ESAT Bibliography Pia-Pie - Revision history

Satj at 07:35, 4 July 2015

2015-07-04T07:35:17Z

Satj at 07:34, 4 July 2015

2015-07-04T07:34:55Z

Satj at 07:34, 4 July 2015

2015-07-04T07:34:05Z

Satj at 07:32, 4 July 2015

2015-07-04T07:32:35Z

Miriamt at 13:49, 26 June 2014

2014-06-26T13:49:00Z

Miriamt at 13:48, 26 June 2014

2014-06-26T13:48:09Z

Miriamt at 09:28, 6 September 2013

2013-09-06T09:28:58Z

Miriamt at 12:20, 5 August 2011

2011-08-05T12:20:32Z

Miriamt at 14:21, 12 July 2011

2011-07-12T14:21:13Z

Miriamt at 13:40, 12 July 2011

2011-07-12T13:40:19Z

@@ Line 14: / Line 14: @@
 [[Michael Picardie|Picardie, Michael]] 2009. ''The drama and theatre of two South African plays under apartheid''. Unpublished master's thesis. Aberystwyth: Aberystwyth University.
-[[Michael Picardie|Picardie, Michael]]. 2014. ''Towards a philosophy of theatre inspired by
+[[Michael Picardie|Picardie, Michael]]. 2014. ''Towards a philosophy of theatre inspired by Aristotle’s poetics and post-structuralist aesthetics in relation to three South African plays''.  Unpublished Ph.D. Thesis, University of South Wales.
 [[B. Pienaar|Pienaar, B.]] 1985. Deon: hoe yswind sy gesig verlam het ([[Deon van Zyl]]).  ''[[Huisgenoot]]'', 12-13. Oktober 17.

@@ Line 15: / Line 15: @@
 [[Michael Picardie|Picardie, Michael]]. 2014. ''Towards a philosophy of theatre inspired by
-Aristotle’s poetics and post-structuralist aesthetics in relation to three South African plays''. Unpublished Ph.D. Thesis, University of South Wales.
+Aristotle’s poetics and post-structuralist aesthetics in relation to three South African plays''.  Unpublished Ph.D. Thesis, University of South Wales.
 [[B. Pienaar|Pienaar, B.]] 1985. Deon: hoe yswind sy gesig verlam het ([[Deon van Zyl]]).  ''[[Huisgenoot]]'', 12-13. Oktober 17.

@@ Line 17: / Line 17: @@
 Aristotle’s poetics and post-structuralist aesthetics in relation to three South African plays''. Unpublished Ph.D. Thesis, University of South Wales.
-[[B. Pienaar|Pienaar, B.]] 1985. Deon: hoe yswind sy gesig verlam het ([[Deon van Zyl]]).  ''Huisgenoot'', 12-13. Oktober 17.
+[[B. Pienaar|Pienaar, B.]] 1985. Deon: hoe yswind sy gesig verlam het ([[Deon van Zyl]]).  ''[[Huisgenoot]]'', 12-13. Oktober 17.
-[[B. Pienaar|Pienaar, B.]] 1985. Mooie Amanda: pyn agter die glimlag ([[Amanda Strydom]]). ''Huisgenoot'', 14-15. Julie 25.
+[[B. Pienaar|Pienaar, B.]] 1985. Mooie Amanda: pyn agter die glimlag ([[Amanda Strydom]]). ''[[Huisgenoot]]'', 14-15. Julie 25.
-[[Hans Pienaar|Pienaar, Hans]] 1999.  Die Engelse KKNK...  ''Insig'', 08/99: 41.
+[[Hans Pienaar|Pienaar, Hans]] 1999.  Die Engelse [[KKNK]]...  ''[[Insig]]'', 08/99: 41.
-[[L. Pienaar|Pienaar, L.]] 1951. Gebrek aan dramaturge. ''Helikon'', 1(1):12-14.
+[[L. Pienaar|Pienaar, L.]] 1951. Gebrek aan dramaturge. ''[[Helikon]]'', 1(1):12-14.
-[[L. Pienaar|Pienaar, L.]] 1952. Dramaturg en die regisseur. ''Helikon'', 1(3):88-91.
+[[L. Pienaar|Pienaar, L.]] 1952. Dramaturg en die regisseur. ''[[Helikon]]'', 1(3):88-91.
-[[Léonie Pienaar|Pienaar, Léonie]] 1941. Toneelonderrig in die skool. ''Huisgenoot'', 26(1029):23. Desember 12.
+[[Léonie Pienaar|Pienaar, Léonie]] 1941. Toneelonderrig in die skool. ''[[Huisgenoot]]'', 26(1029):23. Desember 12.
 [[Samantha Pienaar|Pienaar, Samantha]] 1997. ''Fitting the Word to the Action: An Ethnographic Journey Into Theatre'', by [[Neilesh Bose]]. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&2):323-324.
@@ Line 37: / Line 37: @@
 [[Samantha Pienaar|Pienaar, Samantha]] 2002. ''Songs of the Women Migrants: Performance and Identity in South Africa'', by [[Deborah James]]. Reviewed in: ''[[South African Theatre Journal]]'', 16:228-229.
-[[Pieter-Dirk Uys]], in Herber, Avril 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: Bateleur. 90-96.
+[[Pieter-Dirk Uys]], in Herber, Avril 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: [[Bateleur Press]]. 90-96.
 [[Pieter-Dirk Uys]], in Watterson, Lore (ed.). 2009. ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 214-215.

@@ Line 12: / Line 12: @@
 [[Michael Picardie|Picardie, Michael]] 1999. A comparative perspective on two plays by South African women ([[Gcina Mhlope]], [[Fatima Dike]]). ''Contemporary Theatre Review'', 9(2):39-50.
-[[Michael Picardie|Picardie, Michael]] 2009. The drama and theatre of two South African plays under apartheid. Unpublished master’s thesis. Aberystwyth: Aberystwyth University.
+[[Michael Picardie|Picardie, Michael]] 2009. ''The drama and theatre of two South African plays under apartheid''. Unpublished master's thesis. Aberystwyth: Aberystwyth University.
 [[B. Pienaar|Pienaar, B.]] 1985. Deon: hoe yswind sy gesig verlam het ([[Deon van Zyl]]).  ''Huisgenoot'', 12-13. Oktober 17.

@@ Line 38: / Line 38: @@
 [[Pieter-Dirk Uys]], in Watterson, Lore (ed.). 2009. ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 214-215.
-[[Annel Pieterse|Pieterse, Annel]] 2014. Polanski and Perception: The Psychology of Seeing and the Cinema of Roman Polanski, by David Caputo. Reviewed in: ''[[South African Theatre Journal]]'', 27)2:151-155.
+[[Annel Pieterse|Pieterse, Annel]] 2014. ''Polanski and Perception: The Psychology of Seeing and the Cinema of Roman Polanski'', by David Caputo. Reviewed in: ''[[South African Theatre Journal]]'', 27)2:151-155.
 [[Henning Pieterse|Pieterse, Henning]] 1991. ''[[Die Keiser]]'' – ‘n teksontledingstrategie. ''[[Tydskrif vir Letterkunde]]'', 29(2):112-135.

← Older revision		Revision as of 13:48, 26 June 2014
Line 37:		Line 37:

	[[Pieter-Dirk Uys]], in Watterson, Lore (ed.). 2009. ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 214-215.		[[Pieter-Dirk Uys]], in Watterson, Lore (ed.). 2009. ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 214-215.
		+
		+	[[Annel Pieterse\|Pieterse, Annel]] 2014. Polanski and Perception: The Psychology of Seeing and the Cinema of Roman Polanski, by David Caputo. Reviewed in: ''[[South African Theatre Journal]]'', 27)2:151-155.

	[[Henning Pieterse\|Pieterse, Henning]] 1991. ''[[Die Keiser]]'' – ‘n teksontledingstrategie. ''[[Tydskrif vir Letterkunde]]'', 29(2):112-135.		[[Henning Pieterse\|Pieterse, Henning]] 1991. ''[[Die Keiser]]'' – ‘n teksontledingstrategie. ''[[Tydskrif vir Letterkunde]]'', 29(2):112-135.

← Older revision		Revision as of 09:28, 6 September 2013
Line 19:		Line 19:

	[[Hans Pienaar\|Pienaar, Hans]] 1999. Die Engelse KKNK... ''Insig'', 08/99: 41.		[[Hans Pienaar\|Pienaar, Hans]] 1999. Die Engelse KKNK... ''Insig'', 08/99: 41.
		+
		+	[[L. Pienaar\|Pienaar, L.]] 1951. Gebrek aan dramaturge. ''Helikon'', 1(1):12-14.

	[[L. Pienaar\|Pienaar, L.]] 1952. Dramaturg en die regisseur. ''Helikon'', 1(3):88-91.		[[L. Pienaar\|Pienaar, L.]] 1952. Dramaturg en die regisseur. ''Helikon'', 1(3):88-91.

@@ Line 36: / Line 36: @@
 [[Pieter-Dirk Uys]], in Watterson, Lore (ed.). 2009. ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 214-215.
-[[Hennie Pieterse|Pieterse, Hennie]] 1991. ''[[Die Keiser]]'' – ‘n teksontledingstrategie. ''[[Tydskrif vir Letterkunde]]'', 29(2):112-135.
+[[Henning Pieterse|Pieterse, Henning]] 1991. ''[[Die Keiser]]'' – ‘n teksontledingstrategie. ''[[Tydskrif vir Letterkunde]]'', 29(2):112-135.
 [[Dudley Pietersen|Pietersen Dudley]] 1999. Patterns of change; audience, attendance, and music at the 1994 [[National Arts Festival|Grahamstown Festival]]. ''Contemporary Theatre Review'', 9(2):61-70.

@@ Line 47: / Line 47: @@
 Click on the appropriate letters of the alphabet in the sub-list below.
-[[ESAT Bibliography P-Pea|P-Pea]] [[ESAT Bibliography Peb-Ph|Peb-Ph]] [[ESAT Bibliography Pia-Pie|Pia-Pie]] [[ESAT Bibliography Pif-Po|Pif-Po]] [[ESAT Bibliography Pre-Pz|Pre-Pz]]
+[[ESAT Bibliography P-Pea|P-Pea]] [[ESAT Bibliography Peb-Ph|Peb-Ph]] [[ESAT Bibliography Pia-Pie|Pia-Pie]] [[ESAT Bibliography Pif-Po|Pif-Po]] [[ESAT Bibliography Pra-Pz|Pra-Pz]]
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