ESAT Bibliography Tea-Tho - Revision history

Satj at 04:33, 6 October 2022

2022-10-06T04:33:12Z

Satj at 04:23, 17 December 2021

2021-12-17T04:23:53Z

Satj at 04:13, 17 December 2021

2021-12-17T04:13:55Z

Satj at 03:43, 17 December 2021

2021-12-17T03:43:39Z

Satj at 03:42, 17 December 2021

2021-12-17T03:42:49Z

Miriamt at 08:03, 20 November 2018

2018-11-20T08:03:29Z

Miriamt at 07:39, 20 November 2018

2018-11-20T07:39:32Z

Satj at 08:49, 11 November 2014

2014-11-11T08:49:55Z

Satj at 08:49, 11 November 2014

2014-11-11T08:49:24Z

Miriamt at 10:45, 27 February 2014

2014-02-27T10:45:01Z

← Older revision		Revision as of 04:33, 6 October 2022
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	Theatre complex : the final stage. 1984. ''Construction Southern Africa'', 29(8):30-33.		Theatre complex : the final stage. 1984. ''Construction Southern Africa'', 29(8):30-33.
		+
		+
		+	[[Theatre for Africa]]. (n.d.) ''The Complete Plays of Nicholas Ellenbogen and Theatre for Africa'' (4 volumes). Claremont, Cape Town.

	The theatre in South Africa: comprehensive survey of English, Afrikaans and Black theatre. 1977/78. ''Theatre Quarterly'', 7:43-95.		The theatre in South Africa: comprehensive survey of English, Afrikaans and Black theatre. 1977/78. ''Theatre Quarterly'', 7:43-95.

← Older revision		Revision as of 04:23, 17 December 2021
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	Theatrical masterpiece – [[Alexander Theatre]]: leading project. 2007. ''Leading Architecture and Design'', 25(7/8):6-8, 10, 13-15.		Theatrical masterpiece – [[Alexander Theatre]]: leading project. 2007. ''Leading Architecture and Design'', 25(7/8):6-8, 10, 13-15.
		+
		+	[[Chinua Thelwell\|Thelwell, Chinua]]. 2012. ''Nothing Now Goes Down But Burnt Cork: Blackface Minstrelsy and Ethnic Impersonation in South Africa'', Proquest, Umi Dissertation Publishing.

	[[Chinua Thelwell\|Thelwell, Chinua]]. 2013. "The young men must blacken their faces": The Blackface Minstrel Show in Preindustrial South Africa. ''The Drama Review'' (1988-) Vol. 57, No. 2, "Routes of Blackface": Special Issue (Summer 2013), pp. 66-85 (20 pages)		[[Chinua Thelwell\|Thelwell, Chinua]]. 2013. "The young men must blacken their faces": The Blackface Minstrel Show in Preindustrial South Africa. ''The Drama Review'' (1988-) Vol. 57, No. 2, "Routes of Blackface": Special Issue (Summer 2013), pp. 66-85 (20 pages)

← Older revision		Revision as of 04:13, 17 December 2021
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	[[Chinua Thelwell\|Thelwell, Chinua]]. 2013. "The young men must blacken their faces": The Blackface Minstrel Show in Preindustrial South Africa. ''The Drama Review'' (1988-) Vol. 57, No. 2, "Routes of Blackface": Special Issue (Summer 2013), pp. 66-85 (20 pages)		[[Chinua Thelwell\|Thelwell, Chinua]]. 2013. "The young men must blacken their faces": The Blackface Minstrel Show in Preindustrial South Africa. ''The Drama Review'' (1988-) Vol. 57, No. 2, "Routes of Blackface": Special Issue (Summer 2013), pp. 66-85 (20 pages)
		+
		+	[[Chinua Thelwell\|Thelwell, Chinua]] (ed). 2016. ''Theater and Cultural Politics for a New World''. Routledge
		+
		+	[[Chinua Thelwell\|Thelwell, Chinua]] (ed). 2020. ''Exporting Jim Crow: Blackface Minstrelsy in South Africa and Beyond''. University of Massachusetts Press.

	[[A. Theron\|Theron, A.]] 1974. ''[[Germanicus]]'': [[N.P. van Wyk Louw]]: lettere en sosiale wetenskappe. ''Unie'', 68(5):		[[A. Theron\|Theron, A.]] 1974. ''[[Germanicus]]'': [[N.P. van Wyk Louw]]: lettere en sosiale wetenskappe. ''Unie'', 68(5):

@@ Line 59: / Line 59: @@
 Theatrical masterpiece – [[Alexander Theatre]]: leading project. 2007.  ''Leading Architecture and Design'', 25(7/8):6-8, 10, 13-15.
-[[Chinua Thelwell|Thelwell, Chinua]]. 2013. "The young men must blacken their faces": The Blackface Minstrel Show in Preindustrial South Africa. ''[[The Drama Review]]'' (1988-) Vol. 57, No. 2, "Routes of Blackface": Special Issue (Summer 2013), pp. 66-85 (20 pages)
+[[Chinua Thelwell|Thelwell, Chinua]]. 2013. "The young men must blacken their faces": The Blackface Minstrel Show in Preindustrial South Africa. ''The Drama Review'' (1988-) Vol. 57, No. 2, "Routes of Blackface": Special Issue (Summer 2013), pp. 66-85 (20 pages)
 [[A. Theron|Theron, A.]] 1974. ''[[Germanicus]]'': [[N.P. van Wyk Louw]]: lettere en sosiale wetenskappe. ''Unie'', 68(5):

← Older revision		Revision as of 03:42, 17 December 2021
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	Theatrical masterpiece – [[Alexander Theatre]]: leading project. 2007. ''Leading Architecture and Design'', 25(7/8):6-8, 10, 13-15.		Theatrical masterpiece – [[Alexander Theatre]]: leading project. 2007. ''Leading Architecture and Design'', 25(7/8):6-8, 10, 13-15.
		+
		+	[[Chinua Thelwell\|Thelwell, Chinua]]. 2013. "The young men must blacken their faces": The Blackface Minstrel Show in Preindustrial South Africa. ''[[The Drama Review]]'' (1988-) Vol. 57, No. 2, "Routes of Blackface": Special Issue (Summer 2013), pp. 66-85 (20 pages)

	[[A. Theron\|Theron, A.]] 1974. ''[[Germanicus]]'': [[N.P. van Wyk Louw]]: lettere en sosiale wetenskappe. ''Unie'', 68(5):		[[A. Theron\|Theron, A.]] 1974. ''[[Germanicus]]'': [[N.P. van Wyk Louw]]: lettere en sosiale wetenskappe. ''Unie'', 68(5):

@@ Line 33: / Line 33: @@
 [[Hugo Theart|Theart, Hugo]] 2009. I.A.T.C. Colloquium – Amsterdam, 17-20 June 2009. ''[[South African Theatre Journal]]'', 23:235-240.
-[[Hugo Theart|Theart, Francois Hugo]] 2013. Die funksies en vereistes van die resensiewese in ’n veranderende bedryf: teaterkritiek en die nuwe media. Stellenbosch: University of Stellenbosch (M.Dram.-thesis).
+[[Hugo Theart|Theart, Francois Hugo]] 2013. Die funksies en vereistes van die resensiewese in ’n veranderende bedryf: teaterkritiek en die nuwe media. Unpublished master's thesis. Stellenbosch: Stellenbsoch University.
 Theatre: an exciting season for [[Baxter Theatre|Baxter]] ’83. 1983. ''[[Scenaria]]'', (37):32-34.

← Older revision		Revision as of 07:39, 20 November 2018
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	[[Hugo Theart\|Theart, Hugo]] 2009. I.A.T.C. Colloquium – Amsterdam, 17-20 June 2009. ''[[South African Theatre Journal]]'', 23:235-240.		[[Hugo Theart\|Theart, Hugo]] 2009. I.A.T.C. Colloquium – Amsterdam, 17-20 June 2009. ''[[South African Theatre Journal]]'', 23:235-240.
		+
		+	[[Hugo Theart\|Theart, Francois Hugo]] 2013. Die funksies en vereistes van die resensiewese in ’n veranderende bedryf: teaterkritiek en die nuwe media. Stellenbosch: University of Stellenbosch (M.Dram.-thesis).

	Theatre: an exciting season for [[Baxter Theatre\|Baxter]] ’83. 1983. ''[[Scenaria]]'', (37):32-34.		Theatre: an exciting season for [[Baxter Theatre\|Baxter]] ’83. 1983. ''[[Scenaria]]'', (37):32-34.

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 Ten years of the [[Leonard Schach]] [[Cockpit Players]]. 1960. ''South African Panorama'', 5(7):20-21. July.
-[[Erika Terblanche|Terblanche, Erika]] (2014)  [[Gerhard J. Beukes]] (1913–1998). [[LitNet]] (2014-08-21)
+[[Erika Terblanche|Terblanche, Erika]] (2014)  [[Gerhard J. Beukes]] (1913–1998). ''[[LitNet]]'' (2014-08-21)
 [[Nic Terblanche|Terblanche, Nic]] 2003. The Performing Arts and Marketing: Concepts and challenges. ''[[South African Theatre Journal]]'', 17:153-176.

← Older revision		Revision as of 08:49, 11 November 2014
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	Ten years of the [[Leonard Schach]] [[Cockpit Players]]. 1960. ''South African Panorama'', 5(7):20-21. July.		Ten years of the [[Leonard Schach]] [[Cockpit Players]]. 1960. ''South African Panorama'', 5(7):20-21. July.
		+
		+	[[Erika Terblanche\|Terblanche, Erika]] (2014) [[Gerhard J. Beukes]] (1913–1998). [[LitNet]] (2014-08-21)

	[[Nic Terblanche\|Terblanche, Nic]] 2003. The Performing Arts and Marketing: Concepts and challenges. ''[[South African Theatre Journal]]'', 17:153-176.		[[Nic Terblanche\|Terblanche, Nic]] 2003. The Performing Arts and Marketing: Concepts and challenges. ''[[South African Theatre Journal]]'', 17:153-176.

← Older revision		Revision as of 10:45, 27 February 2014
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	[[Nic Terblanche\|Terblanche, Nic]] 2003. The Performing Arts and Marketing: Concepts and challenges. ''[[South African Theatre Journal]]'', 17:153-176.		[[Nic Terblanche\|Terblanche, Nic]] 2003. The Performing Arts and Marketing: Concepts and challenges. ''[[South African Theatre Journal]]'', 17:153-176.
		+
		+	Terblanche, Rian & Broodryk, Chris 2014. From the distributed self to the expanded self: gay identity and shifting subject–object positions in online and offline performance. ''[[South African Theatre Journal]]'', 27(1):42-60.

	[[Paddy Terry\|Terry Paddy]] 1982. [[John Norman]]. ''[[SAADYT Journal]]'', 3(2):3-7.		[[Paddy Terry\|Terry Paddy]] 1982. [[John Norman]]. ''[[SAADYT Journal]]'', 3(2):3-7.