J.L. Petersen - Revision history

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Satj at 05:08, 3 August 2016

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Satj: Created page with "(17-18) At times simply referred to as Mr Petersen. A pioneering ballet master in the Cape Town between 1802 and 18**. Besides choreographing the dances for some prod..."

2013-08-26T03:14:45Z

Created page with "(17**-18**) At times simply referred to as Mr Petersen. A pioneering ballet master in the Cape Town between 1802 and 18**. Besides choreographing the dances for some prod..."

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(17**-18**) At times simply referred to as [[Mr Petersen]]. A pioneering ballet master in the Cape Town between 1802 and 18**. Besides choreographing the dances for some productions, including productions by [[C.E. Boniface]], he also put on ballets, presented by his pupils, which formed an integral part of the theatre in the Cape for quite a few years. The first, entitled ''[[The Cunning Wife, or The Lover in the Sack]]'', formed part a programme presented in celebration of the King's birthday on 28 June, 1802.

On 22 June 1815 he choreographed [[C.E. Boniface|Boniface]]'s ballet ''[[Sappho]]'', for production by [[Honi Soit Qui Mal Y Pense]], with music composed by [[Mr Lemming]]. Repeated on 4 July and 29 July 1815.

On 28 October 1815 he created a "military dance" for the [[Honi Soit Qui Mal Y Pense]] production of ''[[De Struikroovers van Kalabrien, of De Onveilige Wildernis]]''

== Sources ==

[[F.C.L. Bosman|Bosman]], 1928: pp. 68, 138-9, 175 and 278.

Go to [[South African Theatre/Bibliography]]

== Return to ==

Return to [[ESAT Personalities P]]

Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]

Return to [[The ESAT Entries]]

Return to [[Main Page]]

← Older revision		Revision as of 03:16, 11 June 2018
Line 1:		Line 1:
−	Mr. [[J.L. Petersen]] (17-18) was a pioneering ballet master in the Cape Town between 1802 and 1820. At times simply referred to as [[Mr Petersen]] or [[Mr Peterson]].	+	Mr. [[J.L. Petersen]] (17-18) was a pioneering ballet master in the Cape Town between 1802 and 1820. At times simply referred to as [[Mr. Petersen]] or [[Mr. Peterson]].

	Besides choreographing the dances for some productions, including productions by [[C.E. Boniface]], he also put on original ballets, presented by his pupils, which formed an integral part of the theatre in the Cape for quite a few years. The first, entitled ''[[The Cunning Wife, or The Lover in the Sack]]'', formed part a programme presented in celebration of the King's birthday on 28 June, 1802.		Besides choreographing the dances for some productions, including productions by [[C.E. Boniface]], he also put on original ballets, presented by his pupils, which formed an integral part of the theatre in the Cape for quite a few years. The first, entitled ''[[The Cunning Wife, or The Lover in the Sack]]'', formed part a programme presented in celebration of the King's birthday on 28 June, 1802.

← Older revision		Revision as of 03:15, 11 June 2018
Line 1:		Line 1:
−	Mr [[J.L. Petersen]] (17-18) was a pioneering ballet master in the Cape Town between 1802 and 1820. At times simply referred to as [[Mr Petersen]] or [[Mr Peterson]].	+	Mr. [[J.L. Petersen]] (17-18) was a pioneering ballet master in the Cape Town between 1802 and 1820. At times simply referred to as [[Mr Petersen]] or [[Mr Peterson]].

	Besides choreographing the dances for some productions, including productions by [[C.E. Boniface]], he also put on original ballets, presented by his pupils, which formed an integral part of the theatre in the Cape for quite a few years. The first, entitled ''[[The Cunning Wife, or The Lover in the Sack]]'', formed part a programme presented in celebration of the King's birthday on 28 June, 1802.		Besides choreographing the dances for some productions, including productions by [[C.E. Boniface]], he also put on original ballets, presented by his pupils, which formed an integral part of the theatre in the Cape for quite a few years. The first, entitled ''[[The Cunning Wife, or The Lover in the Sack]]'', formed part a programme presented in celebration of the King's birthday on 28 June, 1802.

@@ Line 7: / Line 7: @@
 On 28 October 1815 he created a "military dance" for  the  production of ''[[De Struikroovers van Kalabrien, of De Onveilige Wildernis]]'' by [[Honi Soit Qui Mal Y Pense]].
-On Monday 6 October 1823 he offers a ''Ballet Pastoral'', which he both wrote and choreographed, the culmination of  an evening by [[Honi Soit Qui Mal Y Pense]], which also included  ''[[De Dolzinnige, of De Gewaande Dolleman]]'' (''[[L'Enragé]]'') by [[C.E. Boniface]], translated into Dutch by [[J. Suasso de Lima]]) and Celina, of Het Kind des Geheims (Pixérecourt).
+On Monday 6 October 1823 he offers a ''Ballet Pastoral'', which he both wrote and choreographed, the culmination of  an evening by [[Honi Soit Qui Mal Y Pense]], which also included  ''[[De Dolzinnige, of De Gewaande Dolleman]]'' (''[[L'Enragé]]'') by [[C.E. Boniface]], translated into [[Dutch]] by [[J. Suasso de Lima]]) and ''[[Celina, of Het Kind des Geheims]]'' (Pixérecourt).
 In addition to his choreography, his address at No 1 Burg Street Cape Town is given the place where subscriptions may be had for performances by the company [[Men Doet Wat Men Kan]] on 11 and 25 September, 1819.

@@ Line 7: / Line 7: @@
 On 28 October 1815 he created a "military dance" for  the  production of ''[[De Struikroovers van Kalabrien, of De Onveilige Wildernis]]'' by [[Honi Soit Qui Mal Y Pense]].
-On Monday 6 October 1823 he offers a ''Ballet Pastoral'', which he both wrote and choreographed, the culmination of  an evening by [[Honi Soit Qui Mal Y Pense]], which also included  ''[[De Dolzinnige, of De Gewaande Dolleman]]'' (''[[L'Enrage]]'') by [[C.E. Boniface]], translated into Dutch by [[J. Suasso de Lima]]) and Celina, of Het Kind des Geheims (Pixérecourt).
+On Monday 6 October 1823 he offers a ''Ballet Pastoral'', which he both wrote and choreographed, the culmination of  an evening by [[Honi Soit Qui Mal Y Pense]], which also included  ''[[De Dolzinnige, of De Gewaande Dolleman]]'' (''[[L'Enragé]]'') by [[C.E. Boniface]], translated into Dutch by [[J. Suasso de Lima]]) and Celina, of Het Kind des Geheims (Pixérecourt).
 In addition to his choreography, his address at No 1 Burg Street Cape Town is given the place where subscriptions may be had for performances by the company [[Men Doet Wat Men Kan]] on 11 and 25 September, 1819.

@@ Line 7: / Line 7: @@
 On 28 October 1815 he created a "military dance" for  the  production of ''[[De Struikroovers van Kalabrien, of De Onveilige Wildernis]]'' by [[Honi Soit Qui Mal Y Pense]].
-On Monday 6 October 1823 he offers a ''Ballet Pastoral'', which he both wrote and choreographed, the culmination of  an evening by [[Honi Soit Qui Mal Y Pense]], which also included  ''[[De Dolzinnige, of De Gewaande Dolleman]]'' (''[[L'Enrage]]'' ''[[L'enrage]]'' ''[[l'Enrage]]''by [[C.E. Boniface]], translated into Dutch by [[J. Suasso de Lima]]) and Celina, of Het Kind des Geheims (Pixérecourt).
+On Monday 6 October 1823 he offers a ''Ballet Pastoral'', which he both wrote and choreographed, the culmination of  an evening by [[Honi Soit Qui Mal Y Pense]], which also included  ''[[De Dolzinnige, of De Gewaande Dolleman]]'' (''[[L'Enrage]]'') by [[C.E. Boniface]], translated into Dutch by [[J. Suasso de Lima]]) and Celina, of Het Kind des Geheims (Pixérecourt).
 In addition to his choreography, his address at No 1 Burg Street Cape Town is given the place where subscriptions may be had for performances by the company [[Men Doet Wat Men Kan]] on 11 and 25 September, 1819.

← Older revision		Revision as of 04:24, 3 August 2016
Line 1:		Line 1:
−	(17-18) At times simply referred to as [[Mr Petersen]]. ~~A pioneering ballet master in the Cape Town between 1802 and 1820.~~ Besides choreographing the dances for some productions, including productions by [[C.E. Boniface]], he also put on original ballets, presented by his pupils, which formed an integral part of the theatre in the Cape for quite a few years. The first, entitled ''[[The Cunning Wife, or The Lover in the Sack]]'', formed part a programme presented in celebration of the King's birthday on 28 June, 1802.	+	Mr [[J.L. Petersen]] (17-18) was a pioneering ballet master in the Cape Town between 1802 and 1820. At times simply referred to as [[Mr Petersen]] or [[Mr Peterson]].
		+
		+	Besides choreographing the dances for some productions, including productions by [[C.E. Boniface]], he also put on original ballets, presented by his pupils, which formed an integral part of the theatre in the Cape for quite a few years. The first, entitled ''[[The Cunning Wife, or The Lover in the Sack]]'', formed part a programme presented in celebration of the King's birthday on 28 June, 1802.

	On 22 June 1815 he choreographed [[C.E. Boniface\|Boniface]]'s ballet ''[[Sappho]]'', for production by [[Honi Soit Qui Mal Y Pense]], with music composed by [[Mr Lemming]]. Repeated on 4 July and 29 July 1815.		On 22 June 1815 he choreographed [[C.E. Boniface\|Boniface]]'s ballet ''[[Sappho]]'', for production by [[Honi Soit Qui Mal Y Pense]], with music composed by [[Mr Lemming]]. Repeated on 4 July and 29 July 1815.

@@ Line 3: / Line 3: @@
 On 22 June 1815 he choreographed [[C.E. Boniface|Boniface]]'s  ballet ''[[Sappho]]'', for production by [[Honi Soit Qui Mal Y Pense]], with music composed by [[Mr Lemming]]. Repeated on 4 July and 29 July 1815.
-On 28 October 1815 he created a "military dance" for  the [[Honi Soit Qui Mal Y Pense]] production of ''[[De Struikroovers van Kalabrien, of De Onveilige Wildernis]]''
+On 28 October 1815 he created a "military dance" for  the  production of ''[[De Struikroovers van Kalabrien, of De Onveilige Wildernis]]'' by [[Honi Soit Qui Mal Y Pense]].
 On Monday 6 October 1823 he offers a ''Ballet Pastoral'', which he both wrote and choreographed, the culmination of  an evening by [[Honi Soit Qui Mal Y Pense]], which also included  ''[[De Dolzinnige, of De Gewaande Dolleman]]'' (''[[L'Enrage]]'' by [[C.E. Boniface]], translated into Dutch by [[J. Suasso de Lima]]) and Celina, of Het Kind des Geheims (Pixérecourt).

@@ Line 1: / Line 1: @@
-(17**-18**) At times simply referred to as  [[Mr Petersen]]. A pioneering ballet master in the Cape Town between 1802 and 18**. Besides choreographing the dances for some productions, including productions by [[C.E. Boniface]], he also put on ballets, presented by his pupils, which formed an integral part of the theatre in the Cape for quite a few years. The first, entitled ''[[The Cunning Wife, or The Lover in the Sack]]'', formed part a programme presented in celebration of the King's birthday on 28 June, 1802.
+(17**-18**) At times simply referred to as  [[Mr Petersen]]. A pioneering ballet master in the Cape Town between 1802 and 1820. Besides choreographing the dances for some productions, including productions by [[C.E. Boniface]], he also put on original ballets, presented by his pupils, which formed an integral part of the theatre in the Cape for quite a few years. The first, entitled ''[[The Cunning Wife, or The Lover in the Sack]]'', formed part a programme presented in celebration of the King's birthday on 28 June, 1802.
 On 22 June 1815 he choreographed [[C.E. Boniface|Boniface]]'s  ballet ''[[Sappho]]'', for production by [[Honi Soit Qui Mal Y Pense]], with music composed by [[Mr Lemming]]. Repeated on 4 July and 29 July 1815.
 On 28 October 1815 he created a "military dance" for  the [[Honi Soit Qui Mal Y Pense]] production of ''[[De Struikroovers van Kalabrien, of De Onveilige Wildernis]]''