ESAT Bibliography Y - Revision history

Miriamt at 07:04, 1 April 2017

2017-04-01T07:04:13Z

Miriamt at 09:11, 3 October 2013

2013-10-03T09:11:35Z

Satj at 07:08, 28 January 2013

2013-01-28T07:08:37Z

Miriamt at 09:54, 25 June 2012

2012-06-25T09:54:06Z

Miriamt at 08:43, 25 June 2012

2012-06-25T08:43:28Z

Miriamt at 10:10, 5 September 2011

2011-09-05T10:10:06Z

Miriamt at 14:40, 12 July 2011

2011-07-12T14:40:40Z

Miriamt at 12:16, 1 July 2011

2011-07-01T12:16:41Z

Miriamt at 14:16, 21 April 2011

2011-04-21T14:16:04Z

Miriamt at 13:40, 18 April 2011

2011-04-18T13:40:35Z

@@ Line 16: / Line 16: @@
 [[O. Yai|Yai, O.]] 1989. Issues in oral poetry: criticism, teaching and translation, in [[K. Barber|Barber, K.]] & [[P.F. de Moraes Farias|De Moraes Farias, P.F.]] (eds.). ''Discourse and Its Disguises: The Interpretation of African Oral Texts''. Birmingham: University of Birmingham. Centre of West African Sudies.
-[[S.S. Yani|Yani, S.S.]] 1999. Ugcaleka ubuyile: Accents of culture: aspects of Raymond Williams's theory of culture in relation to South African drama. Unpublished master's thesis. Johannesburg: University of the Witwatersrand.
+[[S.S. Yani|Yani, S.S.]] 1999. ''[[Ugcaleka Ubuyile|Ugcaleka ubuyile]]'': Accents of culture: aspects of Raymond Williams's theory of culture in relation to South African drama. Unpublished master's thesis. Johannesburg: University of the Witwatersrand.
 [[R.S. Yates|Yates, R.S.]] 1963. Lighting equipment for modern theatre. ''South African Electrical Review'', 54(545):41-45.

@@ Line 36: / Line 36: @@
 [[Robert C. Young|Young, Robert C.]] 1995. ''Colonial Desire: Hybridity in Theory, Culture and Race''. London: Routledge.
-[[S. Young|Young, S.]] 2010. ''Anthony and Cleopatra'': theatre reviews (A review of Antony and Cleopatra, directed by [[Marthinus Basson]] and performed at the [[Maynardville]] Open-air Theatre, Cape Town, during January and February, 2010). ''Shakespeare in Southern Africa'', 22:45-47.
+[[S. Young|Young, S.]] 2010. ''[[Antony and Cleopatra|Anthony and Cleopatra]]'': theatre reviews (A review of ''Antony and Cleopatra'', directed by [[Marthinus Basson]] and performed at the [[Maynardville]] Open-air Theatre, Cape Town, during January and February, 2010). ''Shakespeare in Southern Africa'', 22:45-47.
 Young, Toby 2002. Colonial condescension. ''[[The Mysteries]]''. Reviewed in: ''The Spectator'', 9 March:59.

@@ Line 3: / Line 3: @@
 [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]]
 [[ESAT Bibliography Z|Z]]
 Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 [[O. Yai|Yai, O.]] 1989. Issues in oral poetry: criticism, teaching and translation, in [[K. Barber|Barber, K.]] & [[P.F. de Moraes Farias|De Moraes Farias, P.F.]] (eds.). ''Discourse and Its Disguises: The Interpretation of African Oral Texts''. Birmingham: University of Birmingham. Centre of West African Sudies.

← Older revision		Revision as of 09:54, 25 June 2012
Line 12:		Line 12:

	[[S.S. Yani\|Yani, S.S.]] 1999. Ugcaleka ubuyile: Accents of culture: aspects of Raymond Williams's theory of culture in relation to South African drama. Unpublished master's thesis. Johannesburg: University of the Witwatersrand.		[[S.S. Yani\|Yani, S.S.]] 1999. Ugcaleka ubuyile: Accents of culture: aspects of Raymond Williams's theory of culture in relation to South African drama. Unpublished master's thesis. Johannesburg: University of the Witwatersrand.
−
−	~~Yankah, Victor 2011. Shuttle theatre as theatre for conflict resolution: the CILTAD/Agoro experience in Ghana. ''[[South African Theatre Journal]]'', 25:197-207.~~

	[[R.S. Yates\|Yates, R.S.]] 1963. Lighting equipment for modern theatre. ''South African Electrical Review'', 54(545):41-45.		[[R.S. Yates\|Yates, R.S.]] 1963. Lighting equipment for modern theatre. ''South African Electrical Review'', 54(545):41-45.

← Older revision		Revision as of 08:43, 25 June 2012
Line 12:		Line 12:

	[[S.S. Yani\|Yani, S.S.]] 1999. Ugcaleka ubuyile: Accents of culture: aspects of Raymond Williams's theory of culture in relation to South African drama. Unpublished master's thesis. Johannesburg: University of the Witwatersrand.		[[S.S. Yani\|Yani, S.S.]] 1999. Ugcaleka ubuyile: Accents of culture: aspects of Raymond Williams's theory of culture in relation to South African drama. Unpublished master's thesis. Johannesburg: University of the Witwatersrand.
		+
		+	Yankah, Victor 2011. Shuttle theatre as theatre for conflict resolution: the CILTAD/Agoro experience in Ghana. ''[[South African Theatre Journal]]'', 25:197-207.

	[[R.S. Yates\|Yates, R.S.]] 1963. Lighting equipment for modern theatre. ''South African Electrical Review'', 54(545):41-45.		[[R.S. Yates\|Yates, R.S.]] 1963. Lighting equipment for modern theatre. ''South African Electrical Review'', 54(545):41-45.

← Older revision		Revision as of 10:10, 5 September 2011
Line 22:		Line 22:

	[[Miranda Eleanor Young\|Young, Miranda Eleanor]] 1997. Gender dynamics and the role of participatory/development theatre in post-apartheid South Africa : the example of [[DramAidE]]. Unpublished master's thesis. Durban: Universtity of Natal.		[[Miranda Eleanor Young\|Young, Miranda Eleanor]] 1997. Gender dynamics and the role of participatory/development theatre in post-apartheid South Africa : the example of [[DramAidE]]. Unpublished master's thesis. Durban: Universtity of Natal.
		+
		+	[[Miranda Young-Jahangeer\|Young-Jahangeer, Miranda]] 2005. Bringing in to play: investigating the appropriation of Prison Theatre in Westville Female prison, KwaZulu-Natal (2000-2004). ''[[South African Theatre Journal]]'', 19:143-156.

	[[Miranda Young-Jahangeer\|Young-Jahangeer, Miranda]] 2007. A Luta Continua: a responsive intervention in Warwick Triangle Durban. ''[[South African Theatre Journal]]'', 21:135-148.		[[Miranda Young-Jahangeer\|Young-Jahangeer, Miranda]] 2007. A Luta Continua: a responsive intervention in Warwick Triangle Durban. ''[[South African Theatre Journal]]'', 21:135-148.

← Older revision		Revision as of 14:40, 12 July 2011
Line 30:		Line 30:

	[[S. Young\|Young, S.]] 2010. ''Anthony and Cleopatra'': theatre reviews (A review of Antony and Cleopatra, directed by [[Marthinus Basson]] and performed at the [[Maynardville]] Open-air Theatre, Cape Town, during January and February, 2010). ''Shakespeare in Southern Africa'', 22:45-47.		[[S. Young\|Young, S.]] 2010. ''Anthony and Cleopatra'': theatre reviews (A review of Antony and Cleopatra, directed by [[Marthinus Basson]] and performed at the [[Maynardville]] Open-air Theatre, Cape Town, during January and February, 2010). ''Shakespeare in Southern Africa'', 22:45-47.
		+
		+	Young, Toby 2002. Colonial condescension. ''[[The Mysteries]]''. Reviewed in: ''The Spectator'', 9 March:59.

	[[Janni Younge\|Younge, Janni]] 2007. Creating resonance in emptiness with visual theatre : how the metaphorical potential of puppets, objects and images in theatre can be used to explore the constructed nature of reality and the complexity of the self. Unpublished master's thesis. Cape Town: University of Cape Town.		[[Janni Younge\|Younge, Janni]] 2007. Creating resonance in emptiness with visual theatre : how the metaphorical potential of puppets, objects and images in theatre can be used to explore the constructed nature of reality and the complexity of the self. Unpublished master's thesis. Cape Town: University of Cape Town.

← Older revision		Revision as of 12:16, 1 July 2011
Line 34:		Line 34:

	[[Gillian Carol Yudelman\|Yudelman, Gillian Carol]] 1983. From protest to exile : the writings of [[J. Arthur Maimane]]. Unpublished master's thesis. Johannesburg: University of the Witwatersrand.		[[Gillian Carol Yudelman\|Yudelman, Gillian Carol]] 1983. From protest to exile : the writings of [[J. Arthur Maimane]]. Unpublished master's thesis. Johannesburg: University of the Witwatersrand.
		+
		+	[[Yvonne Bryceland]], in Herber, Avril 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: Bateleur. 26-32.

← Older revision		Revision as of 14:16, 21 April 2011
Line 28:		Line 28:

	[[Robert C. Young\|Young, Robert C.]] 1995. ''Colonial Desire: Hybridity in Theory, Culture and Race''. London: Routledge.		[[Robert C. Young\|Young, Robert C.]] 1995. ''Colonial Desire: Hybridity in Theory, Culture and Race''. London: Routledge.
		+
		+	[[S. Young\|Young, S.]] 2010. ''Anthony and Cleopatra'': theatre reviews (A review of Antony and Cleopatra, directed by [[Marthinus Basson]] and performed at the [[Maynardville]] Open-air Theatre, Cape Town, during January and February, 2010). ''Shakespeare in Southern Africa'', 22:45-47.

	[[Janni Younge\|Younge, Janni]] 2007. Creating resonance in emptiness with visual theatre : how the metaphorical potential of puppets, objects and images in theatre can be used to explore the constructed nature of reality and the complexity of the self. Unpublished master's thesis. Cape Town: University of Cape Town.		[[Janni Younge\|Younge, Janni]] 2007. Creating resonance in emptiness with visual theatre : how the metaphorical potential of puppets, objects and images in theatre can be used to explore the constructed nature of reality and the complexity of the self. Unpublished master's thesis. Cape Town: University of Cape Town.

← Older revision		Revision as of 13:40, 18 April 2011
Line 6:		Line 6:
	Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]		Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]

		+
		+	[[Yael Farber]]: drama 2003. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 148-149.

	[[O. Yai\|Yai, O.]] 1989. Issues in oral poetry: criticism, teaching and translation, in [[K. Barber\|Barber, K.]] & [[P.F. de Moraes Farias\|De Moraes Farias, P.F.]] (eds.). ''Discourse and Its Disguises: The Interpretation of African Oral Texts''. Birmingham: University of Birmingham. Centre of West African Sudies.		[[O. Yai\|Yai, O.]] 1989. Issues in oral poetry: criticism, teaching and translation, in [[K. Barber\|Barber, K.]] & [[P.F. de Moraes Farias\|De Moraes Farias, P.F.]] (eds.). ''Discourse and Its Disguises: The Interpretation of African Oral Texts''. Birmingham: University of Birmingham. Centre of West African Sudies.