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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=J.B._Rowe</id>
	<title>J.B. Rowe - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=J.B._Rowe"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;action=history"/>
	<updated>2026-09-10T03:45:21Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.33.2</generator>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=154021&amp;oldid=prev</id>
		<title>Miriamt at 08:09, 17 July 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=154021&amp;oldid=prev"/>
		<updated>2018-07-17T08:09:23Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 08:09, 17 July 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot; &gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He subsequently he acted in three films for [[African Film Productions]]: ''[[The Symbol of Sacrifice]]'' ([[Dick Cruikshanks]]/1918), in which he played Louis Napoleon, the Prince Imperial, ''[[Bond and Word]]'' ([[Dick Cruikshanks]]/1918), and ''[[The Vulture’s Prey]]'' ([[Dick Cruikshanks]] &amp;amp; [[William Bowden]]/1920, released in 1922). As a member of the [[American Dramatic Company]], he appeared in many plays at [[His Majesty’s Theatre]] in Johannesburg, and then joined his old associates of the [[Allen Doone Company]] at the [[Standard Theatre]], often acting with the likes of [[Florence Roberts]], [[Yvon Saxby]] and [[Richard Scott]]. In addition he wrote a play called ''[[Blackmail]]'', which had a successful run in 1922 and, as actor-manager, toured with the Boyne Rowe Company.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He subsequently he acted in three films for [[African Film Productions]]: ''[[The Symbol of Sacrifice]]'' ([[Dick Cruikshanks]]/1918), in which he played Louis Napoleon, the Prince Imperial, ''[[Bond and Word]]'' ([[Dick Cruikshanks]]/1918), and ''[[The Vulture’s Prey]]'' ([[Dick Cruikshanks]] &amp;amp; [[William Bowden]]/1920, released in 1922). As a member of the [[American Dramatic Company]], he appeared in many plays at [[His Majesty’s Theatre]] in Johannesburg, and then joined his old associates of the [[Allen Doone Company]] at the [[Standard Theatre]], often acting with the likes of [[Florence Roberts]], [[Yvon Saxby]] and [[Richard Scott]]. In addition he wrote a play called ''[[Blackmail]]'', which had a successful run in 1922 and, as actor-manager, toured with the Boyne Rowe Company.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1922 [[Gertrude Elliott]] returned to South Africa and when she left on a tour of Australia and New Zealand, Rowe was a member of her troupe. At the completion of this tour he remained in Perth as producer for the local Repertory Club. From 1923 till 1930 he made his home in Australia.  He performed in (and sometimes produced) numerous plays in all the major cities and wrote another play called ''The Reprieve'' (1924). However, in October 1929 he was in New York as part of an all-British cast of ''The Middle Watch'' and in 1930 he acted with Marie Lohr in ''Dandy Dick'' at the Lyric Theatre in Hammersmith. Thereafter he returned to Australia. By the late 1930’s he was back in England and acted in some of the very earliest television programmes for the BBC, notably an irregular five-part series of crime stories called ''Telecrime'' (1938-39), in which he appeared as Inspector Holt, television’s first police detective. He also worked in radio and made a final visit to South Africa in 1940.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1922 [[Gertrude Elliott]] returned to South Africa and when she left on a tour of Australia and New Zealand, Rowe was a member of her troupe. At the completion of this tour he remained in Perth as producer for the local Repertory Club. From 1923 till 1930 he made his home in Australia.  He performed in (and sometimes produced) numerous plays in all the major cities and wrote another play called ''The Reprieve'' (1924). However, in October 1929 he was in New York as part of an all-British cast of ''The Middle Watch'' and in 1930 he acted with Marie Lohr in ''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Dandy Dick&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;'' at the Lyric Theatre in Hammersmith. Thereafter he returned to Australia. By the late 1930’s he was back in England and acted in some of the very earliest television programmes for the BBC, notably an irregular five-part series of crime stories called ''Telecrime'' (1938-39), in which he appeared as Inspector Holt, television’s first police detective. He also worked in radio and made a final visit to South Africa in 1940.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He died in Hendon, Middlesex, possibly in 1958.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He died in Hendon, Middlesex, possibly in 1958.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=153416&amp;oldid=prev</id>
		<title>Fogterop at 18:05, 8 July 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=153416&amp;oldid=prev"/>
		<updated>2018-07-08T18:05:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:05, 8 July 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[J.B. Rowe]] (&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1888–1958&lt;/del&gt;?) was an actor, producer, playwright.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[J.B. Rowe]] (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;b. St. Just, Cornwall, 10/03/1888 – d. Hendon, Middlesex, **/**/1958&lt;/ins&gt;?) was an actor, producer, playwright.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=151423&amp;oldid=prev</id>
		<title>Satj at 03:27, 11 June 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=151423&amp;oldid=prev"/>
		<updated>2018-06-11T03:27:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 03:27, 11 June 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[J.B. Rowe]] (&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;b. St. Just, Cornwall, **/**/1888 – d. Hendon, Middlesex, **/**/1958&lt;/del&gt;?) was an actor, producer, playwright.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[J.B. Rowe]] (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1888–1958&lt;/ins&gt;?) was an actor, producer, playwright.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;John Boyne Rowe was born in Cornwall and, like his father, trained as an engineer. As a youth he visited a relative in California and during his time there he joined a small stock company, whose members included [[Allen Doone]] and [[Edna Keeley]]. While in Glasgow he retained his link with the theatre as a drama critic for a London theatrical newspaper. He came to South Africa to work for a mining company in the Barberton area, but after completing his contract he decided to switch his allegiance to the stage, touring the country with the likes of [[Marie Tempest]], [[Madge Fabian]] and [[Gertrude Elliott]] (Lady Forbes Robertson). When war broke out he joined an infantry contingent recruited in South Africa and spent time on active service in East Africa.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;John Boyne Rowe was born in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;St. Just, &lt;/ins&gt;Cornwall and, like his father, trained as an engineer. As a youth he visited a relative in California and during his time there he joined a small stock company, whose members included [[Allen Doone]] and [[Edna Keeley]]. While in Glasgow he retained his link with the theatre as a drama critic for a London theatrical newspaper. He came to South Africa to work for a mining company in the Barberton area, but after completing his contract he decided to switch his allegiance to the stage, touring the country with the likes of [[Marie Tempest]], [[Madge Fabian]] and [[Gertrude Elliott]] (Lady Forbes Robertson). When war broke out he joined an infantry contingent recruited in South Africa and spent time on active service in East Africa.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He subsequently he acted in three films for [[African Film Productions]]: ''[[The Symbol of Sacrifice]]'' ([[Dick Cruikshanks]]/1918), in which he played Louis Napoleon, the Prince Imperial, ''[[Bond and Word]]'' ([[Dick Cruikshanks]]/1918), and ''[[The Vulture’s Prey]]'' ([[Dick Cruikshanks]] &amp;amp; [[William Bowden]]/1920, released in 1922). As a member of the [[American Dramatic Company]], he appeared in many plays at [[His Majesty’s Theatre]] in Johannesburg, and then joined his old associates of the [[Allen Doone Company]] at the [[Standard Theatre]], often acting with the likes of [[Florence Roberts]], [[Yvon Saxby]] and [[Richard Scott]]. In addition he wrote a play called ''[[Blackmail]]'', which had a successful run in 1922 and, as actor-manager, toured with the Boyne Rowe Company.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He subsequently he acted in three films for [[African Film Productions]]: ''[[The Symbol of Sacrifice]]'' ([[Dick Cruikshanks]]/1918), in which he played Louis Napoleon, the Prince Imperial, ''[[Bond and Word]]'' ([[Dick Cruikshanks]]/1918), and ''[[The Vulture’s Prey]]'' ([[Dick Cruikshanks]] &amp;amp; [[William Bowden]]/1920, released in 1922). As a member of the [[American Dramatic Company]], he appeared in many plays at [[His Majesty’s Theatre]] in Johannesburg, and then joined his old associates of the [[Allen Doone Company]] at the [[Standard Theatre]], often acting with the likes of [[Florence Roberts]], [[Yvon Saxby]] and [[Richard Scott]]. In addition he wrote a play called ''[[Blackmail]]'', which had a successful run in 1922 and, as actor-manager, toured with the Boyne Rowe Company.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot; &gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1922 [[Gertrude Elliott]] returned to South Africa and when she left on a tour of Australia and New Zealand, Rowe was a member of her troupe. At the completion of this tour he remained in Perth as producer for the local Repertory Club. From 1923 till 1930 he made his home in Australia.  He performed in (and sometimes produced) numerous plays in all the major cities and wrote another play called ''The Reprieve'' (1924). However, in October 1929 he was in New York as part of an all-British cast of ''The Middle Watch'' and in 1930 he acted with Marie Lohr in ''Dandy Dick'' at the Lyric Theatre in Hammersmith. Thereafter he returned to Australia. By the late 1930’s he was back in England and acted in some of the very earliest television programmes for the BBC, notably an irregular five-part series of crime stories called ''Telecrime'' (1938-39), in which he appeared as Inspector Holt, television’s first police detective. He also worked in radio and made a final visit to South Africa in 1940.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1922 [[Gertrude Elliott]] returned to South Africa and when she left on a tour of Australia and New Zealand, Rowe was a member of her troupe. At the completion of this tour he remained in Perth as producer for the local Repertory Club. From 1923 till 1930 he made his home in Australia.  He performed in (and sometimes produced) numerous plays in all the major cities and wrote another play called ''The Reprieve'' (1924). However, in October 1929 he was in New York as part of an all-British cast of ''The Middle Watch'' and in 1930 he acted with Marie Lohr in ''Dandy Dick'' at the Lyric Theatre in Hammersmith. Thereafter he returned to Australia. By the late 1930’s he was back in England and acted in some of the very earliest television programmes for the BBC, notably an irregular five-part series of crime stories called ''Telecrime'' (1938-39), in which he appeared as Inspector Holt, television’s first police detective. He also worked in radio and made a final visit to South Africa in 1940.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He died in Hendon, Middlesex in 1958.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He died in Hendon, Middlesex&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, possibly &lt;/ins&gt;in 1958.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(Interestingly, though by 1921 he is reported to have devoted himself entirely to the theatre, the United States Patent Office has a patent for a Change-Speed Gearing registered on 13 December 1921 in the name of John Boyne Rowe and Arthur Garfield Barratt, both British subjects, but living in South Africa. Rowe’s address was given as 59 Millbourne Road, Judith’s Paarl, Johannesburg.) (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(Interestingly, though by 1921 he is reported to have devoted himself entirely to the theatre, the United States Patent Office has a patent for a Change-Speed Gearing registered on 13 December 1921 in the name of John Boyne Rowe and Arthur Garfield Barratt, both British subjects, but living in South Africa. Rowe’s address was given as 59 Millbourne Road, Judith’s Paarl, Johannesburg.) (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=151422&amp;oldid=prev</id>
		<title>Satj: /* Biography */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=151422&amp;oldid=prev"/>
		<updated>2018-06-11T03:26:39Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Biography&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 03:26, 11 June 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot; &gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1922 [[Gertrude Elliott]] returned to South Africa and when she left on a tour of Australia and New Zealand, Rowe was a member of her troupe. At the completion of this tour he remained in Perth as producer for the local Repertory Club. From 1923 till 1930 he made his home in Australia.  He performed in (and sometimes produced) numerous plays in all the major cities and wrote another play called ''The Reprieve'' (1924). However, in October 1929 he was in New York as part of an all-British cast of ''The Middle Watch'' and in 1930 he acted with Marie Lohr in ''Dandy Dick'' at the Lyric Theatre in Hammersmith. Thereafter he returned to Australia. By the late 1930’s he was back in England and acted in some of the very earliest television programmes for the BBC, notably an irregular five-part series of crime stories called ''Telecrime'' (1938-39), in which he appeared as Inspector Holt, television’s first police detective. He also worked in radio and made a final visit to South Africa in 1940.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1922 [[Gertrude Elliott]] returned to South Africa and when she left on a tour of Australia and New Zealand, Rowe was a member of her troupe. At the completion of this tour he remained in Perth as producer for the local Repertory Club. From 1923 till 1930 he made his home in Australia.  He performed in (and sometimes produced) numerous plays in all the major cities and wrote another play called ''The Reprieve'' (1924). However, in October 1929 he was in New York as part of an all-British cast of ''The Middle Watch'' and in 1930 he acted with Marie Lohr in ''Dandy Dick'' at the Lyric Theatre in Hammersmith. Thereafter he returned to Australia. By the late 1930’s he was back in England and acted in some of the very earliest television programmes for the BBC, notably an irregular five-part series of crime stories called ''Telecrime'' (1938-39), in which he appeared as Inspector Holt, television’s first police detective. He also worked in radio and made a final visit to South Africa in 1940.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;He died in Hendon, Middlesex in 1958.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(Interestingly, though by 1921 he is reported to have devoted himself entirely to the theatre, the United States Patent Office has a patent for a Change-Speed Gearing registered on 13 December 1921 in the name of John Boyne Rowe and Arthur Garfield Barratt, both British subjects, but living in South Africa. Rowe’s address was given as 59 Millbourne Road, Judith’s Paarl, Johannesburg.) (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(Interestingly, though by 1921 he is reported to have devoted himself entirely to the theatre, the United States Patent Office has a patent for a Change-Speed Gearing registered on 13 December 1921 in the name of John Boyne Rowe and Arthur Garfield Barratt, both British subjects, but living in South Africa. Rowe’s address was given as 59 Millbourne Road, Judith’s Paarl, Johannesburg.) (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=151421&amp;oldid=prev</id>
		<title>Satj at 03:24, 11 June 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=151421&amp;oldid=prev"/>
		<updated>2018-06-11T03:24:05Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 03:24, 11 June 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[J.B. Rowe]] &lt;/ins&gt;(b. St. Just, Cornwall, **/**/1888 – d. Hendon, Middlesex, **/**/1958?) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was an actor&lt;/ins&gt;, producer, playwright.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. St. Just, Cornwall, **/**/1888 – d. Hendon, Middlesex, **/**/1958?)&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;.  Actor&lt;/del&gt;, producer, playwright.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=123353&amp;oldid=prev</id>
		<title>Fogterop at 19:09, 4 March 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=123353&amp;oldid=prev"/>
		<updated>2017-03-04T19:09:03Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:09, 4 March 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot; &gt;Line 14:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 14:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Stage Appearances ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Stage Appearances ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Stage appearances in South Africa include: ''[[Marie Goes First]]'', ''[[The Belle of New York]]'' (both 1915), ''[[Turn to the Right]]'', ''[[Mrs. Wiggs of the Cabbage Patch]]'', ''[[The Thirteenth Chair]]'', ''[[The Silent Witness]]'', ''[[Nothing but the Truth]]'', ''[[Sunday]]'' (all 1918), ''[[Romance]]'', ''[[Seven Days’ Leave]]'', ''[[Within the Law]]'', ''[[The Little Brother]]'', ''[[Nobody’s Widow]]'', ''[[Madame X]]'', ''[[The Yellow Ticket]]'', ''[[Sweet County Kerry]]'' (all 1919), ''[[Tom Moore]]'', ''[[The Burglar and the Lady]]'', ''[[Barry of Ballymore]]'', ''[[The Parish Priest]]'', ''[[Molly Bawn]]'', ''[[Old Donegal]]'', ''[[The Bold Sojer Boy]]'' (all 1920), ''[[The Rebel]''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;] &lt;/del&gt;(1921), ''[[Bought and Paid For]]'', ''[[The Cinderella Man]]'', ''[[When It Was Dark]]'' and ''[[Babette]]''.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Stage appearances in South Africa include: ''[[Marie Goes First]]'', ''[[The Belle of New York]]'' (both 1915), ''[[Turn to the Right]]'', ''[[Mrs. Wiggs of the Cabbage Patch]]'', ''[[The Thirteenth Chair]]'', ''[[The Silent Witness]]'', ''[[Nothing but the Truth]]'', ''[[Sunday]]'' (all 1918), ''[[Romance]]'', ''[[Seven Days’ Leave]]'', ''[[Within the Law]]'', ''[[The Little Brother]]'', ''[[Nobody’s Widow]]'', ''[[Madame X]]'', ''[[The Yellow Ticket]]'', ''[[Sweet County Kerry]]'' (all 1919), ''[[Tom Moore]]'', ''[[The Burglar and the Lady]]'', ''[[Barry of Ballymore]]'', ''[[The Parish Priest]]'', ''[[Molly Bawn]]'', ''[[Old Donegal]]'', ''[[The Bold Sojer Boy]]'' (all 1920), ''[[The Rebel&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]&lt;/ins&gt;]'' (1921), ''[[Bought and Paid For]]'', ''[[The Cinderella Man]]'', ''[[When It Was Dark]]'' and ''[[Babette]]''.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=123352&amp;oldid=prev</id>
		<title>Fogterop at 19:07, 4 March 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=123352&amp;oldid=prev"/>
		<updated>2017-03-04T19:07:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:07, 4 March 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot; &gt;Line 14:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 14:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Stage Appearances ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Stage Appearances ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Stage appearances in South Africa include: ''[[Marie Goes First]]'', ''[[The Belle of New York]]'' (both 1915), ''[[Turn to the Right]]'', ''[[Mrs. Wiggs of the Cabbage Patch]]'', ''[[The Thirteenth Chair]]'', ''[[The Silent Witness]]'', ''[[Nothing but the Truth]]'', ''[[Sunday]]'' (all 1918), ''[[Romance]]'', ''[[Seven Days’ Leave]]'', [[Within the Law]], ''[[The Little Brother]]'', ''[[Nobody’s Widow]]'', ''[[Madame X]]'', ''[[The Yellow Ticket]]'', ''[[Sweet County Kerry]]'' (all 1919), ''[[Tom Moore]]'', ''[[The Burglar and the Lady]]'', ''[[Barry of Ballymore]]'', ''[[The Parish Priest]]'', ''[[Molly Bawn]]'', ''[[Old Donegal]]'', ''[[The Bold Sojer Boy]]'' (all 1920), ''[[The Rebel]''] (1921), ''[[Bought and Paid For]]'', ''[[The Cinderella Man]]'', ''[[When It Was Dark]]'' and ''[[Babette]]''.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Stage appearances in South Africa include: ''[[Marie Goes First]]'', ''[[The Belle of New York]]'' (both 1915), ''[[Turn to the Right]]'', ''[[Mrs. Wiggs of the Cabbage Patch]]'', ''[[The Thirteenth Chair]]'', ''[[The Silent Witness]]'', ''[[Nothing but the Truth]]'', ''[[Sunday]]'' (all 1918), ''[[Romance]]'', ''[[Seven Days’ Leave]]'', &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Within the Law]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, ''[[The Little Brother]]'', ''[[Nobody’s Widow]]'', ''[[Madame X]]'', ''[[The Yellow Ticket]]'', ''[[Sweet County Kerry]]'' (all 1919), ''[[Tom Moore]]'', ''[[The Burglar and the Lady]]'', ''[[Barry of Ballymore]]'', ''[[The Parish Priest]]'', ''[[Molly Bawn]]'', ''[[Old Donegal]]'', ''[[The Bold Sojer Boy]]'' (all 1920), ''[[The Rebel]''] (1921), ''[[Bought and Paid For]]'', ''[[The Cinderella Man]]'', ''[[When It Was Dark]]'' and ''[[Babette]]''.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=123351&amp;oldid=prev</id>
		<title>Fogterop at 19:06, 4 March 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=123351&amp;oldid=prev"/>
		<updated>2017-03-04T19:06:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:06, 4 March 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;John Boyne Rowe was born in Cornwall and, like his father, trained as an engineer. As a youth he visited a relative in California and during his time there he joined a small stock company, whose members included [[Allen Doone]] and [[Edna Keeley]]. While in Glasgow he retained his link with the theatre as a drama critic for a London theatrical newspaper. He came to South Africa to work for a mining company in the Barberton area, but after completing his contract he decided to switch his allegiance to the stage, touring the country with the likes of [[Marie Tempest]], [[Madge Fabian]] and [[Gertrude Elliott]] (Lady Forbes Robertson). When war broke out he joined an infantry contingent recruited in South Africa and spent time on active service in East Africa.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;John Boyne Rowe was born in Cornwall and, like his father, trained as an engineer. As a youth he visited a relative in California and during his time there he joined a small stock company, whose members included [[Allen Doone]] and [[Edna Keeley]]. While in Glasgow he retained his link with the theatre as a drama critic for a London theatrical newspaper. He came to South Africa to work for a mining company in the Barberton area, but after completing his contract he decided to switch his allegiance to the stage, touring the country with the likes of [[Marie Tempest]], [[Madge Fabian]] and [[Gertrude Elliott]] (Lady Forbes Robertson). When war broke out he joined an infantry contingent recruited in South Africa and spent time on active service in East Africa.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He subsequently he acted in three films for [[African Film Productions]]: ''[[The Symbol of Sacrifice]]'' ([[Dick Cruikshanks]]/1918), in which he played Louis Napoleon, the Prince Imperial, ''[[Bond and Word]]'' ([[Dick Cruikshanks]]/1918), and ''[[The Vulture’s Prey]]'' ([[Dick Cruikshanks]] &amp;amp; [[William Bowden]]/1920&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;)&lt;/del&gt;, released in 1922). As a member of the [[American Dramatic Company]], he appeared in many plays at [[His Majesty’s Theatre]] in Johannesburg, and then joined his old associates of the [[Allen Doone Company]] at the [[Standard Theatre]], often acting with the likes of [[Florence Roberts]], [[Yvon Saxby]] and [[Richard Scott]]. In addition he wrote a play called ''[[Blackmail]]'', which had a successful run in 1922 and, as actor-manager, toured with the Boyne Rowe Company.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He subsequently he acted in three films for [[African Film Productions]]: ''[[The Symbol of Sacrifice]]'' ([[Dick Cruikshanks]]/1918), in which he played Louis Napoleon, the Prince Imperial, ''[[Bond and Word]]'' ([[Dick Cruikshanks]]/1918), and ''[[The Vulture’s Prey]]'' ([[Dick Cruikshanks]] &amp;amp; [[William Bowden]]/1920, released in 1922). As a member of the [[American Dramatic Company]], he appeared in many plays at [[His Majesty’s Theatre]] in Johannesburg, and then joined his old associates of the [[Allen Doone Company]] at the [[Standard Theatre]], often acting with the likes of [[Florence Roberts]], [[Yvon Saxby]] and [[Richard Scott]]. In addition he wrote a play called ''[[Blackmail]]'', which had a successful run in 1922 and, as actor-manager, toured with the Boyne Rowe Company.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1922 [[Gertrude Elliott]] returned to South Africa and when she left on a tour of Australia and New Zealand, Rowe was a member of her troupe. At the completion of this tour he remained in Perth as producer for the local Repertory Club. From 1923 till 1930 he made his home in Australia.  He performed in (and sometimes produced) numerous plays in all the major cities and wrote another play called ''The Reprieve'' (1924). However, in October 1929 he was in New York as part of an all-British cast of ''The Middle Watch'' and in 1930 he acted with Marie Lohr in ''Dandy Dick'' at the Lyric Theatre in Hammersmith. Thereafter he returned to Australia. By the late 1930’s he was back in England and acted in some of the very earliest television programmes for the BBC, notably an irregular five-part series of crime stories called ''Telecrime'' (1938-39), in which he appeared as Inspector Holt, television’s first police detective. He also worked in radio and made a final visit to South Africa in 1940.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1922 [[Gertrude Elliott]] returned to South Africa and when she left on a tour of Australia and New Zealand, Rowe was a member of her troupe. At the completion of this tour he remained in Perth as producer for the local Repertory Club. From 1923 till 1930 he made his home in Australia.  He performed in (and sometimes produced) numerous plays in all the major cities and wrote another play called ''The Reprieve'' (1924). However, in October 1929 he was in New York as part of an all-British cast of ''The Middle Watch'' and in 1930 he acted with Marie Lohr in ''Dandy Dick'' at the Lyric Theatre in Hammersmith. Thereafter he returned to Australia. By the late 1930’s he was back in England and acted in some of the very earliest television programmes for the BBC, notably an irregular five-part series of crime stories called ''Telecrime'' (1938-39), in which he appeared as Inspector Holt, television’s first police detective. He also worked in radio and made a final visit to South Africa in 1940.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=123350&amp;oldid=prev</id>
		<title>Fogterop at 19:04, 4 March 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=123350&amp;oldid=prev"/>
		<updated>2017-03-04T19:04:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:04, 4 March 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. St. Just, Cornwall, **/**/1888 – d. Hendon, Middlesex, **/**/1958?).  Actor&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;/&lt;/del&gt;producer&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;/&lt;/del&gt;playwright &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;John Boyne Rowe was born in Cornwall and trained as an engineer.  As a youth he visited a relative in California and during his time there he joined a small stock company, whose members included [[Allen Doone]] and [[Edna Keeley]].  Back in Glasgow he retained his link with the theatre as a drama critic for a London theatrical newspaper&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. St. Just, Cornwall, **/**/1888 – d. Hendon, Middlesex, **/**/1958?).  Actor&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;producer&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;playwright.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;He came to South Africa to work for a mining company in the Barberton area, but after completing his contract he decided to switch his allegiance to the stage, touring the country with the likes of [[Marie Tempest]] (''[[Mary Goes First]]''), [[Madge Fabian]] and [[Gertrude Elliott]] (Lady Forbes Robertson).  When war broke out he joined an infantry contingent recruited in South Africa and spent some four years on active service, primarily in East Africa. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== Biography ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;He subsequently he acted &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;three films for [[African Film Productions]]: ''[[The Symbol of Sacrifice]]'' ([[Dick Cruikshanks]]/1918)&lt;/del&gt;, in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;which &lt;/del&gt;he &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;played Louis Napoleon&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the Prince Imperial, ''&lt;/del&gt;[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Bond and Word]]'' ([[Dick Cruikshanks&lt;/del&gt;]]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;/1918), &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/del&gt;[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The Vulture’s Prey&lt;/del&gt;]]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'' ([[Dick Cruikshanks]] &amp;amp; [[William Bowden]]/1920, released &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1922)&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;He &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;appeared &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;such plays as ''[[Within &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Law]]''&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''[[Seven Days’ Leave]]'' and ''[[Romance]]''&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;as well as in ''[[Sweet County Kerry]]'' (December 1919) and ''[[The Burglar and the Lady]]'' (January 1920) for &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Allen Doone]] Company at the [[Standard Theatre]], often acting &lt;/del&gt;with the likes of [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Florence Roberts&lt;/del&gt;]], [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Yvon Saxby&lt;/del&gt;]] and [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Richard Scott&lt;/del&gt;]]. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;  In addition &lt;/del&gt;he &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;wrote a play called ''[[Blackmail]]'', which had a successful run &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1922, &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;as actor-manager of the Boyne Rowe Company toured with ''[[Bought and Paid For]]'', ''[[The Cinderella Man]]'', ''[[When It Was Dark]]'', ''[[Nobody’s Widow]]'' and ''[[Babette]]''&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;John Boyne Rowe was born &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Cornwall and, like his father&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;trained as an engineer. As a youth he visited a relative &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;California and during his time there &lt;/ins&gt;he &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;joined a small stock company&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;whose members included &lt;/ins&gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Allen Doone&lt;/ins&gt;]] and [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Edna Keeley&lt;/ins&gt;]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. While &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Glasgow he retained his link with the theatre as a drama critic for a London theatrical newspaper&lt;/ins&gt;. He &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;came to South Africa to work for a mining company &lt;/ins&gt;in the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Barberton area&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;but after completing his contract he decided to switch his allegiance to the stage&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;touring &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;country &lt;/ins&gt;with the likes of [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Marie Tempest&lt;/ins&gt;]], [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Madge Fabian&lt;/ins&gt;]] and [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Gertrude Elliott&lt;/ins&gt;]] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(Lady Forbes Robertson)&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;When war broke out &lt;/ins&gt;he &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;joined an infantry contingent recruited &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;South Africa &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;spent time on active service in East Africa&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;In 1922 &lt;/del&gt;[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Gertrude Elliott&lt;/del&gt;]] &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;returned to South Africa and when she left on a tour of Australia and New Zealand, Rowe was a member of her troupe.   At the conclusion of this tour he remained in Perth as producer for the local Repertory Club.  From 1923 onwards he performed in (and sometimes produced) numerous plays in all the major cities and also wrote another play called &lt;/del&gt;''The &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Reprieve&lt;/del&gt;'' (&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1924&lt;/del&gt;)&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;.  However&lt;/del&gt;, in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;October 1929 &lt;/del&gt;he &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;was in New York as part of an all-British cast of &lt;/del&gt;''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The Middle Watch&lt;/del&gt;'' and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;in 1930 he acted with Marie Lohr in &lt;/del&gt;''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Dandy Dick&lt;/del&gt;'' &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;at the Lyric Theatre &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Hammersmith&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; Thereafter he returned to Australia.  By &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;late 1930’s &lt;/del&gt;he &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;was back &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;England &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;acted in some &lt;/del&gt;of the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;very earliest television programmes for &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;BBC&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;notably an irregular five-part series &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;crime stories &lt;/del&gt;called ''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Telecrime&lt;/del&gt;'' &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;(1938-39)&lt;/del&gt;, in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;which he appeared  &lt;/del&gt;as &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Inspector Holt&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;television’s first police detective.  He also worked in radio and made a final visit to South Africa in 1940&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;He subsequently he acted in three films for &lt;/ins&gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;African Film Productions&lt;/ins&gt;]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;: &lt;/ins&gt;''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Symbol of Sacrifice]]&lt;/ins&gt;'' (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Dick Cruikshanks]]/1918&lt;/ins&gt;), in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;which &lt;/ins&gt;he &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;played Louis Napoleon, the Prince Imperial, &lt;/ins&gt;''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Bond and Word]]&lt;/ins&gt;'' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;([[Dick Cruikshanks]]/1918), &lt;/ins&gt;and ''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[The Vulture’s Prey]]&lt;/ins&gt;'' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;([[Dick Cruikshanks]] &amp;amp; [[William Bowden]]/1920), released &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1922)&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;As a member of &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[American Dramatic Company]], &lt;/ins&gt;he &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;appeared &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;many plays at [[His Majesty’s Theatre]] in Johannesburg, &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;then joined his old associates &lt;/ins&gt;of the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Allen Doone Company]] at &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Standard Theatre]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;often acting with the likes &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Florence Roberts]], [[Yvon Saxby]] and [[Richard Scott]]. In addition he wrote a play &lt;/ins&gt;called ''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Blackmail]]&lt;/ins&gt;'', &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;which had a successful run &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1922 and, &lt;/ins&gt;as &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;actor-manager&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;toured with the Boyne Rowe Company&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Interestingly&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;though by 1921 &lt;/del&gt;he &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;is reported to have devoted himself entirely &lt;/del&gt;to the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;theatre, &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;United States Patent Office has a patent &lt;/del&gt;for &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Change&lt;/del&gt;-&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Speed Gearing registered on 13 December 1921 in the name &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;John Boyne Rowe and Arthur Garfield Barratt&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;both British subjects&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;but living &lt;/del&gt;in South Africa. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; Rowe’s address was given as 59 Millbourne Road, Judith’s Paarl, Johannesburg.) (FO) &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In 1922 [[Gertrude Elliott]] returned to South Africa and when she left on a tour of Australia and New Zealand, Rowe was a member of her troupe. At the completion of this tour he remained in Perth as producer for the local Repertory Club. From 1923 till 1930 he made his home in Australia.  He performed in &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and sometimes produced) numerous plays in all the major cities and wrote another play called ''The Reprieve'' (1924). However&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in October 1929 &lt;/ins&gt;he &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was in New York as part of an all-British cast of ''The Middle Watch'' and in 1930 he acted with Marie Lohr in ''Dandy Dick'' at the Lyric Theatre in Hammersmith. Thereafter he returned &lt;/ins&gt;to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Australia. By &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;late 1930’s he was back in England and acted in some of &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;very earliest television programmes &lt;/ins&gt;for &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the BBC, notably an irregular five&lt;/ins&gt;-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;part series &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;crime stories called ''Telecrime'' (1938-39)&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in which he appeared as Inspector Holt&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;television’s first police detective. He also worked &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;radio and made a final visit to &lt;/ins&gt;South Africa &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in 1940&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(Interestingly, though by 1921 he is reported to have devoted himself entirely to the theatre, the United States Patent Office has a patent for a Change-Speed Gearing registered on 13 December 1921 in the name of John Boyne Rowe and Arthur Garfield Barratt, both British subjects, but living in South Africa. Rowe’s address was given as 59 Millbourne Road, Judith’s Paarl, Johannesburg.) (FO)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Stage Appearances ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Stage appearances in South Africa include: ''[[Marie Goes First]]'', ''[[The Belle of New York]]'' (both 1915), ''[[Turn to the Right]]'', ''[[Mrs. Wiggs of the Cabbage Patch]]'', ''[[The Thirteenth Chair]]'', ''[[The Silent Witness]]'', ''[[Nothing but the Truth]]'', ''[[Sunday]]'' (all 1918), ''[[Romance]]'', ''[[Seven Days’ Leave]]'', [[Within the Law]], ''[[The Little Brother]]'', ''[[Nobody’s Widow]]'', ''[[Madame X]]'', ''[[The Yellow Ticket]]'', ''[[Sweet County Kerry]]'' (all 1919), ''[[Tom Moore]]'', ''[[The Burglar and the Lady]]'', ''[[Barry of Ballymore]]'', ''[[The Parish Priest]]'', ''[[Molly Bawn]]'', ''[[Old Donegal]]'', ''[[The Bold Sojer Boy]]'' (all 1920), ''[[The Rebel]''] (1921), ''[[Bought and Paid For]]'', ''[[The Cinderella Man]]'', ''[[When It Was Dark]]'' and ''[[Babette]]''.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot; &gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Sydney Morning Herald, 24 May 1930&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Sydney Morning Herald, 24 May 1930&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Table Talk, Melbourne, 1 January 1931&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;http://www.ausstage.edu.au/pages/contributor/237943&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;http://www.ausstage.edu.au/pages/contributor/237943&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=72952&amp;oldid=prev</id>
		<title>Satj at 05:05, 3 January 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=J.B._Rowe&amp;diff=72952&amp;oldid=prev"/>
		<updated>2015-01-03T05:05:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 05:05, 3 January 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. St. Just, Cornwall, **/**/1888 – d. Hendon, Middlesex, **/**/1958?).  Actor/producer/playwright John Boyne Rowe was born in Cornwall and trained as an engineer.  As a youth he visited a relative in California and during his time there he joined a small stock company, whose members included [[Allen Doone]] and [[Edna Keeley]].  Back in Glasgow he retained his link with the theatre as a drama critic for a London theatrical newspaper.  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;He came to South Africa to work for a mining company in the Barberton area, but after completing his contract he decided to switch his allegiance to the stage, touring the country with the likes of [[Marie Tempest]] ([[Mary Goes First]]), [[Madge Fabian]] and [[Gertrude Elliott]] (Lady Forbes Robertson).  When war broke out he joined an infantry contingent recruited in South Africa and spent some four years on active service, primarily in East Africa. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. St. Just, Cornwall, **/**/1888 – d. Hendon, Middlesex, **/**/1958?).  Actor/producer/playwright John Boyne Rowe was born in Cornwall and trained as an engineer.  As a youth he visited a relative in California and during his time there he joined a small stock company, whose members included [[Allen Doone]] and [[Edna Keeley]].  Back in Glasgow he retained his link with the theatre as a drama critic for a London theatrical newspaper.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He subsequently he acted in three films for [[African Film Productions]]: [[The Symbol of Sacrifice]] ([[Dick Cruikshanks]]/1918), in which he played Louis Napoleon, the Prince Imperial, [[Bond and Word]] ([[Dick Cruikshanks]]/1918), and [[The Vulture’s Prey]] ([[Dick Cruikshanks]] &amp;amp; [[William Bowden]]/1920, released in 1922).  He appeared in such plays as [[Within the Law]], [[Seven Days’ Leave]] and [[Romance]], as well as in [[Sweet County Kerry]] (December 1919) and [[The Burglar and the Lady]] (January 1920) for the [[Allen Doone]] Company at the [[Standard Theatre]], often acting with the likes of [[Florence Roberts]], [[Yvon Saxby]] and [[Richard Scott]].   In addition he wrote a play called [[Blackmail]], which had a successful run in 1922, and as actor-manager of the Boyne Rowe Company toured with [[Bought and Paid For]], [[The Cinderella Man]], [[When It Was Dark]], [[Nobody’s Widow]] and [[Babette]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;He came to South Africa to work for a mining company in the Barberton area, but after completing his contract he decided to switch his allegiance to the stage, touring the country with the likes of [[Marie Tempest]] (''[[Mary Goes First]]''), [[Madge Fabian]] and [[Gertrude Elliott]] (Lady Forbes Robertson).  When war broke out he joined an infantry contingent recruited in South Africa and spent some four years on active service, primarily in East Africa. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He subsequently he acted in three films for [[African Film Productions]]: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[The Symbol of Sacrifice]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;([[Dick Cruikshanks]]/1918), in which he played Louis Napoleon, the Prince Imperial, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Bond and Word]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;([[Dick Cruikshanks]]/1918), and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[The Vulture’s Prey]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;([[Dick Cruikshanks]] &amp;amp; [[William Bowden]]/1920, released in 1922).  He appeared in such plays as &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Within the Law]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Seven Days’ Leave]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Romance]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, as well as in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Sweet County Kerry]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;(December 1919) and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[The Burglar and the Lady]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;(January 1920) for the [[Allen Doone]] Company at the [[Standard Theatre]], often acting with the likes of [[Florence Roberts]], [[Yvon Saxby]] and [[Richard Scott]].   In addition he wrote a play called &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Blackmail]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, which had a successful run in 1922, and as actor-manager of the Boyne Rowe Company toured with &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Bought and Paid For]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[The Cinderella Man]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[When It Was Dark]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Nobody’s Widow]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Babette]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1922 [[Gertrude Elliott]] returned to South Africa and when she left on a tour of Australia and New Zealand, Rowe was a member of her troupe.   At the conclusion of this tour he remained in Perth as producer for the local Repertory Club.  From 1923 onwards he performed in (and sometimes produced) numerous plays in all the major cities and also wrote another play called ''The Reprieve'' (1924).  However, in October 1929 he was in New York as part of an all-British cast of ''The Middle Watch'' and in 1930 he acted with Marie Lohr in ''Dandy Dick'' at the Lyric Theatre in Hammersmith.  Thereafter he returned to Australia.  By the late 1930’s he was back in England and acted in some of the very earliest television programmes for the BBC, notably an irregular five-part series of crime stories called ''Telecrime'' (1938-39), in which he appeared  as Inspector Holt, television’s first police detective.  He also worked in radio and made a final visit to South Africa in 1940.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1922 [[Gertrude Elliott]] returned to South Africa and when she left on a tour of Australia and New Zealand, Rowe was a member of her troupe.   At the conclusion of this tour he remained in Perth as producer for the local Repertory Club.  From 1923 onwards he performed in (and sometimes produced) numerous plays in all the major cities and also wrote another play called ''The Reprieve'' (1924).  However, in October 1929 he was in New York as part of an all-British cast of ''The Middle Watch'' and in 1930 he acted with Marie Lohr in ''Dandy Dick'' at the Lyric Theatre in Hammersmith.  Thereafter he returned to Australia.  By the late 1930’s he was back in England and acted in some of the very earliest television programmes for the BBC, notably an irregular five-part series of crime stories called ''Telecrime'' (1938-39), in which he appeared  as Inspector Holt, television’s first police detective.  He also worked in radio and made a final visit to South Africa in 1940.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
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