Guerilla Theatre - Revision history

Satj: /* South African examples */

2024-06-10T09:49:16Z

South African examples

Satj: /* South African examples */

2024-06-10T09:48:51Z

South African examples

Satj: /* South African examples */

2024-06-10T09:48:29Z

South African examples

Satj: /* South African examples */

2024-06-10T09:48:19Z

South African examples

Satj: /* South African examples */

2024-06-10T09:42:56Z

South African examples

Satj: /* Sources */

2024-06-10T09:41:01Z

Sources

Satj: /* The concept */

2024-06-10T09:39:45Z

The concept

Satj: /* Sources */

2024-06-10T09:30:45Z

Sources

Satj: /* The concept */

2024-06-10T09:10:31Z

The concept

Satj at 08:55, 10 June 2024

2024-06-10T08:55:17Z

@@ Line 13: / Line 13: @@
 Practitioners: [[Brett Bailey]] and the [[Third World Bunfight]];
-Events: ''[[Infecting the City]]'', Cape Town
+Events: ''[[Infecting the City]]'' festival, Cape Town
 == Sources ==

@@ Line 11: / Line 11: @@
 ==South African examples==
-Practitioners: [[Brett Bailey]] and [[Third World Bunfight]];
+Practitioners: [[Brett Bailey]] and the [[Third World Bunfight]];
 Events: ''[[Infecting the City]]'', Cape Town

@@ Line 11: / Line 11: @@
 ==South African examples==
-Practitioners: [[Brett Bailey]] and [[The Third World Bunfight]];
+Practitioners: [[Brett Bailey]] and [[Third World Bunfight]];
 Events: ''[[Infecting the City]]'', Cape Town

@@ Line 11: / Line 11: @@
 ==South African examples==
-Practitioners: [[Brett Bailey]]
+Practitioners: [[Brett Bailey]] and [[The Third World Bunfight]];
 Events: ''[[Infecting the City]]'', Cape Town

← Older revision		Revision as of 09:42, 10 June 2024
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	==South African examples==		==South African examples==

		+	Practitioners: [[Brett Bailey]]
		+
		+	Events: ''[[Infecting the City]]'', Cape Town

	== Sources ==		== Sources ==

← Older revision		Revision as of 09:41, 10 June 2024
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	== Sources ==		== Sources ==
		+
		+
		+	R.G. Davis. 1966. Guerrilla Theatre In: ''The Tulane Drama Review'', Vol. 10, No. 4 (Summer, 1966), pp. 130-136.

	Henry Lesnick (ed). 1973. ''Guerilla Street Theater''. New York, Bard Books.		Henry Lesnick (ed). 1973. ''Guerilla Street Theater''. New York, Bard Books.

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 Often simply a version of what is widely known as [[Street Theatre]], the form is sometimes also referred to as [[Guerilla Street Theatre]] or, in America, [[Guerilla Street Theater]].
-Among the many essays on influential American practitioners of the guerilla theater principle included in Lessick's valuable 1973 collection, are discussions of the work of El Teatro Campesino, Bread and Puppet Theater, Rapid Transport Guerilla Communication Chicago), San Francisco Red Theater, The American Playground, San Francisco Women's Theater, Burning City Theater (New York) and San Francisco Mime Troupe.
+Among the many influential American practitioners of the guerilla theater have been El Teatro Campesino, Bread and Puppet Theater, Rapid Transport Guerilla Communication Chicago), San Francisco Red Theater, The American Playground, San Francisco Women's Theater, Burning City Theater (New York) and San Francisco Mime Troupe.
 ==South African examples==

← Older revision		Revision as of 09:30, 10 June 2024
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	Henry Lesnick (ed). 1973. ''Guerilla Street Theater''. New York, Bard Books.		Henry Lesnick (ed). 1973. ''Guerilla Street Theater''. New York, Bard Books.

		+	https://en.wikipedia.org/wiki/Guerrilla_theatre

	Go to [[ESAT Bibliography]]		Go to [[ESAT Bibliography]]

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 ==The concept==
-Henry Lesnick (1973) has broadly defined this theatrical form as "a radical political theater performed in the streets, in the schools, in shopping centers, outside plant gate - anywhere people gather."  Though it apparently emerged strongly in the United States in the wake of the McCarthyist era in American politics and culture, it has also manifested itself in various ways across the ages and across the globe.
+Henry Lesnick (1973) has broadly defined this theatrical form as "a radical political theater performed in the streets, in the schools, in shopping centers, outside plant gate - anywhere people gather."  Though it apparently emerged strongly in the United States in the wake of the McCarthyist era in American politics and culture, it has has in fact also manifested itself in various ways across the ages and across the globe - though rarely under that name.
 Often simply a version of what is widely known as [[Street Theatre]], the form is sometimes also referred to as [[Guerilla Street Theatre]] or, in America, [[Guerilla Street Theater]].
+Among the many essays on influential American practitioners of the guerilla theater principle included in Lessick's valuable 1973 collection, are discussions of the work of El Teatro Campesino, Bread and Puppet Theater, Rapid Transport Guerilla Communication Chicago), San Francisco Red Theater, The American Playground, San Francisco Women's Theater, Burning City Theater (New York) and San Francisco Mime Troupe.
 ==South African examples==