<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Griffiths_Motsieloa</id>
	<title>Griffiths Motsieloa - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Griffiths_Motsieloa"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Griffiths_Motsieloa&amp;action=history"/>
	<updated>2026-09-11T07:25:17Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.33.2</generator>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Griffiths_Motsieloa&amp;diff=158373&amp;oldid=prev</id>
		<title>Miriamt at 12:09, 25 September 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Griffiths_Motsieloa&amp;diff=158373&amp;oldid=prev"/>
		<updated>2018-09-25T12:09:33Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 12:09, 25 September 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;19**?&lt;/del&gt;-19**?) An African impressario, talent scout and performer. Born in Basutoland (now Lesotho), he qualified as a teacher at Lovedale College and then studied elocution at Trinity College (London), where he became known as “London’s Favourite Bantu Actor”). In the mid-1920s he and his childhood friend [[Peter Rezant]] (founder and bandleader of their accompanying band, the [[Merry Blackbirds]]) began a variety group called the [[African Darkies]]. In the mid-1930s he was appointed as talent scout by the [[Gallophone Records]], which gave him a measure of economic independence. In the 1930s he changed the name of the group to the [[Darktown Strutters]] and finally in 1938 to the [[Pitch Black Follies]]. His wife, Emily (néé Makanana), a renowned pianist, was also a member of these groups. In the late 1930s he and the group became more ambitious, doing formal plays alongside the traibals sketches, musical turns, dances and so on. At one time he even sought to produce  [[Dhlomo]]’s controversial play ''[[Chetswayo]]'', with the financial backing of [[Lewis Sowden]], but was not successful.  During the second world war the members of the [[Pitch Black Follies]] became involved in the entertainment of the troops and the [[Liberty Cavalcade]] of 1944. In this way they met and were recruited by [[Ike Brookes]] for his shows, notably ''[[Zonk]]'' (1946). As an impressario Motsieloa thus played an important role in giving shape to what [[Kruger]] (1999) and [[Coplan]]**?? (1985) refer to as “African variety” and indirectly helped set up and give shape to the urban musical (“township musical”) forms of later years.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Griffiths Motsieloa]] &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1896&lt;/ins&gt;-19**?) An African impressario, talent scout and performer. Born in Basutoland (now Lesotho), he qualified as a teacher at Lovedale College and then studied elocution at Trinity College (London), where he became known as “London’s Favourite Bantu Actor”). In the mid-1920s he and his childhood friend [[Peter Rezant]] (founder and bandleader of their accompanying band, the [[Merry Blackbirds]]) began a variety group called the [[African Darkies]]. In the mid-1930s he was appointed as talent scout by the [[Gallophone Records]], which gave him a measure of economic independence. In the 1930s he changed the name of the group to the [[Darktown Strutters]] and finally in 1938 to the [[Pitch Black Follies]]. His wife, Emily (néé Makanana), a renowned pianist, was also a member of these groups. In the late 1930s he and the group became more ambitious, doing formal plays alongside the traibals sketches, musical turns, dances and so on. At one time he even sought to produce  [[Dhlomo]]’s controversial play ''[[Chetswayo]]'', with the financial backing of [[Lewis Sowden]], but was not successful.  During the second world war the members of the [[Pitch Black Follies]] became involved in the entertainment of the troops and the [[Liberty Cavalcade]] of 1944. In this way they met and were recruited by [[Ike Brookes]] for his shows, notably ''[[Zonk]]'' (1946). As an impressario Motsieloa thus played an important role in giving shape to what [[Kruger]] (1999) and [[Coplan]]**?? (1985) refer to as “African variety” and indirectly helped set up and give shape to the urban musical (“township musical”) forms of later years.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Griffiths Motsieloa]] was born in Basutholand (now Lesotho) in 1896. He travelled widely and studied elocution at Trinity College of Music in London after obtaining a teaching qualification at Lovedale College in the Eastern Cape. In 1929 he married [[Emily Makanana]], a pianist and leader of an all-women group the Dangerous Blues.77 Together they would perform in his vaudeville troupe the Darktown Strutters before it was succeeded by the Pitch Black Follies in 1936.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Motsieloa was subsequently hired by Gallo as a “talent-scout” becoming South Africa’s first black record producer.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== Sources ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;South African Audio Archive [http://www.flatinternational.org/template_volume.php?volume_id=269].&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== Return to ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[ESAT Personalities M]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[ESAT Personalities M]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Griffiths_Motsieloa&amp;diff=10191&amp;oldid=prev</id>
		<title>Gaerin: Created page with &quot;(19**?-19**?) An African impressario, talent scout and performer. Born in Basutoland (now Lesotho), he qualified as a teacher at Lovedale College and then studied elocution at Tr...&quot;</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Griffiths_Motsieloa&amp;diff=10191&amp;oldid=prev"/>
		<updated>2011-01-07T10:01:02Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;(19**?-19**?) An African impressario, talent scout and performer. Born in Basutoland (now Lesotho), he qualified as a teacher at Lovedale College and then studied elocution at Tr...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;(19**?-19**?) An African impressario, talent scout and performer. Born in Basutoland (now Lesotho), he qualified as a teacher at Lovedale College and then studied elocution at Trinity College (London), where he became known as “London’s Favourite Bantu Actor”). In the mid-1920s he and his childhood friend [[Peter Rezant]] (founder and bandleader of their accompanying band, the [[Merry Blackbirds]]) began a variety group called the [[African Darkies]]. In the mid-1930s he was appointed as talent scout by the [[Gallophone Records]], which gave him a measure of economic independence. In the 1930s he changed the name of the group to the [[Darktown Strutters]] and finally in 1938 to the [[Pitch Black Follies]]. His wife, Emily (néé Makanana), a renowned pianist, was also a member of these groups. In the late 1930s he and the group became more ambitious, doing formal plays alongside the traibals sketches, musical turns, dances and so on. At one time he even sought to produce  [[Dhlomo]]’s controversial play ''[[Chetswayo]]'', with the financial backing of [[Lewis Sowden]], but was not successful.  During the second world war the members of the [[Pitch Black Follies]] became involved in the entertainment of the troops and the [[Liberty Cavalcade]] of 1944. In this way they met and were recruited by [[Ike Brookes]] for his shows, notably ''[[Zonk]]'' (1946). As an impressario Motsieloa thus played an important role in giving shape to what [[Kruger]] (1999) and [[Coplan]]**?? (1985) refer to as “African variety” and indirectly helped set up and give shape to the urban musical (“township musical”) forms of later years. &lt;br /&gt;
&lt;br /&gt;
Return to [[ESAT Personalities M]]&lt;br /&gt;
&lt;br /&gt;
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]&lt;br /&gt;
&lt;br /&gt;
Return to [[Main Page]]&lt;/div&gt;</summary>
		<author><name>Gaerin</name></author>
		
	</entry>
</feed>