Jocelyn de Bruyn - Revision history

Satj: /* Contribution to SA theatre, film, media and/or performance */

2025-05-15T09:16:29Z

Contribution to SA theatre, film, media and/or performance

Satj: /* Contribution to SA theatre, film, media and/or performance */

2025-05-15T09:07:16Z

Contribution to SA theatre, film, media and/or performance

Karina2: /* Contribution to SA theatre, film, media and/or performance */

2023-05-17T14:18:10Z

Contribution to SA theatre, film, media and/or performance

Satj: /* Sources */

2022-11-18T03:37:00Z

Sources

Satj at 03:33, 18 November 2022

2022-11-18T03:33:24Z

Miriamt at 10:31, 16 June 2017

2017-06-16T10:31:32Z

Miriamt at 10:29, 16 June 2017

2017-06-16T10:29:30Z

Miriamt: /* Contribution to SA theatre, film, media and/or performance */

2017-06-16T10:25:44Z

Contribution to SA theatre, film, media and/or performance

Miriamt at 10:23, 16 June 2017

2017-06-16T10:23:10Z

Satj at 06:18, 8 April 2016

2016-04-08T06:18:18Z

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 Back in South Africa he played for the [[Johannesburg Repertory Society]] and the [[Munro-Inglis Company]], e.g. in ''[[The Seagull]]'' in 1945.
-During the 1960s and 1970s he was lecturer in English Speech and Elocution at the [[University of Stellenbosch Drama Department]]. For them he directed ''[[Exit the King]]'' (1966). He also adapted/created a few texts with the students, among them ''[[Katjie-stewels]]'' (based on ''[[Puss-in-Boots]]''), The Three Bears]]'' (based on ''[[Goldilocks and the Three Bears]]'', ''[[Paquito]]'', etc. for children.
+During the 1960s and 1970s he was lecturer in English Speech and Elocution at the [[University of Stellenbosch Drama Department]]. For them he directed ''[[Exit the King]]'' (1966). He also adapted/created a few texts with the students, among them ''[[Katjie-stewels]]'' (based on ''[[Puss-in-Boots]]''), ''[[The Three Bears]]'' (based on ''[[Goldilocks and the Three Bears]]'', ''[[Paquito]]'', etc. for children.
 As actor he has appeared in ''[[The Importance of Being Earnest]]'' and ''[[The Rivals]]'', which he also produced.

@@ Line 11: / Line 11: @@
 Back in South Africa he played for the [[Johannesburg Repertory Society]] and the [[Munro-Inglis Company]], e.g. in ''[[The Seagull]]'' in 1945.
-During the 1960s and 1970s he was lecturer in English Speech and Elocution at the [[University of Stellenbosch Drama Department]]. For them he directed ''[[Exit the King]]'' (1966). He also adapted/created a few texts with the students, among them ''[[Katjie-stewels]]'' (based on ''[[Puss-in-Boots]]''), also ''[[Paquito]]'' for children.
+During the 1960s and 1970s he was lecturer in English Speech and Elocution at the [[University of Stellenbosch Drama Department]]. For them he directed ''[[Exit the King]]'' (1966). He also adapted/created a few texts with the students, among them ''[[Katjie-stewels]]'' (based on ''[[Puss-in-Boots]]''), The Three Bears]]'' (based on ''[[Goldilocks and the Three Bears]]'', ''[[Paquito]]'', etc. for children.
 As actor he has appeared in ''[[The Importance of Being Earnest]]'' and ''[[The Rivals]]'', which he also produced.

@@ Line 11: / Line 11: @@
 Back in South Africa he played for the [[Johannesburg Repertory Society]] and the [[Munro-Inglis Company]], e.g. in ''[[The Seagull]]'' in 1945.
-During the 1960s and 1970s he was lecturer in English Speech and Elocution at the [[University of Stellenbosch Drama Department]]. For them he directed ''[[Exit the King]]'' (1966). He also adapted/created a few texts with the students, among them ''[[Katjie-stewels]]'' (based on ''[[Puss-in-Boots]]'')
+During the 1960s and 1970s he was lecturer in English Speech and Elocution at the [[University of Stellenbosch Drama Department]]. For them he directed ''[[Exit the King]]'' (1966). He also adapted/created a few texts with the students, among them ''[[Katjie-stewels]]'' (based on ''[[Puss-in-Boots]]''), also ''[[Paquito]]'' for children.
 As actor he has appeared in ''[[The Importance of Being Earnest]]'' and ''[[The Rivals]]'', which he also produced.
-He translated a number of texts into [[Afrikaans]], from various foreign languages. Aming them:
+He translated a number of texts into [[Afrikaans]], from various foreign languages. Among them:
 Friedrich Hebbel's German play ''[[Maria Magdalena]]'', Robert Thomas's 1958 French play ''[[Huit Femmes]]'' (as ''[[Agt Vroue]]'', 1963, 1967) and ''[[Due dozzine di rose scarlatte]]'' (1936) by Aldo De Benedetti (as ''[[Twee Dosyn Rooi Rose]]'', 1969).

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 https://af.wikipedia.org/wiki/Lys_van_vertalings_in_Afrikaans
 Go to [[ESAT Bibliography]]
 == Return to ==

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-[[Jocelyn de Bruyn]] (Sometimes credited as [[Joc. de Bruyn]]) (19**-**). Actor, linguist and speech trainer in spoken English, Italian and French.
+[[Jocelyn de Bruyn]] was an actor, linguist and speech teacher of spoken English, Italian and French.
 He received his dramatic training at the [[Old Vic Theatre]], London and appeared there in ''[[Macbeth]]'' (1937), ''[[The King of Nowhere]]'' (Bridie, 1938) and ''[[Coriolanus]]'' (1938).
@@ Line 7: / Line 11: @@
 Back in South Africa he played for the [[Johannesburg Repertory Society]] and the [[Munro-Inglis Company]], e.g. in ''[[The Seagull]]'' in 1945.
-During the 1960s and 1970s he was lecturer in English Speech and Elocution at the [[University of Stellenbosch Drama Department]]. For them he directed ''[[Exit the King]]'' (1966).
+During the 1960s and 1970s he was lecturer in English Speech and Elocution at the [[University of Stellenbosch Drama Department]]. For them he directed ''[[Exit the King]]'' (1966). He also adapted/created a few texts with the students, among them ''[[Katjie-stewels]]'' (based on ''[[Puss-in-Boots]]'')
 As actor he has appeared in ''[[The Importance of Being Earnest]]'' and ''[[The Rivals]]'', which he also produced.
-He translated from various foreign languages into [[Afrikaans]], including Friedrich Hebbel's German play ''[[Maria Magdalena]]'',  Robert Thomas's 1958 French play ''[[Huit Femmes]]'' (as ''[[Agt Vroue]]'', 1963, 1967) and ''Due dozzine di rose scarlatte'' (1936) by Aldo De Benedetti as ''[[Twee Dosyn Rooi Rose]]'' (1969).
+He translated a number of texts into [[Afrikaans]], from various foreign languages. Aming them:
 == Sources ==
 J. P. Wearing ''The London Stage 1930-1939: A Calendar of Productions, Performers, and Personnel''[https://books.google.co.za/books?id=Z2mYAwAAQBAJ&pg=PA643&lpg=PA643&dq=Jocelyn+de+Bruyn&source=bl&ots=mMiJkq9GnB&sig=9vVOjd_xAIdlh5GeM9Wx7lecrvk&hl=af&sa=X&ved=0ahUKEwjjh9mCrP7LAhVLvBQKHXdWBcQQ6AEIUTAM#v=onepage&q=Jocelyn%20de%20Bruyn&f=false]

@@ Line 5: / Line 5: @@
 Back in South Africa he played for the [[Johannesburg Repertory Society]] and the [[Munro-Inglis Company]].
-During the 1960s and 1970s he was lecturer in English Speech and Elocution at the [[University of Stellenbosch Drama Department]]. For them he directed ''[[Exit the King]]'' (19**)
+During the 1960s and 1970s he was lecturer in English Speech and Elocution at the [[University of Stellenbosch Drama Department]]. For them he directed ''[[Exit the King]]'' (1966)
 He translated from various foreign languages into [[Afrikaans]], including Friedrich Hebbel's German play ''[[Maria Magdalena]]'' and Robert Thomas's 1958 French play ''[[Huit Femmes]]'' (as ''[[Agt Vroue]]'', 1963, 1967).