Geoff Cronjé - Revision history

Satj: /* Contribution to SA theatre, film, media and/or performance */

2026-09-07T04:41:45Z

Contribution to SA theatre, film, media and/or performance

Satj: /* Contribution to SA theatre, film, media and/or performance */

2026-09-07T04:40:52Z

Contribution to SA theatre, film, media and/or performance

Satj: /* Contribution to SA theatre, film, media and/or performance */

2024-08-11T18:26:35Z

Contribution to SA theatre, film, media and/or performance

Satj: /* Biography */

2024-08-11T18:25:33Z

Biography

Satj: /* Biography */

2024-08-11T18:23:51Z

Biography

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2024-08-11T18:23:20Z

Sources

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2024-08-11T18:21:55Z

Sources

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2024-08-11T18:20:19Z

Sources

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2024-08-11T18:19:55Z

Sources

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Sources

@@ Line 17: / Line 17: @@
 He was also a member of the publications control board.
-In 1965 he was persuaded to become the founding Professor of the [[Universiteit van Pretoria Drama Departement|Department of Drama]] at the [[University of Pretoria]], where he remained till his retirement in 197*. His speciality was dramatic theory and his book, ''Die Drama as Speelstuk'' ("The play as performance piece"), was widely used by students in the 1970s-1980s.
+In 1965 he was persuaded to become the founding Professor of the [[Universiteit van Pretoria Drama Departement|Department of Drama]] at the [[University of Pretoria]], where he remained till his retirement in 197*. His speciality was dramatic theory and his book, '''''Die Drama as Speelstuk''''' ("The play as performance piece"), was widely used by students in the 1970s-1980s.
-In 1967 he served as Chair of the Komitee vir Openbare Lesings ("Committee for Public Lectures") at the [[University of Pretoria]], organising a series of lectures on the relationship between the art forms, and edited the final series for publication in [[Afrikaans]] as ''[[Die Verband tussen die Kunste]]''. (Published by [[J.L. van Schaik]] in 1968.)
+In 1967 he served as Chair of the Komitee vir Openbare Lesings ("Committee for Public Lectures") at the [[University of Pretoria]], organising a series of lectures on the relationship between the art forms, and edited the final series for publication in [[Afrikaans]] as '''''Die Verband tussen die Kunste'''''. (Published by [[J.L. van Schaik]] in 1968.)
 Besides the books, he also lectured and published many articles on the literary, performative and sociological  aspects of theatre and drama.

@@ Line 17: / Line 17: @@
 He was also a member of the publications control board.
-In 1965 he was persuaded to become the founding Professor of the [[Universiteit van Pretoria Drama Departement|Department of Drama]] at the [[University of Pretoria]], where he remained till his retirement in 197*. His speciality was dramatic theory and his book, ''Die Drama as Speelstuk'' ("The play as performance piece"), was widely used by students.
+In 1965 he was persuaded to become the founding Professor of the [[Universiteit van Pretoria Drama Departement|Department of Drama]] at the [[University of Pretoria]], where he remained till his retirement in 197*. His speciality was dramatic theory and his book, ''Die Drama as Speelstuk'' ("The play as performance piece"), was widely used by students in the 1970s-1980s.
-Besides the book, he also lectured and published many articles on the literary, performative and sociological  aspects of theatre and drama.
+In 1967 he served as Chair of the Komitee vir Openbare Lesings ("Committee for Public Lectures") at the [[University of Pretoria]], organising a series of lectures on the relationship between the art forms, and edited the final series for publication in [[Afrikaans]] as ''[[Die Verband tussen die Kunste]]''. (Published by [[J.L. van Schaik]] in 1968.)
 ==Sources==

@@ Line 19: / Line 19: @@
 In 1965 he was persuaded to become the founding Professor of the [[Universiteit van Pretoria Drama Departement|Department of Drama]] at the [[University of Pretoria]], where he remained till his retirement in 197*. His speciality was dramatic theory and his book, ''Die Drama as Speelstuk'' ("The play as performance piece"), was widely used by students.
+Besides the book, he also lectured and published many articles on the literary, performative and sociological  aspects of theatre and drama.
 ==Sources==

@@ Line 5: / Line 5: @@
 Born [[Geoffrey Cronjé]] on 30 December 1907 in Barrydale in the Cape Province, the youngest of fourteen children. He received his schooling at a farm school at De Draai in die Riversdal district and then at the Riversdal Seunsskool.
-He completed an M.A. degree at the [[University of Stellenbosch]] in 1929, then went to  Amsterdam to complete the degree Drs. Paed. (1931) and D. Litt. et. Phil. (1933) in Sociology. An avid student he alo aquired two more doctorates over the years and was head of three departments at the [[University of Pretoria]]. In 1934 he was appointed as a lecturer in the joint department of sociology and social work at the University of Pretoria and in 1937, he was promoted to professor and head of the department of Sociology, where he served till 1966. In 1948 he argued for and succeeded in establishing criminology as a subject at the univbersity and in  1961 was made Chair of the Faculty of Humanities ("Fakulteit van Geesteswetenskappe") at the university. In 1965 he was persuaded to create and head a department of Drama in the university, a position he held till his retirement.
+He completed an M.A. degree at the [[University of Stellenbosch]] in 1929, then went to  Amsterdam to complete the degree Drs. Paed. (1931) and D. Litt. et. Phil. (1933) in Sociology. An avid student he went on to acquire two more doctorates over the years and was head of three departments at the [[University of Pretoria]]. In 1934 he was appointed as a lecturer in the joint department of sociology and social work at the University of Pretoria and in 1937, he was promoted to professor and head of the department of Sociology, where he served till 1966. In 1948 he argued for and succeeded in establishing criminology as a subject at the university and in  1961 was made Chair of the Faculty of Humanities ("Fakulteit van Geesteswetenskappe") at the university. In 1965 he was persuaded to create and head a department of Drama in the university, a position he held till his retirement.
 As a sociologist and cultural leader he was seen as a seminal contributor to the theory of [[apartheid]] and its implementation in South Africa during the 1940s -1950s.

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 ==Biography==
-Born [[Geoffrey Cronjé]] on 30 December 1907 in Barrydale in the Cape Province, the youngest of fourteen children. He received hsi schooling at a farm school at De Draai in die Riversdal district and then at the Riversdal Seunsskool.
+Born [[Geoffrey Cronjé]] on 30 December 1907 in Barrydale in the Cape Province, the youngest of fourteen children. He received his schooling at a farm school at De Draai in die Riversdal district and then at the Riversdal Seunsskool.
 He completed an M.A. degree at the [[University of Stellenbosch]] in 1929, then went to  Amsterdam to complete the degree Drs. Paed. (1931) and D. Litt. et. Phil. (1933) in Sociology. An avid student he alo aquired two more doctorates over the years and was head of three departments at the [[University of Pretoria]]. In 1934 he was appointed as a lecturer in the joint department of sociology and social work at the University of Pretoria and in 1937, he was promoted to professor and head of the department of Sociology, where he served till 1966. In 1948 he argued for and succeeded in establishing criminology as a subject at the univbersity and in  1961 was made Chair of the Faculty of Humanities ("Fakulteit van Geesteswetenskappe") at the university. In 1965 he was persuaded to create and head a department of Drama in the university, a position he held till his retirement.

@@ Line 44: / Line 44: @@
 [[Temple Hauptfleisch]] (ed.). 1985a. ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: [[The Limelight]] press.[http://hdl.handle.net/10019.1/85403]
-[[Rinie Stead|Stead, Rinie]] ca.1981. ''Die [[Nasionale Toneelorganisasie]]''. Unpublished manuscript, [[ESAT Archives]].
+[[Rinie Stead|Stead, Rinie]] ca.1981. ''Die [[Nasionale Toneelorganisasie]]''. Unpublished book length manuscript, [[ESAT Archives]].
 [[Rinie Stead]] 1985b. "The National Theatre Organisation (NTO: 1947-1962)", in Hauptfleisch, Temple (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach''. Johannesburg: [[The Limelight]] press. 65-72.

@@ Line 48: / Line 48: @@
 [[Rinie Stead]] 1985b. "The National Theatre Organisation (NTO: 1947-1962)", in Hauptfleisch, Temple (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach''. Johannesburg: [[The Limelight]] press. 65-72.
-[[Percy Tucker]], 1997.
+[[Percy Tucker]]. 1997. ''Just the Ticket. My 50 Years in Show Business''. Johannesburg: [[Witwatersrand University Press]].
 J.E. Pieterse. (1993). In Memoriam. ''[[South African Journal of Sociology]]'', 24(2), 33–34. https://doi.org/10.1080/02580144.1993.10429878

← Older revision		Revision as of 18:20, 11 August 2024
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	[[Rinie Stead]] 1985b. "The National Theatre Organisation (NTO: 1947-1962)", in Hauptfleisch, Temple (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach''. Johannesburg: [[The Limelight]] press. 65-72.		[[Rinie Stead]] 1985b. "The National Theatre Organisation (NTO: 1947-1962)", in Hauptfleisch, Temple (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach''. Johannesburg: [[The Limelight]] press. 65-72.
−
−	~~[[Rinie Stead]], 1985b;~~

	[[Percy Tucker]], 1997.		[[Percy Tucker]], 1997.

@@ Line 40: / Line 40: @@
 [[G. Cronje]]. 1960. "'n Antwoord", ''[[Standpunte]]'' Jaargang XIV, Nr 2, Desember 1960: pp.: 10-13.
-[[P.J. du Toit]], 1988;
+[[P.J. du Toit]] 1988. ''Amateurtoneel in Suid-Afrika''. Pretoria: [[Academica]].
 [[Temple Hauptfleisch]] (ed.). 1985a. ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: [[The Limelight]] press.[http://hdl.handle.net/10019.1/85403]

← Older revision		Revision as of 18:17, 11 August 2024
Line 43:		Line 43:

	[[Temple Hauptfleisch]] (ed.). 1985a. ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: [[The Limelight]] press.[http://hdl.handle.net/10019.1/85403]		[[Temple Hauptfleisch]] (ed.). 1985a. ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: [[The Limelight]] press.[http://hdl.handle.net/10019.1/85403]
		+
		+	[[Rinie Stead\|Stead, Rinie]] ca.1981. ''Die [[Nasionale Toneelorganisasie]]''. Unpublished manuscript, [[ESAT Archives]].

	[[Rinie Stead]] 1985b. "The National Theatre Organisation (NTO: 1947-1962)", in Hauptfleisch, Temple (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach''. Johannesburg: [[The Limelight]] press. 65-72.		[[Rinie Stead]] 1985b. "The National Theatre Organisation (NTO: 1947-1962)", in Hauptfleisch, Temple (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach''. Johannesburg: [[The Limelight]] press. 65-72.