Hilde Roos - Revision history

Satj at 04:35, 24 July 2024

2024-07-24T04:35:10Z

Satj: /* Return to */

2024-07-24T04:28:19Z

Return to

Satj: /* Contribution to SA theatre, film, media and/or performance */

2024-07-24T04:27:47Z

Contribution to SA theatre, film, media and/or performance

Satj: /* Contribution to SA theatre, film, media and/or performance */

2024-07-24T04:23:12Z

Contribution to SA theatre, film, media and/or performance

Satj: /* Biography */

2024-07-24T04:21:58Z

Biography

Satj: /* Contribution to SA theatre, film, media and/or performance */

2024-07-24T04:19:27Z

Contribution to SA theatre, film, media and/or performance

Satj at 04:19, 24 July 2024

2024-07-24T04:19:05Z

Satj: /* Biography */

2024-07-24T04:17:27Z

Biography

Satj at 04:17, 24 July 2024

2024-07-24T04:17:00Z

Satj: Created page with "Hilde Roos is She is the General Manager of Africa Open Institute for Music, Research and Innovation at Stellenbosch University and her work focuses on historical and c..."

2024-07-24T04:05:01Z

Created page with "Hilde Roos is She is the General Manager of Africa Open Institute for Music, Research and Innovation at Stellenbosch University and her work focuses on historical and c..."

New page

[[Hilde Roos]] is

She is the General Manager of Africa Open Institute for Music, Research and Innovation at Stellenbosch University and her work focuses on historical and contemporary representations of opera in Southern Africa with special reference to the intersection of the genre with politics and race.

She has published widely about the [[Eoan Group]], a so-called coloured opera group who performed opera during Apartheid. She is the author of

[[Hilde Roos]] 2013. ''EOAN – Our Story'' ([[Fourthwall Books]], Johannesburg, 2013).

[[Hilde Roos]] 2018. ''The La Traviata Affair – Opera in the Age of Apartheid'' (University of California Press), and joint editor of

[[Hilde Roos]] 2023. '' “Sorry. I am what I am.” The life and letters of the South African pianist and opera coach Gordon Jephtas (1943–92)'' (Basler Afrika Bibliografien)

In 2020 she co-edited ''African Theatre – Opera and Music Theatre'', exploring historical and contemporary traces of opera and music theatre on the African continent.

A founder member of the Black Opera Research Network (BORN), an international network of scholars that engage with conversations on the history, experiences, politics and practices of Black Opera.

Hilde is also a founder member of the Black Opera Research Network (BORN), an international network of scholars that engage with conversations on the history, experiences, politics and practices of Black Opera.

← Older revision		Revision as of 04:35, 24 July 2024
Line 1:		Line 1:
−	[[Hilde Roos]] is a music and opera researcher.	+	[[Hilde Roos]] is a music and opera lecturer and researcher.

	== Biography ==		== Biography ==

@@ Line 23: / Line 23: @@
 == Return to ==
-Return to [[ESAT Personalities  N]]
+Return to [[ESAT Personalities  R]]
 Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]

@@ Line 11: / Line 11: @@
 She has published widely about the [[Eoan Group]], a so-called "[[coloured]]" opera group who performed opera during the [[Apartheid]] period, and other aspects of opera and musical theatre in South Africa.
-Her publications include "Indigenisation and history: how opera in South Africa became South African opera" (in ''[[Acta Academica]]'' Supplementum 2012), ''EOAN – Our Story'' (2013); ''The La Traviata Affair – Opera in the Age of Apartheid'' (2018), ''African Theatre – Opera and Music Theatre'' (co-editor, 2020), '' “Sorry. I am what I am.” The life and letters of the South African pianist and opera coach Gordon Jephtas (1943–92)'' (2023).
+Her publications include "Indigenisation and history: how opera in South Africa became South African opera" (in ''[[Acta Academica]]'' Supplementum 2012), ''EOAN – Our Story'' (2013); ''The La Traviata Affair – Opera in the Age of Apartheid'' (2018), ''African Theatre – Opera and Music Theatre'' (co-editor, 2020), "Burgerskap onder konstruksie: Aida en Rigoletto by die Suid-Afrikaanse Republiekfeesvieringe, 1971" (2021), '' “Sorry. I am what I am.” The life and letters of the South African pianist and opera coach Gordon Jephtas (1943–92)'' (2023).
 Hilde is also a founder member of the [[Black Opera Research Network]] ([[BORN]]), an international network of scholars that engage with conversations on the history, experiences, politics and practices of Black Opera.

@@ Line 11: / Line 11: @@
 She has published widely about the [[Eoan Group]], a so-called "[[coloured]]" opera group who performed opera during the [[Apartheid]] period, and other aspects of opera and musical theatre in South Africa.
-Her publications include ''EOAN – Our Story'' (2013); ''The La Traviata Affair – Opera in the Age of Apartheid'' (2018), ''African Theatre – Opera and Music Theatre'' (co-editor, 2020), '' “Sorry. I am what I am.” The life and letters of the South African pianist and opera coach Gordon Jephtas (1943–92)'' (2023).
+Her publications include "Indigenisation and history: how opera in South Africa became South African opera" (in ''[[Acta Academica]]'' Supplementum 2012), ''EOAN – Our Story'' (2013); ''The La Traviata Affair – Opera in the Age of Apartheid'' (2018), ''African Theatre – Opera and Music Theatre'' (co-editor, 2020), '' “Sorry. I am what I am.” The life and letters of the South African pianist and opera coach Gordon Jephtas (1943–92)'' (2023).
 Hilde is also a founder member of the [[Black Opera Research Network]] ([[BORN]]), an international network of scholars that engage with conversations on the history, experiences, politics and practices of Black Opera.

← Older revision		Revision as of 04:21, 24 July 2024
Line 2:		Line 2:

	== Biography ==		== Biography ==
		+
		+	She obtained her doctorate in 2010 with a study called ''Opera Production in the Western Cape: Strategies in Search of Indigenisation'' from [[Stellenbosch University]].

	==Contribution to SA theatre, film, media and/or performance==		==Contribution to SA theatre, film, media and/or performance==

@@ Line 7: / Line 7: @@
 She is the General Manager of [[Africa Open Institute for Music, Research and Innovation]] ([[AOI]]) at [[Stellenbosch University]] and her work focuses on historical and contemporary representations of opera in Southern Africa with special reference to the intersection of the genre with politics and race.
-She has published widely about the [[Eoan Group]], a so-called [[coloured]] opera group who performed opera during the [[Apartheid]] period, and other aspects of opera and musical theatre in South Africa.
+She has published widely about the [[Eoan Group]], a so-called "[[coloured]]" opera group who performed opera during the [[Apartheid]] period, and other aspects of opera and musical theatre in South Africa.
 Her publications include ''EOAN – Our Story'' (2013); ''The La Traviata Affair – Opera in the Age of Apartheid'' (2018), ''African Theatre – Opera and Music Theatre'' (co-editor, 2020), '' “Sorry. I am what I am.” The life and letters of the South African pianist and opera coach Gordon Jephtas (1943–92)'' (2023).
 Hilde is also a founder member of the [[Black Opera Research Network]] ([[BORN]]), an international network of scholars that engage with conversations on the history, experiences, politics and practices of Black Opera.
 == Sources ==

@@ Line 1: / Line 1: @@
 [[Hilde Roos]] is a music and opera researcher.
-==Biography==
+== Biography ==
 She is the General Manager of [[Africa Open Institute for Music, Research and Innovation]] ([[AOI]]) at [[Stellenbosch University]] and her work focuses on historical and contemporary representations of opera in Southern Africa with special reference to the intersection of the genre with politics and race.
-She has published widely about the [[Eoan Group]], a so-called coloured opera group who performed opera during the [[Apartheid]] period, and other aspects of opera and musical theatre in South Africa.
+She has published widely about the [[Eoan Group]], a so-called [[coloured]] opera group who performed opera during the [[Apartheid]] period, and other aspects of opera and musical theatre in South Africa.
 Her publications include ''EOAN – Our Story'' (2013); ''The La Traviata Affair – Opera in the Age of Apartheid'' (2018), ''African Theatre – Opera and Music Theatre'' (co-editor, 2020), '' “Sorry. I am what I am.” The life and letters of the South African pianist and opera coach Gordon Jephtas (1943–92)'' (2023).
 Hilde is also a founder member of the [[Black Opera Research Network]] ([[BORN]]), an international network of scholars that engage with conversations on the history, experiences, politics and practices of Black Opera.

← Older revision		Revision as of 04:17, 24 July 2024
Line 11:		Line 11:
	Her publications include ''EOAN – Our Story'' (2013); ''The La Traviata Affair – Opera in the Age of Apartheid'' (2018), ''African Theatre – Opera and Music Theatre'' (co-editor, 2020), '' “Sorry. I am what I am.” The life and letters of the South African pianist and opera coach Gordon Jephtas (1943–92)'' (2023).		Her publications include ''EOAN – Our Story'' (2013); ''The La Traviata Affair – Opera in the Age of Apartheid'' (2018), ''African Theatre – Opera and Music Theatre'' (co-editor, 2020), '' “Sorry. I am what I am.” The life and letters of the South African pianist and opera coach Gordon Jephtas (1943–92)'' (2023).

−	Hilde is also a founder member of the Black Opera Research Network (BORN), an international network of scholars that engage with conversations on the history, experiences, politics and practices of Black Opera.	+	Hilde is also a founder member of the [[Black Opera Research Network]] ([[BORN]]), an international network of scholars that engage with conversations on the history, experiences, politics and practices of Black Opera.