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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=G.F._Noble</id>
	<title>G.F. Noble - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=G.F._Noble"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;action=history"/>
	<updated>2026-09-10T21:33:53Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.33.2</generator>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=248755&amp;oldid=prev</id>
		<title>Fogterop at 12:09, 15 December 2023</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=248755&amp;oldid=prev"/>
		<updated>2023-12-15T12:09:22Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 12:09, 15 December 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot; &gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When, in 1925, the Prince of Wales (the future King Edward VIII) toured the African colonies, Noble covered much of the journey for AFP, crossing over from Madeira and the Canary Islands, where he had been shooting a &amp;quot;scenic&amp;quot;, for the first part of the tour.  As the journey progressed, short films were sent for exhibition abroad and afterwards much of the footage found its way into a lengthy documentary entitled ''The Great White Chief''. In February 1928, Noble embarked on another adventure when he accompanied Gerry Bouwer on a Cape to London via Cairo transcontinental journey sponsored by the Rand Daily Mail and the Sunday Times.  Also on board the Chrysler made available for the expedition was Emil Millin, the motoring correspondent for the newspapers, but the condition of the roads was such that Noble injured his back and when they reached Broken Hill (Kabwe) in what was then Northern Rhodesia (Zambia) he was sent back by train.  (Bouwer and Millin eventually arrived in London on 4 June, with Bouwer embarking on a successful return journey on 22 August.)  In 1929-1930 Noble accompanied a wildlife photographic expedition under the leadership of the American W.D. Hubbard, which resulted in ''Adventures in Africa'' (12 shorts), footage from which was eventually edited into a documentary entitled ''Untamed Africa'' (1933) for Warner Bros.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When, in 1925, the Prince of Wales (the future King Edward VIII) toured the African colonies, Noble covered much of the journey for AFP, crossing over from Madeira and the Canary Islands, where he had been shooting a &amp;quot;scenic&amp;quot;, for the first part of the tour.  As the journey progressed, short films were sent for exhibition abroad and afterwards much of the footage found its way into a lengthy documentary entitled ''The Great White Chief''. In February 1928, Noble embarked on another adventure when he accompanied Gerry Bouwer on a Cape to London via Cairo transcontinental journey sponsored by the Rand Daily Mail and the Sunday Times.  Also on board the Chrysler made available for the expedition was Emil Millin, the motoring correspondent for the newspapers, but the condition of the roads was such that Noble injured his back and when they reached Broken Hill (Kabwe) in what was then Northern Rhodesia (Zambia) he was sent back by train.  (Bouwer and Millin eventually arrived in London on 4 June, with Bouwer embarking on a successful return journey on 22 August.)  In 1929-1930 Noble accompanied a wildlife photographic expedition under the leadership of the American W.D. Hubbard, which resulted in ''Adventures in Africa'' (12 shorts), footage from which was eventually edited into a documentary entitled ''Untamed Africa'' (1933) for Warner Bros.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Besides filming both ''[[Sarie Marais]]'' (1931) and ''[[Moedertjie]]'' (1931) for [[Joseph Albrecht]], he regularly worked with him on documentariaes such as ''The Smoke That Thunders'' (1932), ''The Riddle of Rhodesia'' (1933), ''The Golden Harvest of the Witwatersrand'' (1935) and ''The Babel of the Kraal'' (1938), as well as the historical reconstruction ''[[Die Bou van 'n Nasie]]'' (1938).  Like all AFP cameramen, he contributed to many propaganda films during World War II and, after his retirement from AFP, continued to work as a freelance cameraman, amongst others for [[George Groom]] and [[J. Blake Dalrymple]] at [[Films of Africa]].  In 1927 he and his first wife were divorced and in 1930 he married Gladys Margaret Clark.  In 1979 he was awarded a [[Rapport Oscar]] for his contribution to the South African film industry.  He died in Durban at the age of 89.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Besides filming both ''[[Sarie Marais]]'' (1931) and ''[[Moedertjie]]'' (1931) for [[Joseph Albrecht]], he regularly worked with him on documentariaes such as ''The Smoke That Thunders'' (1932), ''The Riddle of Rhodesia'' (1933), ''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;The Golden Harvest of the Witwatersrand&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;'' (1935) and ''The Babel of the Kraal'' (1938), as well as the historical reconstruction ''[[Die Bou van 'n Nasie]]'' (1938).  Like all AFP cameramen, he contributed to many propaganda films during World War II and, after his retirement from AFP, continued to work as a freelance cameraman, amongst others for [[George Groom]] and [[J. Blake Dalrymple]] at [[Films of Africa]].  In 1927 he and his first wife were divorced and in 1930 he married Gladys Margaret Clark.  In 1979 he was awarded a [[Rapport Oscar]] for his contribution to the South African film industry.  He died in Durban at the age of 89.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Note ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Note ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=229214&amp;oldid=prev</id>
		<title>Satj at 05:07, 3 November 2022</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=229214&amp;oldid=prev"/>
		<updated>2022-11-03T05:07:22Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 05:07, 3 November 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[G.F. Noble]] &lt;/ins&gt;(b. Lambeth, London, 15/10/1895 - d. Durban, 19/12/1984) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was a cameraman&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Lambeth, London, 15/10/1895 - d. Durban, 19/12/1984)&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. Cameraman&lt;/del&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=229202&amp;oldid=prev</id>
		<title>Fogterop at 04:42, 3 November 2022</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=229202&amp;oldid=prev"/>
		<updated>2022-11-03T04:42:05Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:42, 3 November 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot; &gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Sarie Marais'' ([[Joseph Albrecht]]/1931), ''[[Moedertjie]]'' ([[Joseph Albrecht]]/1931), ''The Smoke That Thunders'' ([[Joseph Albrecht]]/1932), ''The Riddle of Rhodesia'' ([[Joseph Albrecht]]/1933), ''The World's Greatest Wild Life Sanctuary'' ([[Joseph Albrecht]]/1934), ''The Golden Harvest of the Witwatersrand'' ([[Joseph Albrecht]]/1935), ''The Song of the Reel'' (with [[Hyman Kirstein]]) ([[Joseph Albrecht]]/1936), ''On Tour in South Africa'' (with [[Hyman Kirstein]]) ([[Joseph Albrecht]]/1936), ''The Consoling Weed'' (1937), ''The Land of Rhodes'' ([[Joseph Albrecht]]/1938), ''The Babel of the Kraal'' ([[Joseph Albrecht]]/1938), ''Die Bou van 'n Nasie'' / ''Building a Nation'' (with [[Roy Day]]) ([[Joseph Albrecht]]/1938), ''Two Brothers'' (with [[Frank Dixon]]) ([[Joseph Albrecht]]/1940), ''Sinews of'' War / ''Oorlogspiere'' ([[Joseph Albrecht]]/1940), ''Oproep!'' (with [[Frank Dixon]], [[Errol Hinds]] &amp;amp; [[Leon Schauder]]) (1940), ''Reported Missing'' / ''Vermis'' (with [[Frank Dixon]]) ([[Joseph Albrecht]]/194*), ''Manne van die See'' (with [[Frank Dixon]] and [[Ken Sara]]) (194*), ''Back to the Land'' (with [[Frank Dixon]], [[David Millin]] &amp;amp; [[Ken Sara]]) (1945), ''Land of the Springbok'' ([[Victor M. Gover]]/1945), ''After Sixty years'' / ''Na Sestig Jaar'' (with [[David Millin]] , [[Albert Carrick]] &amp;amp; [[Gerald Ehrlich]]) ([[Joseph Albrecht]]/1946), ''Mountain Waters'' ([[Joseph Albrecht]]/1947), ''The Pioneer Trails'' (''Joseph Albrecht''/1958), ''Durban Refinery'' (with [[James Robb]] &amp;amp; [[Charles Bird]]) (director not credited/date unknown)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Sarie Marais'' ([[Joseph Albrecht]]/1931), ''[[Moedertjie]]'' ([[Joseph Albrecht]]/1931), ''The Smoke That Thunders'' ([[Joseph Albrecht]]/1932), ''The Riddle of Rhodesia'' ([[Joseph Albrecht]]/1933), ''The World's Greatest Wild Life Sanctuary'' ([[Joseph Albrecht]]/1934), ''The Golden Harvest of the Witwatersrand'' ([[Joseph Albrecht]]/1935), ''The Song of the Reel'' (with [[Hyman Kirstein]]) ([[Joseph Albrecht]]/1936), ''On Tour in South Africa'' (with [[Hyman Kirstein]]) ([[Joseph Albrecht]]/1936), ''The Consoling Weed'' (1937), ''The Land of Rhodes'' ([[Joseph Albrecht]]/1938), ''The Babel of the Kraal'' ([[Joseph Albrecht]]/1938), ''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Die Bou van 'n Nasie&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;'' / ''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Building a Nation&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;'' (with [[Roy Day]]) ([[Joseph Albrecht]]/1938), ''Two Brothers'' (with [[Frank Dixon]]) ([[Joseph Albrecht]]/1940), ''Sinews of'' War / ''Oorlogspiere'' ([[Joseph Albrecht]]/1940), ''Oproep!'' (with [[Frank Dixon]], [[Errol Hinds]] &amp;amp; [[Leon Schauder]]) (1940), ''Reported Missing'' / ''Vermis'' (with [[Frank Dixon]]) ([[Joseph Albrecht]]/194*), ''Manne van die See'' (with [[Frank Dixon]] and [[Ken Sara]]) (194*), ''Back to the Land'' (with [[Frank Dixon]], [[David Millin]] &amp;amp; [[Ken Sara]]) (1945), ''Land of the Springbok'' ([[Victor M. Gover]]/1945), ''After Sixty years'' / ''Na Sestig Jaar'' (with [[David Millin]] , [[Albert Carrick]] &amp;amp; [[Gerald Ehrlich]]) ([[Joseph Albrecht]]/1946), ''Mountain Waters'' ([[Joseph Albrecht]]/1947), ''The Pioneer Trails'' (''Joseph Albrecht''/1958), ''Durban Refinery'' (with [[James Robb]] &amp;amp; [[Charles Bird]]) (director not credited/date unknown)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=229201&amp;oldid=prev</id>
		<title>Fogterop at 04:40, 3 November 2022</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=229201&amp;oldid=prev"/>
		<updated>2022-11-03T04:40:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:40, 3 November 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot; &gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Sarie Marais'' ([[Joseph Albrecht]]/1931), ''[[Moedertjie]]'' ([[Joseph Albrecht]]/1931), ''The Smoke That Thunders'' ([[Joseph Albrecht]]/1932), ''The Riddle of Rhodesia'' ([[Joseph Albrecht]]/1933), ''The World's Greatest Wild Life Sanctuary'' ([[Joseph Albrecht]]/1934), ''The Golden Harvest of the Witwatersrand'' ([[Joseph Albrecht]]/1935), ''The Song of the Reel'' (with [[Hyman Kirstein]]) ([[Joseph Albrecht]]/1936), ''On Tour in South Africa'' (with [[Hyman Kirstein]]) ([[Joseph Albrecht]]/1936), ''The Consoling Weed'' (1937), ''The Land of Rhodes'' ([[Joseph Albrecht]]/1938), ''The Babel of the Kraal'' ([[Joseph Albrecht]]/1938), ''Die Bou van 'n Nasie'' / ''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;They built &lt;/del&gt;a Nation'' (with [[Roy Day]]) ([[Joseph Albrecht]]/1938), ''Two Brothers'' (with [[Frank Dixon]]) ([[Joseph Albrecht]]/1940), ''Sinews of'' War / ''Oorlogspiere'' ([[Joseph Albrecht]]/1940), ''Oproep!'' (with [[Frank Dixon]], [[Errol Hinds]] &amp;amp; [[Leon Schauder]]) (1940), ''Reported Missing'' / ''Vermis'' (with [[Frank Dixon]]) ([[Joseph Albrecht]]/194*), ''Manne van die See'' (with [[Frank Dixon]] and [[Ken Sara]]) (194*), ''Back to the Land'' (with [[Frank Dixon]], [[David Millin]] &amp;amp; [[Ken Sara]]) (1945), ''Land of the Springbok'' ([[Victor M. Gover]]/1945), ''After Sixty years'' / ''Na Sestig Jaar'' (with [[David Millin]] , [[Albert Carrick]] &amp;amp; [[Gerald Ehrlich]]) ([[Joseph Albrecht]]/1946), ''Mountain Waters'' ([[Joseph Albrecht]]/1947), ''The Pioneer Trails'' (''Joseph Albrecht''/1958), ''Durban Refinery'' (with [[James Robb]] &amp;amp; [[Charles Bird]]) (director not credited/date unknown)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Sarie Marais'' ([[Joseph Albrecht]]/1931), ''[[Moedertjie]]'' ([[Joseph Albrecht]]/1931), ''The Smoke That Thunders'' ([[Joseph Albrecht]]/1932), ''The Riddle of Rhodesia'' ([[Joseph Albrecht]]/1933), ''The World's Greatest Wild Life Sanctuary'' ([[Joseph Albrecht]]/1934), ''The Golden Harvest of the Witwatersrand'' ([[Joseph Albrecht]]/1935), ''The Song of the Reel'' (with [[Hyman Kirstein]]) ([[Joseph Albrecht]]/1936), ''On Tour in South Africa'' (with [[Hyman Kirstein]]) ([[Joseph Albrecht]]/1936), ''The Consoling Weed'' (1937), ''The Land of Rhodes'' ([[Joseph Albrecht]]/1938), ''The Babel of the Kraal'' ([[Joseph Albrecht]]/1938), ''Die Bou van 'n Nasie'' / ''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Building &lt;/ins&gt;a Nation'' (with [[Roy Day]]) ([[Joseph Albrecht]]/1938), ''Two Brothers'' (with [[Frank Dixon]]) ([[Joseph Albrecht]]/1940), ''Sinews of'' War / ''Oorlogspiere'' ([[Joseph Albrecht]]/1940), ''Oproep!'' (with [[Frank Dixon]], [[Errol Hinds]] &amp;amp; [[Leon Schauder]]) (1940), ''Reported Missing'' / ''Vermis'' (with [[Frank Dixon]]) ([[Joseph Albrecht]]/194*), ''Manne van die See'' (with [[Frank Dixon]] and [[Ken Sara]]) (194*), ''Back to the Land'' (with [[Frank Dixon]], [[David Millin]] &amp;amp; [[Ken Sara]]) (1945), ''Land of the Springbok'' ([[Victor M. Gover]]/1945), ''After Sixty years'' / ''Na Sestig Jaar'' (with [[David Millin]] , [[Albert Carrick]] &amp;amp; [[Gerald Ehrlich]]) ([[Joseph Albrecht]]/1946), ''Mountain Waters'' ([[Joseph Albrecht]]/1947), ''The Pioneer Trails'' (''Joseph Albrecht''/1958), ''Durban Refinery'' (with [[James Robb]] &amp;amp; [[Charles Bird]]) (director not credited/date unknown)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=229173&amp;oldid=prev</id>
		<title>Fogterop at 14:16, 2 November 2022</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=229173&amp;oldid=prev"/>
		<updated>2022-11-02T14:16:28Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:16, 2 November 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It’s not clear just when George Frederick Noble first came out to South Africa, but in August 1917 he had married Edith Mary Esther Hendry in Kimberley.  At the time his profession was given as “photographer”.  In 1920 it was reported that he had been filming in the forests of Knysna and would be moving on to the Eastern Cape to shoot a film on wool and mohair.  It is possible that during this time his wife and young son were in England, because in 1922 he brought them out to South Africa.  In any case, he spent much of his working life as a cameraman for [[African Film Productions]], frequently shooting for [[Joseph Albrecht]].  Though he was responsible for &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;filming &lt;/del&gt;the first Afrikaans-language film, ''[[Moedertjie]]'' (1931), he was primarily involved with documentaries and made regular contributions to the [[African Mirror]] newsreel.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It’s not clear just when George Frederick Noble first came out to South Africa, but in August 1917 he had married Edith Mary Esther Hendry in Kimberley.  At the time his profession was given as “photographer”.  In 1920 it was reported that he had been filming in the forests of Knysna and would be moving on to the Eastern Cape to shoot a film on wool and mohair.  It is possible that during this time his wife and young son were in England, because in 1922 he brought them out to South Africa.  In any case, he spent much of his working life as a cameraman for [[African Film Productions]], frequently shooting for [[Joseph Albrecht]].  Though he was responsible for &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;photographing &lt;/ins&gt;the first Afrikaans-language film, ''[[Moedertjie]]'' (1931), he was primarily involved with documentaries and made regular contributions to the [[African Mirror]] newsreel.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When, in 1925, the Prince of Wales (the future King Edward VIII) toured the African colonies, Noble covered much of the journey for AFP, crossing over from Madeira and the Canary Islands, where he had been shooting a &amp;quot;scenic&amp;quot;, for the first part of the tour.  As the journey progressed, short films were sent for exhibition abroad and afterwards much of the footage found its way into a lengthy documentary entitled ''The Great White Chief''. In February 1928, Noble embarked on another adventure when he accompanied Gerry Bouwer on a Cape to London via Cairo transcontinental journey sponsored by the Rand Daily Mail and the Sunday Times.  Also on board the Chrysler made available for the expedition was Emil Millin, the motoring correspondent for the newspapers, but the condition of the roads was such that Noble injured his back and when they reached Broken Hill (Kabwe) in what was then Northern Rhodesia (Zambia) he was sent back by train.  (Bouwer and Millin eventually arrived in London on 4 June, with Bouwer embarking on a successful return journey on 22 August.)  In 1929-1930 Noble accompanied a wildlife photographic expedition under the leadership of the American W.D. Hubbard, which resulted in ''Adventures in Africa'' (12 shorts), footage from which was eventually edited into a documentary entitled ''Untamed Africa'' (1933) for Warner Bros.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When, in 1925, the Prince of Wales (the future King Edward VIII) toured the African colonies, Noble covered much of the journey for AFP, crossing over from Madeira and the Canary Islands, where he had been shooting a &amp;quot;scenic&amp;quot;, for the first part of the tour.  As the journey progressed, short films were sent for exhibition abroad and afterwards much of the footage found its way into a lengthy documentary entitled ''The Great White Chief''. In February 1928, Noble embarked on another adventure when he accompanied Gerry Bouwer on a Cape to London via Cairo transcontinental journey sponsored by the Rand Daily Mail and the Sunday Times.  Also on board the Chrysler made available for the expedition was Emil Millin, the motoring correspondent for the newspapers, but the condition of the roads was such that Noble injured his back and when they reached Broken Hill (Kabwe) in what was then Northern Rhodesia (Zambia) he was sent back by train.  (Bouwer and Millin eventually arrived in London on 4 June, with Bouwer embarking on a successful return journey on 22 August.)  In 1929-1930 Noble accompanied a wildlife photographic expedition under the leadership of the American W.D. Hubbard, which resulted in ''Adventures in Africa'' (12 shorts), footage from which was eventually edited into a documentary entitled ''Untamed Africa'' (1933) for Warner Bros.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=229172&amp;oldid=prev</id>
		<title>Fogterop at 14:15, 2 November 2022</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=229172&amp;oldid=prev"/>
		<updated>2022-11-02T14:15:13Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:15, 2 November 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;In 1922, &lt;/del&gt;George Frederick Noble &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;brought his wife and young son &lt;/del&gt;to South Africa.  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The family intended to settle here and he gave &lt;/del&gt;his profession as &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;“film operator”&lt;/del&gt;.  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;However, in September &lt;/del&gt;1920 it was reported that he had been filming in the forests of Knysna and would be moving on to the Eastern Cape to shoot a wool and mohair &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;film&lt;/del&gt;.  It is &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;therefore &lt;/del&gt;possible that he &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;had come &lt;/del&gt;out &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;before and had returned &lt;/del&gt;to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;England to collect his young family&lt;/del&gt;.  In any case, he spent much of his working life as a cameraman for [[African Film Productions]], frequently shooting for [[Joseph Albrecht]].  Though he was responsible for filming the first Afrikaans-language film, ''[[Moedertjie]]'' (1931), he was primarily involved with documentaries and made regular contributions to the [[African Mirror]] newsreel.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;It’s not clear just when &lt;/ins&gt;George Frederick Noble &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;first came out &lt;/ins&gt;to South Africa&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, but in August 1917 he had married Edith Mary Esther Hendry in Kimberley&lt;/ins&gt;.  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;At the time &lt;/ins&gt;his profession &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was given &lt;/ins&gt;as &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;“photographer”&lt;/ins&gt;.  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In &lt;/ins&gt;1920 it was reported that he had been filming in the forests of Knysna and would be moving on to the Eastern Cape to shoot a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;film on &lt;/ins&gt;wool and mohair.  It is possible that &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;during this time his wife and young son were in England, because in 1922 &lt;/ins&gt;he &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;brought them &lt;/ins&gt;out to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;South Africa&lt;/ins&gt;.  In any case, he spent much of his working life as a cameraman for [[African Film Productions]], frequently shooting for [[Joseph Albrecht]].  Though he was responsible for filming the first Afrikaans-language film, ''[[Moedertjie]]'' (1931), he was primarily involved with documentaries and made regular contributions to the [[African Mirror]] newsreel.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When, in 1925, the Prince of Wales (the future King Edward VIII) toured the African colonies, Noble covered much of the journey for AFP, crossing over from Madeira and the Canary Islands, where he had been shooting a &amp;quot;scenic&amp;quot;, for the first part of the tour.  As the journey progressed, short films were sent for exhibition abroad and afterwards much of the footage found its way into a lengthy documentary entitled ''The Great White Chief''. In February 1928, Noble embarked on another adventure when he accompanied Gerry Bouwer on a Cape to London via Cairo transcontinental journey sponsored by the Rand Daily Mail and the Sunday Times.  Also on board the Chrysler made available for the expedition was Emil Millin, the motoring correspondent for the newspapers, but the condition of the roads was such that Noble injured his back and when they reached Broken Hill (Kabwe) in what was then Northern Rhodesia (Zambia) he was sent back by train.  (Bouwer and Millin eventually arrived in London on 4 June, with Bouwer embarking on a successful return journey on 22 August.)  In 1929-1930 Noble accompanied a wildlife photographic expedition under the leadership of the American W.D. Hubbard, which resulted in ''Adventures in Africa'' (12 shorts), footage from which was eventually edited into a documentary entitled ''Untamed Africa'' (1933) for Warner Bros.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When, in 1925, the Prince of Wales (the future King Edward VIII) toured the African colonies, Noble covered much of the journey for AFP, crossing over from Madeira and the Canary Islands, where he had been shooting a &amp;quot;scenic&amp;quot;, for the first part of the tour.  As the journey progressed, short films were sent for exhibition abroad and afterwards much of the footage found its way into a lengthy documentary entitled ''The Great White Chief''. In February 1928, Noble embarked on another adventure when he accompanied Gerry Bouwer on a Cape to London via Cairo transcontinental journey sponsored by the Rand Daily Mail and the Sunday Times.  Also on board the Chrysler made available for the expedition was Emil Millin, the motoring correspondent for the newspapers, but the condition of the roads was such that Noble injured his back and when they reached Broken Hill (Kabwe) in what was then Northern Rhodesia (Zambia) he was sent back by train.  (Bouwer and Millin eventually arrived in London on 4 June, with Bouwer embarking on a successful return journey on 22 August.)  In 1929-1930 Noble accompanied a wildlife photographic expedition under the leadership of the American W.D. Hubbard, which resulted in ''Adventures in Africa'' (12 shorts), footage from which was eventually edited into a documentary entitled ''Untamed Africa'' (1933) for Warner Bros.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Besides filming both ''[[Sarie Marais]]'' (1931) and ''[[Moedertjie]]'' (1931) for [[Joseph Albrecht]], he regularly worked with him on documentariaes such as ''The Smoke That Thunders'' (1932), ''The Riddle of Rhodesia'' (1933), ''The Golden Harvest of the Witwatersrand'' (1935) and ''The Babel of the Kraal'' (1938), as well as the historical reconstruction ''[[Die Bou van 'n Nasie]]'' (1938).  Like all AFP cameramen, he contributed to many propaganda films during World War II and, after his retirement from AFP, continued to work as a freelance cameraman, amongst others for [[George Groom]] and [[J. Blake Dalrymple]] at [[Films of Africa]].  In 1927 he and his first wife&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, Edith Mary Esther Hendry, &lt;/del&gt;were divorced and in 1930 he married Gladys Margaret Clark.  In 1979 he was awarded a [[Rapport Oscar]] for his contribution to the South African film industry.  He died in Durban at the age of 89.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Besides filming both ''[[Sarie Marais]]'' (1931) and ''[[Moedertjie]]'' (1931) for [[Joseph Albrecht]], he regularly worked with him on documentariaes such as ''The Smoke That Thunders'' (1932), ''The Riddle of Rhodesia'' (1933), ''The Golden Harvest of the Witwatersrand'' (1935) and ''The Babel of the Kraal'' (1938), as well as the historical reconstruction ''[[Die Bou van 'n Nasie]]'' (1938).  Like all AFP cameramen, he contributed to many propaganda films during World War II and, after his retirement from AFP, continued to work as a freelance cameraman, amongst others for [[George Groom]] and [[J. Blake Dalrymple]] at [[Films of Africa]].  In 1927 he and his first wife were divorced and in 1930 he married Gladys Margaret Clark.  In 1979 he was awarded a [[Rapport Oscar]] for his contribution to the South African film industry.  He died in Durban at the age of 89.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Note ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Note ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=229171&amp;oldid=prev</id>
		<title>Fogterop at 13:45, 2 November 2022</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=229171&amp;oldid=prev"/>
		<updated>2022-11-02T13:45:13Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:45, 2 November 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Note ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Note ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(He is sometimes confused with his namesake George Noble (1902 - 1970), a British cinematographer who shot documentaries for various organisations, including British Instructional Films, the GPO Film Unit, the Strand Film Company, the Canadian Army's Film &amp;amp; Photo Unit and finally the Gold Coast Film Unit.  This may be why the AFP cameraman is usually credited as G.F. Noble) (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(He is sometimes confused with his namesake George Noble (1902 - 1970), a British cinematographer who shot documentaries for various organisations, including British Instructional Films, the GPO Film Unit, the Strand Film Company, the Canadian Army's Film &amp;amp; Photo Unit and finally the Gold Coast Film Unit.  This may be why&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, to avoid confusion,  &lt;/ins&gt;the AFP cameraman is usually credited as G.F. Noble) (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=229170&amp;oldid=prev</id>
		<title>Fogterop at 13:44, 2 November 2022</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=229170&amp;oldid=prev"/>
		<updated>2022-11-02T13:44:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:44, 2 November 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot; &gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When, in 1925, the Prince of Wales (the future King Edward VIII) toured the African colonies, Noble covered much of the journey for AFP, crossing over from Madeira and the Canary Islands, where he had been shooting a &amp;quot;scenic&amp;quot;, for the first part of the tour.  As the journey progressed, short films were sent for exhibition abroad and afterwards much of the footage found its way into a lengthy documentary entitled ''The Great White Chief''. In February 1928, Noble embarked on another adventure when he accompanied Gerry Bouwer on a Cape to London via Cairo transcontinental journey sponsored by the Rand Daily Mail and the Sunday Times.  Also on board the Chrysler made available for the expedition was Emil Millin, the motoring correspondent for the newspapers, but the condition of the roads was such that Noble injured his back and when they reached Broken Hill (Kabwe) in what was then Northern Rhodesia (Zambia) he was sent back by train.  (Bouwer and Millin eventually arrived in London on 4 June, with Bouwer embarking on a successful return journey on 22 August.)  In 1929-1930 Noble accompanied a wildlife photographic expedition under the leadership of the American W.D. Hubbard, which resulted in ''Adventures in Africa'' (12 shorts), footage from which was eventually edited into a documentary entitled ''Untamed Africa'' (1933) for Warner Bros.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When, in 1925, the Prince of Wales (the future King Edward VIII) toured the African colonies, Noble covered much of the journey for AFP, crossing over from Madeira and the Canary Islands, where he had been shooting a &amp;quot;scenic&amp;quot;, for the first part of the tour.  As the journey progressed, short films were sent for exhibition abroad and afterwards much of the footage found its way into a lengthy documentary entitled ''The Great White Chief''. In February 1928, Noble embarked on another adventure when he accompanied Gerry Bouwer on a Cape to London via Cairo transcontinental journey sponsored by the Rand Daily Mail and the Sunday Times.  Also on board the Chrysler made available for the expedition was Emil Millin, the motoring correspondent for the newspapers, but the condition of the roads was such that Noble injured his back and when they reached Broken Hill (Kabwe) in what was then Northern Rhodesia (Zambia) he was sent back by train.  (Bouwer and Millin eventually arrived in London on 4 June, with Bouwer embarking on a successful return journey on 22 August.)  In 1929-1930 Noble accompanied a wildlife photographic expedition under the leadership of the American W.D. Hubbard, which resulted in ''Adventures in Africa'' (12 shorts), footage from which was eventually edited into a documentary entitled ''Untamed Africa'' (1933) for Warner Bros.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Besides filming both ''[[Sarie Marais]]'' (1931) and ''[[Moedertjie]]'' (1931) for [[Joseph Albrecht]], he regularly worked with him on documentariaes such as ''The Smoke That Thunders'' (1932), ''The Riddle of Rhodesia'' (1933), ''The Golden Harvest of the Witwatersrand'' (1935) and ''The Babel of the Kraal'' (1938), as well as the historical reconstruction ''[[Die Bou van 'n Nasie]]'' (1938).  Like all AFP cameramen, he contributed to many propaganda films during World War II and, after his retirement from AFP, continued to work as a freelance cameraman, amongst others for [[George Groom]] and [[J. Blake Dalrymple]] at [[Films of Africa]].  In 1979 he was awarded a [[Rapport Oscar]] for his contribution to the South African film industry.  He died in Durban at the age of 89.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Besides filming both ''[[Sarie Marais]]'' (1931) and ''[[Moedertjie]]'' (1931) for [[Joseph Albrecht]], he regularly worked with him on documentariaes such as ''The Smoke That Thunders'' (1932), ''The Riddle of Rhodesia'' (1933), ''The Golden Harvest of the Witwatersrand'' (1935) and ''The Babel of the Kraal'' (1938), as well as the historical reconstruction ''[[Die Bou van 'n Nasie]]'' (1938).  Like all AFP cameramen, he contributed to many propaganda films during World War II and, after his retirement from AFP, continued to work as a freelance cameraman, amongst others for [[George Groom]] and [[J. Blake Dalrymple]] at [[Films of Africa]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.  In 1927 he and his first wife, Edith Mary Esther Hendry, were divorced and in 1930 he married Gladys Margaret Clark&lt;/ins&gt;.  In 1979 he was awarded a [[Rapport Oscar]] for his contribution to the South African film industry.  He died in Durban at the age of 89.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Note ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Note ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=133851&amp;oldid=prev</id>
		<title>Fogterop at 18:50, 2 September 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=133851&amp;oldid=prev"/>
		<updated>2017-09-02T18:50:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:50, 2 September 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Lambeth, London, 15/10/1895 - d. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;**&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;**&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;****&lt;/del&gt;). Cameraman.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Lambeth, London, 15/10/1895 - d. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Durban, 19&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;12&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1984&lt;/ins&gt;). Cameraman.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot; &gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When, in 1925, the Prince of Wales (the future King Edward VIII) toured the African colonies, Noble covered much of the journey for AFP, crossing over from Madeira and the Canary Islands, where he had been shooting a &amp;quot;scenic&amp;quot;, for the first part of the tour.  As the journey progressed, short films were sent for exhibition abroad and afterwards much of the footage found its way into a lengthy documentary entitled ''The Great White Chief''. In February 1928, Noble embarked on another adventure when he accompanied Gerry Bouwer on a Cape to London via Cairo transcontinental journey sponsored by the Rand Daily Mail and the Sunday Times.  Also on board the Chrysler made available for the expedition was Emil Millin, the motoring correspondent for the newspapers, but the condition of the roads was such that Noble injured his back and when they reached Broken Hill (Kabwe) in what was then Northern Rhodesia (Zambia) he was sent back by train.  (Bouwer and Millin eventually arrived in London on 4 June, with Bouwer embarking on a successful return journey on 22 August.)  In 1929-1930 Noble accompanied a wildlife photographic expedition under the leadership of the American W.D. Hubbard, which resulted in ''Adventures in Africa'' (12 shorts), footage from which was eventually edited into a documentary entitled ''Untamed Africa'' (1933) for Warner Bros.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When, in 1925, the Prince of Wales (the future King Edward VIII) toured the African colonies, Noble covered much of the journey for AFP, crossing over from Madeira and the Canary Islands, where he had been shooting a &amp;quot;scenic&amp;quot;, for the first part of the tour.  As the journey progressed, short films were sent for exhibition abroad and afterwards much of the footage found its way into a lengthy documentary entitled ''The Great White Chief''. In February 1928, Noble embarked on another adventure when he accompanied Gerry Bouwer on a Cape to London via Cairo transcontinental journey sponsored by the Rand Daily Mail and the Sunday Times.  Also on board the Chrysler made available for the expedition was Emil Millin, the motoring correspondent for the newspapers, but the condition of the roads was such that Noble injured his back and when they reached Broken Hill (Kabwe) in what was then Northern Rhodesia (Zambia) he was sent back by train.  (Bouwer and Millin eventually arrived in London on 4 June, with Bouwer embarking on a successful return journey on 22 August.)  In 1929-1930 Noble accompanied a wildlife photographic expedition under the leadership of the American W.D. Hubbard, which resulted in ''Adventures in Africa'' (12 shorts), footage from which was eventually edited into a documentary entitled ''Untamed Africa'' (1933) for Warner Bros.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Besides filming both ''[[Sarie Marais]]'' (1931) and ''[[Moedertjie]]'' (1931) for [[Joseph Albrecht]], he regularly worked with him on documentariaes such as ''The Smoke That Thunders'' (1932), ''The Riddle of Rhodesia'' (1933), ''The Golden Harvest of the Witwatersrand'' (1935) and ''The Babel of the Kraal'' (1938), as well as the historical reconstruction ''[[Die Bou van 'n Nasie]]'' (1938).  Like all AFP cameramen, he contributed to many propaganda films during World War II and, after his retirement from AFP, continued to work as a freelance cameraman, amongst others for [[George Groom]] and [[J. Blake Dalrymple]] at [[Films of Africa]].  In 1979 he was awarded a [[Rapport Oscar]] for his contribution to the South African film industry.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Besides filming both ''[[Sarie Marais]]'' (1931) and ''[[Moedertjie]]'' (1931) for [[Joseph Albrecht]], he regularly worked with him on documentariaes such as ''The Smoke That Thunders'' (1932), ''The Riddle of Rhodesia'' (1933), ''The Golden Harvest of the Witwatersrand'' (1935) and ''The Babel of the Kraal'' (1938), as well as the historical reconstruction ''[[Die Bou van 'n Nasie]]'' (1938).  Like all AFP cameramen, he contributed to many propaganda films during World War II and, after his retirement from AFP, continued to work as a freelance cameraman, amongst others for [[George Groom]] and [[J. Blake Dalrymple]] at [[Films of Africa]].  In 1979 he was awarded a [[Rapport Oscar]] for his contribution to the South African film industry&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.  He died in Durban at the age of 89&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Note ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Note ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=128798&amp;oldid=prev</id>
		<title>Fogterop at 19:37, 2 June 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=G.F._Noble&amp;diff=128798&amp;oldid=prev"/>
		<updated>2017-06-02T19:37:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:37, 2 June 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot; &gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Credits ==  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Sarie Marais'' ([[Joseph Albrecht]]/1931), ''[[Moedertjie]]'' ([[Joseph Albrecht]]/1931), ''The Smoke That Thunders'' ([[Joseph Albrecht]]/1932), ''The Riddle of Rhodesia'' ([[Joseph Albrecht]]/1933), ''The World's Greatest Wild Life Sanctuary'' ([[Joseph Albrecht]]/1934), ''The Golden Harvest of the Witwatersrand'' ([[Joseph Albrecht]]/1935), ''The Song of the Reel'' (with [[Hyman Kirstein]]) ([[Joseph Albrecht]]/1936), ''On Tour in South Africa'' (with [[Hyman Kirstein]]) ([[Joseph Albrecht]]/1936), ''The Consoling Weed'' (1937), ''The Land of Rhodes'' ([[Joseph Albrecht]]/1938), ''The Babel of the Kraal'' ([[Joseph Albrecht]]/1938), ''Die Bou van 'n Nasie'' / ''They built a Nation'' (with [[Roy Day]]) ([[Joseph Albrecht]]/1938), ''Two Brothers'' (with [[Frank Dixon]]) ([[Joseph Albrecht]]/1940), ''Sinews of'' War / ''Oorlogspiere'' ([[Joseph Albrecht]]/1940), ''Oproep!'' (with [[Frank Dixon]], [[Errol Hinds]] &amp;amp; [[Leon Schauder]]) (1940), ''Reported Missing'' / ''Vermis'' (with [[Frank Dixon]]) ([[Joseph Albrecht]]/194*), ''Manne van die See'' (with [[Frank Dixon]] and [[Ken Sara]]) (194*), ''Back to the Land'' (with [[Frank Dixon]], [[David Millin]] &amp;amp; [[Ken Sara]]) (1945), ''Land of the Springbok'' ([[Victor M. Gover]]/1945), ''Na Sestig Jaar'' (with [[David Millin]] &amp;amp; &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;A. Garrick&lt;/del&gt;) ([[Joseph Albrecht]]/1946), ''Mountain Waters'' ([[Joseph Albrecht]]/1947), ''The Pioneer Trails'' (''Joseph Albrecht''/1958), ''Durban Refinery'' (with [[James Robb]] &amp;amp; [[Charles Bird]]) (director not credited/date unknown)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Sarie Marais'' ([[Joseph Albrecht]]/1931), ''[[Moedertjie]]'' ([[Joseph Albrecht]]/1931), ''The Smoke That Thunders'' ([[Joseph Albrecht]]/1932), ''The Riddle of Rhodesia'' ([[Joseph Albrecht]]/1933), ''The World's Greatest Wild Life Sanctuary'' ([[Joseph Albrecht]]/1934), ''The Golden Harvest of the Witwatersrand'' ([[Joseph Albrecht]]/1935), ''The Song of the Reel'' (with [[Hyman Kirstein]]) ([[Joseph Albrecht]]/1936), ''On Tour in South Africa'' (with [[Hyman Kirstein]]) ([[Joseph Albrecht]]/1936), ''The Consoling Weed'' (1937), ''The Land of Rhodes'' ([[Joseph Albrecht]]/1938), ''The Babel of the Kraal'' ([[Joseph Albrecht]]/1938), ''Die Bou van 'n Nasie'' / ''They built a Nation'' (with [[Roy Day]]) ([[Joseph Albrecht]]/1938), ''Two Brothers'' (with [[Frank Dixon]]) ([[Joseph Albrecht]]/1940), ''Sinews of'' War / ''Oorlogspiere'' ([[Joseph Albrecht]]/1940), ''Oproep!'' (with [[Frank Dixon]], [[Errol Hinds]] &amp;amp; [[Leon Schauder]]) (1940), ''Reported Missing'' / ''Vermis'' (with [[Frank Dixon]]) ([[Joseph Albrecht]]/194*), ''Manne van die See'' (with [[Frank Dixon]] and [[Ken Sara]]) (194*), ''Back to the Land'' (with [[Frank Dixon]], [[David Millin]] &amp;amp; [[Ken Sara]]) (1945), ''Land of the Springbok'' ([[Victor M. Gover]]/1945), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''After Sixty years'' / &lt;/ins&gt;''Na Sestig Jaar'' (with [[David Millin&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] , [[Albert Carrick&lt;/ins&gt;]] &amp;amp; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Gerald Ehrlich]]&lt;/ins&gt;) ([[Joseph Albrecht]]/1946), ''Mountain Waters'' ([[Joseph Albrecht]]/1947), ''The Pioneer Trails'' (''Joseph Albrecht''/1958), ''Durban Refinery'' (with [[James Robb]] &amp;amp; [[Charles Bird]]) (director not credited/date unknown)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
</feed>