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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Fred_Ayliff</id>
	<title>Fred Ayliff - Revision history</title>
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	<updated>2026-09-21T14:40:58Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Fred_Ayliff&amp;diff=51227&amp;oldid=prev</id>
		<title>Fogterop at 17:18, 22 January 2014</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Fred_Ayliff&amp;diff=51227&amp;oldid=prev"/>
		<updated>2014-01-22T17:18:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:18, 22 January 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. **/**/1886 - d. **/**/****).  Cinematographer.  Fred (Frederick?) Ayliff was one of the cameramen who worked for [[African Film Productions]] on [[Harold M. Shaw]]’s ''[[De Voortrekkers]]'' (1916) and probably on the newsreel [[African Mirror]].  During the early 1920s he spent nearly six months in East Africa, obtaining material for the series ''[[The Great African Rift]]'' in areas such as the Rwenzori Mountains (better known as the Mountains of the Moon).  He also travelled to the Kerguelen Islands in the southern Indian Ocean to produce ''[[The Roaring Forties]]'', filming the hunting of seal elephants.  Some of this footage is said to have been used later in [[Cherry Kearton]]’s film on Dassen Island (1930).  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. **/**/1886 - d. **/**/****).  Cinematographer.  Fred (Frederick?) Ayliff was one of the cameramen who worked for [[African Film Productions]] on [[Harold M. Shaw]]’s ''[[De Voortrekkers]]'' (1916) and probably on the newsreel [[African Mirror]].  During the early 1920s he spent nearly six months in East Africa, obtaining material for the series ''[[The Great African Rift]]'' in areas such as the Rwenzori Mountains (better known as the Mountains of the Moon).  He also travelled to the Kerguelen Islands in the southern Indian Ocean to produce ''[[The Roaring Forties]]'', filming the hunting of seal elephants.  Some of this footage is said to have been used later in [[Cherry Kearton]]’s film on Dassen Island (1930).  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In May 1921, Ayliff was in the Eastern Cape at the time of what became known as the Bulhoek Massacre.   The footage he shot was going to be used by [[African Mirror]], but in the event AFP was prevented from doing so.  The segment, &amp;quot;Defiant Natives: Israelites at Bulhoek&amp;quot;, was debated in Parliament and it was decided that not only should it be banned, but that all copies should be destroyed.  One copy survived long enough to be sent for use during the subsequent trial, but there is no evidence that it was and it is not known what happened to it afterwards.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In May 1921, Ayliff was in the Eastern Cape at the time of what became known as the Bulhoek Massacre.   The footage he shot was going to be used by [[African Mirror]], but in the event AFP was prevented from doing so.  The segment, &amp;quot;Defiant Natives: Israelites at Bulhoek&amp;quot;, was debated in Parliament and it was decided that not only should it be banned, but that all copies should be destroyed.  One copy survived long enough to be sent for use during the subsequent trial, but there is no evidence that it was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;shown &lt;/ins&gt;and it is not known what happened to it afterwards.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to [[Harvey Braban]], Ayliff was also the cameraman during the filming of ''[[The Reef of Stars]]'' (1923), the feature based on the novel by [[H. De Vere Stacpoole]] directed by [[Joseph Albrecht]].  Interestingly, at the same time that he had been filming in East Africa, Albrecht had spent a number of months shooting on Madagascar and may have chosen Ayliff as his cameraman because he would probably have been familiar with the East African locations.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to [[Harvey Braban]], Ayliff was also the cameraman during the filming of ''[[The Reef of Stars]]'' (1923), the feature based on the novel by [[H. De Vere Stacpoole]] directed by [[Joseph Albrecht]].  Interestingly, at the same time that he had been filming in East Africa, Albrecht had spent a number of months shooting on Madagascar and may have chosen Ayliff as his cameraman because he would probably have been familiar with the East African locations.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Fred_Ayliff&amp;diff=51226&amp;oldid=prev</id>
		<title>Fogterop at 17:18, 22 January 2014</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Fred_Ayliff&amp;diff=51226&amp;oldid=prev"/>
		<updated>2014-01-22T17:18:07Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:18, 22 January 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. **/**/1886 - d. **/**/****).  Cinematographer.  Fred (Frederick?) Ayliff was one of the cameramen who worked for [[African Film Productions]] on [[Harold M. Shaw]]’s ''[[De Voortrekkers]]'' (1916) and probably on the newsreel [[African Mirror]].  During the early 1920s he spent nearly six months in East Africa, obtaining material for the series ''[[The Great African Rift]]'' in areas such as the Rwenzori Mountains (better known as the Mountains of the Moon).  He also travelled to the Kerguelen Islands in the southern Indian Ocean to produce ''[[The Roaring Forties]]'', filming the hunting of seal elephants.  Some of this footage is said to have been used later in [[Cherry Kearton]]’s film on Dassen Island (1930).  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. **/**/1886 - d. **/**/****).  Cinematographer.  Fred (Frederick?) Ayliff was one of the cameramen who worked for [[African Film Productions]] on [[Harold M. Shaw]]’s ''[[De Voortrekkers]]'' (1916) and probably on the newsreel [[African Mirror]].  During the early 1920s he spent nearly six months in East Africa, obtaining material for the series ''[[The Great African Rift]]'' in areas such as the Rwenzori Mountains (better known as the Mountains of the Moon).  He also travelled to the Kerguelen Islands in the southern Indian Ocean to produce ''[[The Roaring Forties]]'', filming the hunting of seal elephants.  Some of this footage is said to have been used later in [[Cherry Kearton]]’s film on Dassen Island (1930).  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In May 1921, Ayliff was in the Eastern Cape at the time of what became known as the Bulhoek Massacre.   The footage he shot was going to be used by [[African Mirror]], but in the event AFP was prevented from doing so.  The segment, &amp;quot;Defiant Natives: Israelites at Bulhoek&amp;quot;, was debated in Parliament and it was decided that not only should it be banned, but that all copies should be destroyed.  One copy survived long enough to be &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;used in &lt;/del&gt;the subsequent trial, but it is not known what happened to it afterwards.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In May 1921, Ayliff was in the Eastern Cape at the time of what became known as the Bulhoek Massacre.   The footage he shot was going to be used by [[African Mirror]], but in the event AFP was prevented from doing so.  The segment, &amp;quot;Defiant Natives: Israelites at Bulhoek&amp;quot;, was debated in Parliament and it was decided that not only should it be banned, but that all copies should be destroyed.  One copy survived long enough to be &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;sent for use during &lt;/ins&gt;the subsequent trial, but &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;there is no evidence that it was and &lt;/ins&gt;it is not known what happened to it afterwards.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to [[Harvey Braban]], Ayliff was also the cameraman during the filming of ''[[The Reef of Stars]]'' (1923), the feature based on the novel by [[H. De Vere Stacpoole]] directed by [[Joseph Albrecht]].  Interestingly, at the same time that he had been filming in East Africa, Albrecht had spent a number of months shooting on Madagascar and may have chosen Ayliff as his cameraman because he would probably have been familiar with the East African locations.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to [[Harvey Braban]], Ayliff was also the cameraman during the filming of ''[[The Reef of Stars]]'' (1923), the feature based on the novel by [[H. De Vere Stacpoole]] directed by [[Joseph Albrecht]].  Interestingly, at the same time that he had been filming in East Africa, Albrecht had spent a number of months shooting on Madagascar and may have chosen Ayliff as his cameraman because he would probably have been familiar with the East African locations.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Fred_Ayliff&amp;diff=51207&amp;oldid=prev</id>
		<title>Fogterop: Created page with &quot; (b. **/**/1886 - d. **/**/****).  Cinematographer.  Fred (Frederick?) Ayliff was one of the cameramen who worked for African Film Productions on Harold M. Shaw’s ''...&quot;</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Fred_Ayliff&amp;diff=51207&amp;oldid=prev"/>
		<updated>2014-01-22T10:25:19Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot; (b. **&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;: &lt;/span&gt;1886 - d. **&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;: &lt;/span&gt;****).  Cinematographer.  Fred (Frederick?) Ayliff was one of the cameramen who worked for &lt;a href=&quot;/index.php/African_Film_Productions&quot; class=&quot;mw-redirect&quot; title=&quot;African Film Productions&quot;&gt;African Film Productions&lt;/a&gt; on &lt;a href=&quot;/index.php/Harold_M._Shaw&quot; title=&quot;Harold M. Shaw&quot;&gt;Harold M. Shaw&lt;/a&gt;’s &amp;#039;&amp;#039;...&amp;quot;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
(b. **/**/1886 - d. **/**/****).  Cinematographer.  Fred (Frederick?) Ayliff was one of the cameramen who worked for [[African Film Productions]] on [[Harold M. Shaw]]’s ''[[De Voortrekkers]]'' (1916) and probably on the newsreel [[African Mirror]].  During the early 1920s he spent nearly six months in East Africa, obtaining material for the series ''[[The Great African Rift]]'' in areas such as the Rwenzori Mountains (better known as the Mountains of the Moon).  He also travelled to the Kerguelen Islands in the southern Indian Ocean to produce ''[[The Roaring Forties]]'', filming the hunting of seal elephants.  Some of this footage is said to have been used later in [[Cherry Kearton]]’s film on Dassen Island (1930). &lt;br /&gt;
&lt;br /&gt;
In May 1921, Ayliff was in the Eastern Cape at the time of what became known as the Bulhoek Massacre.   The footage he shot was going to be used by [[African Mirror]], but in the event AFP was prevented from doing so.  The segment, &amp;quot;Defiant Natives: Israelites at Bulhoek&amp;quot;, was debated in Parliament and it was decided that not only should it be banned, but that all copies should be destroyed.  One copy survived long enough to be used in the subsequent trial, but it is not known what happened to it afterwards.&lt;br /&gt;
&lt;br /&gt;
According to [[Harvey Braban]], Ayliff was also the cameraman during the filming of ''[[The Reef of Stars]]'' (1923), the feature based on the novel by [[H. De Vere Stacpoole]] directed by [[Joseph Albrecht]].  Interestingly, at the same time that he had been filming in East Africa, Albrecht had spent a number of months shooting on Madagascar and may have chosen Ayliff as his cameraman because he would probably have been familiar with the East African locations.  (FO)&lt;br /&gt;
&lt;br /&gt;
== Sources ==&lt;br /&gt;
&lt;br /&gt;
South African Pictorial, 4 June 1921&lt;br /&gt;
&lt;br /&gt;
The Cinema, 22 March 1923&lt;br /&gt;
&lt;br /&gt;
South African Pictorial, 27 December 1924&lt;br /&gt;
&lt;br /&gt;
Gutsche, Thelma - The history and social significance of motion pictures in South Africa 1895-1940&lt;br /&gt;
&lt;br /&gt;
Le Roux, André I. &amp;amp; Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm&lt;br /&gt;
&lt;br /&gt;
Makobe, D.H. - Understanding the Bulhoek Massacre: voices after the massacre and down the years (Scientia Militaria, South African Journal of Military Studies, Vol. 26, Nr. 2, 1996)&lt;br /&gt;
&lt;br /&gt;
National Archives of South Africa &lt;br /&gt;
&lt;br /&gt;
== Return to ==	&lt;br /&gt;
&lt;br /&gt;
Return to [[ESAT Personalities A]]&lt;br /&gt;
&lt;br /&gt;
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]&lt;br /&gt;
&lt;br /&gt;
Return to [[The ESAT Entries]]&lt;br /&gt;
&lt;br /&gt;
Return to [[Main Page]]&lt;/div&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
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