
		<title>Fogterop: Created page with &quot; Judex C. Viljoen (b. 15/01/1930 – d. **/01/1977) was a cinematographer, director and editor.  == Biography ==  During the late 1950s, Judex Charl Viljoen was a Johannesburg...&quot;</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Judex_C._Viljoen&amp;diff=142949&amp;oldid=prev"/>
		<updated>2018-02-11T17:53:22Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot; Judex C. Viljoen (b. 15/01/1930 – d. **/01/1977) was a cinematographer, director and editor.  == Biography ==  During the late 1950s, Judex Charl Viljoen was a Johannesburg...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
Judex C. Viljoen (b. 15/01/1930 – d. **/01/1977) was a cinematographer, director and editor.&lt;br /&gt;
&lt;br /&gt;
== Biography ==&lt;br /&gt;
&lt;br /&gt;
During the late 1950s, Judex Charl Viljoen was a Johannesburg-based photographer.  He had a studio in Linden and made a living shooting record sleeves and magazine covers. At that time he began to extend his activities to include films and the first feature he worked on was ''[[Satanskoraal]]'' ([[Elmo de Witt]]/1959), on which he assisted [[Vincent G. Cox]].  Initially he worked primarily with [[Jamie Uys]] and [[Emil Nofal]] and for the former he also directed a few sponsored shorts, including ones for Union Castle and the South African Road Safety Council.  He was responsible for the cinematography of three of Uys’s features – ''[[Hans en die Rooinek]]'' (1961), ''[[Lord Oom Piet]]'' (1962) and ''[[Dingaka]]'' (1964).  His only feature as director was ''[[Marmerpoel]]'' (1972).  In 1962 he married Anuska Gelletich who, as Anuska Viljoen, was responsible for the make-up on ''[[King Hendrik]]'' ([[Emil Nofal]]/1965).  &lt;br /&gt;
&lt;br /&gt;
== Credits ==&lt;br /&gt;
&lt;br /&gt;
'''Director'''&lt;br /&gt;
&lt;br /&gt;
''Golden peach'' (Documentary) (196*), &lt;br /&gt;
''A farmer sailed over the ocean'' / ''Hoe ry die boere seil-seil so'' (Documentary) (196*),&lt;br /&gt;
''Freeway driving'' (Documentary) (196*),&lt;br /&gt;
''Marmerpoel'' (1972).&lt;br /&gt;
&lt;br /&gt;
'''Cinematographer'''&lt;br /&gt;
&lt;br /&gt;
''[[Satanskoraal]]'' (with [[Vincent G. Cox]]) ([[Elmo de Witt]]/1959),&lt;br /&gt;
''Holiday Romance'' / ''Kaapse Draai'' (with [[Vincent G. Cox]] &amp;amp; [[Manie Botha]]) (Documentary) ([[Jamie Uys]]/1961),&lt;br /&gt;
''Hans en die Rooinek'' / ''Sidney and the Boer'' ([[Jamie Uys]]/1961),&lt;br /&gt;
''Citizens of Tomorrow'' / ''Burgers van die Toekoms'' (with [[Manie Botha]]) (Documentary) ([[Jamie Uys]]/1962),&lt;br /&gt;
''Man in die Donker'' ([[Truida Pohl]]/1962),&lt;br /&gt;
''Voor Sononder'' ([[Emil Nofal]]/1962),&lt;br /&gt;
''Lord Oom Piet'' ([[Jamie Uys]]/1962),&lt;br /&gt;
''Kimberley Jim'' ([[Emil Nofal]]/1963),&lt;br /&gt;
''Dingaka'' (with [[Manie Botha]]) ([[Jamie Uys]]/1964),&lt;br /&gt;
''The White South Africans'' / ''Die Blanke Suid-Afrikaners'' (with [[Vincent G. Cox]], [[Koos Roets]] &amp;amp; [[Tai Krige]]) (Documentary) ([[Emil Nofal]]/1965),&lt;br /&gt;
''Diamond Walkers'' (as unit camera operator) (Paul Martin/1965),&lt;br /&gt;
''Tokoloshe'' ([[Peter Prowse]]/1965),&lt;br /&gt;
''Africa Shakes'' ([[Basil Mailer]]/1966),&lt;br /&gt;
''The Ever Free'' / ''Vir Ewig Vry'' (with [[Vincent G. Cox]]) ([[Jans Rautenbach]]/1966),&lt;br /&gt;
''The Role of a Magician-Diviner in a Tswana Community'' (Documentary) (Irvine Tabor/1967),&lt;br /&gt;
''Marmerpoel'' (Judex C. Viljoen/1972).&lt;br /&gt;
&lt;br /&gt;
'''Editor'''&lt;br /&gt;
&lt;br /&gt;
''Doodkry is Min'' (with [[Elmo de Witt]]) ([[Jamie Uys]]/1961).&lt;br /&gt;
&lt;br /&gt;
== Sources ==&lt;br /&gt;
&lt;br /&gt;
Die Huisgenoot, 16 October 1959&lt;br /&gt;
&lt;br /&gt;
Le Roux, André I. &amp;amp; Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm (1982)&lt;br /&gt;
&lt;br /&gt;
http://www.imdb.com/name/nm0897544/?ref_=nv_sr_6&lt;br /&gt;
&lt;br /&gt;
== Return to ==	&lt;br /&gt;
&lt;br /&gt;
Return to [[ESAT Personalities V]]&lt;br /&gt;
&lt;br /&gt;
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]&lt;br /&gt;
&lt;br /&gt;
Return to [[The ESAT Entries]]&lt;br /&gt;
&lt;br /&gt;
Return to [[Main Page]]&lt;/div&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
</feed>