Entertainments - Revision history

Satj: Redirected page to Entertainment

2019-01-19T04:55:36Z

Redirected page to Entertainment

Satj at 04:07, 19 January 2019

2019-01-19T04:07:05Z

Satj at 04:04, 19 January 2019

2019-01-19T04:04:42Z

Satj at 04:01, 19 January 2019

2019-01-19T04:01:12Z

Satj at 03:57, 19 January 2019

2019-01-19T03:57:23Z

Satj at 03:39, 19 January 2019

2019-01-19T03:39:17Z

Satj at 05:05, 9 June 2015

2015-06-09T05:05:52Z

Satj at 05:05, 9 June 2015

2015-06-09T05:05:34Z

Satj at 05:05, 9 June 2015

2015-06-09T05:05:12Z

Satj at 04:12, 9 June 2015

2015-06-09T04:12:36Z

← Older revision		Revision as of 04:55, 19 January 2019
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−	[[Entertainment]] is a specific term most prominent in the 19th century and used to refer to presentations by such (mainly English, or Anglicised) institutions such as military garrisons, amateur theatrical companies, high schools, some lodges and student associations - .	+	#REDIRECT[[Entertainment]]
−
−
−	[[Dramatic Entertainments]] is a generic term popular in the 19th century, usually referring to any for of dramatic presentation, often of an [[Amateur\|amateur]] nature, where a group of theatre-lovers or literary enthusiasts, who meet for the purpose of discussing and undertaking dramatised readings or even performances of plays, poems and narratives, either for their members or for the public.
−
−	~~Other terms associated with this concept include [[Playreading Groups]], [[Playreading Clubs]].~~
−
−	~~In some cases referred to as [[Dramatic Entertainments]] (e.g. ).~~
−
−	~~For information on specific groups by this name, see the [[Bloemfontein Literary and Scientific Society]] and '''[[Bloemfontein theatre in the 19thC]]'''~~
−
−	~~See also [[Theatrical Entertainments]]~~
−
−	~~== Sources ==~~
−
−	~~[[P.J. du Toit]], 1988[JH]~~
−
−	~~Go to the [[ESAT Bibliography]]~~
−
−	~~== Return to ==~~
−
−
−	~~Return to [[The South African Context/General Terminology and Thematic Entries]]~~
−
−	~~Return to [[South African Theatre/Terminology and Thematic Entries]]~~
−
−	~~Return to [[South_African_Theatre/Venues\|South African Theatre Venues, Companies, Societies, etc ]]~~
−
−	~~Return to [[The ESAT Entries]]~~
−
−	~~Return to [[Main Page]]~~
−
−
−	The programmes were a mixed bag, with comic dialogues, short plays, musical turns, comic songs, tableaux, and the like often made up part of such an evening of "entertainment". On occasion they consisted of more serious literary fare and were given more suitable names, e.g. ''[[Mr Hill's Literary Entertainment]]'' of the late 1840s, ''[[Dramatic and Musical Entertainments]]'' by [[Mrs Greig]] (1851), etc.
−
−	However there is strong evidence that a similar kind of event was also prevalent among [[Dutch]] and [[Afrikaans]] communities in the 19th century, though possibly slightly more . (See also [[Debating societies]]) The [[Afrikaans]] programmes initially used the English term in parenthesis - i.e. "Entertainment" , but gradually came to employ an [[Afrikaans]] term [[Concert\|Konsert]] - i.e.:"[[Concert]]" - for the same idea. In the early 20th century [[Concert\|Konserte]] (in this sense) were very popular and the term was even transferred to English (e.g. the "school concert").
−
−	In the mid 1860s the [[Garrison Theatre]] versions of Dramatic Entertainments (e.g. those put on by the 1st battalion of the [[9th Regiment]], Cape Town), began to contain gymnastic acts as well, and were thus sometimes styled ''[[Dramatic and Gymnastic Entertainments]]''.
−
−
−	~~(TH)~~
−
−
−	~~== Return to ==~~
−
−	~~Return to [[South_African_Theatre/Themes\|South African Theatre Terminology and Thematic Entries]]~~
−
−	~~Return to [[The ESAT Entries]]~~
−
−	~~Return to [[Main Page~~]]

← Older revision		Revision as of 04:07, 19 January 2019
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−	A specific term used to refer to ~~annual~~ presentations by such (mainly English, or Anglicised) institutions such as military garrisons, high schools some lodges and student associations ~~in the 19th century~~.	+	[[Entertainment]] is a specific term most prominent in the 19th century and used to refer to presentations by such (mainly English, or Anglicised) institutions such as military garrisons, amateur theatrical companies, high schools, some lodges and student associations - .

← Older revision		Revision as of 04:04, 19 January 2019
Line 1:		Line 1:
	A specific term used to refer to annual presentations by such (mainly English, or Anglicised) institutions such as military garrisons, high schools some lodges and student associations in the 19th century.		A specific term used to refer to annual presentations by such (mainly English, or Anglicised) institutions such as military garrisons, high schools some lodges and student associations in the 19th century.
		+
		+
		+	[[Dramatic Entertainments]] is a generic term popular in the 19th century, usually referring to any for of dramatic presentation, often of an [[Amateur\|amateur]] nature, where a group of theatre-lovers or literary enthusiasts, who meet for the purpose of discussing and undertaking dramatised readings or even performances of plays, poems and narratives, either for their members or for the public.
		+
		+	Other terms associated with this concept include [[Playreading Groups]], [[Playreading Clubs]].
		+
		+	In some cases referred to as [[Dramatic Entertainments]] (e.g. ).
		+
		+	For information on specific groups by this name, see the [[Bloemfontein Literary and Scientific Society]] and '''[[Bloemfontein theatre in the 19thC]]'''
		+
		+	See also [[Theatrical Entertainments]]
		+
		+	== Sources ==
		+
		+	[[P.J. du Toit]], 1988[JH]
		+
		+	Go to the [[ESAT Bibliography]]
		+
		+	== Return to ==
		+
		+
		+	Return to [[The South African Context/General Terminology and Thematic Entries]]
		+
		+	Return to [[South African Theatre/Terminology and Thematic Entries]]
		+
		+	Return to [[South_African_Theatre/Venues\|South African Theatre Venues, Companies, Societies, etc ]]
		+
		+	Return to [[The ESAT Entries]]
		+
		+	Return to [[Main Page]]
		+

	The programmes were a mixed bag, with comic dialogues, short plays, musical turns, comic songs, tableaux, and the like often made up part of such an evening of "entertainment". On occasion they consisted of more serious literary fare and were given more suitable names, e.g. ''[[Mr Hill's Literary Entertainment]]'' of the late 1840s, ''[[Dramatic and Musical Entertainments]]'' by [[Mrs Greig]] (1851), etc.		The programmes were a mixed bag, with comic dialogues, short plays, musical turns, comic songs, tableaux, and the like often made up part of such an evening of "entertainment". On occasion they consisted of more serious literary fare and were given more suitable names, e.g. ''[[Mr Hill's Literary Entertainment]]'' of the late 1840s, ''[[Dramatic and Musical Entertainments]]'' by [[Mrs Greig]] (1851), etc.

← Older revision		Revision as of 04:01, 19 January 2019
Line 1:		Line 1:
−	A specific term used to refer to annual presentations by such mainly English (or Anglicised) institutions such as military garrisons, high schools some lodges and student associations in the 19th century. The programmes were a mixed bag, with comic dialogues, short plays, musical turns, comic songs, tableaux, and the like often made up part of such an evening of "entertainment". On occasion they consisted of more serious literary fare and were given more suitable names, e.g. ''[[Mr Hill's Literary Entertainment]]'' of the late 1840s, ''[[Dramatic and Musical Entertainments]]'' by [[Mrs Greig]] (1851), etc. In the mid 1860s the [[Garrison Theatre]] versions (e.g. by the 1st battalion of the [[9th Regiment]], Cape Town), began to contain gymnastic ~~performances~~ as well, ~~they~~ were sometimes styled ''[[Dramatic and Gymnastic Entertainments]]''~~, etc~~.	+	A specific term used to refer to annual presentations by such (mainly English, or Anglicised) institutions such as military garrisons, high schools some lodges and student associations in the 19th century.
		+
		+	The programmes were a mixed bag, with comic dialogues, short plays, musical turns, comic songs, tableaux, and the like often made up part of such an evening of "entertainment". On occasion they consisted of more serious literary fare and were given more suitable names, e.g. ''[[Mr Hill's Literary Entertainment]]'' of the late 1840s, ''[[Dramatic and Musical Entertainments]]'' by [[Mrs Greig]] (1851), etc.
		+
		+	However there is strong evidence that a similar kind of event was also prevalent among [[Dutch]] and [[Afrikaans]] communities in the 19th century, though possibly slightly more . (See also [[Debating societies]]) The [[Afrikaans]] programmes initially used the English term in parenthesis - i.e. "Entertainment" , but gradually came to employ an [[Afrikaans]] term [[Concert\|Konsert]] - i.e.:"[[Concert]]" - for the same idea. In the early 20th century [[Concert\|Konserte]] (in this sense) were very popular and the term was even transferred to English (e.g. the "school concert").
		+
		+	In the mid 1860s the [[Garrison Theatre]] versions of Dramatic Entertainments (e.g. those put on by the 1st battalion of the [[9th Regiment]], Cape Town), began to contain gymnastic acts as well, and were thus sometimes styled ''[[Dramatic and Gymnastic Entertainments]]''.

−	However there is also strong evidence that the same kind of event was prevalent among [[Dutch]] and [[Afrikaans]] communities. (See also [[Debating societies]]) The [[Afrikaans]] programmes initially used the English term in parenthesis - i.e. "Entertainment" , but gradually came to employ an [[Afrikaans]] term [[Concert\|Konsert]] - i.e.:"[[Concert]]" - for the same idea. In the early 20th century [[Concert\|Konserte]] (in this sense) were very popular and the term was even transferred to English (e.g. the "school concert").

	(TH)		(TH)

← Older revision		Revision as of 03:57, 19 January 2019
Line 1:		Line 1:
−	A specific term used to refer to annual presentations by such mainly English (or Anglicised) institutions such as military garrisons, high schools some lodges and student associations in the 19th century. The programmes were a mixed bag, with comic dialogues, short plays, musical turns, comic songs, tableaux, and the like often made up part of such an evening of "entertainment". On occasion they consisted of more serious literary fare and were given more suitable names, e.g. ''[[Mr Hill's Literary Entertainment]]'' of the late 1840s, ~~[[Mrs Greig]]'s~~ ''[[Dramatic and Musical Entertainments]]'' in 1851, etc., or they ~~contained more popular vaudeville style acts and burlesques, with names like~~ ''[[Dramatic and Gymnastic Entertainments]]'', etc.	+	A specific term used to refer to annual presentations by such mainly English (or Anglicised) institutions such as military garrisons, high schools some lodges and student associations in the 19th century. The programmes were a mixed bag, with comic dialogues, short plays, musical turns, comic songs, tableaux, and the like often made up part of such an evening of "entertainment". On occasion they consisted of more serious literary fare and were given more suitable names, e.g. ''[[Mr Hill's Literary Entertainment]]'' of the late 1840s, ''[[Dramatic and Musical Entertainments]]'' by [[Mrs Greig]] (1851), etc. In the mid 1860s the [[Garrison Theatre]] versions (e.g. by the 1st battalion of the [[9th Regiment]], Cape Town), began to contain gymnastic performances as well, they were sometimes styled ''[[Dramatic and Gymnastic Entertainments]]'', etc.

	However there is also strong evidence that the same kind of event was prevalent among [[Dutch]] and [[Afrikaans]] communities. (See also [[Debating societies]]) The [[Afrikaans]] programmes initially used the English term in parenthesis - i.e. "Entertainment" , but gradually came to employ an [[Afrikaans]] term [[Concert\|Konsert]] - i.e.:"[[Concert]]" - for the same idea. In the early 20th century [[Concert\|Konserte]] (in this sense) were very popular and the term was even transferred to English (e.g. the "school concert").		However there is also strong evidence that the same kind of event was prevalent among [[Dutch]] and [[Afrikaans]] communities. (See also [[Debating societies]]) The [[Afrikaans]] programmes initially used the English term in parenthesis - i.e. "Entertainment" , but gradually came to employ an [[Afrikaans]] term [[Concert\|Konsert]] - i.e.:"[[Concert]]" - for the same idea. In the early 20th century [[Concert\|Konserte]] (in this sense) were very popular and the term was even transferred to English (e.g. the "school concert").

← Older revision		Revision as of 03:39, 19 January 2019
Line 1:		Line 1:
−	A specific term used to refer to annual presentations by such mainly English (or Anglicised) institutions such as military garrisons, high schools some lodges and student associations in the 19th century. The programmes were a mixed bag, with comic dialogues, short plays, musical turns, comic songs, tableaux, and the like often made up part of such an evening of "entertainment". On occasion they consisted of more serious literary fare and were given more suitable names, e.g. ''[[Mr Hill's Literary Entertainment]]'' of the late 1840s ~~and~~ [[Mrs Greig]]'s ''[[Dramatic and Musical Entertainments]]'' in 1851.	+	A specific term used to refer to annual presentations by such mainly English (or Anglicised) institutions such as military garrisons, high schools some lodges and student associations in the 19th century. The programmes were a mixed bag, with comic dialogues, short plays, musical turns, comic songs, tableaux, and the like often made up part of such an evening of "entertainment". On occasion they consisted of more serious literary fare and were given more suitable names, e.g. ''[[Mr Hill's Literary Entertainment]]'' of the late 1840s, [[Mrs Greig]]'s ''[[Dramatic and Musical Entertainments]]'' in 1851, etc., or they contained more popular vaudeville style acts and burlesques, with names like ''[[Dramatic and Gymnastic Entertainments]]'', etc.

	However there is also strong evidence that the same kind of event was prevalent among [[Dutch]] and [[Afrikaans]] communities. (See also [[Debating societies]]) The [[Afrikaans]] programmes initially used the English term in parenthesis - i.e. "Entertainment" , but gradually came to employ an [[Afrikaans]] term [[Concert\|Konsert]] - i.e.:"[[Concert]]" - for the same idea. In the early 20th century [[Concert\|Konserte]] (in this sense) were very popular and the term was even transferred to English (e.g. the "school concert").		However there is also strong evidence that the same kind of event was prevalent among [[Dutch]] and [[Afrikaans]] communities. (See also [[Debating societies]]) The [[Afrikaans]] programmes initially used the English term in parenthesis - i.e. "Entertainment" , but gradually came to employ an [[Afrikaans]] term [[Concert\|Konsert]] - i.e.:"[[Concert]]" - for the same idea. In the early 20th century [[Concert\|Konserte]] (in this sense) were very popular and the term was even transferred to English (e.g. the "school concert").

← Older revision		Revision as of 05:05, 9 June 2015
Line 1:		Line 1:
−	A specific term used to refer to annual presentations by such mainly English (or Anglicised) institutions such as military garrisons, high schools some lodges and student associations in the 19th century. The programmes were a mixed bag, with comic dialogues, short plays, musical turns, comic songs, tableaux, and the like often made up part of such an evening of "entertainment". On occasion they consisted of more serious literary fare and were given more suitable names, e.g. [[Mr Hill's Literary Entertainment]]'' of the late 1840s and [[Mrs Greig]]'s ''[[Dramatic and Musical Entertainments]]'' in 1851.	+	A specific term used to refer to annual presentations by such mainly English (or Anglicised) institutions such as military garrisons, high schools some lodges and student associations in the 19th century. The programmes were a mixed bag, with comic dialogues, short plays, musical turns, comic songs, tableaux, and the like often made up part of such an evening of "entertainment". On occasion they consisted of more serious literary fare and were given more suitable names, e.g. ''[[Mr Hill's Literary Entertainment]]'' of the late 1840s and [[Mrs Greig]]'s ''[[Dramatic and Musical Entertainments]]'' in 1851.

	However there is also strong evidence that the same kind of event was prevalent among [[Dutch]] and [[Afrikaans]] communities. (See also [[Debating societies]]) The [[Afrikaans]] programmes initially used the English term in parenthesis - i.e. "Entertainment" , but gradually came to employ an [[Afrikaans]] term [[Concert\|Konsert]] - i.e.:"[[Concert]]" - for the same idea. In the early 20th century [[Concert\|Konserte]] (in this sense) were very popular and the term was even transferred to English (e.g. the "school concert").		However there is also strong evidence that the same kind of event was prevalent among [[Dutch]] and [[Afrikaans]] communities. (See also [[Debating societies]]) The [[Afrikaans]] programmes initially used the English term in parenthesis - i.e. "Entertainment" , but gradually came to employ an [[Afrikaans]] term [[Concert\|Konsert]] - i.e.:"[[Concert]]" - for the same idea. In the early 20th century [[Concert\|Konserte]] (in this sense) were very popular and the term was even transferred to English (e.g. the "school concert").

← Older revision		Revision as of 04:12, 9 June 2015
Line 1:		Line 1:
−	A specific term used to refer to annual presentations by such mainly English (or Anglicised) institutions such as military garrisons, high schools some lodges and student associations in the 19th century. The programmes were a mixed bag, with comic dialogues, short plays, musical turns, comic songs, tableaux, and the like often made up part of such an evening of "entertainment". On occasion they consisted of more serious literary fare and were given more suitable names, e.g. [[T.P. Hill]]'s ''[[Literary Entertainments]]'' of the ~~1850s~~.	+	A specific term used to refer to annual presentations by such mainly English (or Anglicised) institutions such as military garrisons, high schools some lodges and student associations in the 19th century. The programmes were a mixed bag, with comic dialogues, short plays, musical turns, comic songs, tableaux, and the like often made up part of such an evening of "entertainment". On occasion they consisted of more serious literary fare and were given more suitable names, e.g. [[T.P. Hill]]'s ''[[Literary Entertainments]]'' of the late 1840s.

	However there is also strong evidence that the same kind of event was prevalent among [[Dutch]] and [[Afrikaans]] communities. (See also [[Debating societies]]) The [[Afrikaans]] programmes initially used the English term in parenthesis - i.e. "Entertainment" , but gradually came to employ an [[Afrikaans]] term [[Concert\|Konsert]] - i.e.:"[[Concert]]" - for the same idea. In the early 20th century [[Concert\|Konserte]] (in this sense) were very popular and the term was even transferred to English (e.g. the "school concert").		However there is also strong evidence that the same kind of event was prevalent among [[Dutch]] and [[Afrikaans]] communities. (See also [[Debating societies]]) The [[Afrikaans]] programmes initially used the English term in parenthesis - i.e. "Entertainment" , but gradually came to employ an [[Afrikaans]] term [[Concert\|Konsert]] - i.e.:"[[Concert]]" - for the same idea. In the early 20th century [[Concert\|Konserte]] (in this sense) were very popular and the term was even transferred to English (e.g. the "school concert").