ESAT Bibliography Ra-Res - Revision history

Satj at 08:29, 11 August 2023

2023-08-11T08:29:05Z

Satj at 08:22, 11 August 2023

2023-08-11T08:22:14Z

Satj at 04:30, 4 March 2023

2023-03-04T04:30:54Z

Satj at 04:29, 4 March 2023

2023-03-04T04:29:07Z

Satj at 15:04, 1 October 2022

2022-10-01T15:04:24Z

Satj at 04:04, 19 April 2017

2017-04-19T04:04:03Z

Miriamt at 13:09, 27 January 2016

2016-01-27T13:09:03Z

Miriamt at 13:08, 27 January 2016

2016-01-27T13:08:28Z

Miriamt at 13:07, 27 January 2016

2016-01-27T13:07:32Z

Satj at 05:15, 26 October 2015

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 [[Almeda K. Rae|Rae, Almeda K.]] 1971. Dialogue and Characterization in the Plays of [[Athol Fugard]]. Unpublished master’s thesis Pretoria: University of Pretoria.
-[[Christiane Rahner|Rahner, Christiane]] 1996. Community theatre and indigenous performance traditions: an introduction to Chicano Theatre, with reference to parallel developments in South Africa. ''Literator: Tydskrif vir Besondere en Vergelykende Taal- en Literatuurstudie/Journal of Literary Criticism, Comparative Linguistics and Literary Studies'', 17(3):61-76,.
+[[Christiane Rahner|Rahner, Christiane]] 1996. Community theatre and indigenous performance traditions: an introduction to Chicano Theatre, with reference to parallel developments in South Africa. ''[[Literator: Tydskrif vir Besondere en Vergelykende Taal- en Literatuurstudie/Journal of Literary Criticism, Comparative Linguistics and Literary Studies]]'', 17(3):61-76,.
 [[Christiane Rahner|Rahner, Christiane]] 2007. “Führt was vor!” Traditionelle “Vorträge” in deutschsprachigen Gemeinden Südafrikas, in Fassel, Horst, Ulrich, Paul S., Schindler, Otto G. (eds.) ''Deutsches Theater im Ausland vom 17. zum 20. Jahrhundert: Interkulturelle Beziehungen in Geschichte und Gegenwart''.  Berlin, Germany: Lit. 267-274.
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 Rebirth of Port Elizabeth’s [[Opera House]]. 1968. ''Architect and Builder'', 18(2):16-19.
-Reddingsdaadbond propaganda and the stage. 1941. ''Forum''. 4(9):28-29.
+Reddingsdaadbond propaganda and the stage. 1941. ''''Forum''''. 4(9):28-29.

← Older revision		Revision as of 08:22, 11 August 2023
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	[[Samuel Ravengai\|Ravengai, Samuel]] 2015. [[African theatre\|African Theatre]]: Why it is important to transpose Western classics. ''The Conversation'' , 26 October[http://theconversation.com/african-theatre-why-its-important-to-transpose-western-dramatic-classics-48777?utm_medium=email&utm_campaign=Latest+from+The+Conversation+for+October+26+2015+-+3700&utm_content=Latest+from+The+Conversation+for+October+26+2015+-+3700+CID_4f054333f1b9043761a488335297040e&utm_source=campaign_monitor_africa&utm_term=African%20theatre%20why%20its%20important%20to%20transpose%20Western%20dramatic%20classics]		[[Samuel Ravengai\|Ravengai, Samuel]] 2015. [[African theatre\|African Theatre]]: Why it is important to transpose Western classics. ''The Conversation'' , 26 October[http://theconversation.com/african-theatre-why-its-important-to-transpose-western-dramatic-classics-48777?utm_medium=email&utm_campaign=Latest+from+The+Conversation+for+October+26+2015+-+3700&utm_content=Latest+from+The+Conversation+for+October+26+2015+-+3700+CID_4f054333f1b9043761a488335297040e&utm_source=campaign_monitor_africa&utm_term=African%20theatre%20why%20its%20important%20to%20transpose%20Western%20dramatic%20classics]
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		+	[[Samuel Ravengai\|Ravengai, Samuel]]. 2023. The Theatre of Displacement and Migration in Southern Africa: Zimbabwe. In: Meerzon, Y., Wilmer, S. (eds) ''The Palgrave Handbook of Theatre and Migration''. Palgrave Macmillan, Cham. [https://doi.org/10.1007/978-3-031-20196-7_32]

	[[A. Ravenscroft\|Ravenscroft, A.]] 1955. Teaching of set books: a play. ''Ons Eie Boek'', 21(1):31-33.		[[A. Ravenscroft\|Ravenscroft, A.]] 1955. Teaching of set books: a play. ''Ons Eie Boek'', 21(1):31-33.

← Older revision		Revision as of 04:30, 4 March 2023
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	[[J.J. Redgrave\|Redgrave, J.J.]] 1947. ''Port Elizabeth in Bygone Days''. Wynberg: Rustica Press.		[[J.J. Redgrave\|Redgrave, J.J.]] 1947. ''Port Elizabeth in Bygone Days''. Wynberg: Rustica Press.
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−	~~[[Zoë Reeve\|Reeve, Zoë]]. ''Spectacles of Participation, Performing amaXhosa Authenticity at the [[National Arts Festival]] of South Africa''~~
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← Older revision	Revision as of 04:29, 4 March 2023
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	+	[[Zoë Reeve\|Reeve, Zoë]]. ''Spectacles of Participation, Performing amaXhosa Authenticity at the [[National Arts Festival]] of South Africa''

← Older revision		Revision as of 15:04, 1 October 2022
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	[[J.J. Redgrave\|Redgrave, J.J.]] 1947. ''Port Elizabeth in Bygone Days''. Wynberg: Rustica Press.		[[J.J. Redgrave\|Redgrave, J.J.]] 1947. ''Port Elizabeth in Bygone Days''. Wynberg: Rustica Press.
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	[[Dennis Reinecke\|Reinecke, Dennis]] 1985. [[Staatsteater]] Pretoria, in [[Temple Hauptfleisch\|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 87-90.		[[Dennis Reinecke\|Reinecke, Dennis]] 1985. [[Staatsteater]] Pretoria, in [[Temple Hauptfleisch\|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 87-90.

← Older revision		Revision as of 04:04, 19 April 2017
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	Reddingsdaadbond propaganda and the stage. 1941. ''Forum''. 4(9):28-29.		Reddingsdaadbond propaganda and the stage. 1941. ''Forum''. 4(9):28-29.
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		+	[[J.J. Redgrave\|Redgrave, J.J.]] 1947. ''Port Elizabeth in Bygone Days''. Wynberg: Rustica Press.

	[[Dennis Reinecke\|Reinecke, Dennis]] 1985. [[Staatsteater]] Pretoria, in [[Temple Hauptfleisch\|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 87-90.		[[Dennis Reinecke\|Reinecke, Dennis]] 1985. [[Staatsteater]] Pretoria, in [[Temple Hauptfleisch\|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 87-90.

← Older revision		Revision as of 13:09, 27 January 2016
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	[[Luc Renders\|Renders, Luc]] 1999. A house divided: ideological conflict in contemporary Afrikaans literature, in [[Johannes A. Smit\|Smit, Johannes A.]] (ed.). ''Body, Identity, Sub-cultures and Repression in Texts from Africa''. Durban: CSSALL. 126-140.		[[Luc Renders\|Renders, Luc]] 1999. A house divided: ideological conflict in contemporary Afrikaans literature, in [[Johannes A. Smit\|Smit, Johannes A.]] (ed.). ''Body, Identity, Sub-cultures and Repression in Texts from Africa''. Durban: CSSALL. 126-140.

−	[[Johannesburg Repertory Players\|Repertory Players]]' success (J.M. Barrie's ''[[Shall We Join the Ladies?]]''; ''[[Rosalind]]''; ''[[The Old Lady ~~Sows~~ Her Medals]]''). 1929. ''Footlights'', 1(4):12.	+	[[Johannesburg Repertory Players\|Repertory Players]]' success (J.M. Barrie's ''[[Shall We Join the Ladies?]]''; ''[[Rosalind]]''; ''[[The Old Lady Shows Her Medals]]''). 1929. ''Footlights'', 1(4):12.

← Older revision		Revision as of 13:08, 27 January 2016
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	[[Luc Renders\|Renders, Luc]] 1999. A house divided: ideological conflict in contemporary Afrikaans literature, in [[Johannes A. Smit\|Smit, Johannes A.]] (ed.). ''Body, Identity, Sub-cultures and Repression in Texts from Africa''. Durban: CSSALL. 126-140.		[[Luc Renders\|Renders, Luc]] 1999. A house divided: ideological conflict in contemporary Afrikaans literature, in [[Johannes A. Smit\|Smit, Johannes A.]] (ed.). ''Body, Identity, Sub-cultures and Repression in Texts from Africa''. Durban: CSSALL. 126-140.

−	[[Johannesburg Repertory Players\|Repertory Players]]' success (J.M. Barrie's ''Shall We Join the Ladies?''; ''Rosalind''; ''The Old Lady Sows Her Medals''). 1929. ''Footlights'', 1(4):12.	+	[[Johannesburg Repertory Players\|Repertory Players]]' success (J.M. Barrie's ''[[Shall We Join the Ladies?]]''; ''[[Rosalind]]''; ''[[The Old Lady Sows Her Medals]]''). 1929. ''Footlights'', 1(4):12.

← Older revision		Revision as of 13:07, 27 January 2016
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	[[Luc Renders\|Renders, Luc]] 1999. A house divided: ideological conflict in contemporary Afrikaans literature, in [[Johannes A. Smit\|Smit, Johannes A.]] (ed.). ''Body, Identity, Sub-cultures and Repression in Texts from Africa''. Durban: CSSALL. 126-140.		[[Luc Renders\|Renders, Luc]] 1999. A house divided: ideological conflict in contemporary Afrikaans literature, in [[Johannes A. Smit\|Smit, Johannes A.]] (ed.). ''Body, Identity, Sub-cultures and Repression in Texts from Africa''. Durban: CSSALL. 126-140.

−	[[Repertory Players]]' success (J.M. Barrie's ''Shall We Join the Ladies?''; ''Rosalind''; ''The Old Lady Sows Her Medals''). 1929. ''Footlights'', 1(4):12.	+	[[Johannesburg Repertory Players\|Repertory Players]]' success (J.M. Barrie's ''Shall We Join the Ladies?''; ''Rosalind''; ''The Old Lady Sows Her Medals''). 1929. ''Footlights'', 1(4):12.

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 [[Elmarie Rautenbach|Rautenbach, Elmarie]] 1999. [[Pieter-Dirk Uys|Pieter-Dirk]] verklap Evita se geheim. ''Insig'', 12/99:24.
-[[Samuel Ravengai|Ravengai, Samuel]] African theatre: Why it is important to transpose Western classics. ''The Conversation'' [http://theconversation.com/african-theatre-why-its-important-to-transpose-western-dramatic-classics-48777?utm_medium=email&utm_campaign=Latest+from+The+Conversation+for+October+26+2015+-+3700&utm_content=Latest+from+The+Conversation+for+October+26+2015+-+3700+CID_4f054333f1b9043761a488335297040e&utm_source=campaign_monitor_africa&utm_term=African%20theatre%20why%20its%20important%20to%20transpose%20Western%20dramatic%20classics]
+[[Samuel Ravengai|Ravengai, Samuel]] 2015. [[African theatre|African Theatre]]: Why it is important to transpose Western classics. ''The Conversation'' , 26 October[http://theconversation.com/african-theatre-why-its-important-to-transpose-western-dramatic-classics-48777?utm_medium=email&utm_campaign=Latest+from+The+Conversation+for+October+26+2015+-+3700&utm_content=Latest+from+The+Conversation+for+October+26+2015+-+3700+CID_4f054333f1b9043761a488335297040e&utm_source=campaign_monitor_africa&utm_term=African%20theatre%20why%20its%20important%20to%20transpose%20Western%20dramatic%20classics]
 [[A. Ravenscroft|Ravenscroft, A.]] 1955. Teaching of set books: a play. ''Ons Eie Boek'', 21(1):31-33.