<?xml version="1.0"?>
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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Frank_Harrison</id>
	<title>Frank Harrison - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Frank_Harrison"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Frank_Harrison&amp;action=history"/>
	<updated>2026-09-01T16:13:50Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.33.2</generator>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Frank_Harrison&amp;diff=188011&amp;oldid=prev</id>
		<title>Fogterop at 18:57, 11 May 2020</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Frank_Harrison&amp;diff=188011&amp;oldid=prev"/>
		<updated>2020-05-11T18:57:07Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:57, 11 May 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot; &gt;Line 14:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 14:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== South African Stage Appearances ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== South African Stage Appearances ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[The Lady of Ostend]]'' (1916), ''[[Jane]]'' (1916), ''[[The Passport]]'' (1916), ''[[Tiger’s Cub]]'' (1916), ''[[To-night’s the Night]]'' (1916), ''[[The Girl in the Taxi]]'' (1916), ''[[Mr. Manhattan]]'' (1917), ''[[The Red Widow]]'' (1917), ''[[Theodore &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and &lt;/del&gt;Co]]'' (1917), ''[[So Long, Letty!]]'' (1917), ''[[A Country Girl]]'' (1917), ''[[The Maid of the Mountains]]'' (1917), ''[[Princess Caprice]]'' (1917), ''[[Dick Whittington and his Cat]]'' (1917).  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[The Lady of Ostend]]'' (1916), ''[[Jane]]'' (1916), ''[[The Passport]]'' (1916), ''[[Tiger’s Cub]]'' (1916), ''[[To-night’s the Night]]'' (1916), ''[[The Girl in the Taxi]]'' (1916), ''[[Mr. Manhattan]]'' (1917), ''[[The Red Widow]]'' (1917), ''[[Theodore &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;amp; &lt;/ins&gt;Co&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/ins&gt;]]'' (1917), ''[[So Long, Letty!]]'' (1917), ''[[A Country Girl]]'' (1917), ''[[The Maid of the Mountains]]'' (1917), ''[[Princess Caprice]]'' (1917), ''[[Dick Whittington and his Cat]]'' (1917).  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Frank_Harrison&amp;diff=172559&amp;oldid=prev</id>
		<title>Fogterop at 18:58, 28 July 2019</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Frank_Harrison&amp;diff=172559&amp;oldid=prev"/>
		<updated>2019-07-28T18:58:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:58, 28 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot; &gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In April 1916 he came out to South Africa for an engagement with the [[African Theatres Trust]].  The first production in which he appeared was ''[[The Lady of Ostend]]'' at the [[Standard Theatre]], produced by [[Ralph Kimpton]] for [[Leonard Rayne]].  Later he switched to the [[London Gaiety Company]] at [[His Majesty’s Theatre]], acting with the likes of [[Marie Ault]], [[Nancy Benyon]], [[Thomas Pauncefort]] and [[Grafton Williams]].  His last appearance in South Africa was in ''[[Dick Whittington and his Cat]]'' (1917/18), first at [[His Majesty’s Theatre]] and then at the [[Pretoria Opera House]].  In between he also found time to act in the short film ''[[£20,000]]'' (1916), directed by [[B.F. Clinton]] and co-starring [[Violet Dickens]] and [[Marie Ault]].  Altogether he spent more than a year-and-a-half in the country.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In April 1916 he came out to South Africa for an engagement with the [[African Theatres Trust]].  The first production in which he appeared was ''[[The Lady of Ostend]]'' at the [[Standard Theatre]], produced by [[Ralph Kimpton]] for [[Leonard Rayne]].  Later he switched to the [[London Gaiety Company]] at [[His Majesty’s Theatre]], acting with the likes of [[Marie Ault]], [[Nancy Benyon]], [[Thomas Pauncefort]] and [[Grafton Williams]].  His last appearance in South Africa was in ''[[Dick Whittington and his Cat]]'' (1917/18), first at [[His Majesty’s Theatre]] and then at the [[Pretoria Opera House]].  In between he also found time to act in the short film ''[[£20,000]]'' (1916), directed by [[B.F. Clinton]] and co-starring [[Violet Dickens]] and [[Marie Ault]].  Altogether he spent more than a year-and-a-half in the country.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1918 it was reported that he would be leaving for India to join the company of Maurice E. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Bandman&lt;/del&gt;.  By November of that year he was with the Bandman Musical Comedy Company in Egypt, but in 1919 he wrote from Alexandria that he had left &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Bandman &lt;/del&gt;and was building his own theatre, hoping to open early in July.  However, these plans do not seem to have worked out.  It is not known where he went afterwards.  He may have gone to the United States, because on 24 February 1922 Variety reported from Chicago that Janet Merle (Janet King Lyle) and a Frank Harrison would shortly launch a new vaudeville vehicle, written by Will Bradshaw and Gil Brown.  However, by 1925 he was back in England to resume his repertory career there.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1918 it was reported that he would be leaving for India to join the company of Maurice E. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Bandmann&lt;/ins&gt;.  By November of that year he was with the Bandman Musical Comedy Company in Egypt, but in 1919 he wrote from Alexandria that he had left &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Bandmann &lt;/ins&gt;and was building his own theatre, hoping to open early in July.  However, these plans do not seem to have worked out.  It is not known where he went afterwards.  He may have gone to the United States, because on 24 February 1922 Variety reported from Chicago that Janet Merle (Janet King Lyle) and a Frank Harrison would shortly launch a new vaudeville vehicle, written by Will Bradshaw and Gil Brown.  However, by 1925 he was back in England to resume his repertory career there.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1896, Frank Harrison married actress Ethel Kay, with whom he had appeared in ''The Prodigal Daughter'' at the Royal Court in Liverpool.  They had a daughter called Doris, but the couple divorced in 1911.   In 1919, he wrote to [[S.A. Pictorial]] to tell them that he had married Lily Stewart, whom he said was the granddaughter of Sir Oliver Stewart. (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1896, Frank Harrison married actress Ethel Kay, with whom he had appeared in ''The Prodigal Daughter'' at the Royal Court in Liverpool.  They had a daughter called Doris, but the couple divorced in 1911.   In 1919, he wrote to [[S.A. Pictorial]] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;from Egypt &lt;/ins&gt;to tell them that he had married Lily Stewart, whom he said was the granddaughter of Sir Oliver Stewart. (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== South African Stage Appearances ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== South African Stage Appearances ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Frank_Harrison&amp;diff=159195&amp;oldid=prev</id>
		<title>Fogterop at 14:51, 6 October 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Frank_Harrison&amp;diff=159195&amp;oldid=prev"/>
		<updated>2018-10-06T14:51:16Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:51, 6 October 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Robert Frank Harrison was the son of Robert Thomas Harrison, an accountant, and his wife Frances Eleanor Stevenson.  By 1886 he was already employed by Sir Augustus Harris at the Drury Lane Theatre in London and he basically spent all of his life playing in repertory, occasionally acting with the big names, like Henry Irving and Ellen Terry in ''Robespierre'' (1899), but usually featuring in popular hits – ''The Girl in the Taxi'', ''East Lynne'', ''Under Two Flags'' – in the provinces.  He was also stage manager at various theatres, including the new Coliseum in London (1904) for Oswald Stoll, and was occasionally asked to produce end-of-the-year pantomimes like ''Cinderella''.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Robert Frank Harrison was the son of Robert Thomas Harrison, an accountant, and his wife Frances Eleanor Stevenson.  By 1886 he was already employed by Sir Augustus Harris at the Drury Lane Theatre in London and he basically spent all of his life playing in repertory, occasionally acting with the big names, like Henry Irving and Ellen Terry in ''Robespierre'' (1899), but usually featuring in popular hits – ''The Girl in the Taxi'', ''East Lynne'', ''Under Two Flags'' – in the provinces.  He was also stage manager at various theatres, including the new Coliseum in London (1904) for Oswald Stoll, and was occasionally asked to produce end-of-the-year pantomimes like ''Cinderella''.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In April 1916 he came out to South Africa for an engagement with the [[African Theatres Trust]].  The first production in which he appeared was ''[[The Lady of Ostend]]'' at the [[Standard Theatre]], produced by [[Ralph Kimpton]] for [[Leonard Rayne]].  Later he switched to the [[London Gaiety Company at [[His Majesty’s Theatre]], acting with the likes of [[Marie Ault]], [[Nancy Benyon]], [[Thomas Pauncefort]] and [[Grafton Williams]].  His last appearance in South Africa was in ''[[Dick Whittington and his Cat]]'' (1917/18), first at [[His Majesty’s Theatre]] and then at the [[Pretoria Opera House]].  In between he also found time to act in the short film ''[[£20,000]]'' (1916), directed by [[B.F. Clinton]] and co-starring [[Violet Dickens]] and [[Marie Ault]].  Altogether he spent more than a year-and-a-half in the country.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In April 1916 he came out to South Africa for an engagement with the [[African Theatres Trust]].  The first production in which he appeared was ''[[The Lady of Ostend]]'' at the [[Standard Theatre]], produced by [[Ralph Kimpton]] for [[Leonard Rayne]].  Later he switched to the [[London Gaiety Company&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;at [[His Majesty’s Theatre]], acting with the likes of [[Marie Ault]], [[Nancy Benyon]], [[Thomas Pauncefort]] and [[Grafton Williams]].  His last appearance in South Africa was in ''[[Dick Whittington and his Cat]]'' (1917/18), first at [[His Majesty’s Theatre]] and then at the [[Pretoria Opera House]].  In between he also found time to act in the short film ''[[£20,000]]'' (1916), directed by [[B.F. Clinton]] and co-starring [[Violet Dickens]] and [[Marie Ault]].  Altogether he spent more than a year-and-a-half in the country.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1918 it was reported that he would be leaving for India to join the company of Maurice E. Bandman.  By November of that year he was with the Bandman Musical Comedy Company in Egypt, but in 1919 he wrote from Alexandria that he had left Bandman and was building his own theatre, hoping to open early in July.  However, these plans do not seem to have worked out.  It is not known where he went afterwards.  He may have gone to the United States, because on 24 February 1922 Variety reported from Chicago that Janet Merle (Janet King Lyle) and a Frank Harrison would shortly launch a new vaudeville vehicle, written by Will Bradshaw and Gil Brown.  However, by 1925 he was back in England to resume his repertory career there.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1918 it was reported that he would be leaving for India to join the company of Maurice E. Bandman.  By November of that year he was with the Bandman Musical Comedy Company in Egypt, but in 1919 he wrote from Alexandria that he had left Bandman and was building his own theatre, hoping to open early in July.  However, these plans do not seem to have worked out.  It is not known where he went afterwards.  He may have gone to the United States, because on 24 February 1922 Variety reported from Chicago that Janet Merle (Janet King Lyle) and a Frank Harrison would shortly launch a new vaudeville vehicle, written by Will Bradshaw and Gil Brown.  However, by 1925 he was back in England to resume his repertory career there.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Frank_Harrison&amp;diff=159194&amp;oldid=prev</id>
		<title>Fogterop at 14:49, 6 October 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Frank_Harrison&amp;diff=159194&amp;oldid=prev"/>
		<updated>2018-10-06T14:49:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:49, 6 October 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l17&quot; &gt;Line 17:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 17:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The Stage, 13 April 1916&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Stage &amp;amp; Cinema, 13 April 1918&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Stage &amp;amp; Cinema, 13 April 1918&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The Stage, 4 April 1919&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Neil Parsons - Black and white bioscope: making movies in Africa 1899 to 1925 (2018)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Neil Parsons - Black and white bioscope: making movies in Africa 1899 to 1925 (2018)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Frank_Harrison&amp;diff=159193&amp;oldid=prev</id>
		<title>Fogterop at 14:42, 6 October 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Frank_Harrison&amp;diff=159193&amp;oldid=prev"/>
		<updated>2018-10-06T14:42:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:42, 6 October 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. **/**/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1864? &lt;/del&gt;- d. **/**/****). &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; Actor.  According to [[Stage &amp;amp; Cinema]], &lt;/del&gt;Frank Harrison was an &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;American actor who toured South Africa with the [[Frank Cellier]] company&lt;/del&gt;.  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;However, Cellier had &lt;/del&gt;already &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;arrived with [[Ethel Irving]] &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;December 1915 &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;F.D. Harrison only came out &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;May 1916.  His first role &lt;/del&gt;with the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[London Gaiety Company]] was &lt;/del&gt;in ''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[To-night’s the Night]]&lt;/del&gt;'', &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;followed by &lt;/del&gt;''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;The Girl in the Taxi&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;'', ''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Mr. Manhattan]]&lt;/del&gt;'', ''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[The Red Widow]]&lt;/del&gt;'', ''[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Theodore &amp;amp; Co&lt;/del&gt;]]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'', &lt;/del&gt;''[[The &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Country Girl&lt;/del&gt;]]'', &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/del&gt;[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The Maid &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the Mountains&lt;/del&gt;]]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/del&gt;[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Princess Caprice&lt;/del&gt;]]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/del&gt;and ''[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;So Long, Letty&lt;/del&gt;]]'', &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;all during 1916/1917.  Other members of the company &lt;/del&gt;at &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the time were &lt;/del&gt;[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Grafton Williams&lt;/del&gt;]] and [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Thomas Pauncefort&lt;/del&gt;]]. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;During this period &lt;/del&gt;he also &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;acted &lt;/del&gt;in the short film ''[[£20,000]]'' (1916), directed by [[B.F. Clinton]] and co-starring [[Violet Dickens]] and [[Marie Ault]].  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Previously &lt;/del&gt;he &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;had appeared on the English stage in the epic production of ''Robespierre'' (1899) at the Lyceum Theatre in London, starring Sir Henry Irving &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Ellen Terry, as well as &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;various productions at &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Theatre Royal in Leeds&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;In 1918 it was reported that he would be leaving for India to join the company of Maurice E. Bandman&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, his last performance in South Africa being in ''[[Dick Whittington and his Cat]]'' at the Pretoria [[Opera House]]&lt;/del&gt;.  By November he was with the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;New &lt;/del&gt;Bandman Comedy Company in Egypt, but in 1919 he wrote from Alexandria that he had left Bandman and was building his own theatre, hoping to open early in July. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Nevertheless&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;in &lt;/del&gt;February 1922 Variety reported from Chicago that Janet Merle (Janet King Lyle) and Frank Harrison would shortly launch a new vaudeville vehicle.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''Frank Harrison''' &lt;/ins&gt;(b. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Birkenhead, Cheshire, &lt;/ins&gt;**/**/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1869 &lt;/ins&gt;- d. **/**/****) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was an actor and stage manager&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== Biography ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Robert &lt;/ins&gt;Frank Harrison was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the son of Robert Thomas Harrison, &lt;/ins&gt;an &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;accountant, and his wife Frances Eleanor Stevenson&lt;/ins&gt;.  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;By 1886 he was &lt;/ins&gt;already &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;employed by Sir Augustus Harris at the Drury Lane Theatre &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;London &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;he basically spent all of his life playing &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;repertory, occasionally acting &lt;/ins&gt;with the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;big names, like Henry Irving and Ellen Terry &lt;/ins&gt;in ''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Robespierre&lt;/ins&gt;'' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(1899)&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;but usually featuring in popular hits – &lt;/ins&gt;''The Girl in the Taxi'', ''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;East Lynne&lt;/ins&gt;'', ''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Under Two Flags&lt;/ins&gt;'' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;– in the provinces.  He was also stage manager at various theatres, including the new Coliseum in London (1904) for Oswald Stoll&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and was occasionally asked to produce end-of-the-year pantomimes like &lt;/ins&gt;''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Cinderella''.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In April 1916 he came out to South Africa for an engagement with the &lt;/ins&gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;African Theatres Trust&lt;/ins&gt;]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.  The first production in which he appeared was &lt;/ins&gt;''[[The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Lady of Ostend&lt;/ins&gt;]]'' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;at the [[Standard Theatre]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;produced by [[Ralph Kimpton]] for [[Leonard Rayne]].  Later he switched to the [[London Gaiety Company at &lt;/ins&gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;His Majesty’s Theatre]], acting with the likes &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Marie Ault]], [[Nancy Benyon&lt;/ins&gt;]], [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Thomas Pauncefort&lt;/ins&gt;]] and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Grafton Williams]].  His last appearance in South Africa was in &lt;/ins&gt;''[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Dick Whittington and his Cat&lt;/ins&gt;]]'' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(1917/18)&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;first &lt;/ins&gt;at [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;His Majesty’s Theatre&lt;/ins&gt;]] and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;then at the &lt;/ins&gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Pretoria Opera House&lt;/ins&gt;]]. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; In between &lt;/ins&gt;he also &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;found time to act &lt;/ins&gt;in the short film ''[[£20,000]]'' (1916), directed by [[B.F. Clinton]] and co-starring [[Violet Dickens]] and [[Marie Ault]].  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Altogether &lt;/ins&gt;he &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;spent more than a year-&lt;/ins&gt;and&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;-a-half &lt;/ins&gt;in the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;country&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1918 it was reported that he would be leaving for India to join the company of Maurice E. Bandman.  By November &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;of that year &lt;/ins&gt;he was with the Bandman &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Musical &lt;/ins&gt;Comedy Company in Egypt, but in 1919 he wrote from Alexandria that he had left Bandman and was building his own theatre, hoping to open early in July. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; However&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;these plans do not seem to have worked out.  It is not known where he went afterwards.  He may have gone to the United States, because on 24 &lt;/ins&gt;February 1922 Variety reported from Chicago that Janet Merle (Janet King Lyle) and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;a &lt;/ins&gt;Frank Harrison would shortly launch a new vaudeville vehicle&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, written by Will Bradshaw and Gil Brown&lt;/ins&gt;.  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;However, by 1925 he was back in England to resume his repertory career there.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In 1896, Frank Harrison married actress Ethel Kay, with whom he had appeared in ''The Prodigal Daughter'' at the Royal Court in Liverpool.  They had a daughter called Doris, but the couple divorced in 1911.   In 1919, he wrote to [[S.A. Pictorial]] to tell them that he had married Lily Stewart, whom he said was the granddaughter of Sir Oliver Stewart. &lt;/ins&gt;(FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== South African Stage Appearances ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[The Lady of Ostend]]'' (1916), ''[[Jane]]'' (1916), ''[[The Passport]]'' (1916), ''[[Tiger’s Cub]]'' (1916), ''[[To-night’s the Night]]'' (1916), ''[[The Girl in the Taxi]]'' (1916), ''[[Mr. Manhattan]]'' (1917), ''[[The Red Widow]]'' (1917), ''[[Theodore and Co]]'' (1917), ''[[So Long, Letty!]]'' (1917), ''[[A Country Girl]]'' (1917), ''[[The Maid of the Mountains]]'' (1917), ''[[Princess Caprice]]'' (1917), ''[[Dick Whittington and his Cat]]'' (1917). &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;South African Pictorial&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Stage &amp;amp; Cinema, 13 April 1918&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The Stage, 4 April 1919&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Le Roux, André I. &amp;amp; Fourie, Lilla – Filmverlede&lt;/del&gt;: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;geskiedenis van die Suid-Afrikaanse speelfilm&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Neil Parsons - Black and white bioscope&lt;/ins&gt;: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;making movies in Africa 1899 to 1925 (2018)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Return to ==	&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Return to ==	&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[ESAT Personalities &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;V&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[ESAT Personalities &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;H&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Frank_Harrison&amp;diff=112162&amp;oldid=prev</id>
		<title>Fogterop at 16:18, 7 August 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Frank_Harrison&amp;diff=112162&amp;oldid=prev"/>
		<updated>2016-08-07T16:18:08Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:18, 7 August 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. **/**/1864? - d. **/**/****).  Actor.  According to [[Stage &amp;amp; Cinema]], Frank Harrison was an American actor who toured South Africa with the [[Frank Cellier]] company.  However, Cellier had already arrived with [[Ethel Irving]] in December 1915 and F.D. Harrison only came out in May 1916.  His first role with the [[London Gaiety Company]] was in ''[[To-night’s the Night]]'', followed by ''[[The Girl in the Taxi]]'', ''[[Mr. Manhattan]]'', ''[[The Red Widow]]'', ''[[Theodore &amp;amp; Co]]'', ''[[The Country Girl]]'', ''[[The Maid of the Mountains]]'', ''[[Princess Caprice]]'' and ''[[So Long, Letty]]'', all during 1916/1917.  Other members of the company at the time were [[Grafton Williams]] and [[Thomas Pauncefort]]. During this period he also acted in the short film ''[[£20,000]]'' (1916), directed by [[B.F. Clinton]] and co-starring [[Violet Dickens]] and [[Marie Ault]].  Previously he had appeared on the English stage in the epic production of ''Robespierre'' (1899) at the Lyceum Theatre in London, starring Sir Henry Irving and Ellen Terry, as well as in various productions at the Theatre Royal in Leeds.  In 1918 it was reported that he would be leaving for India to join the company of Maurice E. Bandman, his last performance in South Africa being in ''[[Dick Whittington and his Cat]]'' at the Pretoria [[Opera House]].  By November he was with the New Bandman Comedy Company in Egypt, but 1919 he wrote from Alexandria that he had left Bandman and was building his own theatre, hoping to open early in July. Nevertheless, in February 1922 Variety reported from Chicago that Janet Merle (Janet King Lyle) and Frank Harrison would shortly launch a new vaudeville vehicle.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. **/**/1864? - d. **/**/****).  Actor.  According to [[Stage &amp;amp; Cinema]], Frank Harrison was an American actor who toured South Africa with the [[Frank Cellier]] company.  However, Cellier had already arrived with [[Ethel Irving]] in December 1915 and F.D. Harrison only came out in May 1916.  His first role with the [[London Gaiety Company]] was in ''[[To-night’s the Night]]'', followed by ''[[The Girl in the Taxi]]'', ''[[Mr. Manhattan]]'', ''[[The Red Widow]]'', ''[[Theodore &amp;amp; Co]]'', ''[[The Country Girl]]'', ''[[The Maid of the Mountains]]'', ''[[Princess Caprice]]'' and ''[[So Long, Letty]]'', all during 1916/1917.  Other members of the company at the time were [[Grafton Williams]] and [[Thomas Pauncefort]]. During this period he also acted in the short film ''[[£20,000]]'' (1916), directed by [[B.F. Clinton]] and co-starring [[Violet Dickens]] and [[Marie Ault]].  Previously he had appeared on the English stage in the epic production of ''Robespierre'' (1899) at the Lyceum Theatre in London, starring Sir Henry Irving and Ellen Terry, as well as in various productions at the Theatre Royal in Leeds.  In 1918 it was reported that he would be leaving for India to join the company of Maurice E. Bandman, his last performance in South Africa being in ''[[Dick Whittington and his Cat]]'' at the Pretoria [[Opera House]].  By November he was with the New Bandman Comedy Company in Egypt, but &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in &lt;/ins&gt;1919 he wrote from Alexandria that he had left Bandman and was building his own theatre, hoping to open early in July. Nevertheless, in February 1922 Variety reported from Chicago that Janet Merle (Janet King Lyle) and Frank Harrison would shortly launch a new vaudeville vehicle.  (FO)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Frank_Harrison&amp;diff=112161&amp;oldid=prev</id>
		<title>Fogterop at 16:16, 7 August 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Frank_Harrison&amp;diff=112161&amp;oldid=prev"/>
		<updated>2016-08-07T16:16:51Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:16, 7 August 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;South &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Afrcan &lt;/del&gt;Pictorial&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;South &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;African &lt;/ins&gt;Pictorial&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Le Roux, André I. &amp;amp; Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Le Roux, André I. &amp;amp; Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Frank_Harrison&amp;diff=112160&amp;oldid=prev</id>
		<title>Fogterop: Created page with &quot; (b. **/**/1864? - d. **/**/****).  Actor.  According to Stage &amp; Cinema, Frank Harrison was an American actor who toured South Africa with the Frank Cellier company....&quot;</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Frank_Harrison&amp;diff=112160&amp;oldid=prev"/>
		<updated>2016-08-07T16:16:32Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot; (b. **&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;: &lt;/span&gt;1864? - d. **&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;: &lt;/span&gt;****).  Actor.  According to &lt;a href=&quot;/index.php?title=Stage_%26_Cinema&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;Stage &amp;amp; Cinema (page does not exist)&quot;&gt;Stage &amp;amp; Cinema&lt;/a&gt;, Frank Harrison was an American actor who toured South Africa with the &lt;a href=&quot;/index.php/Frank_Cellier&quot; title=&quot;Frank Cellier&quot;&gt;Frank Cellier&lt;/a&gt; company....&amp;quot;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
(b. **/**/1864? - d. **/**/****).  Actor.  According to [[Stage &amp;amp; Cinema]], Frank Harrison was an American actor who toured South Africa with the [[Frank Cellier]] company.  However, Cellier had already arrived with [[Ethel Irving]] in December 1915 and F.D. Harrison only came out in May 1916.  His first role with the [[London Gaiety Company]] was in ''[[To-night’s the Night]]'', followed by ''[[The Girl in the Taxi]]'', ''[[Mr. Manhattan]]'', ''[[The Red Widow]]'', ''[[Theodore &amp;amp; Co]]'', ''[[The Country Girl]]'', ''[[The Maid of the Mountains]]'', ''[[Princess Caprice]]'' and ''[[So Long, Letty]]'', all during 1916/1917.  Other members of the company at the time were [[Grafton Williams]] and [[Thomas Pauncefort]]. During this period he also acted in the short film ''[[£20,000]]'' (1916), directed by [[B.F. Clinton]] and co-starring [[Violet Dickens]] and [[Marie Ault]].  Previously he had appeared on the English stage in the epic production of ''Robespierre'' (1899) at the Lyceum Theatre in London, starring Sir Henry Irving and Ellen Terry, as well as in various productions at the Theatre Royal in Leeds.  In 1918 it was reported that he would be leaving for India to join the company of Maurice E. Bandman, his last performance in South Africa being in ''[[Dick Whittington and his Cat]]'' at the Pretoria [[Opera House]].  By November he was with the New Bandman Comedy Company in Egypt, but 1919 he wrote from Alexandria that he had left Bandman and was building his own theatre, hoping to open early in July. Nevertheless, in February 1922 Variety reported from Chicago that Janet Merle (Janet King Lyle) and Frank Harrison would shortly launch a new vaudeville vehicle.  (FO)&lt;br /&gt;
&lt;br /&gt;
== Sources ==&lt;br /&gt;
&lt;br /&gt;
South Afrcan Pictorial&lt;br /&gt;
&lt;br /&gt;
Le Roux, André I. &amp;amp; Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm&lt;br /&gt;
&lt;br /&gt;
== Return to ==	&lt;br /&gt;
&lt;br /&gt;
Return to [[ESAT Personalities V]]&lt;br /&gt;
&lt;br /&gt;
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]&lt;br /&gt;
&lt;br /&gt;
Return to [[The ESAT Entries]]&lt;br /&gt;
&lt;br /&gt;
Return to [[Main Page]]&lt;/div&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
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