Hélène Botha - Revision history

Satj: /* Biography */

2019-07-17T03:54:50Z

Biography

Satj: /* Biography */

2019-07-17T03:52:24Z

Biography

Satj: /* Sources */

2019-07-17T03:47:14Z

Sources

Satj: /* Biography */

2019-07-17T03:46:58Z

Biography

Satj: /* Sources */

2019-07-17T03:46:05Z

Sources

Satj at 03:44, 17 July 2019

2019-07-17T03:44:46Z

Satj: /* Sources */

2019-07-17T03:43:18Z

Sources

Satj at 04:27, 16 July 2019

2019-07-16T04:27:07Z

Satj: /* Biography */

2019-07-16T03:30:01Z

Biography

Satj at 03:29, 16 July 2019

2019-07-16T03:29:45Z

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 ==Biography==
-She had learned her craft playing in English for Prof [[C.G.S. de Villiers]]and the [[Unie-debatsvereniging]] at [[Stellenbosch University]], where they did works by writers such as  Ibsen (''[[A Doll House]]'') and Pirandello (''[[The Idler]]'').
+She had learned her craft playing in English directed by Prof [[C.G.S. de Villiers]] for the [[Unie-debatsvereniging]] at [[Stellenbosch University]], when they did works by writers such as  Ibsen (''[[A Doll House]]'') and Pirandello (''[[The Idler]]'').
-Moving to Pretoria she worked with  [[Stephanie Faure]] on [[Afrikaans]] plays such as [[Gustav Preller]]'s ''[[In die Wagkamer]]'' and ''[[Die Spookhuis]]''.  As professional she took the role of "Nora" in [[Paul de Groot]]'s 1928-29 production of ''[[Geleende Geld]]'' (“Borrowed Money”), a translation of Ibsen’s ''[[A Doll House]]''), when the young [[Alida du Toit]] (to become famous as [[Lydia  Lindeque]]) could not go on tour.
+Moving to Pretoria she worked with  [[Stephanie Faure]] on [[Afrikaans]] plays such as [[Gustav Preller]]'s ''[[In die Wagkamer]]'' and ''[[Die Spookhuis]]''.  As a professional actress she took the role of "Nora" in [[Paul de Groot]]'s 1928-29 production of ''[[Geleende Geld]]'' (“Borrowed Money”), a [[Afrikaans]] translation of Ibsen’s ''[[A Doll House]]''), when the young [[Alida du Toit]] (later to become famous as [[Lydia  Lindeque]]) could not go on tour.
 She kept a very informative diary of the tour, which was in part published by [[Danie Botha]] in ''Voetligte & Applous!'' (2006)

@@ Line 5: / Line 5: @@
 ==Biography==
-She had learned her craft playing in English for Prof [[C.G.S. de Villiers]] at [[Stellenbosch University]], where they did works by writers such as  Ibsen (''[[A Doll House]]'') and Pirandello (''[[The Idler]]'').
+She had learned her craft playing in English for Prof [[C.G.S. de Villiers]]and the [[Unie-debatsvereniging]] at [[Stellenbosch University]], where they did works by writers such as  Ibsen (''[[A Doll House]]'') and Pirandello (''[[The Idler]]'').
 Moving to Pretoria she worked with  [[Stephanie Faure]] on [[Afrikaans]] plays such as [[Gustav Preller]]'s ''[[In die Wagkamer]]'' and ''[[Die Spookhuis]]''.  As professional she took the role of "Nora" in [[Paul de Groot]]'s 1928-29 production of ''[[Geleende Geld]]'' (“Borrowed Money”), a translation of Ibsen’s ''[[A Doll House]]''), when the young [[Alida du Toit]] (to become famous as [[Lydia  Lindeque]]) could not go on tour.

← Older revision		Revision as of 03:47, 17 July 2019
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	[[Jill Fletcher]]. 1994. ''The Story of Theatre in South Africa: A Guide to its History from 1780-1930''. Cape Town: Vlaeberg.		[[Jill Fletcher]]. 1994. ''The Story of Theatre in South Africa: A Guide to its History from 1780-1930''. Cape Town: Vlaeberg.
−
−	~~Botha, 2006~~

	Go to [[South African Theatre/Bibliography]]		Go to [[South African Theatre/Bibliography]]

@@ Line 9: / Line 9: @@
 Moving to Pretoria she worked with  [[Stephanie Faure]] on [[Afrikaans]] plays such as [[Gustav Preller]]'s ''[[In die Wagkamer]]'' and ''[[Die Spookhuis]]''.  As professional she took the role of "Nora" in [[Paul de Groot]]'s 1928-29 production of ''[[Geleende Geld]]'' (“Borrowed Money”), a translation of Ibsen’s ''[[A Doll House]]''), when the young [[Alida du Toit]] (to become famous as [[Lydia  Lindeque]]) could not go on tour.
-She kept a very informative diary of the tour, which was in part published by [[Danie Botha]] in ''Voetligte en applous!'' (2006)
+She kept a very informative diary of the tour, which was in part published by [[Danie Botha]] in ''Voetligte & Applous!'' (2006)
 == Sources ==

@@ Line 13: / Line 13: @@
 == Sources ==
-[[Ludwig Wilhelm  Berthold Binge]]. 1969. ''Ontwikkeling van die Afrikaanse toneel (1832-1950)''. Pretoria: J.L. van Schaik.
+[[Ludwig Wilhelm Berthold Binge]]. 1969. ''Ontwikkeling van die Afrikaanse toneel (1832-1950)''. Pretoria: J.L. van Schaik.
 [[Jill Fletcher]]. 1994. ''The Story of Theatre in South Africa: A Guide to its History from 1780-1930''. Cape Town: Vlaeberg.

← Older revision		Revision as of 03:44, 17 July 2019
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	== Sources ==		== Sources ==
		+

	[[Ludwig Wilhelm Berthold Binge]]. 1969. ''Ontwikkeling van die Afrikaanse toneel (1832-1950)''. Pretoria: J.L. van Schaik.		[[Ludwig Wilhelm Berthold Binge]]. 1969. ''Ontwikkeling van die Afrikaanse toneel (1832-1950)''. Pretoria: J.L. van Schaik.

@@ Line 1: / Line 1: @@
 [[Hélène Botha]] (18**-19**) was a seasoned actress.
-''Also found as '''[[Hélèna Botha]]'''''
+''Also found as '''[[Hélèna Botha]] and [[Helene Botha]]'''''
 ==Biography==

← Older revision		Revision as of 03:30, 16 July 2019
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	She kept a very informative diary of the tour, which was in part published by [[Danie Botha]] in ''Voetligte en applous!'' (2006)		She kept a very informative diary of the tour, which was in part published by [[Danie Botha]] in ''Voetligte en applous!'' (2006)
−

	== Sources ==		== Sources ==