ESAT Bibliography Wem-Wil - Revision history

Satj at 03:33, 23 May 2025

2025-05-23T03:33:00Z

Satj at 03:29, 23 May 2025

2025-05-23T03:29:07Z

Satj at 06:45, 29 September 2021

2021-09-29T06:45:23Z

Satj at 14:52, 20 February 2018

2018-02-20T14:52:57Z

Satj at 13:03, 1 August 2017

2017-08-01T13:03:23Z

Satj at 13:01, 1 August 2017

2017-08-01T13:01:37Z

Satj at 12:57, 1 August 2017

2017-08-01T12:57:54Z

Satj at 12:57, 1 August 2017

2017-08-01T12:57:12Z

Satj at 12:55, 1 August 2017

2017-08-01T12:55:49Z

Satj at 12:52, 1 August 2017

2017-08-01T12:52:20Z

@@ Line 91: / Line 91: @@
 [[E. de B. Wilmot|Wilmot, E. de B.]] 1951. [[Johannesburg Repertory Theatre|Rep]]’s new theatre has everything. ''[[Outspan]]'', 48(1274):22. July 27.
 Click on the appropriate letters of the alphabet in the sub-list below.
@@ Line 98: / Line 100: @@
 [[ESAT Bibliography Waa-Wal|Waa-Wal]] [[ESAT Bibliography Wam-Wel|Wam-Wel]] [[ESAT Bibliography Wem-Wil|Wem-Wil]] [[ESAT Bibliography Wim-Woo|Wim-Woo]] [[ESAT Bibliography Wop-Wz|Wop-Wz]]
-To return to any other letter, click on the list below
+''To return to any other letter''
 [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]]
 Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]

@@ Line 9: / Line 9: @@
 Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
+==The list==
 Wenzel, Jennifer 2005. Voices of spectral and textual ancestors: reading Tiyo Soga alongside [[H.I.E. Dhlomo]]'s ''[[The Girl Who Killed to Save]]'' (1). ''Research in African Literatures'', 36(1):51+.
@@ Line 31: / Line 31: @@
 [[L. Weston|Weston, L.]] 1954. They keep our theatre alive. ''[[Spotlight]]'', 6-9. September.
-[[Kevin J. Wetmore|Wetmore, Kevin J.]] 2002. ''The Athenian sun in an African sky : modern African adaptations of classical Greek tragedy''. Jefferson, N. C.: McFarland.
+[[Kevin J. Wetmore|Wetmore, Kevin J.]] 2002. ''The Athenian sun in an African sky: modern African adaptations of classical Greek tragedy''. Jefferson, N. C.: McFarland.
 [[Kevin J. Wetmore|Wetmore, Kevin J.]] 2005. ''[[Exits and Entrances]]'', by [[Athol Fugard]]; ''[[Nothing But the Truth]]'' by [[John Kani]]. Reviewed in: ''Theatre Journal'', 57(2):269-272.

← Older revision		Revision as of 06:45, 29 September 2021
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	[[Owen Williams\|Williams, Owen]] 1969. Theatre fermenting. ''[[Times]]'', 27 October:xvi.		[[Owen Williams\|Williams, Owen]] 1969. Theatre fermenting. ''[[Times]]'', 27 October:xvi.
		+
		+	[[Owen Williams\|Williams, Owen]] 1970. Boycitts, censorship, middle-class tastes are drawbacks of South African theatre. ''[[Cape Argus]]'', 28 March.

	[[Pat Williams\|Williams, Pat]] 2017. ''King Kong: Our Knot of Time and Music''. Cape Town: [[Jonathan Ball Publishers]].		[[Pat Williams\|Williams, Pat]] 2017. ''King Kong: Our Knot of Time and Music''. Cape Town: [[Jonathan Ball Publishers]].

← Older revision		Revision as of 14:52, 20 February 2018
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	"[[Wilma Stockenström]]", in [[Avril Herber\|Herber, Avril]] 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: Bateleur. 142-144.		"[[Wilma Stockenström]]", in [[Avril Herber\|Herber, Avril]] 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: Bateleur. 142-144.
		+
		+	[[Alexander Wilmot\|Wilmot, A.]] and [[John Centlivres Chase\|Chase, John Centlivres]]. 1869 ''History of the Colony of the Cape of Good Hope''. ("From its discovery to the year 1819" by A. Wilmot; "From 1820 to 1868" by John Centlivres Chase). London: Longmans, Green Reader and Dyer/Cape Town: Juta and Co.

	[[E. de B. Wilmot\|Wilmot, E. de B.]] 1951. [[Johannesburg Repertory Theatre\|Rep]]’s new theatre has everything. ''[[Outspan]]'', 48(1274):22. July 27.		[[E. de B. Wilmot\|Wilmot, E. de B.]] 1951. [[Johannesburg Repertory Theatre\|Rep]]’s new theatre has everything. ''[[Outspan]]'', 48(1274):22. July 27.

@@ Line 83: / Line 83: @@
 [[Guy Willoughby|Willoughby, Guy]] 1995. Abroad on the boards: a new-look [[Fiona Ramsay]] faces the international limelight. ''[[Style]]'', 17(7): 64-67.
-[[Wilma Stockenström]], in Herber, Avril 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: Bateleur. 142-144.
+"[[Wilma Stockenström]]", in [[Avril Herber|Herber, Avril]] 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: Bateleur. 142-144.
 [[E. de B. Wilmot|Wilmot, E. de B.]] 1951. [[Johannesburg Repertory Theatre|Rep]]’s new theatre has everything. ''[[Outspan]]'', 48(1274):22. July 27.

@@ Line 13: / Line 13: @@
 Wenzel, Jennifer 2005. Voices of spectral and textual ancestors: reading Tiyo Soga alongside [[H.I.E. Dhlomo]]'s ''[[The Girl Who Killed to Save]]'' (1). ''Research in African Literatures'', 36(1):51+.
-Wenzel, Marita 2003. Appropriating space and transcending boundaries in ''The Africa House'' by Christina Lamb and ''Ways of Dying'' by [[Zakes Mda]]. ''Journal of Literary Studies'', 19(3-4):316=330.
+Wenzel, Marita 2003. Appropriating space and transcending boundaries in ''The Africa House'' by Christina Lamb and ''Ways of Dying'' by [[Zakes Mda]]. ''[[Journal of Literary Studies]]'', 19(3-4):316=330.
 [[Albert Wertheim|Wertheim, Albert]] 1986. The darkness of bondage, the freedom of light: [[Athol Fugard]]’s ''[[The Road to Mecca]]''. ''Essays in Theatre'', 5(1):15-25.
@@ Line 25: / Line 25: @@
 [[Albert Wertheim|Wertheim, Albert]] 2000. ''The Dramatic Art of [[Athol Fugard]]: From South Africa to the World''. Bloomington: Indiana University Press.
-[[I. Wessels|Wessels, I.]] 1976. Toegewyd en afgerond – dis [[Wilna Snyman|Wilna]]. ''Sarie Marais'', 27(23):109-111. May 5.
+[[I. Wessels|Wessels, I.]] 1976. Toegewyd en afgerond – dis [[Wilna Snyman|Wilna]]. ''[[Sarie Marais]]'', 27(23):109-111. May 5.
-[[I. Wessels|Wessels, I.]] 1978. [[Anna Neethling-Pohl]], ‘n porttret. ''Sarie'', 29(20):42-46. April 5.
+[[I. Wessels|Wessels, I.]] 1978. [[Anna Neethling-Pohl]], ‘n porttret. ''[[Sarie]]'', 29(20):42-46. April 5.
-[[L. Weston|Weston, L.]] 1954. They keep our theatre alive. ''Spotlight'', 6-9. September.
+[[L. Weston|Weston, L.]] 1954. They keep our theatre alive. ''[[Spotlight]]'', 6-9. September.
 [[Kevin J. Wetmore|Wetmore, Kevin J.]] 2002. ''The Athenian sun in an African sky : modern African adaptations of classical Greek tragedy''. Jefferson, N. C.: McFarland.
@@ Line 35: / Line 35: @@
 [[Kevin J. Wetmore|Wetmore, Kevin J.]] 2005. ''[[Exits and Entrances]]'', by [[Athol Fugard]]; ''[[Nothing But the Truth]]'' by [[John Kani]]. Reviewed in: ''Theatre Journal'', 57(2):269-272.
-[[Violet Wetherell|Wetherell, Violet]] 1940. Wenke vir amateuropvoerings: hoe [[Leontine Sagan]] reperteer. ''Huisgenoot'', 25(959):22. Augustus 9.
+[[Violet Wetherell|Wetherell, Violet]] 1940. Wenke vir amateuropvoerings: hoe [[Leontine Sagan]] reperteer. ''[[Huisgenoot]]'', 25(959):22. Augustus 9.
 [[R. Whitaker|Whitaker, R.]] 1981. Dimoetes to ''[[Dimetos]]'': the evolution of myth: (literary criticism of Fugard’s ''[[Dimetos]]''). ''[[English Studies in Africa]]'', 24:45-59.
-[[R.D. Whales|Whales, R.D.]] 1974. Young playmakers. ''South African Panorama'', 19(3):36-37. March.
+[[R.D. Whales|Whales, R.D.]] 1974. Young playmakers. ''[[South African Panorama]]'', 19(3):36-37. March.
-[[L. White|White, L.]] 1982. Power and the Praise Poem. ''Journal of Southern African Studies'', 9:1.
+[[L. White|White, L.]] 1982. Power and the Praise Poem. ''[[Journal of Southern African Studies]]'', 9:1.
 [[L. White|White, L.]] 1989. Poetic licence: oral poetry and history, in Barber, K. and de Moraes Farias, P.F. (eds.). ''Discourse and Its Disguises: The Interpretation of African Oral Texts''. Birmingham: Birmingham University African Studies Series No. 1.
@@ Line 47: / Line 47: @@
 [[Landag White|White, Landeg]] and [[Tim Couzens|Couzens, Tim]]  1984.  ''Literature and Society in South Africa''.  Cape Town: Maskew Miller Longman.
-[[Audrey Whitehouse|Whitehouse, Audrey]] 1985. [[Port Elizabeth Shakespearean Festival]]: the first 25 years. ''Education and  Culure'', 8(3):8-10.
+[[Audrey Whitehouse|Whitehouse, Audrey]] 1985. [[Port Elizabeth Shakespearean Festival]]: the first 25 years. ''[[Education and  Culure]]'', 8(3):8-10.
 [[Wilmien Wicomb|Wicomb, Wilmien]] & [[Paul Cilliers|Cilliers, Paul]] 2004. Die soektog na die etiese moment in die teater. ''[[South African Theatre Journal]]'', 18:159-183.
-[[Zoë Wicomb|Wicomb, Zoë]] 2005. My name is HannaH: Arthur Nortje Memorial Lecture. (''[[Kanna, hy kô Hystoe]]'') ''English Academy Review'', 22(1):
+[[Zoë Wicomb|Wicomb, Zoë]] 2005. My name is HannaH: Arthur Nortje Memorial Lecture. (''[[Kanna, hy kô Hystoe]]'') ''[[English Academy Review]]'', 22(1):
 [[R. Wiehahn|Wiehahn, R.]] 1964. ''[[Marionet aan die Muur]]'', by H. de Klerk. Reviewed in: ''[[Tydskrif vir Geesteswetenskappe]]'' 4(3):
-[[R. Wiehahn|Wiehahn, R.]] 1982. [[Bartho Smit]], in ''Perspektief en Profiel'', edited by P.J. Nienaber. 5th ed. Johannesburg: Perskor.
+[[R. Wiehahn|Wiehahn, R.]] 1982. [[Bartho Smit]], in ''Perspektief en Profiel'', edited by P.J. Nienaber. 5th ed. Johannesburg: [[Perskor]].
 [[Ivor Wilkens|Wilkens, Ivor]] and [[Hans Strydom|Strydom, Hans]] 1980.  ''Die Super Afrikaners''. Johannesburg: Ball.
@@ Line 67: / Line 67: @@
 [[Hein Willemse|Willemse, Hein]] 2012. Huldeblyk: [[Willie Adams]] (1951-2012). ''[[Tydskrif vir Letterkunde]]'', 49(2}:160-162.
-[[Jan Willemsen|Willemsen, Jan]] 1946. Waarlik, Mnr Huguenet! ''Trek'', 10(16):15.
+[[Jan Willemsen|Willemsen, Jan]] 1946. Waarlik, Mnr Huguenet! ''[[Trek]]'', 10(16):15.
-[[Cecil Williams|Williams, Cecil]] 1951. Profile of Gwen Ffrangcon Davies. ''Trek'', 15(12):6-7.
+[[Cecil Williams|Williams, Cecil]] 1951. Profile of Gwen Ffrangcon Davies. ''[[Trek]]'', 15(12):6-7.
-[[Clifford Williams|Williams, Clifford]] 1955. Theatre goes to the dorps. ''Milady'', 19(7):24.
+[[Clifford Williams|Williams, Clifford]] 1955. Theatre goes to the dorps. ''[[Milady]]'', 19(7):24.
-[[J.J. Williams|Williams, J.J.]] 1995. Report of the Arts and Culture Task Group presented to the Minister of Arts, Culture, Science and Technology. ''Critical Arts'', 10(1):107.
+[[J.J. Williams|Williams, J.J.]] 1995. Report of the Arts and Culture Task Group presented to the Minister of Arts, Culture, Science and Technology. ''[[Critical Arts]]'', 10(1):107.
 [[Owen Williams|Williams, Owen]] 1965. Theatre in South Africa. ''[[Contrast]]'', 4(1) 59-68.
-[[Owen Williams|Williams, Owen]] 1969. Theatre fermenting. ''Times'', 27 October:xvi.
+[[Owen Williams|Williams, Owen]] 1969. Theatre fermenting. ''[[Times]]'', 27 October:xvi.
 [[Pat Williams|Williams, Pat]] 2017. ''King Kong: Our Knot of Time and Music''. Cape Town: [[Jonathan Ball Publishers]].
-[[Guy Willoughby|Willoughby, Guy]] 1995. Abroad on the boards: a new-look [[Fiona Ramsay]] faces the international limelight. ''Style'', 17(7): 64-67.
+[[Guy Willoughby|Willoughby, Guy]] 1995. Abroad on the boards: a new-look [[Fiona Ramsay]] faces the international limelight. ''[[Style]]'', 17(7): 64-67.
 [[Wilma Stockenström]], in Herber, Avril 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: Bateleur. 142-144.
-[[E. de B. Wilmot|Wilmot, E. de B.]] 1951. [[Johannesburg Repertory Theatre|Rep]]’s new theatre has everything. Outspan, 48(1274):22. July 27.
+[[E. de B. Wilmot|Wilmot, E. de B.]] 1951. [[Johannesburg Repertory Theatre|Rep]]’s new theatre has everything. ''[[Outspan]]'', 48(1274):22. July 27.

← Older revision		Revision as of 12:57, 1 August 2017
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−	Wenzel, Jennifer 2005. Voices of spectral and textual ancestors: reading Tiyo Soga alongside [[H. I. E. Dhlomo]]'s ''[[The Girl Who Killed to Save]]'' (1). ''Research in African Literatures'', 36(1):51+.	+	Wenzel, Jennifer 2005. Voices of spectral and textual ancestors: reading Tiyo Soga alongside [[H.I.E. Dhlomo]]'s ''[[The Girl Who Killed to Save]]'' (1). ''Research in African Literatures'', 36(1):51+.

	Wenzel, Marita 2003. Appropriating space and transcending boundaries in ''The Africa House'' by Christina Lamb and ''Ways of Dying'' by [[Zakes Mda]]. ''Journal of Literary Studies'', 19(3-4):316=330.		Wenzel, Marita 2003. Appropriating space and transcending boundaries in ''The Africa House'' by Christina Lamb and ''Ways of Dying'' by [[Zakes Mda]]. ''Journal of Literary Studies'', 19(3-4):316=330.