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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=J._Langley_Levy</id>
	<title>J. Langley Levy - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=J._Langley_Levy"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;action=history"/>
	<updated>2026-09-09T03:52:35Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.33.2</generator>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=117552&amp;oldid=prev</id>
		<title>Fogterop at 16:23, 4 November 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=117552&amp;oldid=prev"/>
		<updated>2016-11-04T16:23:58Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:23, 4 November 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Liverpool, 25/05/1870 – d. Johannesburg, 11/05/1945). &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;Journalist, editor, drama critic, screen writer. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;Born in Liverpool, Joseph Langley Levy originally studied art and was apprenticed to a London company that made stained glass. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;After he wrote a series of articles on the Jews of Liverpool for the Liverpool Review in 1899, he became a sub-editor at that newspaper and in 1902 was appointed its editor. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;In 1903 he went on an extensive tour, which included South Africa, and then returned to the Liverpool Review. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;In 1905 he joined the staff of the Daily Express and became its art and drama critic as well as that of the Evening Standard. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;In 1910 George Kingswell recruited him to become the editor of The Sunday Times in Johannesburg, a post in which he remained until his retirement in 1942.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Liverpool, 25/05/1870 – d. Johannesburg, 11/05/1945). Journalist, editor, drama critic, screen writer. Born in Liverpool, Joseph Langley Levy originally studied art and was apprenticed to a London company that made stained glass. After he wrote a series of articles on the Jews of Liverpool for the Liverpool Review in 1899, he became a sub-editor at that newspaper and in 1902 was appointed its editor. In 1903 he went on an extensive tour, which included South Africa, and then returned to the Liverpool Review. In 1905 he joined the staff of the Daily Express and became its art and drama critic as well as that of the Evening Standard. In 1910 George Kingswell recruited him to become the editor of The Sunday Times in Johannesburg, a post in which he remained until his retirement in 1942&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;During his stewardship The Sunday Times grew to a great national newspaper and became one of the most influential publications in the country. Despite his duties as editor, he found time to continue his work as a critic. He had an abiding interest in the theatre and was a committed supporter of amateur groups. He reviewed plays and wrote on the theatre under the pseudonym Gadabout, reviewed books as J.L.L. and discussed gramophone records as Gramanola. In addition he wrote numerous humorous articles as The Cherub, a nom de plume he had used before in England.  In every way, he was a major figure on the city’s cultural scene.  Langley Levy Street in Montgomery Park, Johannesburg is named after him.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In England he had written a number of now forgotten novels, while in South Africa he also turned his hand to writing plays, resulting in ''[[The Man Who Went to the Front]]'' (with [[Leonard Rayne]]), ''[[Ta, Ta, Darling]]'' (with [[R. Ward Jackson]]), a potted version of ''[[Hamlet]]'' written for the Johannesburg War Market (1917) and his mock version of East Lynne entitled ''[[East Lynne in Three Pots]]'', which was presented by the [[Johannesburg Repertory Players]] (1931). Like his colleague [[F. Horace Rose]] at the Natal Witness, he also took an interest in films and wrote ''[[The Trek]]'' (1914) for the [[African Films Trust]] (1914), followed by ''[[The Illicit Liquor Seller]]'' ([[Lorimer Johnston]]/1916) and ''[[And then ---]]'' ([[Dick Cruikshanks]] &amp;amp; [[Joseph Albrecht]]) 1917) for [[African Film Productions]]. He even had a small part in Cruikshanks’s ''[[The Symbol of Sacrifice]]'' (1918), playing a shopkeeper at Rorke’s Drift&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;During his stewardship The Sunday Times grew to a great national newspaper and became one of the most influential publications in the country.  Despite his duties as editor, he found time to continue his work as a critic.  He had an abiding interest in the theatre and was a committed supporter of amateur groups .  He reviewed plays and wrote on the theatre under the pseudonym Gadabout, reviewed books as J.L.L. and discussed gramophone records as Gramanola.  In addition he wrote numerous humorous articles as The Cherub, a nom de plume he had used before in England.  Langley Levy Street in Montgomery Park, Johannesburg is named after him.  &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1897 he had married [[Mabel Rushton]], who may have been a theatrical designer. She was most likely born in 1874 and died in 1942, a few weeks after her husband had retired. The couple had four children, three daughters and a son. Doris Langley Moore (1902-1989) became a distinguished fashion historian and was the founder of the Museum of Costume (now the Fashion Museum) in Bath. She wrote on a wide variety of subjects and was an acknowledged expert on Lord Byron. In addition she was costume designer for Katharine Hepburn on The African Queen (1951) and also worked on ''Freud'' (1962), both directed by John Huston. In 1928, her book “The Technique of the Love Affair” (by A Gentlewoman) caused something of a stir and this was followed by “The bride’s book, or Young housewife’s companion” (by Two Ladies of England/1932) and “The pleasure of your company: a text-book of hospitality” (1936), both written with her older sister, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;June Langley&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;Moore. They and a third sister, Mabel Alicia McAllister, all settled in England. A son, Jack Langley Levy, died in 1933. (FO)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;In England he had written a number of now forgotten novels, while in South Africa he also turned his hand to writing plays, resulting in [[The Man Who Went to the Front]] (with [[Leonard Rayne]]) and [[Ta, Ta, Darling]] (with [[R. Ward Jackson]]).  Like his colleague [[F. Horace Rose]] at the Natal Witness, he also took an interest in films and wrote [[The Trek]] (1914) for the [[African Films Trust]] (1914), followed by [[The Illicit Liquor Seller]] ([[Lorimer Johnston]]/1916) and [[And Then---]] ([[Dick Cruikshanks]] &amp;amp; [[Joseph Albrecht]]) 1917) for [[African Film Productions]].  He even had a small part in Cruikshanks’s [[The Symbol of Sacrifice]] (1918), playing a shopkeeper at Rorke’s Drift.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1897 he had married [[Mabel Rushton]], who may have been a theatrical designer. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;She was most likely born in 1874 and died in 1942, a few weeks after her husband had retired. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;The couple had four children, three daughters and a son. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;Doris Langley Moore (1902-1989) became a distinguished fashion historian and was the founder of the Museum of Costume (now the Fashion Museum) in Bath. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;She wrote on a wide variety of subjects and was an acknowledged expert on Lord Byron. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;In addition she was costume designer for Katharine Hepburn on &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/del&gt;The African Queen&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/del&gt;(1951) and also worked on ''Freud'' (1962), both directed by John Huston. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;In 1928, her book “The Technique of the Love Affair” (by A Gentlewoman) caused something of a stir and this was followed by “The bride’s book, or Young housewife’s companion” (by Two Ladies of England/1932) and “The pleasure of your company: a text-book of hospitality” (1936), both written with her older sister, June Langley&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;-Levy &lt;/del&gt;Moore. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;  &lt;/del&gt;They and a third sister, Mabel Alicia McAllister, all settled in England. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;A son, Jack Langley Levy, died in 1933. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=65065&amp;oldid=prev</id>
		<title>Fogterop at 14:52, 9 August 2014</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=65065&amp;oldid=prev"/>
		<updated>2014-08-09T14:52:58Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:52, 9 August 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot; &gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The Forum, 7 March 1942&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dictionary of South African Biography, Volume III&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dictionary of South African Biography, Volume III&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=48275&amp;oldid=prev</id>
		<title>Fogterop at 13:18, 21 November 2013</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=48275&amp;oldid=prev"/>
		<updated>2013-11-21T13:18:59Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:18, 21 November 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During his stewardship The Sunday Times grew to a great national newspaper and became one of the most influential publications in the country.  Despite his duties as editor, he found time to continue his work as a critic.  He had an abiding interest in the theatre and was a committed supporter of amateur groups .  He reviewed plays and wrote on the theatre under the pseudonym Gadabout, reviewed books as J.L.L. and discussed gramophone records as Gramanola.  In addition he wrote numerous humorous articles as The Cherub, a nom de plume he had used before in England.  Langley Levy Street in Montgomery Park, Johannesburg is named after him.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During his stewardship The Sunday Times grew to a great national newspaper and became one of the most influential publications in the country.  Despite his duties as editor, he found time to continue his work as a critic.  He had an abiding interest in the theatre and was a committed supporter of amateur groups .  He reviewed plays and wrote on the theatre under the pseudonym Gadabout, reviewed books as J.L.L. and discussed gramophone records as Gramanola.  In addition he wrote numerous humorous articles as The Cherub, a nom de plume he had used before in England.  Langley Levy Street in Montgomery Park, Johannesburg is named after him.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In England he had written a number of now forgotten novels, while in South Africa he also turned his hand to writing plays, resulting in [[The Man Who Went to the Front]] (with [[Leonard Rayne]]) and [[Ta, Ta, Darling]] (with [[R. Ward Jackson]]).  Like his colleague [[F. Horace Rose]] at the Natal Witness, he also took an interest in films and wrote [[The Illicit Liquor Seller]] (&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1916) for &lt;/del&gt;[[Lorimer Johnston]] and [[And Then---]] (&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1917) for &lt;/del&gt;[[Dick Cruikshanks]] &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and &lt;/del&gt;[[Joseph Albrecht]].  He even had a small part in Cruikshanks’s [[The Symbol of Sacrifice]] (1918), playing a shopkeeper at Rorke’s Drift.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In England he had written a number of now forgotten novels, while in South Africa he also turned his hand to writing plays, resulting in [[The Man Who Went to the Front]] (with [[Leonard Rayne]]) and [[Ta, Ta, Darling]] (with [[R. Ward Jackson]]).  Like his colleague [[F. Horace Rose]] at the Natal Witness, he also took an interest in films and wrote &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[The Trek]] (1914) for the [[African Films Trust]] (1914), followed by &lt;/ins&gt;[[The Illicit Liquor Seller]] ([[Lorimer Johnston]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;/1916) &lt;/ins&gt;and [[And Then---]] ([[Dick Cruikshanks]] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;amp; &lt;/ins&gt;[[Joseph Albrecht&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]) 1917) for [[African Film Productions&lt;/ins&gt;]].  He even had a small part in Cruikshanks’s [[The Symbol of Sacrifice]] (1918), playing a shopkeeper at Rorke’s Drift.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1897 he had married [[Mabel Rushton]], who may have been a theatrical designer.  She was most likely born in 1874 and died in 1942, a few weeks after her husband had retired.  The couple had four children, three daughters and a son.  Doris Langley Moore (1902-1989) became a distinguished fashion historian and was the founder of the Museum of Costume (now the Fashion Museum) in Bath.  She wrote on a wide variety of subjects and was an acknowledged expert on Lord Byron.  In addition she was costume designer for Katharine Hepburn on ''The African Queen'' (1951) and also worked on ''Freud'' (1962), both directed by John Huston.  In 1928, her book “The Technique of the Love Affair” (by A Gentlewoman) caused something of a stir and this was followed by “The bride’s book, or Young housewife’s companion” (by Two Ladies of England/1932) and “The pleasure of your company: a text-book of hospitality” (1936), both written with her older sister, June Langley-Levy Moore.   They and a third sister, Mabel Alicia McAllister, all settled in England.  A son, Jack Langley Levy, died in 1933. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1897 he had married [[Mabel Rushton]], who may have been a theatrical designer.  She was most likely born in 1874 and died in 1942, a few weeks after her husband had retired.  The couple had four children, three daughters and a son.  Doris Langley Moore (1902-1989) became a distinguished fashion historian and was the founder of the Museum of Costume (now the Fashion Museum) in Bath.  She wrote on a wide variety of subjects and was an acknowledged expert on Lord Byron.  In addition she was costume designer for Katharine Hepburn on ''The African Queen'' (1951) and also worked on ''Freud'' (1962), both directed by John Huston.  In 1928, her book “The Technique of the Love Affair” (by A Gentlewoman) caused something of a stir and this was followed by “The bride’s book, or Young housewife’s companion” (by Two Ladies of England/1932) and “The pleasure of your company: a text-book of hospitality” (1936), both written with her older sister, June Langley-Levy Moore.   They and a third sister, Mabel Alicia McAllister, all settled in England.  A son, Jack Langley Levy, died in 1933. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=41000&amp;oldid=prev</id>
		<title>Fogterop at 19:36, 15 May 2013</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=41000&amp;oldid=prev"/>
		<updated>2013-05-15T19:36:08Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:36, 15 May 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Liverpool, 25/05/1870 – d. Johannesburg, 11/05/1945).  Journalist, editor, drama critic, screen writer.  Born in Liverpool, Joseph Langley Levy originally studied art and was apprenticed to a London company that made stained glass.  After he wrote a series of articles on the Jews of Liverpool for the Liverpool Review in 1899, he became a sub-editor at that newspaper and in 1902 was appointed its editor.  In 1903 he went on an extensive tour, which included South Africa, and then returned to the Liverpool Review.  In 1905 he joined the staff of the Daily Express and became its art and drama critic as well as that of the Evening Standard.  In 1910 George Kingswell recruited him to become the editor of The Sunday Times in Johannesburg, a post in which he remained until his retirement in 1942.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Liverpool, 25/05/1870 – d. Johannesburg, 11/05/1945).  Journalist, editor, drama critic, screen writer.  Born in Liverpool, Joseph Langley Levy originally studied art and was apprenticed to a London company that made stained glass.  After he wrote a series of articles on the Jews of Liverpool for the Liverpool Review in 1899, he became a sub-editor at that newspaper and in 1902 was appointed its editor.  In 1903 he went on an extensive tour, which included South Africa, and then returned to the Liverpool Review.  In 1905 he joined the staff of the Daily Express and became its art and drama critic as well as that of the Evening Standard.  In 1910 George Kingswell recruited him to become the editor of The Sunday Times in Johannesburg, a post in which he remained until his retirement in 1942.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During his stewardship The Sunday Times grew to a great national newspaper and became one of the most influential publications in the country.  Despite his duties as editor, he found time to continue his work as a critic.  He had an abiding interest in the theatre and was a committed supporter of amateur groups .  He reviewed plays and wrote on the theatre under the pseudonym Gadabout, reviewed books as J.L.L. and discussed gramophone records as Gramanola.  In addition he wrote numerous humorous articles as The Cherub, a nom de plume he had used before in England. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;   &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During his stewardship The Sunday Times grew to a great national newspaper and became one of the most influential publications in the country.  Despite his duties as editor, he found time to continue his work as a critic.  He had an abiding interest in the theatre and was a committed supporter of amateur groups .  He reviewed plays and wrote on the theatre under the pseudonym Gadabout, reviewed books as J.L.L. and discussed gramophone records as Gramanola.  In addition he wrote numerous humorous articles as The Cherub, a nom de plume he had used before in England. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; Langley Levy Street in Montgomery Park, Johannesburg is named after him.  &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In England he had written a number of now forgotten novels, while in South Africa he also turned his hand to writing plays, resulting in [[The Man Who Went to the Front]] (with [[Leonard Rayne]]) and [[Ta, Ta, Darling]] (with [[R. Ward Jackson]]).  Like his colleague [[F. Horace Rose]] at the Natal Witness, he also took an interest in films and wrote [[The Illicit Liquor Seller]] (1916) for [[Lorimer Johnston]] and [[And Then---]] (1917) for [[Dick Cruikshanks]] and [[Joseph Albrecht]].  He even had a small part in Cruikshanks’s [[The Symbol of Sacrifice]] (1918), playing a shopkeeper at Rorke’s Drift.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In England he had written a number of now forgotten novels, while in South Africa he also turned his hand to writing plays, resulting in [[The Man Who Went to the Front]] (with [[Leonard Rayne]]) and [[Ta, Ta, Darling]] (with [[R. Ward Jackson]]).  Like his colleague [[F. Horace Rose]] at the Natal Witness, he also took an interest in films and wrote [[The Illicit Liquor Seller]] (1916) for [[Lorimer Johnston]] and [[And Then---]] (1917) for [[Dick Cruikshanks]] and [[Joseph Albrecht]].  He even had a small part in Cruikshanks’s [[The Symbol of Sacrifice]] (1918), playing a shopkeeper at Rorke’s Drift.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1897 he had married [[Mabel Rushton]], who may have been a theatrical designer.  She was most likely born in 1874 and died in 1942, a few weeks after her husband had retired.  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Langley Levy Street in Montgomery Park, Johannesburg is named after him. &lt;/del&gt;The couple had four children, three daughters and a son.  Doris Langley Moore (1902-1989) became a distinguished fashion historian and was the founder of the Museum of Costume (now the Fashion Museum) in Bath.  She wrote on a wide variety of subjects and was an acknowledged expert on Lord Byron.  In addition she was costume designer for Katharine Hepburn on ''The African Queen'' (1951) and also worked on ''Freud'' (1962), both directed by John Huston.  In 1928, her book “The Technique of the Love Affair” (by A Gentlewoman) caused something of a stir and this was followed by “The bride’s book, or Young housewife’s companion” (by Two Ladies of England/1932) and “The pleasure of your company: a text-book of hospitality” (1936), both written with her older sister, June Langley-Levy Moore.   They and a third sister, Mabel Alicia McAllister, all settled in England.  A son, Jack Langley Levy, died in 1933. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1897 he had married [[Mabel Rushton]], who may have been a theatrical designer.  She was most likely born in 1874 and died in 1942, a few weeks after her husband had retired.  The couple had four children, three daughters and a son.  Doris Langley Moore (1902-1989) became a distinguished fashion historian and was the founder of the Museum of Costume (now the Fashion Museum) in Bath.  She wrote on a wide variety of subjects and was an acknowledged expert on Lord Byron.  In addition she was costume designer for Katharine Hepburn on ''The African Queen'' (1951) and also worked on ''Freud'' (1962), both directed by John Huston.  In 1928, her book “The Technique of the Love Affair” (by A Gentlewoman) caused something of a stir and this was followed by “The bride’s book, or Young housewife’s companion” (by Two Ladies of England/1932) and “The pleasure of your company: a text-book of hospitality” (1936), both written with her older sister, June Langley-Levy Moore.   They and a third sister, Mabel Alicia McAllister, all settled in England.  A son, Jack Langley Levy, died in 1933. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=40999&amp;oldid=prev</id>
		<title>Fogterop at 19:31, 15 May 2013</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=40999&amp;oldid=prev"/>
		<updated>2013-05-15T19:31:23Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:31, 15 May 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In England he had written a number of now forgotten novels, while in South Africa he also turned his hand to writing plays, resulting in [[The Man Who Went to the Front]] (with [[Leonard Rayne]]) and [[Ta, Ta, Darling]] (with [[R. Ward Jackson]]).  Like his colleague [[F. Horace Rose]] at the Natal Witness, he also took an interest in films and wrote [[The Illicit Liquor Seller]] (1916) for [[Lorimer Johnston]] and [[And Then---]] (1917) for [[Dick Cruikshanks]] and [[Joseph Albrecht]].  He even had a small part in Cruikshanks’s [[The Symbol of Sacrifice]] (1918), playing a shopkeeper at Rorke’s Drift.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In England he had written a number of now forgotten novels, while in South Africa he also turned his hand to writing plays, resulting in [[The Man Who Went to the Front]] (with [[Leonard Rayne]]) and [[Ta, Ta, Darling]] (with [[R. Ward Jackson]]).  Like his colleague [[F. Horace Rose]] at the Natal Witness, he also took an interest in films and wrote [[The Illicit Liquor Seller]] (1916) for [[Lorimer Johnston]] and [[And Then---]] (1917) for [[Dick Cruikshanks]] and [[Joseph Albrecht]].  He even had a small part in Cruikshanks’s [[The Symbol of Sacrifice]] (1918), playing a shopkeeper at Rorke’s Drift.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1897 he had married Mabel &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Ada &lt;/del&gt;Rushton, who may have been a theatrical designer.  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;“Mrs. J. Langley Levy” is credited as having acted in [[The Madcap of the Veld]] ([[Joseph Albrecht]]/1920) and the “Mabel Rushta” mentioned by [[Filmverlede]] as appearing in [[Gloria]] ([[Lorimer Johnston]]/1916) was probably also her.  Mabel &lt;/del&gt;was most likely born in 1874 and died in 1942, a few weeks after her husband had retired.  Langley Levy Street in Montgomery Park, Johannesburg is named after him.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1897 he had married &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Mabel Rushton&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, who may have been a theatrical designer.  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;She &lt;/ins&gt;was most likely born in 1874 and died in 1942, a few weeks after her husband had retired.  Langley Levy Street in Montgomery Park, Johannesburg is named after him. The couple had four children, three daughters and a son.  Doris Langley Moore (1902-1989) became a distinguished fashion historian and was the founder of the Museum of Costume (now the Fashion Museum) in Bath.  She wrote on a wide variety of subjects and was an acknowledged expert on Lord Byron.  In addition she was costume designer for Katharine Hepburn on ''The African Queen'' (1951) and also worked on ''Freud'' (1962), both directed by John Huston.  In 1928, her book “The Technique of the Love Affair” (by A Gentlewoman) caused something of a stir and this was followed by “The bride’s book, or Young housewife’s companion” (by Two Ladies of England/1932) and “The pleasure of your company: a text-book of hospitality” (1936), both written with her older sister, June Langley-Levy Moore.   They and a third sister, Mabel Alicia McAllister, all settled in England.  A son, Jack Langley Levy, died in 1933. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The couple had four children, three daughters and a son.  Doris Langley Moore (1902-1989) became a distinguished fashion historian and was the founder of the Museum of Costume (now the Fashion Museum) in Bath.  She wrote on a wide variety of subjects and was an acknowledged expert on Lord Byron.  In addition she was costume designer for Katharine Hepburn on ''The African Queen'' (1951) and also worked on ''Freud'' (1962), both directed by John Huston.  In 1928, her book “The Technique of the Love Affair” (by A Gentlewoman) caused something of a stir and this was followed by “The bride’s book, or Young housewife’s companion” (by Two Ladies of England/1932) and “The pleasure of your company: a text-book of hospitality” (1936), both written with her older sister, June Langley-Levy Moore.   They and a third sister, Mabel Alicia McAllister, all settled in England.  A son, Jack Langley Levy, died in 1933. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=40991&amp;oldid=prev</id>
		<title>Fogterop at 18:59, 12 May 2013</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=40991&amp;oldid=prev"/>
		<updated>2013-05-12T18:59:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:59, 12 May 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In England he had written a number of now forgotten novels, while in South Africa he also turned his hand to writing plays, resulting in [[The Man Who Went to the Front]] (with [[Leonard Rayne]]) and [[Ta, Ta, Darling]] (with [[R. Ward Jackson]]).  Like his colleague [[F. Horace Rose]] at the Natal Witness, he also took an interest in films and wrote [[The Illicit Liquor Seller]] (1916) for [[Lorimer Johnston]] and [[And Then---]] (1917) for [[Dick Cruikshanks]] and [[Joseph Albrecht]].  He even had a small part in Cruikshanks’s [[The Symbol of Sacrifice]] (1918), playing a shopkeeper at Rorke’s Drift.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In England he had written a number of now forgotten novels, while in South Africa he also turned his hand to writing plays, resulting in [[The Man Who Went to the Front]] (with [[Leonard Rayne]]) and [[Ta, Ta, Darling]] (with [[R. Ward Jackson]]).  Like his colleague [[F. Horace Rose]] at the Natal Witness, he also took an interest in films and wrote [[The Illicit Liquor Seller]] (1916) for [[Lorimer Johnston]] and [[And Then---]] (1917) for [[Dick Cruikshanks]] and [[Joseph Albrecht]].  He even had a small part in Cruikshanks’s [[The Symbol of Sacrifice]] (1918), playing a shopkeeper at Rorke’s Drift.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1897 he had married Mabel Ada Rushton, who may have been a theatrical designer.  “Mrs. J. Langley Levy” is credited as having acted in [[The Madcap of the Veld]] ([[Joseph Albrecht]]/1920) and the “Mabel Rushta” mentioned by [[Filmverlede]] as appearing in [[Gloria]] ([[Lorimer Johnston&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;/&lt;/del&gt;]]1916) was probably also her.  Mabel was most likely born in 1874 and died in 1942, a few weeks after her husband had retired.  Langley Levy Street in Montgomery Park, Johannesburg is named after him.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1897 he had married Mabel Ada Rushton, who may have been a theatrical designer.  “Mrs. J. Langley Levy” is credited as having acted in [[The Madcap of the Veld]] ([[Joseph Albrecht]]/1920) and the “Mabel Rushta” mentioned by [[Filmverlede]] as appearing in [[Gloria]] ([[Lorimer Johnston]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;/&lt;/ins&gt;1916) was probably also her.  Mabel was most likely born in 1874 and died in 1942, a few weeks after her husband had retired.  Langley Levy Street in Montgomery Park, Johannesburg is named after him.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The couple had four children, three daughters and a son.  Doris Langley Moore (1902-1989) became a distinguished fashion historian and was the founder of the Museum of Costume (now the Fashion Museum) in Bath.  She wrote on a wide variety of subjects and was an acknowledged expert on Lord Byron.  In addition she was costume designer for Katharine Hepburn on ''The African Queen'' (1951) and also worked on ''Freud'' (1962), both directed by John Huston.  In 1928, her book “The Technique of the Love Affair” (by A Gentlewoman) caused something of a stir and this was followed by “The bride’s book, or Young housewife’s companion” (by Two Ladies of England/1932) and “The pleasure of your company: a text-book of hospitality” (1936), both written with her older sister, June Langley-Levy Moore.   They and a third sister, Mabel Alicia McAllister, all settled in England.  A son, Jack Langley Levy, died in 1933. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The couple had four children, three daughters and a son.  Doris Langley Moore (1902-1989) became a distinguished fashion historian and was the founder of the Museum of Costume (now the Fashion Museum) in Bath.  She wrote on a wide variety of subjects and was an acknowledged expert on Lord Byron.  In addition she was costume designer for Katharine Hepburn on ''The African Queen'' (1951) and also worked on ''Freud'' (1962), both directed by John Huston.  In 1928, her book “The Technique of the Love Affair” (by A Gentlewoman) caused something of a stir and this was followed by “The bride’s book, or Young housewife’s companion” (by Two Ladies of England/1932) and “The pleasure of your company: a text-book of hospitality” (1936), both written with her older sister, June Langley-Levy Moore.   They and a third sister, Mabel Alicia McAllister, all settled in England.  A son, Jack Langley Levy, died in 1933. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=40990&amp;oldid=prev</id>
		<title>Fogterop at 18:58, 12 May 2013</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=40990&amp;oldid=prev"/>
		<updated>2013-05-12T18:58:32Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:58, 12 May 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In England he had written a number of now forgotten novels, while in South Africa he also turned his hand to writing plays, resulting in [[The Man Who Went to the Front]] (with [[Leonard Rayne]]) and [[Ta, Ta, Darling]] (with [[R. Ward Jackson]]).  Like his colleague [[F. Horace Rose]] at the Natal Witness, he also took an interest in films and wrote [[The Illicit Liquor Seller]] (1916) for [[Lorimer Johnston]] and [[And Then---]] (1917) for [[Dick Cruikshanks]] and [[Joseph Albrecht]].  He even had a small part in Cruikshanks’s [[The Symbol of Sacrifice]] (1918), playing a shopkeeper at Rorke’s Drift.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In England he had written a number of now forgotten novels, while in South Africa he also turned his hand to writing plays, resulting in [[The Man Who Went to the Front]] (with [[Leonard Rayne]]) and [[Ta, Ta, Darling]] (with [[R. Ward Jackson]]).  Like his colleague [[F. Horace Rose]] at the Natal Witness, he also took an interest in films and wrote [[The Illicit Liquor Seller]] (1916) for [[Lorimer Johnston]] and [[And Then---]] (1917) for [[Dick Cruikshanks]] and [[Joseph Albrecht]].  He even had a small part in Cruikshanks’s [[The Symbol of Sacrifice]] (1918), playing a shopkeeper at Rorke’s Drift.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1897 he had married Mabel Ada Rushton, who may have been a theatrical designer.  “Mrs. J. Langley Levy” is credited as having acted in [[The Madcap of the Veld]] ([[Joseph Albrecht]]/1920) and the “Mabel Rushta” mentioned by [[Filmverlede]] as appearing in [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The Illicit Liquor Seller&lt;/del&gt;]] ([[Lorimer Johnston/]]1916) was probably also her.  Mabel was most likely born in 1874 and died in 1942, a few weeks after her husband had retired.  Langley Levy Street in Montgomery Park, Johannesburg is named after him.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1897 he had married Mabel Ada Rushton, who may have been a theatrical designer.  “Mrs. J. Langley Levy” is credited as having acted in [[The Madcap of the Veld]] ([[Joseph Albrecht]]/1920) and the “Mabel Rushta” mentioned by [[Filmverlede]] as appearing in [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Gloria&lt;/ins&gt;]] ([[Lorimer Johnston/]]1916) was probably also her.  Mabel was most likely born in 1874 and died in 1942, a few weeks after her husband had retired.  Langley Levy Street in Montgomery Park, Johannesburg is named after him.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The couple had four children, three daughters and a son.  Doris Langley Moore (1902-1989) became a distinguished fashion historian and was the founder of the Museum of Costume (now the Fashion Museum) in Bath.  She wrote on a wide variety of subjects and was an acknowledged expert on Lord Byron.  In addition she was costume designer for Katharine Hepburn on ''The African Queen'' (1951) and also worked on ''Freud'' (1962), both directed by John Huston.  In 1928, her book “The Technique of the Love Affair” (by A Gentlewoman) caused something of a stir and this was followed by “The bride’s book, or Young housewife’s companion” (by Two Ladies of England/1932) and “The pleasure of your company: a text-book of hospitality” (1936), both written with her older sister, June Langley-Levy Moore.   They and a third sister, Mabel Alicia McAllister, all settled in England.  A son, Jack Langley Levy, died in 1933. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The couple had four children, three daughters and a son.  Doris Langley Moore (1902-1989) became a distinguished fashion historian and was the founder of the Museum of Costume (now the Fashion Museum) in Bath.  She wrote on a wide variety of subjects and was an acknowledged expert on Lord Byron.  In addition she was costume designer for Katharine Hepburn on ''The African Queen'' (1951) and also worked on ''Freud'' (1962), both directed by John Huston.  In 1928, her book “The Technique of the Love Affair” (by A Gentlewoman) caused something of a stir and this was followed by “The bride’s book, or Young housewife’s companion” (by Two Ladies of England/1932) and “The pleasure of your company: a text-book of hospitality” (1936), both written with her older sister, June Langley-Levy Moore.   They and a third sister, Mabel Alicia McAllister, all settled in England.  A son, Jack Langley Levy, died in 1933. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=40982&amp;oldid=prev</id>
		<title>Fogterop at 10:29, 12 May 2013</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=40982&amp;oldid=prev"/>
		<updated>2013-05-12T10:29:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 10:29, 12 May 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In England he had written a number of now forgotten novels, while in South Africa he also turned his hand to writing plays, resulting in [[The Man Who Went to the Front]] (with [[Leonard Rayne]]) and [[Ta, Ta, Darling]] (with [[R. Ward Jackson]]).  Like his colleague [[F. Horace Rose]] at the Natal Witness, he also took an interest in films and wrote [[The Illicit Liquor Seller]] (1916) for [[Lorimer Johnston]] and [[And Then---]] (1917) for [[Dick Cruikshanks]] and [[Joseph Albrecht]].  He even had a small part in Cruikshanks’s [[The Symbol of Sacrifice]] (1918), playing a shopkeeper at Rorke’s Drift.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In England he had written a number of now forgotten novels, while in South Africa he also turned his hand to writing plays, resulting in [[The Man Who Went to the Front]] (with [[Leonard Rayne]]) and [[Ta, Ta, Darling]] (with [[R. Ward Jackson]]).  Like his colleague [[F. Horace Rose]] at the Natal Witness, he also took an interest in films and wrote [[The Illicit Liquor Seller]] (1916) for [[Lorimer Johnston]] and [[And Then---]] (1917) for [[Dick Cruikshanks]] and [[Joseph Albrecht]].  He even had a small part in Cruikshanks’s [[The Symbol of Sacrifice]] (1918), playing a shopkeeper at Rorke’s Drift.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1897 he had married Mabel Ada Rushton, who may have been a theatrical designer.  “Mrs. J. Langley Levy” is credited as having acted in [[The Madcap of the Veld]] ([[Joseph Albrecht]]/1920) and the “Mabel Rushta” mentioned by Filmverlede as appearing in [[The Illicit Liquor Seller]] ([[Lorimer Johnston/]]1916) was probably also her.  Mabel was most likely born in 1874 and died in 1942, a few weeks after her husband had retired.  Langley Levy Street in Montgomery Park, Johannesburg is named after him.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1897 he had married Mabel Ada Rushton, who may have been a theatrical designer.  “Mrs. J. Langley Levy” is credited as having acted in [[The Madcap of the Veld]] ([[Joseph Albrecht]]/1920) and the “Mabel Rushta” mentioned by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Filmverlede&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;as appearing in [[The Illicit Liquor Seller]] ([[Lorimer Johnston/]]1916) was probably also her.  Mabel was most likely born in 1874 and died in 1942, a few weeks after her husband had retired.  Langley Levy Street in Montgomery Park, Johannesburg is named after him.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The couple had four children, three daughters and a son.  Doris Langley Moore (1902-1989) became a distinguished fashion historian and was the founder of the Museum of Costume (now the Fashion Museum) in Bath.  She wrote on a wide variety of subjects and was an acknowledged expert on Lord Byron.  In addition she was costume designer for Katharine Hepburn on ''The African Queen'' (1951) and also worked on ''Freud'' (1962), both directed by John Huston.  In 1928, her book “The Technique of the Love Affair” (by A Gentlewoman) caused something of a stir and this was followed by “The bride’s book, or Young housewife’s companion” (by Two Ladies of England/1932) and “The pleasure of your company: a text-book of hospitality” (1936), both written with her older sister, June Langley-Levy Moore.   They and a third sister, Mabel Alicia McAllister, all settled in England.  A son, Jack Langley Levy, died in 1933. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The couple had four children, three daughters and a son.  Doris Langley Moore (1902-1989) became a distinguished fashion historian and was the founder of the Museum of Costume (now the Fashion Museum) in Bath.  She wrote on a wide variety of subjects and was an acknowledged expert on Lord Byron.  In addition she was costume designer for Katharine Hepburn on ''The African Queen'' (1951) and also worked on ''Freud'' (1962), both directed by John Huston.  In 1928, her book “The Technique of the Love Affair” (by A Gentlewoman) caused something of a stir and this was followed by “The bride’s book, or Young housewife’s companion” (by Two Ladies of England/1932) and “The pleasure of your company: a text-book of hospitality” (1936), both written with her older sister, June Langley-Levy Moore.   They and a third sister, Mabel Alicia McAllister, all settled in England.  A son, Jack Langley Levy, died in 1933. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=40981&amp;oldid=prev</id>
		<title>Fogterop at 10:26, 12 May 2013</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=40981&amp;oldid=prev"/>
		<updated>2013-05-12T10:26:43Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 10:26, 12 May 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Liverpool, 25/05/1870 – d. Johannesburg, 11/05/1945).  Journalist, editor, drama critic, screen writer.  Born in Liverpool, Joseph Langley Levy originally studied art and was apprenticed to a London company that made stained glass.  After he wrote a series of articles on the Jews of Liverpool for the Liverpool Review in 1899, he became a sub-editor at that newspaper and in 1902 was appointed its editor.  In 1903 he went on an extensive tour, which included South Africa, and then returned to the Liverpool Review.  In 1905 he joined the staff of the Daily Express and became its art and drama critic as well as that of the Evening Standard.  In 1910 George Kingswell &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;recruted &lt;/del&gt;him to become the editor of The Sunday Times in Johannesburg, a post in which he remained until his retirement in 1942.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Liverpool, 25/05/1870 – d. Johannesburg, 11/05/1945).  Journalist, editor, drama critic, screen writer.  Born in Liverpool, Joseph Langley Levy originally studied art and was apprenticed to a London company that made stained glass.  After he wrote a series of articles on the Jews of Liverpool for the Liverpool Review in 1899, he became a sub-editor at that newspaper and in 1902 was appointed its editor.  In 1903 he went on an extensive tour, which included South Africa, and then returned to the Liverpool Review.  In 1905 he joined the staff of the Daily Express and became its art and drama critic as well as that of the Evening Standard.  In 1910 George Kingswell &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;recruited &lt;/ins&gt;him to become the editor of The Sunday Times in Johannesburg, a post in which he remained until his retirement in 1942.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During his stewardship The Sunday Times grew to a great national newspaper and became one of the most influential publications in the country.  Despite his duties as editor, he found time to continue his work as a critic.  He had an abiding interest in the theatre and was a committed supporter of amateur groups .  He reviewed plays and wrote on the theatre under the pseudonym Gadabout, reviewed books as J.L.L. and discussed gramophone records as Gramanola.  In addition he wrote numerous humorous articles as The Cherub, a nom de plume he had used before in England.     &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During his stewardship The Sunday Times grew to a great national newspaper and became one of the most influential publications in the country.  Despite his duties as editor, he found time to continue his work as a critic.  He had an abiding interest in the theatre and was a committed supporter of amateur groups .  He reviewed plays and wrote on the theatre under the pseudonym Gadabout, reviewed books as J.L.L. and discussed gramophone records as Gramanola.  In addition he wrote numerous humorous articles as The Cherub, a nom de plume he had used before in England.     &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=40980&amp;oldid=prev</id>
		<title>Fogterop: Created page with &quot; (b. Liverpool, 25/05/1870 – d. Johannesburg, 11/05/1945).  Journalist, editor, drama critic, screen writer.  Born in Liverpool, Joseph Langley Levy originally studied art a...&quot;</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J._Langley_Levy&amp;diff=40980&amp;oldid=prev"/>
		<updated>2013-05-12T10:25:50Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot; (b. Liverpool, 25/05/1870 – d. Johannesburg, 11/05/1945).  Journalist, editor, drama critic, screen writer.  Born in Liverpool, Joseph Langley Levy originally studied art a...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
(b. Liverpool, 25/05/1870 – d. Johannesburg, 11/05/1945).  Journalist, editor, drama critic, screen writer.  Born in Liverpool, Joseph Langley Levy originally studied art and was apprenticed to a London company that made stained glass.  After he wrote a series of articles on the Jews of Liverpool for the Liverpool Review in 1899, he became a sub-editor at that newspaper and in 1902 was appointed its editor.  In 1903 he went on an extensive tour, which included South Africa, and then returned to the Liverpool Review.  In 1905 he joined the staff of the Daily Express and became its art and drama critic as well as that of the Evening Standard.  In 1910 George Kingswell recruted him to become the editor of The Sunday Times in Johannesburg, a post in which he remained until his retirement in 1942. &lt;br /&gt;
&lt;br /&gt;
During his stewardship The Sunday Times grew to a great national newspaper and became one of the most influential publications in the country.  Despite his duties as editor, he found time to continue his work as a critic.  He had an abiding interest in the theatre and was a committed supporter of amateur groups .  He reviewed plays and wrote on the theatre under the pseudonym Gadabout, reviewed books as J.L.L. and discussed gramophone records as Gramanola.  In addition he wrote numerous humorous articles as The Cherub, a nom de plume he had used before in England.    &lt;br /&gt;
&lt;br /&gt;
In England he had written a number of now forgotten novels, while in South Africa he also turned his hand to writing plays, resulting in [[The Man Who Went to the Front]] (with [[Leonard Rayne]]) and [[Ta, Ta, Darling]] (with [[R. Ward Jackson]]).  Like his colleague [[F. Horace Rose]] at the Natal Witness, he also took an interest in films and wrote [[The Illicit Liquor Seller]] (1916) for [[Lorimer Johnston]] and [[And Then---]] (1917) for [[Dick Cruikshanks]] and [[Joseph Albrecht]].  He even had a small part in Cruikshanks’s [[The Symbol of Sacrifice]] (1918), playing a shopkeeper at Rorke’s Drift.&lt;br /&gt;
&lt;br /&gt;
In 1897 he had married Mabel Ada Rushton, who may have been a theatrical designer.  “Mrs. J. Langley Levy” is credited as having acted in [[The Madcap of the Veld]] ([[Joseph Albrecht]]/1920) and the “Mabel Rushta” mentioned by Filmverlede as appearing in [[The Illicit Liquor Seller]] ([[Lorimer Johnston/]]1916) was probably also her.  Mabel was most likely born in 1874 and died in 1942, a few weeks after her husband had retired.  Langley Levy Street in Montgomery Park, Johannesburg is named after him.&lt;br /&gt;
&lt;br /&gt;
The couple had four children, three daughters and a son.  Doris Langley Moore (1902-1989) became a distinguished fashion historian and was the founder of the Museum of Costume (now the Fashion Museum) in Bath.  She wrote on a wide variety of subjects and was an acknowledged expert on Lord Byron.  In addition she was costume designer for Katharine Hepburn on ''The African Queen'' (1951) and also worked on ''Freud'' (1962), both directed by John Huston.  In 1928, her book “The Technique of the Love Affair” (by A Gentlewoman) caused something of a stir and this was followed by “The bride’s book, or Young housewife’s companion” (by Two Ladies of England/1932) and “The pleasure of your company: a text-book of hospitality” (1936), both written with her older sister, June Langley-Levy Moore.   They and a third sister, Mabel Alicia McAllister, all settled in England.  A son, Jack Langley Levy, died in 1933. (FO)&lt;br /&gt;
&lt;br /&gt;
== Sources ==&lt;br /&gt;
&lt;br /&gt;
Dictionary of South African Biography, Volume III&lt;br /&gt;
&lt;br /&gt;
Le Roux, André I. &amp;amp; Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm&lt;br /&gt;
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Mervis, Joel - The fourth estate: a newspaper story&lt;br /&gt;
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http://en.wikipedia.org/wiki/Doris_Langley_Moore&lt;br /&gt;
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http://movies.groups.yahoo.com/group/PnP/message/32581&lt;br /&gt;
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Return to [[ESAT Personalities L]]&lt;br /&gt;
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Return to [[Main Page]]&lt;/div&gt;</summary>
		<author><name>Fogterop</name></author>
		
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