Emil Nofal - Revision history

Satj: /* CREDITS */

2022-01-27T15:14:08Z

CREDITS

Satj: /* Sources */

2022-01-27T15:11:17Z

Sources

Satj: /* Sources */

2022-01-27T14:55:59Z

Sources

Satj: /* Sources */

2022-01-27T14:55:42Z

Sources

Satj: /* Biography */

2022-01-27T14:52:56Z

Biography

Satj at 14:51, 27 January 2022

2022-01-27T14:51:20Z

Satj at 14:47, 27 January 2022

2022-01-27T14:47:42Z

Fogterop at 15:58, 1 October 2020

2020-10-01T15:58:13Z

Fogterop at 15:57, 1 October 2020

2020-10-01T15:57:17Z

Fogterop at 08:31, 19 November 2017

2017-11-19T08:31:16Z

@@ Line 17: / Line 17: @@
 '''FEATURES''' (as director)
-Song of Africa (1951), Rip Van Wyk (1960) (+ Screenplay with [[Jamie Uys]] & Original Story), Hou Die Blink Kant Bo (1960) (+ Story), Voor Sononder (1962) (+ Producer & Story), Kimberley Jim (1963) (+ Producer & Screenplay), King Hendrik (1965)  (+ Producer & Screenplay), Wild Season (1967) (+ Writer), The Winners (1972) (Directed with [[Roy Sargeant]]) (+ Producer & Writer), You're In The Movies (1985) (+ Screenplay with Peter Dulay), You Gotta Be Crazy! (Directed with [[Dirk de Villiers]]/1986) (+ Written with [[Robert Lewis]] & Larry Kulpath)
+Song of Africa (1951), Rip Van Wyk (1960) (+ Screenplay with [[Jamie Uys]] & Original Story), Hou Die Blink Kant Bo (1960) (+ Story), Voor Sononder (1962) (+ Producer & Story), Kimberley Jim (1963) (+ Producer & Screenplay), King Hendrik (1965)  (+ Producer & Screenplay), Wild Season (1967) (+ Writer), ''[[The Winners]]'' (1972, directed with [[Roy Sargeant]], also producer and writer), You're In The Movies (1985) (+ Screenplay with Peter Dulay), You Gotta Be Crazy! (Directed with [[Dirk de Villiers]]/1986) (+ Written with [[Robert Lewis]] & Larry Kulpath)
 '''FEATURES''' (as producer only)
-Die Kandidaat ([[Jans Rautenbach]]/1968), Katrina ([[Jans Rautenbach]]/1969), Ongewenste Vreemdeling ([[Jans Rautenbach]]/1974), Kniediep... ([[Roy Sargeant]] & [[Joe Stewardson]]/1975) (Executive Producer), Die Vyfde Seisoen ([[Gordon Vorster]]/1979), The Riverman ([[Ivan Hall]]/1983)
+[[Die Kandidaat]] ([[Jans Rautenbach]]/1968), [[Katrina]] ([[Jans Rautenbach]]/1969), [[Ongewenste Vreemdeling]] ([[Jans Rautenbach]]/1974), [[Kniediep...]] ([[Roy Sargeant]] and [[Joe Stewardson]]/1975) (Executive Producer), [[Die Vyfde Seisoen]] ([[Gordon Vorster]]/1979), [[The Riverman]] ([[Ivan Hall]]/1983)
 '''FEATURES''' (as writer only)

@@ Line 53: / Line 53: @@
 == Sources ==
-[[André I. le Roux]] and [[Lilla Fourie]].  ''Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm''
+[[André I. le Roux]] and [[Lilla Fourie]].  1982. ''Filmverlede: geskiedenis van die Suid-Afrikaanse  speelfilm''. Pretoria: [[Universiteit van Suid-Afrika]], 1982
 ''[[Personality]]'', 23 October 1969 (Article by [[Vera Barrett]])

@@ Line 53: / Line 53: @@
 == Sources ==
-[[André I le Roux]] and [[Lilla Fourie]].  ''Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm''
+[[André I. le Roux]] and [[Lilla Fourie]].  ''Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm''
 ''[[Personality]]'', 23 October 1969 (Article by [[Vera Barrett]])

@@ Line 53: / Line 53: @@
 == Sources ==
-Le Roux, André I. & Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm
+[[André I le Roux]] and [[Lilla Fourie]].  ''Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm''
-Personality, 23 October 1969 (Article by Vera Barrett)
+''[[Personality]]'', 23 October 1969 (Article by [[Vera Barrett]])
-Personality, 30 June 1972) (Article by Ronald Fraser MacDonald)
+''[[Personality]]'', 30 June 1972) (Article by [[Ronald Fraser MacDonald]])
 http://www.imdb.com/name/nm0633953/?ref_=fn_nm_nm_1
 == Return to ==

@@ Line 3: / Line 3: @@
 ==Biography==
-Born  of Lebanese parentage in Fordsburg, Johannesburg, on 21 April, 1926, .  .
+Born  of Lebanese parentage in Fordsburg, Johannesburg, on 21 April, 1926.
 He died in Johannesburg on 17 July, 1986.
 ==Contribution to SA theatre, film, media and/or performance==

← Older revision		Revision as of 14:51, 27 January 2022
Line 1:		Line 1:
		+	[[Emil Nofal]] (1926-1986) was a film writer, director, editor and producer.

−	~~(b.~~ Fordsburg, Johannesburg, 21~~/04/~~1926 ~~- d~~. Johannesburg, ~~17/07/~~1986). ~~Director~~, ~~producer, screenwriter, editor. Of Lebanese parentage~~, Emil Nofal was only 13 when he began work in the film processing laboratory at [[Killarney Film Studios]], but became one of South Africa's key filmmakers of the 1960s and 70s. He started as an editor (not always credited) with [[African Film Productions]], became a scriptwriter and then directed a number of documentaries (usually for government departments and parastatals) and features, first for AFP and then for [[Jamie Uys Rolprentproduksies]].	+	==Biography==
		+
		+	Born of Lebanese parentage in Fordsburg, Johannesburg, on 21 April, 1926, . .
		+
		+	He died in Johannesburg on 17 July, 1986.
		+
		+	==Contribution to SA theatre, film, media and/or performance==
		+
		+	Emil Nofal was only 13 when he began work in the film processing laboratory at [[Killarney Film Studios]], but became one of South Africa's key filmmakers of the 1960s and 70s. He started as an editor (not always credited) with [[African Film Productions]], became a scriptwriter and then directed a number of documentaries (usually for government departments and parastatals) and features, first for AFP and then for [[Jamie Uys Rolprentproduksies]].

	In 1965 he launched his own production company, [[Emil Nofal Films]], based at [[Lone Hill Studios]] in Bryanston, which was responsible for, amongst others, [[King Hendrik]] (1965) and [[Wild Season]] (1967). Subsequently he teamed up with [[Jans Rautenbach]] and produced this director’s [[Die Kandidaat]] (1968), [[Katrin]]a (1969) and [[Ongewenste vreemdeling]] (1974). While Nofal’s choice of what were then considered controversial themes often attracted criticism from conservative quarters, both Uys and Rautenbach always acknowledged his influence and steadfast support. His later work was less interesting.		In 1965 he launched his own production company, [[Emil Nofal Films]], based at [[Lone Hill Studios]] in Bryanston, which was responsible for, amongst others, [[King Hendrik]] (1965) and [[Wild Season]] (1967). Subsequently he teamed up with [[Jans Rautenbach]] and produced this director’s [[Die Kandidaat]] (1968), [[Katrin]]a (1969) and [[Ongewenste vreemdeling]] (1974). While Nofal’s choice of what were then considered controversial themes often attracted criticism from conservative quarters, both Uys and Rautenbach always acknowledged his influence and steadfast support. His later work was less interesting.

← Older revision		Revision as of 14:47, 27 January 2022
Line 1:		Line 1:

−	(b. Fordsburg, Johannesburg, 21/04/1926 - d. Johannesburg, 17/07/1986). Director, producer, screenwriter, editor. Of Lebanese parentage, Emil Nofal was only 13 when he began work in the film processing laboratory at [[Killarney Film Studios]], but became one of South Africa's key filmmakers of the 1960s and 70s. He started as an editor (not always credited) with [[African Film Productions]], became a scriptwriter and then directed a number of documentaries (usually for government departments and parastatals) and features, first for AFP and then for [[Jamie Uys Rolprentproduksies]]. In 1965 he launched his own production company, based at [[Lone Hill Studios]] in Bryanston, which was responsible for, amongst others, [[King Hendrik]] (1965) and [[Wild Season]] (1967). Subsequently he teamed up with [[Jans Rautenbach]] and produced this director’s [[Die Kandidaat]] (1968), [[Katrin]]a (1969) and [[Ongewenste vreemdeling]] (1974). While Nofal’s choice of what were then considered controversial themes often attracted criticism from conservative quarters, both Uys and Rautenbach always acknowledged his influence and steadfast support. His later work was less interesting.	+	(b. Fordsburg, Johannesburg, 21/04/1926 - d. Johannesburg, 17/07/1986). Director, producer, screenwriter, editor. Of Lebanese parentage, Emil Nofal was only 13 when he began work in the film processing laboratory at [[Killarney Film Studios]], but became one of South Africa's key filmmakers of the 1960s and 70s. He started as an editor (not always credited) with [[African Film Productions]], became a scriptwriter and then directed a number of documentaries (usually for government departments and parastatals) and features, first for AFP and then for [[Jamie Uys Rolprentproduksies]].
		+
		+	In 1965 he launched his own production company, [[Emil Nofal Films]], based at [[Lone Hill Studios]] in Bryanston, which was responsible for, amongst others, [[King Hendrik]] (1965) and [[Wild Season]] (1967). Subsequently he teamed up with [[Jans Rautenbach]] and produced this director’s [[Die Kandidaat]] (1968), [[Katrin]]a (1969) and [[Ongewenste vreemdeling]] (1974). While Nofal’s choice of what were then considered controversial themes often attracted criticism from conservative quarters, both Uys and Rautenbach always acknowledged his influence and steadfast support. His later work was less interesting.

	== CREDITS ==		== CREDITS ==

@@ Line 22: / Line 22: @@
 '''DOCUMENTARIES''' (as director)
-Flocks Of The Veld / Kuddes Op Die Veld (1950), The Twenty Thousand / Die Twintig-Duisend (1953), More Precious Than Gold / Kosbaarder As Goud (1953), The Call Of The Karroo (1954), Melodies of Africa (1954), Tickets Please! / Kaartjies Asseblief! (1955), Fishermen of Skeleton Coast / Die Vissers Van Die Dode Kus (1956), The White South Africans / Die Blanke Suid-Afrikaners (1965)
+Flocks Of The Veld / Kuddes Op Die Veld (1950), The Twenty Thousand / Die Twintig-Duisend (1953), More Precious Than Gold / Kosbaarder As Goud (1953), The Call Of The Karroo (1954), Melodies of Africa (1955), Tickets Please! / Kaartjies Asseblief! (1955), Fishermen of Skeleton Coast / Die Vissers Van Die Dode Kus (1956), The White South Africans / Die Blanke Suid-Afrikaners (1965)
 '''DOCUMENTARIES''' (as producer)

@@ Line 10: / Line 10: @@
 '''FEATURES''' (as producer only)
-Die Kandidaat ([[Jans Rautenbach]]/1968), Katrina ([[Jans Rautenbach]]/1969), Ongewenste Vreemdeling ([[Jans Rautenbach]]/1974), Kniediep... ([[Roy Sargeant]] & [[Joe Stewardson]]/1975) (Executive Producer), Die Vyfde Seisoen ([[Gordon Vorster]]/1979), The Riverman ([[Ivan Hall]]/1983) (Produced with [[Boet Troskie]])
+Die Kandidaat ([[Jans Rautenbach]]/1968), Katrina ([[Jans Rautenbach]]/1969), Ongewenste Vreemdeling ([[Jans Rautenbach]]/1974), Kniediep... ([[Roy Sargeant]] & [[Joe Stewardson]]/1975) (Executive Producer), Die Vyfde Seisoen ([[Gordon Vorster]]/1979), The Riverman ([[Ivan Hall]]/1983)
 '''FEATURES''' (as writer only)
-Altyd In My Drome ([[Al Debbo]]/1952) (Idea with L. Oberholzer), Inspan ([[Bladon Peake]]/1953) (Story with [[Paul Dreiske]] & [[Gordon Vorster]]), Tom, Dirk En Herrie ([[Al Debbo]]/1962) (Story & Screenplay), Lord Oom Piet ([[Jamie Uys]]/1962) (Story & Screenplay with [[Jamie Uys]]), Die Kandidaat ([[Jans Rautenbach]]/1968) (Story & Screenplay with [[Jans Rautenbach]]), Die Wit Sluier ([[Dirk de Villiers]]/1973) (Screenplay with [[Dirk de Villiers]]), Sonja ([[Daan Retief]]/1978) (Original Story), The Riverman ([[Ivan Hall]]/1983) (Screenplay), Die Groen Faktor ([[Koos Roets]]/1984) (Screenplay with [[Marie du Toit]] & Story)
+Altyd In My Drome ([[Al Debbo]]/1952) (Idea with L. Oberholzer), Inspan ([[Bladon Peake]]/1953) (Story with [[Paul Dreiske]] & [[Gordon Vorster]]), Tom, Dirk En Herrie ([[Al Debbo]]/1962) (Story & Screenplay), Lord Oom Piet ([[Jamie Uys]]/1962) (Story & Screenplay with [[Jamie Uys]]), Die Kandidaat ([[Jans Rautenbach]]/1968) (Story & Screenplay with [[Jans Rautenbach]]), Die Wit Sluier ([[Dirk de Villiers]]/1973) (Screenplay with [[Dirk de Villiers]]), Sonja ([[Daan Retief]]/1978) (Original Story), The Riverman ([[Ivan Hall]]/1983) (Story), Die Groen Faktor ([[Koos Roets]]/1984) (Screenplay with [[Marie du Toit]] & Story)
 '''FEATURES''' (as editor only)