Guerre-Ouverte, ou Ruse contre Ruse - Revision history

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2023-06-12T14:57:17Z

Sources

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2023-06-12T14:56:53Z

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Satj: /* Performance history in South Africa */

2017-07-02T04:56:11Z

Performance history in South Africa

Satj: /* Performance history in South Africa */

2017-07-02T04:51:11Z

Performance history in South Africa

Satj: /* Translations and adaptations */

2017-07-02T04:49:33Z

Translations and adaptations

Satj: /* Translations and adaptations */

2017-04-30T03:11:35Z

Translations and adaptations

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2017-04-30T03:11:15Z

Translations and adaptations

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2017-04-30T03:08:42Z

Sources

Satj at 03:06, 30 April 2017

2017-04-30T03:06:00Z

Satj: /* Performance history in South Africa */

2017-04-30T03:04:47Z

Performance history in South Africa

@@ Line 35: / Line 35: @@
 A.J. van der Aa.  1869. ''Biographisch woordenboek der Nederlanden''. Deel 12. Eerste stuk. J.J. van Brederode, Haarlem: Abraham Maas. p.12[http://www.dbnl.org/tekst/aa__001biog14_01/aa__001biog14_01.pdf]
-[[Worldcat]] entry on ''Les Intrigants''[http://www.worldcat.org/title/intrigants-ou-assaut-de-fourberies-comedie-en-trois-actes-et-en-prose-par-m-dumaniant-pseud-de-a-j-bourlin/oclc/420806724]
+[[WorldCat]] entry on ''Les Intrigants''[http://www.worldcat.org/title/intrigants-ou-assaut-de-fourberies-comedie-en-trois-actes-et-en-prose-par-m-dumaniant-pseud-de-a-j-bourlin/oclc/420806724]
 http://fr.wikipedia.org/wiki/Dumaniant

@@ Line 27: / Line 27: @@
 == Sources ==
-Digital text Guerre-Ouverte, Internet Archive[https://archive.org/details/guerreouverteour00dumauoft]
+Digital text Guerre-Ouverte, [[Internet Archive]][https://archive.org/details/guerreouverteour00dumauoft]
 http://en.wikipedia.org/wiki/Elizabeth_Inchbald
@@ Line 35: / Line 35: @@
 A.J. van der Aa.  1869. ''Biographisch woordenboek der Nederlanden''. Deel 12. Eerste stuk. J.J. van Brederode, Haarlem: Abraham Maas. p.12[http://www.dbnl.org/tekst/aa__001biog14_01/aa__001biog14_01.pdf]
-Worldcat entry on ''Les Intrigants''[http://www.worldcat.org/title/intrigants-ou-assaut-de-fourberies-comedie-en-trois-actes-et-en-prose-par-m-dumaniant-pseud-de-a-j-bourlin/oclc/420806724]
+[[Worldcat]] entry on ''Les Intrigants''[http://www.worldcat.org/title/intrigants-ou-assaut-de-fourberies-comedie-en-trois-actes-et-en-prose-par-m-dumaniant-pseud-de-a-j-bourlin/oclc/420806724]
 http://fr.wikipedia.org/wiki/Dumaniant
-Digital Text of ''Les Intrigants'', Google Books[http://books.google.co.za/books?id=XTM3-7M_TQgC&printsec=frontcover&source=gbs_ge_summary_r&cad=0]
+Digital Text of ''Les Intrigants'', [[Google Books]][http://books.google.co.za/books?id=XTM3-7M_TQgC&printsec=frontcover&source=gbs_ge_summary_r&cad=0]
 [[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp.  188, 194, 280, 389

@@ Line 19: / Line 19: @@
 : Performed in [[Dutch]] as  ''[[Tot Middernacht, of List tegen List]]'' (in either the Ruloffs or the Maas translation) in Cape own by [[Honi Soit qui Mal y Pense]]. Announced for 23 October, but possibly only took place on 13 November, in the [[African Theatre]], with  ''[[De Echtgenoot Kluizenaar]]'' (Kotzebue).
-: Produced in Cape Town in English on 8 October, this time by the [[Garrison Players]], (as companion piece to ''[[Exchange No Robbery, or The Diamond Ring]]''). The players included [[H. Hanson]], [[Mr Troward]], [[Sgt Corbishley]]. [[Mr Rundle]], [[Howell]],  [[Mrs Black]], [[Mrs Gouland]], [[Mr Mills]], [[Mrs O'Brien]].
+: Produced in Cape Town in English, as ''[[The Midnight Hour]]'', on 8 October, this time by the [[Garrison Players]], (as companion piece to ''[[Exchange No Robbery, or The Diamond Ring]]''). The players included [[H. Hanson]], [[Mr Troward]], [[Sgt Corbishley]]. [[Mr Rundle]], [[Howell]],  [[Mrs Black]], [[Mrs Gouland]], [[Mr Mills]], [[Mrs O'Brien]].
 : Performed in English, as ''[[The Midnight Hour]]'',  in the [[Garrison Theatre]] by the [[Garrison Players|Garrison Amateurs]] on Wednesday 19 November, 1834, with as afterpiece  ''[[The Illustrious Stranger, or Married and Buried]]'' (Kenney and Millingen). The production was a benefit for [[Mrs Black]].

@@ Line 17: / Line 17: @@
 : This production of ''[[The Midnight Hour]]'' was repeated on 21 June, 1823 with the addition of ''[[The King and the Miller of Mansfield]]'' (Dodsley)
-: Performed in [[Dutch]] as  ''[[Tot Middernacht, of List tegen List]]'' (either the Ruloffs or the Maas translation) was performed in Cape own by [[Honi Soit qui Mal y Pense]]. Announced for 23 October, but possibly only took place on 13 November, in the [[African Theatre]], with  ''[[De Echtgenoot Kluizenaar]]'' (Kotzebue).
+: Performed in [[Dutch]] as  ''[[Tot Middernacht, of List tegen List]]'' (in either the Ruloffs or the Maas translation) in Cape own by [[Honi Soit qui Mal y Pense]]. Announced for 23 October, but possibly only took place on 13 November, in the [[African Theatre]], with  ''[[De Echtgenoot Kluizenaar]]'' (Kotzebue).
-: Produced in Cape Town in English on 8 October 1825, this time by the [[Garrison Players]], (as companion piece to ''[[Exchange No Robbery, or The Diamond Ring]]''). The players included [[H. Hanson]], [[Mr Troward]], [[Sgt Corbishley]]. [[Mr Rundle]], [[Howell]],  [[Mrs Black]], [[Mrs Gouland]], [[Mr Mills]], [[Mrs O'Brien]].
+: Produced in Cape Town in English on 8 October, this time by the [[Garrison Players]], (as companion piece to ''[[Exchange No Robbery, or The Diamond Ring]]''). The players included [[H. Hanson]], [[Mr Troward]], [[Sgt Corbishley]]. [[Mr Rundle]], [[Howell]],  [[Mrs Black]], [[Mrs Gouland]], [[Mr Mills]], [[Mrs O'Brien]].
 : Performed in English, as ''[[The Midnight Hour]]'',  in the [[Garrison Theatre]] by the [[Garrison Players|Garrison Amateurs]] on Wednesday 19 November, 1834, with as afterpiece  ''[[The Illustrious Stranger, or Married and Buried]]'' (Kenney and Millingen). The production was a benefit for [[Mrs Black]].

@@ Line 9: / Line 9: @@
 Translated into English and adapted under the title '''''[[The Midnight Hour]]''''' by '''Mrs Elizabeth Inchbald''' (1753-1821)[http://en.wikipedia.org/wiki/Elizabeth_Inchbald]. The translation published in 1787 and first produced at the Theatre Royal in England that year. It was to become one of her most successful works.
-Translated into [[Dutch]] as ''[[Tot Middennacht, of List tegen List]]'' by  B. Ruloffs in 1790, and by A. Maas in 1791. However, the original published title of the translation (''[[Tot Middennacht, of List tegen List]]'') is alternatively and more commonly spelled ''[[Tot Middernacht, of List tegen List]]'' in a number of sources, including the ''Biographisch woordenboek der Nederlanden'' (1869) and [[F.C.L. Bosman]] (1928). Strangely, Worp (1908), wrongly claims that this is a [[Dutch]] translation of the French play ''[[Les Intrigants, ou Assaut de Fourberies]]'' ("The intriguers, or assault by  ")   by Dumaniant (A.J. Bourlin), 1787. However, the use of the French subtitle in the [[Dutch]] version, a comparison of the texts, and  many references in other sources all confirm that it was indeed a translation of the earlier play.
+Translated into [[Dutch]] as '''''[[Tot Middennacht, of List tegen List]]''''' by  B. Ruloffs in 1790, and by A. Maas in 1791. However, the original published title of the translation (''[[Tot Middennacht, of List tegen List]]'') is alternatively and more commonly spelled '''''[[Tot Middernacht, of List tegen List]]''''' in a number of sources, including the ''Biographisch woordenboek der Nederlanden'' (1869) and [[F.C.L. Bosman]] (1928). Strangely, Worp (1908), wrongly claims that this is a [[Dutch]] translation of the French play ''[[Les Intrigants, ou Assaut de Fourberies]]'' ("The intriguers, or assault by  ")   by Dumaniant (A.J. Bourlin), 1787. However, the use of the French subtitle in the [[Dutch]] version, a comparison of the texts, and  many references in other sources all confirm that it was indeed a translation of the earlier play.
 == Performance history in South Africa ==

@@ Line 7: / Line 7: @@
 ==Translations and adaptations==
-Translated into English and adapted under the title '''''[[The Midnight Hour]]''''' by Mrs Elizabeth Inchbald (1753-1821)[http://en.wikipedia.org/wiki/Elizabeth_Inchbald]. The translation published in 1787 and first produced at the Theatre Royal in England that year. It was to become one of her most successful works.
+Translated into English and adapted under the title '''''[[The Midnight Hour]]''''' by '''Mrs Elizabeth Inchbald''' (1753-1821)[http://en.wikipedia.org/wiki/Elizabeth_Inchbald]. The translation published in 1787 and first produced at the Theatre Royal in England that year. It was to become one of her most successful works.
 Translated into [[Dutch]] as ''[[Tot Middennacht, of List tegen List]]'' by  B. Ruloffs in 1790, and by A. Maas in 1791. However, the original published title of the translation (''[[Tot Middennacht, of List tegen List]]'') is alternatively and more commonly spelled ''[[Tot Middernacht, of List tegen List]]'' in a number of sources, including the ''Biographisch woordenboek der Nederlanden'' (1869) and [[F.C.L. Bosman]] (1928). Strangely, Worp (1908), wrongly claims that this is a [[Dutch]] translation of the French play ''[[Les Intrigants, ou Assaut de Fourberies]]'' ("The intriguers, or assault by  ")   by Dumaniant (A.J. Bourlin), 1787. However, the use of the French subtitle in the [[Dutch]] version, a comparison of the texts, and  many references in other sources all confirm that it was indeed a translation of the earlier play.

@@ Line 31: / Line 31: @@
 http://en.wikipedia.org/wiki/Elizabeth_Inchbald
-J.A. Worp, Geschiedenis van het drama en van het tooneel in Nederland. Deel 2. Wolters, Groningen 1907. Fotomechanische herdruk Fa. Langerveld, Rotterdam (ca. 1972): p.309[http://www.dbnl.org/tekst/worp001gesc02_01/worp001gesc02_01_0019.php]
+J.A. Worp. 1907. ''Geschiedenis van het drama en van het tooneel in Nederland''. Deel 2. Wolters, Groningen . Fotomechanische herdruk Fa. Langerveld, Rotterdam (ca. 1972.): p.309[http://www.dbnl.org/tekst/worp001gesc02_01/worp001gesc02_01_0019.php]
-A.J. van der Aa, Biographisch woordenboek der Nederlanden. Deel 12. Eerste stuk. J.J. van Brederode, Haarlem 1869: Abraham Maas- p.12[http://www.dbnl.org/tekst/aa__001biog14_01/aa__001biog14_01.pdf]
+A.J. van der Aa.  1869. ''Biographisch woordenboek der Nederlanden''. Deel 12. Eerste stuk. J.J. van Brederode, Haarlem: Abraham Maas. p.12[http://www.dbnl.org/tekst/aa__001biog14_01/aa__001biog14_01.pdf]
 Worldcat entry on ''Les Intrigants''[http://www.worldcat.org/title/intrigants-ou-assaut-de-fourberies-comedie-en-trois-actes-et-en-prose-par-m-dumaniant-pseud-de-a-j-bourlin/oclc/420806724]

@@ Line 21: / Line 21: @@
 : Produced in Cape Town in English on 8 October 1825, this time by the [[Garrison Players]], (as companion piece to ''[[Exchange No Robbery, or The Diamond Ring]]''). The players included [[H. Hanson]], [[Mr Troward]], [[Sgt Corbishley]]. [[Mr Rundle]], [[Howell]],  [[Mrs Black]], [[Mrs Gouland]], [[Mr Mills]], [[Mrs O'Brien]].
-: Performed in English  in the [[Garrison Theatre]] by the [[Garrison Players|Garrison Amateurs]] on Wednesday 19 November, 1834, with as afterpiece  ''[[The Illustrious Stranger, or Married and Buried]]'' (Kenney and Millingen). The production was a benefit for [[Mrs Black]].
+: Performed in English, as ''[[The Midnight Hour]]'',  in the [[Garrison Theatre]] by the [[Garrison Players|Garrison Amateurs]] on Wednesday 19 November, 1834, with as afterpiece  ''[[The Illustrious Stranger, or Married and Buried]]'' (Kenney and Millingen). The production was a benefit for [[Mrs Black]].
-: It was apparently performed in Grahamstown in this year by the [[Grahamstown Amateur Company]], performing under the motto [[Honi Soit Qui Mal Y Pense]] (Though there is some difference of opinion between [[F.C.L. Bosman]] and [[P.W. Laidler]] on whether it was not perhaps a performance in Cape Town - see  [[F.C.L. Bosman|Bosman]], 1928: pp. 388-9).
+: Apparently performed  as ''[[The Midnight Hour]]'' in Grahamstown in this year by the [[Grahamstown Amateur Company]], performing under the motto [[Honi Soit Qui Mal Y Pense]] (Though there is some difference of opinion between [[F.C.L. Bosman]] and [[P.W. Laidler]] on whether it was not perhaps a performance in Cape Town - see  [[F.C.L. Bosman|Bosman]], 1928: pp. 388-9).
 == Sources ==