ESAT Bibliography Taa-Taz - Revision history

Satj: /* The list */

2026-06-22T04:42:50Z

The list

Satj at 04:41, 22 June 2026

2026-06-22T04:41:38Z

Satj at 06:46, 1 May 2022

2022-05-01T06:46:38Z

Miriamt at 12:38, 1 October 2013

2013-10-01T12:38:40Z

Miriamt at 12:38, 1 October 2013

2013-10-01T12:38:10Z

Miriamt at 14:23, 11 June 2013

2013-06-11T14:23:29Z

Miriamt at 11:48, 20 September 2011

2011-09-20T11:48:14Z

Miriamt at 11:46, 20 September 2011

2011-09-20T11:46:34Z

Miriamt at 12:40, 7 September 2011

2011-09-07T12:40:03Z

Miriamt at 12:36, 7 September 2011

2011-09-07T12:36:55Z

@@ Line 13: / Line 13: @@
 Tait, Barbara Campbell 1947. ''Cape Cameos''. Cape Town: Stewart. (First theatre, 124-130).
-Take six [new faces in South African theatre]. 1970. ''Fair Lady'', 6(20):64-73. November 25.
+Take six [new faces in South African theatre]. 1970. ''[[Fair Lady]]'', 6(20):64-73. November 25.
 [[Pieter Geoffrey Taljaard|Taljaard, Pieter Geoffrey]] 2009. The state of professional drama in the Free State: an investigation into professional drama more than 10 years post re-structuring of the Free State Performing Arts Council ([[PACOFS]]). Unpublished master’s thesis. Bloemfontein: University of the Free State.
-[[S. Taljaard|Taljaard, S.]] 1983. Teatertegnici. ''My Loopbaan'', 34:51-54.
+[[S. Taljaard|Taljaard, S.]] 1983. Teatertegnici. ''[[My Loopbaan]]'', 34:51-54.
 [[Acty Tang|Tang, Cheong Wai Acty]] 2005. Gazing at horror : body performance in the wake of mass social trauma. Unpublished master’s thesis. Grahamstown: Rhodes University.
@@ Line 25: / Line 25: @@
 [[Myer Taub|Taub, Myer]] 2010. The practical epistemology in ''seeing'' oneself while ''listening'' to others. ''[[South African Theatre Journal]]'', 24:155-174.
-[[Taubie Kushlick]]. 1943. ''Playtime'', (31):13.
+[[Taubie Kushlick]]. 1943. ''[[Playtime]]'', (31):13.
-[[Taubie Kushlick]]. 1959. ''Femina and Woman's Life'', November 26:73.
+[[Taubie Kushlick]]. 1959. ''[[Femina and Woman's Life]]'', November 26:73.
-[[Taubie Kushlick]]: dedicated to the stage. 1960. ''South African Panorama'', 5(2):4-5.
+[[Taubie Kushlick]]: dedicated to the stage. 1960. ''[[South African Panorama]]'', 5(2):4-5.
-[[N. Taunton|Taunton N.]] 2001. Camp scenes and generals: Shakespeare's Henry V and the State of the Art of War. ''Shakespeare in Southern Africa'', 13:41.
+[[N. Taunton|Taunton N.]] 2001. Camp scenes and generals: Shakespeare's Henry V and the State of the Art of War. ''[[Shakespeare in Southern Africa]]'', 13:41.
 [[Anne Taylor|Taylor, Anne]] 1984. Durban’s new [[Playhouse|theatre]] complex. ''[[Scenaria]]'', (47):23-25.
@@ Line 56: / Line 56: @@
 [[Norah Taylor|Taylor, Norah]] 1994. The play's the thing. ''[[Crux]]'', 28(1):23.
 ==Return to==

@@ Line 9: / Line 9: @@
 Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 Tait, Barbara Campbell 1947. ''Cape Cameos''. Cape Town: Stewart. (First theatre, 124-130).
@@ Line 36: / Line 37: @@
 [[Jane Taylor|Taylor, Jane]] 2003. Taking stock: the making of a bourgeois life – The ''[[Confessions of Zeno]]''. ''[[South African Theatre Journal]]'', 17:234-244.
-[[Jane Taylor|Taylor, Jane]] (ed.) 2009. ''[[Handspring Puppet Company]]''. Parkwood, South Africa : David Krut Pub.
+[[Jane Taylor|Taylor, Jane]] (ed.) 2009. ''[[Handspring Puppet Company]]''. Parkwood, South Africa : [[David Krut Publishers]].
-[[Jane Taylor|Taylor, Jane]] 2009. The relationship between things and beings. ([[Handspring Puppet Company]]) ''Art South Africa'', 8(2):70-73.
+[[Jane Taylor|Taylor, Jane]] 2009. The relationship between things and beings. ([[Handspring Puppet Company]]) ''[[Art South Africa]]'', 8(2):70-73.
 [[Mavis Taylor|Taylor, Mavis]] 1984. Improvisation for the actor in training. ''[[Teaterforum]]'', 5(2):72-82.
@@ Line 44: / Line 45: @@
 [[Norah Taylor|Taylor, Norah]] 1960. ''The First Speech Teachers of Southern Africa''. Material collected and Arranged by Norah Taylor. A Booklet published by Taylor, later included in Taylor ''et al'' (1989 - see below).
-[[Norah Taylor|Taylor, Norah]] 1980. Place of drama in education. ''Crux'', 14(1):9-11.
+[[Norah Taylor|Taylor, Norah]] 1980. Place of drama in education. ''[[Crux]]'', 14(1):9-11.
 [[Norah Taylor|Taylor, Norah]] 1986. From small beginnings [speech – study and teaching]. ''Education and Culture'', 19(1):32-33.
-[[Norah Taylor|Taylor, Norah]] 1988. Enriching education. ''Crux'', 22(1):42-44. January.
+[[Norah Taylor|Taylor, Norah]] 1988. Enriching education. ''[[Crux]]'', 22(1):42-44. January.
 [[Norah Taylor|Taylor, Norah]] 1989. ''The History and Development of Children's Theatre in English in South Africa'', by [[Walter Greyvenstein|W.R. Greyvenstein]]. Reviewed in: ''Crux'', 23(1):62-63.
@@ Line 54: / Line 55: @@
 [[Norah Taylor|Taylor, Norah]], in association with [[Sonia de Kock]] (Capstickdale), [[Walter Greyvenstein]] and [[Estelle Lyons]] (Copelyn). 1989. ''Towards a history of the [[South African Guild of Speech and Drama Teachers]]''. Johannesburg: Norah Taylor / The Guild.
-[[Norah Taylor|Taylor, Norah]] 1994. The play's the thing. ''Crux'', 28(1):23.
+[[Norah Taylor|Taylor, Norah]] 1994. The play's the thing. ''[[Crux]]'', 28(1):23.

@@ Line 41: / Line 41: @@
 [[Mavis Taylor|Taylor, Mavis]] 1984. Improvisation for the actor in training. ''[[Teaterforum]]'', 5(2):72-82.
 [[Norah Taylor|Taylor, Norah]] 1980. Place of drama in education. ''Crux'', 14(1):9-11.
@@ Line 50: / Line 52: @@
 [[Norah Taylor|Taylor, Norah]] 1989. ''The History and Development of Children's Theatre in English in South Africa'', by [[Walter Greyvenstein|W.R. Greyvenstein]]. Reviewed in: ''Crux'', 23(1):62-63.
-[[Norah Taylor|Taylor, Norah]] 1989. ''Towards a history of the [[South African Guild of Speech and Drama Teachers]]''. Johannesburg: Norah Taylor / The Guild.
+[[Norah Taylor|Taylor, Norah]], in association with [[Sonia de Kock]] (Capstickdale), [[Walter Greyvenstein]] and [[Estelle Lyons]] (Copelyn). 1989. ''Towards a history of the [[South African Guild of Speech and Drama Teachers]]''. Johannesburg: Norah Taylor / The Guild.
 [[Norah Taylor|Taylor, Norah]] 1994. The play's the thing. ''Crux'', 28(1):23.

@@ Line 38: / Line 38: @@
 [[Jane Taylor|Taylor, Jane]] (ed.) 2009. ''[[Handspring Puppet Company]]''. Parkwood, South Africa : David Krut Pub.
-[[Jane Taylor|Taylor, Jane]] 2009. The relationship between things and beings. ([[Handspring Puppet Compnay]]) ''Art South Africa'', 8(2):70-73.
+[[Jane Taylor|Taylor, Jane]] 2009. The relationship between things and beings. ([[Handspring Puppet Company]]) ''Art South Africa'', 8(2):70-73.
 [[Mavis Taylor|Taylor, Mavis]] 1984. Improvisation for the actor in training. ''[[Teaterforum]]'', 5(2):72-82.

← Older revision		Revision as of 12:38, 1 October 2013
Line 37:		Line 37:

	[[Jane Taylor\|Taylor, Jane]] (ed.) 2009. ''[[Handspring Puppet Company]]''. Parkwood, South Africa : David Krut Pub.		[[Jane Taylor\|Taylor, Jane]] (ed.) 2009. ''[[Handspring Puppet Company]]''. Parkwood, South Africa : David Krut Pub.
		+
		+	[[Jane Taylor\|Taylor, Jane]] 2009. The relationship between things and beings. ([[Handspring Puppet Compnay]]) ''Art South Africa'', 8(2):70-73.

	[[Mavis Taylor\|Taylor, Mavis]] 1984. Improvisation for the actor in training. ''[[Teaterforum]]'', 5(2):72-82.		[[Mavis Taylor\|Taylor, Mavis]] 1984. Improvisation for the actor in training. ''[[Teaterforum]]'', 5(2):72-82.

← Older revision		Revision as of 11:48, 20 September 2011
Line 10:		Line 10:


−	Tait, Barbara Campbell 1947. Cape ~~cameos~~. Cape Town: Stewart. (First theatre, 124-130).	+	Tait, Barbara Campbell 1947. ''Cape Cameos''. Cape Town: Stewart. (First theatre, 124-130).

	Take six [new faces in South African theatre]. 1970. ''Fair Lady'', 6(20):64-73. November 25.		Take six [new faces in South African theatre]. 1970. ''Fair Lady'', 6(20):64-73. November 25.

← Older revision		Revision as of 12:40, 7 September 2011
Line 23:		Line 23:

	[[Taubie Kushlick]]. 1959. ''Femina and Woman's Life'', November 26:73.		[[Taubie Kushlick]]. 1959. ''Femina and Woman's Life'', November 26:73.
		+
		+	[[Taubie Kushlick]]: dedicated to the stage. 1960. ''South African Panorama'', 5(2):4-5.

	[[N. Taunton\|Taunton N.]] 2001. Camp scenes and generals: Shakespeare's Henry V and the State of the Art of War. ''Shakespeare in Southern Africa'', 13:41.		[[N. Taunton\|Taunton N.]] 2001. Camp scenes and generals: Shakespeare's Henry V and the State of the Art of War. ''Shakespeare in Southern Africa'', 13:41.

← Older revision		Revision as of 12:36, 7 September 2011
Line 21:		Line 21:

	[[Myer Taub\|Taub, Myer]] 2010. The practical epistemology in ''seeing'' oneself while ''listening'' to others. ''[[South African Theatre Journal]]'', 24:155-174.		[[Myer Taub\|Taub, Myer]] 2010. The practical epistemology in ''seeing'' oneself while ''listening'' to others. ''[[South African Theatre Journal]]'', 24:155-174.
		+
		+	[[Taubie Kushlick]]. 1959. ''Femina and Woman's Life'', November 26:73.

	[[N. Taunton\|Taunton N.]] 2001. Camp scenes and generals: Shakespeare's Henry V and the State of the Art of War. ''Shakespeare in Southern Africa'', 13:41.		[[N. Taunton\|Taunton N.]] 2001. Camp scenes and generals: Shakespeare's Henry V and the State of the Art of War. ''Shakespeare in Southern Africa'', 13:41.