Itumeleng Wa-Lehure - Revision history

Miriamt: /* Sources */

2022-02-10T09:29:47Z

Sources

Miriamt at 08:46, 10 February 2022

2022-02-10T08:46:10Z

Satj at 10:11, 21 December 2020

2020-12-21T10:11:13Z

Miriamt at 08:21, 22 February 2018

2018-02-22T08:21:01Z

Miriamt: /* Training */

2016-07-01T07:37:13Z

Training

Miriamt: /* Career */

2016-07-01T07:36:49Z

Career

Miriamt: /* Career */

2016-07-01T07:35:58Z

Career

Miriamt: /* Contribution to SA theatre, film, media and/or performance */

2016-07-01T07:34:30Z

Contribution to SA theatre, film, media and/or performance

Miriamt at 07:22, 1 July 2016

2016-07-01T07:22:31Z

Miriamt at 10:43, 1 July 2013

2013-07-01T10:43:36Z

@@ Line 32: / Line 32: @@
 == Sources ==
+'''See''' sources of the various productions.
 Go to [[ESAT Bibliography]]

@@ Line 1: / Line 1: @@
 [[Itumeleng Wa-Lehure]]  (1963-) is an actor, playwright, director and manager.
-Also found as [[Itumeleng Wa Lehure]] and [[Itumeleng wa Lehure]]
+Also found as [[Itumeleng Wa Lehure]], [[Itumeleng wa Lehure]] or [[Itumeleng Wa-Lehulere]].
 == Biography ==

← Older revision		Revision as of 10:11, 21 December 2020
Line 1:		Line 1:
−	(Itumeleng Wa-Lehure (1963-) ~~Actor~~, playwright, director and manager.	+	[[Itumeleng Wa-Lehure]] (1963-) is an actor, playwright, director and manager.
		+
		+	Also found as [[Itumeleng Wa Lehure]] and [[Itumeleng wa Lehure]]

	== Biography ==		== Biography ==

@@ Line 18: / Line 18: @@
 His many productions as performer include ''[[Amabali - it’s a story time]]'' ([[Janice Honeyman]], 1988), ''[[Carnival of the Bear]]'' ([[Mark Fleishman]], 1988),  ''[[Thina Bantu - We People]]'' ([[Mavis Taylor]], 1988), ''[[Jacques and his Master]]'' ([[Ilse van Hemert]], 1990), ''[[The Princess of Kurumbu]]'' ([[Peter Terry]] and [[Alan Swerdlow]], 1990), ''[[Die Sakeman van Venesië]]'' ([[Ilse van Hemert]], 1990), and an Industrial Theatre Production for Volkswagen with [[Lionel Newton]] and [[David Isaacs]], ([[Lara Foot Newton]] , 2006).
-As a director he has done among many productions including ** ''[[Entwined Lives]]'' by [[Philip Kakaza]] ([[Grahamstown Festival]] and the [[Baxter Theatre Centre]], 1993), * ''[[Beneath Silent Waters]]'' by [[Ntombesizwe Tena]] (assisted by [[Lionel Newton]],  [[Ikhwezi Theatre Festival]] and [[Grahamstown Festival]], 2007), ''[[Girl Child from the Ghetto]]'' ([[Baxter Theatre]] 2007), ''[[Nosel’ Eyibethile Akakayoji]]'' ([[Artscape]], 2007), ''[[Chorimba]]'' ([[Artscape]], 2007), ''[[Amaza]]'' ([[Artscape]], 2009).
+As a director he has done among many productions including ** ''[[Entwined Lives]]'' by [[Phillip Kakaza]] ([[Grahamstown Festival]] and the [[Baxter Theatre Centre]], 1993), * ''[[Beneath Silent Waters]]'' by [[Ntombesizwe Tena]] (assisted by [[Lionel Newton]],  [[Ikhwezi Theatre Festival]] and [[Grahamstown Festival]], 2007), ''[[Girl Child from the Ghetto]]'' ([[Baxter Theatre]] 2007), ''[[Nosel’ Eyibethile Akakayoji]]'' ([[Artscape]], 2007), ''[[Chorimba]]'' ([[Artscape]], 2007), ''[[Amaza]]'' ([[Artscape]], 2009).
 He wrote ''[[The Coal Train to Wynberg]]'' (198*), ''[[You Strike a Woman, You Strike a Rock]]'' (198*??) and co-wrote including ''[[Thina Bantu - We People]]'' (with [[Mavis Taylor]] and [[Mark Fleishman]], 1987), ''[[In Conversation, Indaba, In Gesprek]]'' (with [[Esther van Ryswyk]] and [[Libby Daniels]]) He wrote and directed ''[[Lavender Hill Blues]]'' ([[Baxter Theatre]] and the [[New World Foundation]], 1989),  ''[[Roxy]]'' ([[Baxter Theatre]], 1993),  ''[[The Gaptoothes Sisters]]'' – [[Baxter Theatre Centre]], 199*),  ''[[Down Adderley Street]]'' ([[Baxter Theatre Centre]] and [[Market Theatre]], 1995-8*), ''[[Echoes of Our Footsteps]]'' (2001), ''[[Diaries of My Womanhood]]'' ([[Baxter Theatre]], 2002), * ''[[The Red Winter]]''  ([[Baxter Theatre]] 2008), .

@@ Line 10: / Line 10: @@
 === Training ===
-Studied at Lehlohonolo Bantu Community School, Retlamile Middle School (Pampierstad), Fezeka High  School and [[Community Arts Projects]] (Community Theatre Diploma, Performers Diploma).
+Studied at Lehlohonolo Bantu Community School, Retlamile Middle School (Pampierstad), Fezeka High  School and [[Community Arts Project]] (Community Theatre Diploma, Performers Diploma).
 === Career ===

@@ Line 14: / Line 14: @@
 === Career ===
-His career began in 1980 as a poet and musician, before he joined the [[Gibson Kente Productions]]. In 1983 worked for the Congress of South African Students (COSAS) as National Organizer and Cultural Officer. In 1988 worked at the [[Market Theatre]] as freelance actor, and as a part-time teacher at both the [[Alexander Arts Centre]] and the [[Fuba Academy]]. In 1989 he moved back to  Cape Town to work for [[SACHED]] as a Researcher on Oral History. Also appointed Assistant Theatre Coordinator to [[Michael Van Graan]] at [[Community Arts Project]] and part-time Theatre Coordinator at the [[New World Foundation]]. In 1990 joined [[PACT]] in Pretoria and in 1991 became the Outreach Facilitator for the [[Market Theatre Laboratory]] and a freelance performer. In 1993 he became an Associate Director at the [[Baxter Theatre Centre]] and in 1994 he founded the [[Buwa Theatre Company]] and became its Artistic Director. In 1995 became the Director of the annual  [[Ikhwezi Theatre Festival]] at the [[Baxter Theatre]]. From 2000 onwards*? he lectured at [[CAP]] and the [[UCT]] Drama School.
+His career began in 1980 as a poet and musician, before he joined the [[Gibson Kente Productions]]. In 1983 worked for the Congress of South African Students (COSAS) as National Organizer and Cultural Officer. In 1988 worked at the [[Market Theatre]] as freelance actor, and as a part-time teacher at both the [[Alexander Arts Centre]] and the [[Fuba Academy]]. In 1989 he moved back to  Cape Town to work for [[SACHED]] as a Researcher on Oral History. Also appointed Assistant Theatre Coordinator to [[Mike van Graan]] at [[Community Arts Project]] and part-time Theatre Coordinator at the [[New World Foundation]]. In 1990 joined [[PACT]] in Pretoria and in 1991 became the Outreach Facilitator for the [[Market Theatre Laboratory]] and a freelance performer. In 1993 he became an Associate Director at the [[Baxter Theatre Centre]] and in 1994 he founded the [[Buwa Theatre Company]] and became its Artistic Director. In 1995 became the Director of the annual  [[Ikhwezi Theatre Festival]] at the [[Baxter Theatre]]. From 2000 onwards*? he lectured at [[CAP]] and the [[UCT]] Drama School.
 ==Contribution to SA theatre, film, media and/or performance==

@@ Line 17: / Line 17: @@
 ==Contribution to SA theatre, film, media and/or performance==
-His many productions as performer include ''[[Amabali - it’s a story time]]'' ([[Janice Honeyman]], 1988), ''[[Carnival of the Bear]]'' ([[Mark Fleishman]], 1988),  ''[[Thina Bantu]]'' ([[Mavis Taylor]], 1988), ''[[Jacques and his Master]]'' ([[Ilse van Hemert]], 1990), ''[[The princess of Kurumbu]]'' ([[Peter Terry]] and [[Allen Swerdlow]], 1990), ''[[Die Sakeman van Venesië]]'' ([[Ilse van Hemert]], 1990), and an Industrial Theatre Production for Volkswagen with [[Lionel Newton]] and [[David Isaacs]], ([[Lara Foot Newton]] , 2006).
+His many productions as performer include ''[[Amabali - it’s a story time]]'' ([[Janice Honeyman]], 1988), ''[[Carnival of the Bear]]'' ([[Mark Fleishman]], 1988),  ''[[Thina Bantu - We People]]'' ([[Mavis Taylor]], 1988), ''[[Jacques and his Master]]'' ([[Ilse van Hemert]], 1990), ''[[The Princess of Kurumbu]]'' ([[Peter Terry]] and [[Alan Swerdlow]], 1990), ''[[Die Sakeman van Venesië]]'' ([[Ilse van Hemert]], 1990), and an Industrial Theatre Production for Volkswagen with [[Lionel Newton]] and [[David Isaacs]], ([[Lara Foot Newton]] , 2006).
-As a director he has done among many productions including ** ''[[Entwined Lives]]'' by [[Philip Kakaza]] ([[Grahamstown National Festival]] and the [[Baxter Theatre Centre]], 1993), * ''[[Beneath Silent Waters]]'' by [[Ntombesizwe Tena]] (assisted by [[Lionel Newton]],  [[Ikhwezi Theatre Festival]] and [[Grahamstown National Festival]], 2007), ''[[Girl Child from the Ghetto]]'' ([[Baxter Theatre]] 2007), ''[[Nosel’ Eyibethile Akakayoji]]'' ([[Artscape]], 2007), ''[[Chorimba]]'' ([[Artscape]], 2007), ''[[Amaza]]'' ([[Artscape]], 2009).
+As a director he has done among many productions including ** ''[[Entwined Lives]]'' by [[Philip Kakaza]] ([[Grahamstown Festival]] and the [[Baxter Theatre Centre]], 1993), * ''[[Beneath Silent Waters]]'' by [[Ntombesizwe Tena]] (assisted by [[Lionel Newton]],  [[Ikhwezi Theatre Festival]] and [[Grahamstown Festival]], 2007), ''[[Girl Child from the Ghetto]]'' ([[Baxter Theatre]] 2007), ''[[Nosel’ Eyibethile Akakayoji]]'' ([[Artscape]], 2007), ''[[Chorimba]]'' ([[Artscape]], 2007), ''[[Amaza]]'' ([[Artscape]], 2009).
-He wrote ''[[The Coal train to Wynberg]]'' (198*), ''[[You Strike a Woman, You strike a Rock]]'' (198*??) and co-wrote including ''[[Thina Bantu]]'' (with [[Mavis Taylor]] and [[Mark Fleishman]], 1987), ''[[In Conversation, Indaba, In Gesprek]]'' (with [[Esther van Ryswyk]] and [[Libby Daniels]]) He wrote and directed ''[[Lavender Hill Blues]]'' ([[Baxter Theatre]] and the [[New World Foundation]], 1989),  ''[[Roxy]]'' ([[Baxter Theatre]], 1993),  ''[[The Gaptoothes Sisters]]'' – [[Baxter Theatre Centre]], 199*),  ''[[Down Adderley Street]]'' ([[Baxter Theatre Centre]] and [[Market Theatre]], 1995-8*), ''[[Echoes of Our Footsteps]]'' (2001), ''[[Diaries of My Womanhood]]'' ([[Baxter Theatre]], 2002), * ''[[The Red Winter]]''  ([[Baxter Theatre]] 2008), .
+He wrote ''[[The Coal Train to Wynberg]]'' (198*), ''[[You Strike a Woman, You Strike a Rock]]'' (198*??) and co-wrote including ''[[Thina Bantu - We People]]'' (with [[Mavis Taylor]] and [[Mark Fleishman]], 1987), ''[[In Conversation, Indaba, In Gesprek]]'' (with [[Esther van Ryswyk]] and [[Libby Daniels]]) He wrote and directed ''[[Lavender Hill Blues]]'' ([[Baxter Theatre]] and the [[New World Foundation]], 1989),  ''[[Roxy]]'' ([[Baxter Theatre]], 1993),  ''[[The Gaptoothes Sisters]]'' – [[Baxter Theatre Centre]], 199*),  ''[[Down Adderley Street]]'' ([[Baxter Theatre Centre]] and [[Market Theatre]], 1995-8*), ''[[Echoes of Our Footsteps]]'' (2001), ''[[Diaries of My Womanhood]]'' ([[Baxter Theatre]], 2002), * ''[[The Red Winter]]''  ([[Baxter Theatre]] 2008), .
 == Awards, etc ==

@@ Line 1: / Line 1: @@
-(1963-)  Actor, playwright, director and manager. Born in Cape Town, 19 February 1963. Studied at Lehlohonolo Bantu Community School, Retlamile Middle School (Pampierstad), Fezeka High  School and [[Community Arts Projects]] (Community Theatre Diploma, Performers Diploma).  His passion for drama started, when he attended shows at the [[Space Theatre]] in Cape Town. His career began in 1980 as a poet and musician, before he joined the [[Gibson Kente Productions]]. In 1983 worked for the Congress of South African Students (COSAS) as National Organizer and Cultural Officer. In 1988 worked at the [[Market Theatre]] as freelance actor, and as a part-time teacher at both the [[Alexander Arts Centre]] and the [[Fuba Academy]]. In 1989 he moved back to  Cape Town to work for [[SACHED]] as a Researcher on Oral History. Also appointed Assistant Theatre Coordinator to [[Mike Van Graan]] at [[Community Arts Project]] and part-time Theatre Coordinator at the [[New World Foundation]]. In 1990 joined [[PACT]]  in Pretoria and in 1991 became the Outreach Facilitator for the [[Market Theatre Laboratory]] and a freelance performer. In 1993 he became an Associate Director at the [[Baxter Theatre Centre]] and in 1994 he founded the [[Buwa Theatre Company]] and became its Artistic Director. In 1995 became the Director of the annual  [[Ikhwezi Theatre Festival]] at the [[Baxter Theatre]]. From 2000 onwards*? he lectured at [[CAP]] and the [[UCT Drama School]]. His many productions as performer include ''[[Amabali - it’s a story time]]'' ([[Janice Honeyman]], 1988), ''[[Carnival of the bear]]'' ([[Mark Fleishman]], 1988),  ''[[Thina Bantu]]'' ([[Mavis Taylor]], 1988), ''[[Jacques and his Master]]'' ([[Ilse van Hemert]], 1990), ''[[The princess of Kurumbu]]'' ([[Peter Terry]] and [[Allen Swerdlow]], 1990), ''[[Die Sakeman van Venesië]]'' ([[Ilse van Hemert]], 1990), and an Industrial Theatre Production for Volkswagen with [[Lionel Newton]] and [[David Isaacs]], ([[Lara Foot Newton]] , 2006).  As a director he has done among many productions including ** ''[[Entwined Lives]]'' by [[Philip Kakaza]] ([[Grahamstown National Festival]] and the [[Baxter Theatre Centre]], 1993), * ''[[Beneath Silent Waters]]'' by [[Ntombesizwe Tena]] (assisted by [[Lionel Newton]],  [[Ikhwezi Theatre Festival]] and [[Grahamstown National Festival]], 2007), ''[[Girl Child from the Ghetto]]'' ([[Baxter Theatre]] 2007), ''[[Nosel’ Eyibethile Akakayoji]]'' ([[Artscape]], 2007), ''[[Chorimba]]'' ([[Artscape]], 2007), ''[[Amaza]]'' ([[Artscape]], 2009).  He wrote ''[[The coal train to Wynberg]]'' (198*), ''[[You Strike a Woman, You strike a Rock]]'' (198*??) and co-wrote including ''[[Thina Bantu]]'' (with [[Mavis Taylor]] and [[Mark Fleishman]], 1987), ''[[In Conversation, Indaba, In Gesprek]]'' (with [[Esther van Ryswyk]] and [[Libby Daniels]]) He wrote and directed ''[[Lavender Hill Blues]]'' ([[Baxter Theatre]] and the [[New World Foundation]], 1989),  ''[[Roxy]]'' ([[Baxter Theatre]], 1993),  ''[[The Gaptoothes Sisters]]'' – [[Baxter Theatre Centre]], 199*),  ''[[Down Adderley Street]]'' ([[Baxter Theatre Centre]] and [[Market Theatre]], 1995-8*), ''[[Echoes of Our Footsteps]]'' (2001), ''[[Diaries of My Womanhood]]'' ([[Baxter Theatre]], 2002), * ''[[The Red Winter]]''  ([[Baxter Theatre]] 2008), . Co-ordinated and produced ''[[The Reddening of the Greens]]'', ([[Action Workshop Theatre Company]], 1992),   and wrote, directed and produced an ''[[Olympic Bid Road Show]]'' (1995), ''[[Arrive Alive Road Safety Campaign Road Show]]'' (1999), *. Awards include the [[Sunday Times Best Young Actor Award]] (1988) and an [[Arts and Culture Trust Award]] in 2004 for the [[Ikhwezi Community Theatre Festival]].
+(Itumeleng Wa-Lehure  (1963-)  Actor, playwright, director and manager.
-−
-Return to [[ESAT Personalities W]]
+== Biography ==
 Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 Return to [[Main Page]]

← Older revision		Revision as of 10:43, 1 July 2013
Line 1:		Line 1:
−	(1963-) Actor, playwright, director and manager. Born in Cape Town, 19 February 1963. Studied at Lehlohonolo Bantu Community School, Retlamile Middle School (Pampierstad), Fezeka High School and [[Community Arts Projects]] (Community Theatre Diploma, Performers Diploma). His passion for drama started, when he attended shows at the [[Space Theatre]] in Cape Town. His career began in 1980 as a poet and musician, before he joined the [[Gibson Kente Productions]]. In 1983 worked for the Congress of South African Students (COSAS) as National Organizer and Cultural Officer. In 1988 worked at the [[Market Theatre]] as freelance actor, and as a part-time teacher at both the [[Alexander Arts Centre]] and the [[Fuba Academy]]. In 1989 he moved back to Cape Town to work for [[SACHED]] as a Researcher on Oral History. Also appointed Assistant Theatre Coordinator to [[Mike Van Graan]] at [[Community Arts Project]] and part-time Theatre Coordinator at the [[New World Foundation]]. In 1990 joined [[PACT]] in Pretoria and in 1991 became the Outreach Facilitator for the [[Market Theatre Laboratory]] and a freelance performer. In 1993 he became an Associate Director at the [[Baxter Theatre Centre]] and in 1994 he founded the [[Buwa Theatre Company]] and became its Artistic Director. In 1995 became the Director of the annual [[Ikhwezi Theatre Festival]] at the [[Baxter Theatre]]. From 2000 onwards? he lectured at [[CAP]] and the [[UCT Drama School]]. His many productions as performer include ''[[Amabali - it’s a story time]]'' ([[Janice Honeyman]], 1988), ''[[Carnival of the bear]]'' ([[Mark Fleishman]], 1988), ''[[Thina Bantu]]'' ([[Mavis Taylor]], 1988), ''[[Jacques and his Master]]'' ([[Ilse van Hemert]], 1990), ''[[The princess of Kurumbu]]'' ([[Peter Terry]] and [[Allen Swerdlow]], 1990), ''[[Die Sakeman van Venesië]]'' ([[Ilse van Hemert]], 1990), and an Industrial Theatre Production for Volkswagen with [[Lionel Newton]] and [[David Isaacs]], ([[Lara Foot Newton]] , 2006). As a director he has done among many productions including * ''[[Entwined Lives]]'' by [[Philip Kakaza]] ([[Grahamstown National Festival]] and the [[Baxter Theatre Centre]], 1993), * ''[[Beneath Silent Waters]]'' by [[Ntombesizwe Tena]] (assisted by [[Lionel Newton]], [[Ikhwezi Theatre Festival]] and [[Grahamstown National Festival]], 2007), ''[[Girl Child from the Ghetto]]'' ([[Baxter Theatre]] 2007), ''[[Nosel’ Eyibethile Akakayoji]]'' ([[Artscape]], 2007), ''[[Chorimba]]'' ([[Artscape]], 2007), ''[[Amaza]]'' ([[Artscape]], 2009). He wrote ''[[The coal train to Wynberg]]'' (198), ''[[You Strike a Woman, You strike a Rock]]'' (198??) and co-wrote including ''[[Thina Bantu]]'' (with [[Mavis Taylor]] and [[Mark Fleishman]], 1987), ''[[In ~~Converstion~~, Indaba, In Gesprek]]'' (with [[Esther ~~Van~~ Ryswyk]] and [[Libby Daniels]]) He wrote and directed ''[[Lavender Hill Blues]]'' ([[Baxter Theatre]] and the [[New World Foundation]], 1989), ''[[Roxy]]'' ([[Baxter Theatre]], 1993), ''[[The Gaptoothes Sisters]]'' – [[Baxter Theatre Centre]], 199), ''[[Down Adderley Street]]'' ([[Baxter Theatre Centre]] and [[Market Theatre]], 1995-8), ''[[Echoes of Our Footsteps]]'' (2001), ''[[Diaries of My Womanhood]]'' ([[Baxter Theatre]], 2002), * ''[[The Red Winter]]'' ([[Baxter Theatre]] 2008), . Co-ordinated and produced ''[[The Reddening of the Greens]]'', ([[Action Workshop Theatre Company]], 1992), and wrote, directed and produced an ''[[Olympic Bid Road Show]]'' (1995), ''[[Arrive Alive Road Safety Campaign Road Show]]'' (1999), *. Awards include the [[Sunday Times Best Young Actor Award]] (1988) and an [[Arts and Culture Trust Award]] in 2004 for the [[Ikhwezi Community Theatre Festival]].	+	(1963-) Actor, playwright, director and manager. Born in Cape Town, 19 February 1963. Studied at Lehlohonolo Bantu Community School, Retlamile Middle School (Pampierstad), Fezeka High School and [[Community Arts Projects]] (Community Theatre Diploma, Performers Diploma). His passion for drama started, when he attended shows at the [[Space Theatre]] in Cape Town. His career began in 1980 as a poet and musician, before he joined the [[Gibson Kente Productions]]. In 1983 worked for the Congress of South African Students (COSAS) as National Organizer and Cultural Officer. In 1988 worked at the [[Market Theatre]] as freelance actor, and as a part-time teacher at both the [[Alexander Arts Centre]] and the [[Fuba Academy]]. In 1989 he moved back to Cape Town to work for [[SACHED]] as a Researcher on Oral History. Also appointed Assistant Theatre Coordinator to [[Mike Van Graan]] at [[Community Arts Project]] and part-time Theatre Coordinator at the [[New World Foundation]]. In 1990 joined [[PACT]] in Pretoria and in 1991 became the Outreach Facilitator for the [[Market Theatre Laboratory]] and a freelance performer. In 1993 he became an Associate Director at the [[Baxter Theatre Centre]] and in 1994 he founded the [[Buwa Theatre Company]] and became its Artistic Director. In 1995 became the Director of the annual [[Ikhwezi Theatre Festival]] at the [[Baxter Theatre]]. From 2000 onwards? he lectured at [[CAP]] and the [[UCT Drama School]]. His many productions as performer include ''[[Amabali - it’s a story time]]'' ([[Janice Honeyman]], 1988), ''[[Carnival of the bear]]'' ([[Mark Fleishman]], 1988), ''[[Thina Bantu]]'' ([[Mavis Taylor]], 1988), ''[[Jacques and his Master]]'' ([[Ilse van Hemert]], 1990), ''[[The princess of Kurumbu]]'' ([[Peter Terry]] and [[Allen Swerdlow]], 1990), ''[[Die Sakeman van Venesië]]'' ([[Ilse van Hemert]], 1990), and an Industrial Theatre Production for Volkswagen with [[Lionel Newton]] and [[David Isaacs]], ([[Lara Foot Newton]] , 2006). As a director he has done among many productions including * ''[[Entwined Lives]]'' by [[Philip Kakaza]] ([[Grahamstown National Festival]] and the [[Baxter Theatre Centre]], 1993), * ''[[Beneath Silent Waters]]'' by [[Ntombesizwe Tena]] (assisted by [[Lionel Newton]], [[Ikhwezi Theatre Festival]] and [[Grahamstown National Festival]], 2007), ''[[Girl Child from the Ghetto]]'' ([[Baxter Theatre]] 2007), ''[[Nosel’ Eyibethile Akakayoji]]'' ([[Artscape]], 2007), ''[[Chorimba]]'' ([[Artscape]], 2007), ''[[Amaza]]'' ([[Artscape]], 2009). He wrote ''[[The coal train to Wynberg]]'' (198), ''[[You Strike a Woman, You strike a Rock]]'' (198??) and co-wrote including ''[[Thina Bantu]]'' (with [[Mavis Taylor]] and [[Mark Fleishman]], 1987), ''[[In Conversation, Indaba, In Gesprek]]'' (with [[Esther van Ryswyk]] and [[Libby Daniels]]) He wrote and directed ''[[Lavender Hill Blues]]'' ([[Baxter Theatre]] and the [[New World Foundation]], 1989), ''[[Roxy]]'' ([[Baxter Theatre]], 1993), ''[[The Gaptoothes Sisters]]'' – [[Baxter Theatre Centre]], 199), ''[[Down Adderley Street]]'' ([[Baxter Theatre Centre]] and [[Market Theatre]], 1995-8), ''[[Echoes of Our Footsteps]]'' (2001), ''[[Diaries of My Womanhood]]'' ([[Baxter Theatre]], 2002), * ''[[The Red Winter]]'' ([[Baxter Theatre]] 2008), . Co-ordinated and produced ''[[The Reddening of the Greens]]'', ([[Action Workshop Theatre Company]], 1992), and wrote, directed and produced an ''[[Olympic Bid Road Show]]'' (1995), ''[[Arrive Alive Road Safety Campaign Road Show]]'' (1999), *. Awards include the [[Sunday Times Best Young Actor Award]] (1988) and an [[Arts and Culture Trust Award]] in 2004 for the [[Ikhwezi Community Theatre Festival]].

	Return to [[ESAT Personalities W]]		Return to [[ESAT Personalities W]]